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A mixed lot of collectable ceramics, including Locke & Co vase painted with robin redbreast by Lewis (af), two pieces of modern Belleek, 19th century copper lustre jug and goblet, 19th century relief moulded stoneware jug, majolica plate and a Hummel figure (8).
A 28 BORE JAPANESE SNAP MATCHLOCK MUSKET, CIRCA 1870. with octagonal swamped sighted barrel formed with a vase-shaped muzzle encrusted with a series of silver ribs, inlaid over the breech in soft metal with an exotic bird and traditional foliage, integral pan (pivot-cover and fence missing, patinated), the breech enclosed by a broad engraved brass band decorated with a stylised warrior mask, brass lock engraved with scrollwork and a flower, sprung serpentine, cherrywood full stock impressed with characters and applied with a long panel of engraved brass enriched with silver plaquettes beneath the fore-end, applied over the spine with a shaped brass plaque engraved with cloud ornament, and brass mounts including trigger-guard and trigger-plate, and silver foliate barrel bolt escutcheons (ramrod missing). 100cm; 39 3/8in barrel
A 32 BORE JAPANESE SNAP-MATCHLOCK MUSKET, CIRCA 1870. with octagonal swamped sighted barrel formed with a vase-shaped muzzle encrusted with silver behind, signed beneath the breech and inlaid on top with with foliage and a tiger (losses, areas of pitting), the breech enclosed by a brass band, brass lock, sprung serpentine, cherrywood full stock, applied with engraved silver rosettes, and brass mounts including trigger-guard, silver rosette barrel bolt escutcheons, and later wooden ramrod. 102.3cm; 40 1/4in barrel
AN 11 BORE JAPANESE SNAP-MATCHLOCK MUSKET, CIRCA 1870. with heavy tapering barrel retained by a brass breech band (areas of pitting), vase-shaped muzzle incorporating a triangular fore-sight, pierced block-shaped back-sight, inlaid with a silver mon over the breech and signed beneath, integral pan with brass pivot-cover and fence, brass lock, sprung moulded brass serpentine, brass trigger, cherrywood full stock (minor repairs), signed in ink beneath the breech, brass mounts including trigger-plate, and foliate barrel bolt escutcheons, and original ramrod. 69.2cm; 27 1/4in barrel. The signature beneath the breech reads:. `Gotei no uchi Kaei boshin natsu` (Kaei year, summer) `Tamaoki Naohito ...Koshu, Kunitomo...Kiyo..` and on the stock `Yoshida Saburousukezaemon`, perhaps the name of the owner..
AN 18 BORE INDIAN MATCHLOCK MUSKET, LATE 18TH CENTURY. with tapering barrel formed with a fluted vase-shaped muzzle, decorated with bands of silver beadwork and retained by six string bands, strongly tapering at the breech, inlaid with a gold inscription on the left and fitted with standing back-sight, steel pan with pivot-cover, hardwood full stock with faceted hook-shaped butt, and horn butt-cap (areas of wear, ramrod missing). 112cm; 44in barrel
A Wedgwood Masterpiece series athena vase, engine turned three colour jasper, after an original design of c. 1785, Limited Edition, no: 146 of 200, with certificate and a Wedgwood sage green Jasperware lidded vase, with the knop modelled as an infant above two doves, the main body decorated with foliate scrolls and ribbons, on a square pedestal base
Two Wedgwood Limited Edition diced goblets, in pale blue, white and sage green jasper, commemorating the Royal Silver Jubilee 1977, no: 298 of 750 and commemorating the bicentennial of American Independence, no: 117 of 200 and a Wedgwood Limited Edition three colour diced Jasperwre vase, commemorating the bicentenary of the Perfection of Jasper by Josiah Wedgwood, no: 117 of 200, all boxed and with certificates
A Moorcroft Leaf and Berry pattern bowl, against a green ground, green initials to the underside and impressed marks and a Moorcroft Hibiscus pattern vase, against a shaded green/blue ground, applied label to the underside, `Potters to the late Queen Mary`, diameter of bowl 16.5cm, vase 18cm high
LARGE JAPANESE IMARI CHARGER MEIJI PERIOD of circular form, with central circular panel containing a vase of flowers sitting on a low table, framed by a wide border profusely decorated with geometric forms, stylised trees and two phoenix, the underside painted in blue with stylised flowers and foliage 63cm diameter
LOUIS XV STYLE GILT BROZE AND MARBLE CLOCK GARNITURE LATE 19TH CENTURY of vase form with twin loop handles and pineapple finial, suppotrted by two cherubs and raised on a platform base with toupie feet, togther with a pair of four light candelabra (3) clock, 44cm high, candelabra, 40cm high
Bayntun-Riviere binding. The Crock of Gold, by James Stephens, Macmillan, 1912, half-title, one or two minor marks, biro price on prelim. blank, marbled endpapers, a.e.g., recent crushed green morocco by Bayntun-Riviere (signed on front pastedown), spine lightly faded, dotted line roll decorated raised bands, gilt lettered direct in second and third compartments, remainder with vase tool in centre and roundel at each corner, date lettered at foot, covers with gilt single fillet border, upper cover with gilt vign. of a dwarf with a large vase, dotted roll on edges, turn-ins with gilt single fillet outer border, and scallop roll, dotted roll, and single fillet inner border, with fleuron cornerpieces, large 12mo (1)
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653685 item(s)/page