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A C H Brannam Barum Ware vase by William Baron, 1892, ovoid with tall cylindrical neck and applied scroll handle, and everted top rim, painted with fish swimming amidst waterweed, in green, tan and blue on a pale yellow ground, a Brannam plate tubeline decorated with Art Nouveau flowers and a collection of Brannam Pottery and a vase by Horace Elliot, incised marks, restored neck, 25cm. high, (a lot) Provenance The David Coachworth and Peter Myers Collection.
'Leaf and Berry' a rare Moorcroft Pottery vase designed by William Moorcroft, shouldered form with collar rim, tubeline decorated in shades of purple, red, blue, green and ochre on a graduated ground, impressed factory marks, painted blue signature, 16.5cm. high Catalogue notes It is rare to find the Leaf and Berries pattern decorated in the colours used for the Pomegranate design.
A C H Brannam Pottery vase , slender, pear shape with applied handles, incised and painted with birds amongst stylised foliage in shades of blue, green and brown, and a collection of Brannam Pottery, main vase unsigned, 38.5cm. high (a lot) Provenance The David Coachworth and Peter Myers Collection.
'Leaf and Blackberry' a tall Moorcroft Pottery baluster vase designed by William Moorcroft, tubeline decorated, painted in colours under a rich flambe glaze, impressed factory marks, painted blue signature and applied paper label, base with glazed, drilled hole for lamp fittings, 32cm. high
A C H Brannam Barum Ware vase by Frederick Braddon, dated 1907, shouldered form with three applied handles, slip decorated with Art Nouveau flower stems, in shades of blue, green and brown on a graduated ground, a Brannam vase decorated with a similar flower on blue ground, and another Brannam vase similar, incised marks, 28.5cm. high (3) Provenance The David Coachworth and Peter Myers Collection.
A modern Moorcroft Pottery vase, dated 2000, large ovoid form tubeline decorated in colours on a cream ground, another modern Moorcroft Pottery 'Golden Lily' vase, a Moorcroft Pottery 'Hibiscus' solifleur vase and an 'Anemone' bowl designed by Walter Moorcroft impressed and painted factory marks, 27cm. high, (main vase) (4)
An early Bursley Ware Pomona vase designed by Charlotte Rhead, pattern no.456, shouldered form with loop handle, tubeline decorated in colours on a brown ground, printed factory mark, painted number, 27cm. high Literature Bernard Bumpus, Charlotte Rhead Pottery & Designer, Kevin Francis Books, page 37 this shape illustrated.
‡Trevor Corser (1938-2015), attributed a Leach Pottery cut sided vase with cylindrical neck, covered in an olive green glaze to the foot, and a small Lowerdown Pottery vase, ovoid covered in a celadon glaze with blue brushed design, impressed seal marks flooded, 29.5cm. high (2)
An Art Nouveau C H Brannam Barum Ware vase made for Liberty & Co, tapering cylindrical form with everted, fluted top rim, incised and slip decorated with stylised flower stems, another Brannam jug made for Liberty & Co slip decorated with foliate roundels on a yellow ground, and a Brannam twin-handled vase made for Liberty stamped marks, 30.5cm. high (3) Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, V&A Museum, page 83, D225A, D225G and D222K.
‡William Staite Murray (1881-1962) a stoneware combed vase, shouldered form with cylindrical neck, the swollen body with finely combed decoration, glazed in brown and translucent ash glazes, impressed M pentagon mark, incised B and painted PF, 23cm. high Provenance Edward 'Eddie' Ball, Belvedere Kent Private collection.
‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery bowl, dated 1997, flaring footed from painted to the well with a ruby lustre roundel design, inside bands of painted white foliate motif and ruby lustre bands on a tin-glaze, and another similar painted in blue and white on a tin-glaze, and a St Ives Pottery vase by John Bedding painted marks, 32cm. diam. (3) Provenance Property of a lady with title
An Art Nouveau C H Brannam plate by Frederick Braddon, dated 1905, slip decorated with three radiating flowers, in blue, green and brown on a green ground, two Brannam Owl pots made for Liberty & Co, three other vases and a Lauder vase decorated with scaly fish, incised marks, 27.5cm. diam. (7) Provenance The David Coachworth and Peter Myers Collection.
An Art Nouveau C H Brannam Barum Ware vase by Frederick Braddon, dated 1904, baluster form with twin strap handles, slip decorated with stylised Art Nouveau tulip flowers, in green and white on a green ground, and two Brannam motto tygs incised marks, 18.5cm. high (3) Provenance Peter Myers Collection Exhibited Liberty's 1875-1975 An Exhibition to Mark the Firm's Centenary, V&A Museum, page 82, cat. no.D.225D (main vase)
An Art Nouveau C H Brannam vase by Frederick Braddon, dated 1910, slender, shouldered form, pieced and modelled in low relief with a scaly fish in turbulent water, in shades of green and black on a blue ground, incised C H Brannam, Barum, 1910, FB, PFM paper label, 39cm. high Provenance Peter Myers Collection. Exhibited Liberty 1875-1975, An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, July-October 1975, catalogue number D226 Literature Liberty 1875-1975, Victoria & Albert Museum, page 83 catalogue number D226 this vase illustrated.
A Liberty & Co vase and candlestick garniture, probably made by Gouda, painted with a band of heart-shaped foliage in yellow and blue on a green ground, and a collection of art pottery, incised marks, painted Liberty, 28cm. high (a lot) Provenance The David Coachworth and Peter Myers Collection.
Franz Xavier Bergman (1861-1936) Arab reading on a prayer carpet, a cold painted bronze, and two other cold painted bronzes one an Arab selling a carpet, the other an Arab praying on a carpet with a resting camel, Arab reading bronze with cast B vase mark to base 12cm. wide, (3)
A Mortlake Pottery stoneware vase by George J Cox, dated 1913, shouldered form with collar rim, covered in a mottled puce glaze with sky blue running glaze from the neck, another smaller Mortlake Pottery vase dated 1912 and a Frances Richards stoneware vase incised Mortlake 1913 and artist monogram, hairline to top rim, 24.5cm. high (3) Provenance Peter Myers and David Coachworth
Nelson Dawson (1859-1941) a rare Chiswick Mall vase, dated 1917, cylindrical form with flat, lug handles, cast in low relief with a coat of arms, covered in a crackled off-white glaze, and a Charles Vyse porcelain bowl dated 1931, incised mark and date, 15cm. high, (2) Provenance The David Coachworth and Peter Myers Collection.
A Pilkington's Lancastrian vase, dated 1911, shape no.2085, shouldered form, covered in a pale lavender glaze over turquoise, two other matt glaze Pilkington's vases and a Pilkington's Royal Lancastrian vase, and a bowl covered in a matt blue glaze, a vase moulded in relief with flower petal design, covered in a pale mint glaze, and two matt glazed vases, impressed factory marks, 27.5cm. high (5) Provenance The David Coachworth and Peter Myers Collection.
A Foley Intarsio vase designed by Frederick Rhead, model no.3015, pear shaped with single scroll handle, printed and painted with columns of flowers and foliage, in colours, another Foley Intarsio vase, model no.3441, and a Foley Intarsio vesta model no. 3089, printed factory marks, chip to base rim of second vase, 30.5cm. high (3) Exhibited Liberty 1875-1975, An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, July-October 1975, catalogue number D221C Literature Liberty 1875-1975, Victoria & Albert Museum, page 81 catalogue number D221C this vase illustrated. Provenance The David Coachworth and Peter Myers Collection.
A Late Foley Shelley Intarsio vase designed by Walter Slater, model no.3639, compressed form, printed with scrolling foliage panels in colours, four other Intarsio vases and a Foley Intarsio jug, various printed marks, crocus vase handles restored, 10cm. high (main vase), (6) Provenance The David Coachworth and Peter Myers Collection.
A Foley Intarsio vase designed by Frederick Rhead, model no.3343, shouldered form, printed and painted with a frieze of medieval maidens on a bridge, in colours, and a Shelley Late Foley Intarsio vase decorated with Art Nouveau flowers and foliage, printed factory marks, 29cm. high (2) Provenance David Coachworth and Peter Myers collection.
'Powder Blue' a Moorcroft Pottery vase designed by William Moorcroft, cylindrical form, with flaring rim, covered in a speckled blue glaze, a pair of Moorcroft 'Powder Blue candlesticks, a pot and cover, tray similar, a small orange glazed bowl, and a small collection of ceramics impressed marks, 15.5cm. high (a lot) Provenance The David Coachworth and Peter Myers Collection. Liberty 1875-1975, An Exhibition to Mark the Firm's Centenary, Victoria & Albert Museum, Victoria & Albert Museum, July-October 1975, page 100 catalogue number E27.
A James Macintyre & Co Aurelian Ware vase designed by William Moorcroft, shouldered form, printed with Art Nouveau flower stems in blue and iron red, highlighted in gilt on a white ground, and a Macintyre Gesso Faience Ware jug, printed factory marks, 21.5cm. high (2) Provenance The David Coachworth & Peter Myers Collection.
A selection of silver and white metal mounted hobnail and other cut glass jars, including two perfume bottles, one in a pierced cover by Levi and Salaman, Birmingham, 1902, 14cms, a silver mounted spirally fluted glass vase, by William Hutton & Sons, Birmingham, 1905, 16cms, etc, 2.8oz gross (weighable silver)
A pair of Japanese Kutani elephant figures, each mounted with a seating pedestal and three figures, 24cms high; along with other Asian ceramics, including: a vase; six circular plates decorated with lakeside scenes framed with cherry blossoms; and two circular lidded pillboxes.
Four Prattware pot lids, including: "The Wolf and the Lamb", "The Times" and "A Pair", each in stained wood mount; together with a selection of other ceramics and glassware. including a Dresden figure of a ballerina; a Royal Crown Derby miniature ewer; a Crown Staffordshire miniature vase; two Norwegian Christmas plates; five green and clear glass wine glasses; a green glass vase; and other items.
A selection of ceramics, glassware and other items, including: a Villeroy and Bosch 'Amarillo' pattern jug, bowl and plate; a pair of Larry jugs; a Royal Albert 'Old Country Roses' pattern telephone; a Langhan glass fox paperweight; a Mdina glass vase; group of Inuit carvings and other items by makers including Wedgwood, Paragon and Royal Worcester.
A 20th Century Japanese vase decorated with panels of flower heads and trees, 31cms high; along with a selection of other Asian items including: a rootwood figure of a seated man; a terracotta-style figure of a street vendor; two lidded trinket boxes; various stands; and other items.
Set of twelve crystal glasses, etched with thistles, together with matching jug; along with a Victorian clear and overlaid cranberry glass decanter with stopper and six matched liqueur glasses; pair of crystal table lamps (lustres lacking) and a stemmed glass vase.
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653685 item(s)/page