An Italian Rimini Blu Bitossi stoneware vase,1970s, designed by Aldo Londi, of cylindrical form, tapering onto a cylindrical foot, incised with geometric decoration, glazed in blue and green tones, signed to the underneath 'Italy 1578', 25cm highCondition report: The foot with some chips, predominantly to the glaze. With some glazing chips to the rim. The lower edge of the body with scuffs - glazed rubbed through to a section of the edge. General scratches and marks throughout.
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*Laurel Keeley (b.1952),a stoneware vase and lid, of ovoid form, the partially glazed exterior with decoration of geese, impressed with potters mark to the bottom, raised on a tripod base, 26.5cm high, together with a stoneware bowlof irregular form, with incised, gilt, and brushed decoration, signed 'Laurel Keeley' to the base, 25 x 23cm, and a small lidded vessel, the lid with brushed and incised foliate decoration, with impressed potter's marks to the underneath,10cm high (3)Condition report: All with some scuffing throughout. The bowl with a small chip to the underneath.
A Bohemian Ruby Glass Chalice of Shaped Form with Acid Etched Hunting Scenes (Chip to Base) together with a Bohemian Glass Vase of Baluster Form with Acid Etched Scene depicting Deer. 19.5cms and 27cms High together with a 19th Century Cranberry Mary Gregory Style Vase
3rd century BC. A bronze ring with carinated hoop and conical shoulders decorated with deep volutes ending in scrolls around the bezel, set with an oval jasper intaglio gemstone bearing image of a warrior figure walking right, holding down sticks used to struck onto or beside an upturned vase. Cf. Ruseva-Slokoska, L., Roman Jewellery, Bulgaria, 1991, items 210-212 and 254-256, for the type; Chadour, A.B., Rings. The Alice and Louis Koch Collection, Leeds, 1994, item 46, for the typology of marching warrior; see also for discussion in Boardman, J. and Vollenweider, M.L., Catalogue of the Engraved Gems and Finger Rings I, Greek and Etruscan, Oxford, 1978. 20.74 grams, 33.86mm overall, 21.68mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12) (1 1/4"). From the late Alison Barker collection, a retired London barrister; from her collection formed 1960s-1990s. This typology of late Etruscan ring bezels was especially widespread, with slight variations, in the area of Todi. Boardman and Vollenweider identified a similar (but not identical) figure in carnelian with the image of Hercules (1978, no.230 p.55"). Fine condition, cleaned. A large wearable size.
c.4th-3rd century BC. An Etruscan high-footed shallow plate of pale brown clay, flared rim with wide, everted lip, supported by a short stem and widened foot with thick edge and concave top; interior decorated with a stylised four-armed star motif, trefoil pellets in each quarter, crested waves around; irregularly fired with black and red pigment; rim varnished black. 250 grams, 14.2cm wide (5 1/2"). Acquired before 1968. C.F. Maino collection, Medrisio, Switzerland, by descent. With Galerie Ostracon, Thalwil, Switzerland. Private Australian collection. Accompanied by a certificate of authenticity from Ostracon Gallery, Thalwil, Switzerland. Accompanied by a copy of the previous collector's cataloguing document. This plate belongs to the so-called Genucilia ware, which consists of a large number of plates on a low foot and without handles. Etruscan Genucilia ware was first classified by Sir John Beazley in his work Etruscan Vase Painting (Oxford, 1947"). The name applied to the plates is derived from an example with a female head bearing a dipinto under the foot. This ware has been found in large quantities throughout Latium and Etruria particularly in Caere, Falerii and Rome, and frequently found both in tombs, votive deposits, and buildings related to workshops and sanctuaries, as well as domestic contexts.For this specific lot, 5% import VAT is applicable on the hammer price Fine condition, foot repaired.
Keswick School of Industrial Arts, Arts & Crafts copper vase of cylindrical form, with slightly flared rim and foot, and incised stylised foliate scroll motifs, impressed KSIA, 28.5cm high.Condition:Surface highly polished with dent near base, slight deformation to rim.
Keswick School of Industrial Arts, Arts & Crafts small copper vase of cylindrical form with flared rim and foot, the hammered ground with repousse decoration of the symbols of St Kentigern (also Glasgow City crest) of a bird, tree, bell, fish and ring, impressed KSIA, 13.5cm high.
Keswick School of Industrial Arts, Arts & Crafts vase of flared form with domed circular foot and hammered finish, impressed KSIA Keswick J520, 21.5cm high, also a brass cream jug and matching sugar bowl designed by Herbert Maryon, 7.5cm high and 6cm high. (3).
Brannam Pottery ovoid vase, the tube lined green scrolls on black glazed ground, impressed marks, 22cm high; two black glazed sparrow beak jugs, 18.5cm and 16cm high; a black glazed cow creamer, 13cm high; a small globular teapot decorated with birds, 13cm high; a silver lustre twin handled cup, 14.5cm high and a small print mesh vase, 7cm high. (7).
Linthorpe pottery vase of squat lobed globular form with turquoise and yellow glazes, impressed mark and no. 1442, 15.5cm high; also a Linthorpe green glazed dish of lobed boteh form, no. 1466, 26.5cm long and a floral decorated side plate, no. 1700 and similar saucer, no. 1427, with impressed marks, two with hand painted initials. (4).Condition- Lobed vase - No obvious cracks or chips but fine porous discoloured glazes and wear to rim.Lobed dish - 2 x rim chips and fine crazing.Saucer - Rim chip.Side plate - Crazing and tiny rim chips.
Three pieces of studio pottery, comprising: Ewenny posy vase of flared form, with brown and yellow ochre drip glazes, incised mark, 10cm high; a Stapleton Pottery (Torquay) small baluster vase with yellow ochre and white drip glazes, impressed monogram and mark, 11cm high and a green glazed Dicker Ware small jug with twist handle, impressed marks, 12cm high. (3).
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