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J. E. Vaughan-Griffith Still life with a vase of flowers; Still life with cherries and a pear in a dish; Still life with a pin cushion and small pots and covers Each oil on board Each signed with monogram The first 23cm x 18.5cm The second 16.5cm x 20cm The third 11cm x 16.5cm Each unframed
A Dutch Delft tulip vase 19th century painted in blue in 17th century style, in two sections, the base with a gallant and a lady in a formal garden, set on four lion-shaped feet, the top set with twenty-five flower nozzles in the shape of grotesque heads over six stages, enclosed by floral scenes set with birds AK monogram in underglaze-blue 103cm., 40.5in. foot and part of base restuck (2)
A large Cantagalli maiolica vase circa 1900 of ovoid shape with moulded cartouches and grotesques forming the sculptural handles, painted in blue with a view of a lady and her consort to the front, the reverse with an Italianiate landscape and three putti stylised cockerel and Lanzo (?) Italy in underglaze-blue 53.5cm., 21in. some chips around the footrim
A Wedgwood black basalt oil lamp and cover circa 1790-1810 the body applied with alternating acanthus leaves and flower stems, surmounted by a female figure reading a book, impressed WEDGWOOD, 23cm., 9in. high, repaired together with a large black basalt coffee pot and cover, probably Davenport, circa 1825-30, applied with a panel of Pan and Mercury, impressed 6 x, 24., 9.5in., small chips to cover and a group of black basalt wares, including: a Wedgwood vase applied with Classical muses, a small Wedgwood teapot and cover with parapet and sibyl finial, an oval teapot and cover applied with the Amalgamation of Peace burning the implements of War, a small Hackwood & Co. milk jug, a small Yates cream jug applied with putti, and a figure of a youth, his apron and hat brimming with fruit impressed marks minor chips (12)
A small Royal Crown Derby two-handled vase circa 1929 by C.Gresley, signed, of cup shape on a circular foot, painted with a riverside view within a shaped gilt frame, a floral bouquet to the reverse against a cobalt-blue ground red-printed marks, indistinct incised shape number 10.8cm., 4.25in.
Three pique snuff boxes the first oval tortoiseshell, English, circa 1720, the lid inlaid in engraved silve and mother of pearl with a small bust against a shell design, silver sides, 7.5cm, 3in a circular gilt-metal and tortoiseshell box, Birmingham, circa 1745, the lid and base rose engine-turned, the lid further inlaid in pique fil with a vase of flowers, 6cm, 2.375in a navette-shaped lacquered metal box, Birmingham or Pontypool, circa 1770, inlaid in silver pique coule with initials GL amid flower garlands and sprays, 10.8cm, 4.25in and a tortoiseshell-lined oval bo"te ˆ pomponne, Rhineland or Paris, circa 1775, decorated with medallions of putti on a fluted ground, 8.5cm, 3.375in (4)
A Berlin twin handled vase and cover, painted with a riverscape within a ribbon tied foliate wreath and serpent, stiff leaf and gadroon moulded apple green and gilt borders, the pull up handles with acanthus terminals and the domed lid with bud finial, the base signed 'Til Gunnar 29/5 1929', 35.5cm high.
A collection of Persian items, to include: A Bidriware squat vase, 18cm high; A 19th Persian green cut glass ewer, with floral enamelled decoration, 27cm high; A Persian damascened stirrups; an Indian brass ewer with ribbed body, decorated in relief with panels of seated Buddha's & a shield./6
A French blue ground porcelain and gilt brass mounted oil lamp, late 19th century. An faience and gilt brass mounted bottle vase lamp; A Victorian brass oil lamp with reeded body also a Continental painted porcelain vase lamp, with gilt brass mounts. All converted for electric. all with ball glass shades/4
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653833 item(s)/page