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A Royal Worcester two handled pedestal ovoid vase and cover, painted by Terrance Nutt, signed with blue tits, upturned basket and fruit, the verso with parrot pecking fruit, pineapple finial, the base in relief with stiff acanthus leaves, flying scroll handles, circular base, square plinth, 38cm high, printed crown and circle mark in gilt, dated 1989
A Royal Worcester lobed oval dish, painted by E. Baker, signed, with goldfinch perched on rose hips, gilt line rim, 28cm wide, printed crown and circle mark, date code for 1932; a similar bowl, printed and painted with the village of Cropthorne, 18cm diam, printed crown and circle mark, date code for 1941; a Royal Worcester pedestal ogee shaped vase and cover, printed and painted with fruit swags and foliage, blush ivory neck and foot, 26cm high, printed crown and circle mark, date code for 1903, 2426 (3)
Ceramics and Glass - Art Deco style continental jug; a Danish Danico ovoid vase, 11cm, impressed marks, early 20th cenruty; 19th century and later glassware; novelty comical dog bookends; an Art Deco style crinoline lady powder bowl and cover; miniature Japanese Kutani bottle vase; qty
A small Chinese famille verte baluster vase, painted with figures in a stylized interior in a C-scroll reserve in colourful polychrome, to verso with an exotic pheasant, butterfly and flowers, the neck with further reserves conforming, 11cm high, Canton, c. 1870
Ceramics - a Beswick figure of a seated Chimpanzee, paper label to base; a Branksome china polar bear; a brown bear figure, made in the USSR; another, similar, panda; a Beswick donkey; a Beswick calf; etc; a cast figure of two fairies with frog, boxed; Flower Fairies plates; Flower Fairies books; a West German ceramic vase; a cast timepiece as a pair of leaping dolphins; a Royal Doulton jardiniere; a fish glug jug; etc.
A Japanese iron panelled baluster vase, cast in high relief with scattered seashells, the neck in alternating high and relief with scrolling stylized waves, 26.5cm high, pad feet, character marks to base within a rectangular seal, Edo or Meiji period, 19th century or earlier
A GROUP OF WEMYSS WARES 'CABBAGE ROSES' PATTERN, EARLY 20TH CENTURY comprising a LARGE BEAKER VASE, decorated by Joe Nekola, 28cm high; a JAPAN VASE, decorated by Edwin Sandland, 21cm high; and a TRAY, decorated by Joe Nekola, 28cm long; each with painted and impressed marks WEMYSS (3)
A GROUP OF WEMYSS WARES EARLY 20TH CENTURY comprising a SMALL 'YELLOW IRISES' JAPAN VASE, impressed mark WEMYSS WARE/ R. H. & S., printed retailer's mark T. GOODE AND CO., 15cm high; together with a SMALL 'THISTLES' CHESHAM FERN POT, painted and impressed mark WEMYSS, 9cm diameter (2)
A LARGE WEMYSS WARE PANELLED VASE 'CHRYSANTHEMUMS' PATTERN, DATED 1930 decorated by Joe Nekola, painted mark WEMYSS/ 1930/ J.N. (restored neck) 53cm high Note: The Wemyss factory closed in 1930. Joe Nekola then moved the production of Wemyss ware to the Bovey Tracey factory in Devon.
A WEMYSS WARE 'EARLSHALL' TOILET SET EARLY 20TH CENTURY each piece decorated with windmills, rooks and trees in a landscape, painted marks EARLSHALL, comprising a EWER & BASIN, ewer 25cm high, basin 40cm diameter; a CHAMBER POT, 22.5cm diameter; a BEAKER VASE, 11.5cm high; a SOAP DISH, LINER & COVER, 15cm diameter; and a SPONGE DISH & LINER, 20.5cm diameter (6)
EDINBURGH PHRENOLOGICAL INTEREST - AN EARLY 19TH CENTURY AMERICAN SILVER TWO HANDLED PRESENTATION VASE JAMES THOMSON, NEW YORK CIRCA 1839 marked to the underside four times 'Jas Thomson', the rising bold leaf clasped handles to a baluster vase shaped body, decorated with leaf framed cartouches framing profiles of gentlemen related to The Phrenological Society, central cartouche engraved inscription to George Combe from students at lectures in New York 1839 and praising his knowledge, leaf clasped stem to a spreading foot with framed vignettes of various animals and birds, further engraved round the foot rim stating Thomson awarded a medal from the American Institute for the quality of workmanship in the vase, contained in the original fitted mahogany box, hinged lid, brass carry handles, together with the original hand written list of subscribers 41.5cm high including stand, 47oz Note: George Combe born and named after his father in Edinburgh. After attending the High School of Edinburgh and the University of Edinburgh, Combe entered the legal profession in 1804, and in 1812 he began his own practice. The Combe family lived together at 25 Northumberland Street in the New Town until at least 1833. He founded the Edinburgh Phrenological Society in 1820 and was the author of the highly influential The Constitution of Man (1828). The Edinburgh Society was the first and foremost phrenological grouping in Great Britain; more than forty phrenological societies followed in other parts of the British Isles. The Society's influence was greatest over the next two decades but declined in the 1840s; the final meeting was recorded in 1870. At the home of the Phrenology museum in Chamber's Street in Edinburgh there are four heads at the top of the windows, those of Combe, and other leading members, Franz Joseph Gall and Johann Gaspar Spurzheim; these appear to be the same as the ones on the piece offered here for sale. James Thomson, silversmith: First recorded in New York in 1834 at 129 William Street NY and later in Brooklyn. He followed his father William in the trade and James' brother, also a silversmith, took control in 1840 and then sold to Zalmon Bostwick around 1845. Thomson was very well respected in the New York trade and made several award-winning pieces including the lot offered here which was awarded a gold medal from the American Institute for Superior Workmanship. One other piece by Thomson which was also a medal winner was the McKeon vase designed by Sculptor Robert Ball Hughes in 1837. Strong similarities can be seen in the decorative work and also the engraving on this vase and the Combe vase.
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653833 item(s)/page