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A Chinese blue & white dragon vase, Qing, 19th/20th century, with flaring rim above a long neck and compressed baluster body, painted with two scaly dragons, each writhing amongst clouds chasing a flaming pearl, on a slightly inverted tapering circular foot, 27.5cm, on wood stand 32.5c overallPierced in the centre of the base, some light surface scratches, otherwise in good condition with no obvious chips, cracks or signs of restoration. The stand missing a slither from the rim, some age cracks.
A pair of Chinese blue & white ovoid vases, painted with figures before buildings and a mountainous background, verso a flock of birds in flight, between bands of peaches, flowers and leaves, four character Kangxi mark, 18cmSome light glaze scuffs to the rim of one vase, otherwise both vases in good condition with no obvious faults.
A Chinese famille verte vase, Qing, 19th century or later, the shoulder painted with birds amongst fruiting pomegranate trees, the main body with cranes and deer with lingzhi fungus and pine trees, apocryphal six character Wanli mark within two concentric rings, 20.5cmThe glaze with large crazing. No obvious chips, hairline body cracks or signs of restoration.
A Chinese porcelain blue & white vase and cover, in the Kangxi style, of inverted baluster form painted with blossoming prunus trees against a scale blue ground, two underglaze blue concentric rings to the base, 35cmThe glaze on the outer rim of the cover is scuffed all the war around. No obvious chips, cracks or signs of restoration.
A Chinese porcelain Doucai vase, possibly republic period, the shoulder painted with leaves above light aubergine elephant mask and iron red ring handles, the main body painted with bands of lotus flowers and scrolling tendrils, apocryphal Qiqanlong seal mark, 12.2cmSome slight surface marks, otherwise in good condition.
A large pair of Chinese Famille Rose porcelain baluster vases, Qing dynasty, late 19th century. Painted with courtiers, guards and officials in interior scenes and with applied salamander handles. 62 cm high.One vase shows signs of professional restoration.I am including some images to show the area of damage but it is very difficult to show the area as it is coated in colour and glaze/ laquer. See imagesFor clarity: The damage seems to be situated around the neck and shoulder of one vase and it has been restored.The foot ring of each vase seems intact without damagePlease refer to the images for clarification.
A Chinese sang de boeuf brush pot, apocryphal Qianlong seal mark, 5.5cm high; a buff orange ground brush pot painted with gilt butterflies, apocryphal six character Guangxu mark, 6.8cm high; and a small blue & white vase, painted with a dragon amongst clouds, 9.3cmAll with no visible chips, cracks or signs of restoration.
A Chinese double gourd vase, huluping, with a deep blue/purple glaze, 17cm, on wood stand 22cm overall, a blush rose vase with six character Guangxu mark, 13.8cm; a turquoise glaze vase, 18.5cm ; and a liuyeping shape vase (A/F), with six character Kangxi mark, on wood stand 17.3cm overallAll but the liuyeping vase in good condition.
A Chinese wucai xiantuiping vase, the short waisted neck with bladed lappets above a diaper band, the cylindrical body painted with red scrolling clouds above a courtly figure holding a ritual Hu with attendants in a fenced garden with rocks and palm tree, 21.3cmIn good condition with no obvious faults.
A Chinese famille rose wall mounted plaque, modelled as a vase and cover with peach knop tied with ribbons, painted with a Shou symbol and lotus flowers and tendrils against a yellow ground, apocryphal six character Qianlong mark, 18.5cmIn good condition with no obvious visible faults.
A Chinese famille rose longevity and blessings vase, early 20th century, painted with bats, lotus flowers and double Shou symbols above a band of false gadroons, 43.5cmA restored rim chip from which issues a 3.5cm hairline crack, and a further 5cm long hairline crack issuing from small knock on the rim.
A Chinese famille rose boys vase, Republic period or later, of baluster form, painted with five boys playing in a garden, one child being wrestled whilst peaches fall from his basket, amongst turquoise rocks and bamboo shoots, four character Jurentang Zhi mark, 24cmGilding to the rim slightly rubbed, otherwise in good condition.
Scandinavian vintage glassware, comprising a green glass Disko bowl and Drop vase and a pewter colour Birds Eye bowl, each designed by Per Lutken for Holmegaard, the bowl 12.5cm high & 26cm dia, the vase 15cm high & the bowl 13cm dia, a pair of clear glass candlesticks and a Seaweed vase, each designed by Vicke Lindstrand for Kosta Boda,15cm and 18.4cm respectively, all items with engraved marksA private Hertfordshire collector.The seaweed vase is generally in good condition, although is does have a band of calcified water near the top. No obvious chips or surface scratches.The birds-eye bowl has a band of small surface scratches almost entirely around its widest point, otherwise no obvious chips.The drop vase has a 5cm & 2cm light surface scratches and small surface scratches around the base, no obvious chips.The Disko bowl has a very tiny nibble to the footrim, otherwise no obvious chips or surface scratches.The pair of candlesticks are in good condition with no obvious faults visible.Generally, one could comment that the surface scratches around the base of those mentioned are commensurate with age. Most flaws visible in images.
A Scottish art glass bowl designed by Morag Gordon, the dee sided blue glass body with etched sinuous figures, engraved artist marks, 22cm dia, 14cm high; and a Scottish art glass vase designed by Graham Muir, the pewter coloured body with white sinuous lines and a sky blue rim, engraved signature, 14.5cm
An early 20th Century William Moorcroft Pomegranette vase on an ochre background, base signed W Moorcroft 1914, together with a Moorcroft vase of tapered form with flowers on a cobalt blue background, signed Moorcroft in green to the base. Dimensions, height, pomegranate vase 15 cm, the diameter of rim 9 cm, the height of taller vase 21cm, the diameter of the rim 12cmcBoth vases appear to be in good condition, with typical crazing.
A Chinese blue & white porcelain dragon vase, painted with two opposing dragons amongst auspicious fruits and flowers to include peaches, bamboo shoots, spider chrysanthemum, lotus leaves and flowers, floral sprigs, pomegranates, the underside with two concentric blue rings, 37cm
A pair of Chinese blue & white hexagonal vases, painted with figures heading towards a mountain retreat, the opposing side with figures in a boat, walking and in a dwelling before tall tree and mountains, 24.5cmThe head of one handle broken off and glued. The other vase has a graze knock on one corner of the shoulder, otherwise no further chips, cracks or signs of restoration.
An early 20th Century continental posy bowl by Kralik of compressed ovoid form with triform rim decorated with applied iridescent green trailing over the pearlised ground, height 11cm, together with another Kralik posy vase of tapered sleeve form with a frill collar neck decorated with applied iridescent green trailed line and amber 'moondust' over the pearlised white ground, unmarked, height 12cm. (2)
A large late 19th Century Stevens & Williams cameo glass vase of swollen ovoid form with tall flared collar neck with large basal knop, cased in opal over ruby and cut with flowering hydrangea between scalloped borders, full engraved signature around the edge of the foot rim, height 31cm.
A late 19th Century Stevens & Williams Rockingham posy vase of ovoid form, decorated with mottled silver and citrine inclusions over a cranberry ground, raised on three clear feet and applied clear rim decoration, together with a graduated ruby to opal crackle glass vase of squat ovoid form with flared neck and frilled rim, with applied green uranium feet modelled as stylised leaves and a small cranberry bowl with applied green uranium frilled decoration, tallest height 23.5cm. (3)
A late 19th Century Thomas Webb & Sons Ivory Cameo glass vase of spherical form with hexagonal rim, cut in the Aesthetic taste with over lapping Japanese style mon discs with flowers, foliage birds and insects over a flowering bough picked out with cinnamon stain to the ivory ground, acid cut signature to the base, height 10cm.
A 19th Century Richardson clear cut crystal decanter, the shoulder form with deep mitre cut diamond design below a slice cut neck and matched hollow blown stopper, height 35cm, together with a later clear cut crystal glass vase of waisted cylinder form with a design of alternating panels of strawberry diamond and pin wheel stars, height 31cm. (2) Provenance - Richardson family and thence by descent.
A large glass bowl in double Graal technique glass vase from the Metamorphosis series by Peter Bremers, the footed ovoid body rising to a narrow neck, with hot worked knocked sides, cased in clear crystal over white spotted pattern with green line border, blown by Neil Wilkin, 2004, signed to the base Peter Bremers 04 NW Graal 412, height 31cm.
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653833 item(s)/page