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A collection of contemporary studio pottery, including a stoneware ginger jar and cover by Benjamin Eeles for Shepherds Well Pottery decorated with a blue floral spray, impressed mark and paper label, height 17cm, a footed circular vase decorated with a repeat diamond pattern and a plate decorated with a black wave pattern. (3)
An early 20th Century Royal Worcester shape 1215 vase of globe and shaft form, transfer printed and painted with flora springs over a blush ground with gilded highlights, date code for 1905, together with a similar period Locke & Co vase hand painted by C. Morris with a Pheasant to a landscape setting over blush ground beneath a reticulated border, tallest 16cm. (2)
A collection of three early 20th Century Bohemian iridescent glass vases, comprising a Kralik vase of tapering form with folded rim decorated with applied leaves and berries to the iridescent ground, height 16.5cm, a waisted vase, possibly by Rindskopf with an applied snake to the dimpled iridescent ground, and a vase of square section decorated with amber mottling. (3)
Three pieces of later 20th Century Scandinavian glass, two Orrefors vases by Sven Palmqvist, the first of compressed ovoid form engraved with thistles, engraved signature, height 20cm, the second of square section with canted slice cut corners, engraved with a woman watching birds, engraved signature, and a Holmegaard soap bubble vase designed by Per Lutkin, in a smoke grey tint. (3)
A collection of seven assorted Whitefriars and similar vases, to comprise a pattern 8886 ribbon trail vase of bucket form designed by Barnaby Powell in sapphire blue, height 20cm, a golden amber optic moulded vases, two 9655 tapering cased vases in ruby and twilight, to lobed vases in ruby and kingfisher blue and a compressed vase cased in blue over amethyst. (7)
A later 20th Century studio glass vase by Chris Thornton of shouldered form, decorated with spots in green and a petrol iridescence on the mottled, swirling grey ground, height 13cm, together with two paperweights, the first with iridescent trails and gold aventurine on the blue ground, the other with mottled spots and trails in earth tones against the clear ground. (3)
A collection of three pieces of contemporary Peter Layton studio glass, comprising a vase of footed high sided form decorated with pink and amber spotting over mottled opal, engraved signature, height 10.5cm, a paperweight of compressed tear drop form, decorated with an abstract landscape in spots and fine canes over a mottled and swirled pink, blue and yellow ground, unsigned, and a fan sculpture, the cylindrical base pulled and twisted with internal green trails around a mottled amber core, cased in clear, engraved signature. (3)
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653685 item(s)/page