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AN INTERESTING COLLECTION OF NOVELTY SILVER DESK ITEMS, comprising a small stamp case, Birmingham 1904, mark of Charles Penny Brown, with double framed lid containing a half penny stamp and a one penny stamp, and opening to reveal a fitted leather interior; a silver mounted and cut glass inkwell, marks rubbed, of square form; and a small bud vase, Birmingham 1980, mark of W I Broadway & Co, with wavy machined rim. 12cm high. (3)
A Royal Worcester 'Blush Ivory' jug, dated 1898, shape no. 1094, decorated with flower sprays with gilt details, base with green mark, LD initial and Rd No. 29115, 12 cm tall, another 11 cm and a two-handled bud vase with puce mark for 1917, 13 cm H, all without visible damage or repair and minimal wear (3)
A late 19th / early 20th Century Art Nouveau patinated-metal vase after Melle Sibeud, having a 'Jack in the pulpit' style neck decorated in relief with cast foliage, the globose body bearing addorsed female busts, signed Melle Sibeud, with Fabrication Francaise foundry mark, 45 cm
A late Victorian silver epergne, comprising a central bud vase of organic form, surrounded by three further similar, above an dish with everted rim and ebonized base, bearing a plaque engraved '1889-1914 Mr and Mrs Cooper', G E Walton & Co, Birmingham, 1912, 31 cm
E. M. B. C [?] (19th Century) Still life study of anemones in a glass vase, watercolour and bodycolour, framed and mounted under glass, signed and dated 1902, 30 x 45 cm By family tradition this work was painted by an ancestor / relative of Alfred and William Heaton Cooper
Stephanie Dingle (b.1926) Late Summer Roses, painterly depiction of red and pink blooms in a pottery vase, oil on board, framed, having Manchester Art House "The Gallery" paper label verso with original purchase price of £400, 18 x 24 cm Stephanie Dingle was born in Lancashire in 1926, and after growing up in Dalton-in-Furness, trained as a nurse and midwife. Stephanie later studied at the Warrington School of Art, where she was taught by esteemed Northern artist Will Turner. It was here she developed her distinctive naïve, simplified style. Her work can be found in numerous private and public collections, including the Manchester City Gallery.
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