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A set of six 19th century mahogany dining chairs in Irish George III style, carved with scrolling acanthus crests, the pierced and interlaced vase shaped splat with patera and tassels, each with a drop in seat, the front seat rails with a gadrooned edge, on cabriole legs carved with patera, cartouches and acanthus, on claw and ball feet, 95.5cm high x 59cm wide
Cecil Kennedy (1905-1997) "Autumn", a Still Life of Flowers in a Glass Vase, a Bee in Flight in the Foreground] Signed, also inscribed with the title and the artist's name on a plaque attached to the frame together with a further inscription on the reverse of the frame, oil on canvas, 61cm by 51cm (24in by 20in)
A Pair of French Grey Marble and Ormolu Mounted Cassolettes, circa 1900], each classical vase shaped body issuing a profusion of ormolu flowers, raised on three satyr headed monopodia, central serpent entwined about pillar, upon a concave sided triangular platform edged with Vitruvian scrolls, indistinctly inscribed on the inside of the turned marble urns "Derrie & Piear AA", 95cm high
A George III Brass Mounted Cast Iron Fire Grate in the Style of Robert Adam], the arched fire back cast with a draped vase, over a four bar serpentine front, brass baluster finials, outswept integral andirons sheathed in brass, vase headed tapering cylinder legs, together with conforming serpentine cinder tray, 57.5cm by 99cm by 39cm
A Black Japanned and Florally Painted Workbox, circa 1700], the lid painted with a vase brimming with flowers, further floral specimens to each side, brass locked plate and clasp on ebonised bun feet (internally with no compartments), and "gold sprinkled" effect soft brown lacquer surface, 30.4cm wide (decoration worn and hinges loose)
A 19th Century Italian Carved Giltwood and Gesso Occasional Table], the rectangular top inset with black and white veined marble within a beaded edge, on a vase pillar carved in shallow relief, the stepped, beaded and gadrooned socle and concave-sided base on ball feet, 81cm by 50cm by 50cm
A Cut Glass Vase, 19th century], of thistle shape, with overall horizontal bands and hobnail, notched rim, fan cut circular pedestal foot, 23cm high; and [A Pair of Regency Cut Glass Mallet Decanters and Stoppers], the fluted mushroom stopper over horizontal ring cut necks, high relief hobnail to the bodies, 21.5cm high (3)
A Pair of Doulton Burslem Pottery Vases], with trumpet necks and scroll handles to the mallet shape bodies, each decorated in Japanaiserie taste with sprays of lilies to one vase, chrysanthemums to the other, both signed "Kelsall", against delicately sponged ivory grounds, floral detail to the neck and solid gilded handles, brown printed crown and wheel marks, 20.3cm high
A Royal Worcester Porcelain Pot-Pourri Vase and Cover, 1911], of compressed quatrelobed form, the lid pierced with scrolls and flowers, twig finial, the body printed with a half timbered country cottage, signed "E Lewis", enriched in olive burnished with gilt throughout, twig feet, green printed crown and wheel mark and date mark, shape 241H/47.74, 19cm high (A/F)
A Royal Worcester Porcelain Toy Teapot and Cover, 1908], of compressed ovoid form with short spout, painted and printed with sprays of flowers against a blush ivory ground, puce printed crown and wheel mark and date mark, 6.5cm high; [A Similarly Decorated Ewer, 1903], 12cm; and [A Similar Two-handled Vase, 1906], of conical form with scroll pierced handles, 11.7cm high (3)
A Group of Four Royal Worcester Blush Ivory Porcelain Vessels, circa 1890-1910], comprising a square section two-handled jarlet and cover, 11cm; [Two Similar Graduated Ovoid Jugs], each decorated with sprays of flowers and enriched with gilding, various puce and green printed crown and wheel marks, date codes, 12.2cm and 10.5cm high and a cylindrical spill vase with pierced rim, 8.8cm; and [Two Royal Worcester Coffee Cups, circa 1924], both enamelled in blue and with neo-classical gilded decoration, one with associated silver and enamel coffee spoon, date codes for 1924 and 1925 (6)
A Royal Worcester Porcelain Vase, James Stinton, 1923], frontally painted with three pheasants near silver birch woodland, signed, tree vignette to the reverse, enriched in gilt throughout, puce printed crown and wheel mark and date code, shape 2192, 26cm high (one handle restored)
A Royal Worcester Porcelain Rose Painted Vase, William Jarman, 1906], painted on both sides with flowering pink roses and buds, the shoulder handles, neck and foot picked out in olive and gilt, green printed crown and wheel mark and date code, shape No. 229 and 8218.74, 26.2cm high,
A Royal Worcester Porcelain Two-Handled Baluster Vase and Cover, 1913], neo-classical style, the pierced and domed cover with pinnacle finial, inswept shoulder handles to a fluted neck, frontally painted with full blown English pink and claret roses and buds, the reverse with further roses, signed "J Southall", on a swept circular leaf collared base, enriched in gilt and olive colours overall, puce printed crown and wheel mark and date code, shape No. 248, 41cm high
A Royal Worcester Porcelain Highland Cattle Vase, James Stinton, 1917], frontally painted with two longhorn cattle watering in a misty glen, signed, the reverse with boulders on a mountain side, the background frame picked out in fawn and olive, burnished in gilt, upon cloven feet, puce printed crown and wheel mark and date code, shape 250H, 19.2cm high
A Royal Worcester Porcelain Highland Cattle Vase, John Stinton, 1906], the cupped neck pierced with panels of flowers, the front painted with two longhorn cattle watering beside a loch in a misty glen, signed, the reverse with a rocky outcrop beside a loch, within "stained ivory" borders, puce printed crown and wheel mark, date code, shape 1089, registered No. 27579, 25.5cm high
A Grainger & Co Worcester Reticulated Vase, circa 1900], painted with front and back shaped panels of cascades of pink and yellow roses against a scroll pierced ground, enriched with gilt throughout, green printed mark, indistinct year letter, possibly 1901, shape 963g, 20cm high; and [A Graingers Blush Ivory Tea Caddy and Cover, 1898], hexalobed form, worked in relief with roundels of leaves and trailing flowering branches in gilt and enamel, 10.5cm high (2)
A Derby Porcelain Islamic Shape Vase, 1890], the waisted conical neck with mid-bulb moulded in relief with vertical panels of formalised flowers, the main body with a Japanaiserie scene of sparrows amongst chrysanthemums, splayed foot, picked out in gilt and orange enamel overall, orange printed crown, interlaced D's and year cipher, 32cm high (basal crack)
An English Porcelain Table Inkstand, circa 1840], of neo-rococo style, shaped square with scroll and shell borders and leaf pierced handles, comprising two lidded inks and a central trumpet vase, each piece decorated in puce, ruby and gilt with dendritic leaf scroll motifs, picked out in gilt overall, the inkwells with encrusted flowerhead finials, 33cm wide (damaged)
A Jacob Petit "Schneeballen" Pedestal Baluster Vase and Cover, circa 1880], the domed cover applied with pom-poms and surmounted by a parrot with outstretched wings perched on fruiting cherries, the main body with further pom-poms to each side, issuing from woody branches inhabited by diverse birds, in soft colours picked out in gilt, 61cm high (A/F)
A Japanese Kutani Miniature Ewer, circa 1910], each side painted with a panel depicting a dove perched in a tree, sparrows amongst the branches to the other, 9.2cm high; [A Pair of Earthenware Lozenge Section Vases], each painted with scholars and attendants on a veranda beside a lake, on four outswept feet, 9cm high; [A Small Earthenware Baluster Vase], with three rectangular panels each painted with eleven playing boys against a chrysanthemum ground, three character mark ingilt, 9.1cm high (3)
A Japanese Earthenware Squat Baluster Vase, late Meiji period (18681912)], painted with a pair of water birds rising from a stream near irises and blossoming shrubs, sparrows amongst flowering branches to the reverse against a midnight blue ground strewn with flowers, picked out in soft colours and gilt, seal mark in gilt (gilding rubbed), 12cm high; [An Earthenware Bowl], chrysanthemum outline, painted with overlapping leaf and mon shape panels depicting figures in interiors and practicing marti arts by the edge of the lake, enwrapped by white scaly dragons, the exterior similarly decorated, extensive character mark in gilt on black; 14.5cm diameter; and [A Small Kutani Type Bowl], circular, painted with three sages and an attendant seated at a table beneath blossoming branches, externally with radiating diaper patterns, in colours and gilt, 11.5cm diameter (3)
A Chinese Famille Rose Porcelain Vase], of shouldered baluster form, the short neck and shoulders with a band and collar of stylised ruyi, the main frieze as a continuous undulating trail of peonies, lotus and other stylised blossoms, over a repeat basal band, bearing spurious seal mark of Qianlong, 27.5cm high
A Chinese Blue and White Porcelain Baluster Vase, early 19th century], the main frieze as a continuous trail of leafy lotus blossoms, the trumpet neck painted with stiff leaf tips over a band of leiwen and ruyi, on a short splayed foot, 32.5cm high, upon a later carved wood stand
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653685 item(s)/page