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A 1920s Wedgwood Ordinary Lustre hexagonal bowl designed by Daisy Makeig-Jones decorated to the interior with a patterned roundel and three creatures in flight against a pale celadon ground, the exterior in a mottled dark green with gilt mythical beasts, printed Portland vase mark alongside pattern code Z4831, diameter 10.5cm
A pair of Wedgwood Dancing Hours Jasper ware twin handled pedestal vase and covers, each decorated in relief with classical maidens dancing and holding garlands, with grotesque mask handles and repeat patterns to the shoulder and pedestal, impressed mark to one, height 24cm, one A/F.
A large 19th Century Bohemian ruby glass vase in the manner of Moser of Neuwelt, the tall trumpet form body cased in opal over ruby with hand enamelled roses and strawberry diamond cuts over a foliate scrolled ground, raised to a stiff leafe foot with further matched gilding, height 41cm.
A collection of 19th Century North Counties pressed glass to include Molineaux Webb castle table centre in opalescent finish, Burtles & Tate wall hanging opalescent posy vase with sea shell decoration, Molineaux Webb opalescent pressed glass pike and John Derbyshire pressed glass lion in pale green. (qty)
A large late 19th to early 20th Century ruby glass vase of footed ovoid form with collar neck and fluted body, hand enamelled with a figure in 19th Century walking dress over the ruby ground, height 26.5cm, together with a smaller example depicting a young boy in a garden setting, height 22.5cm. (2)
A large late 19th to early 20th Century vase of footed baluster form with frill rim and fluted body, hand enamelled in the Mary Gregory style with a young girl in a garden setting over the deep green ground, height 29cm, together with a similar smaller example and an earlier jug with a cherub. (3)
A later 20th Century Caithness vase of slender baluster form with flared collar neck, decorated with black trailed tear drop lines over the caramel coloured iridescent ground, height 25cm, together with an ovoid Caithness vase cut with leaping dolphins over a tonal blue to green ground, height 20cm. (2)
A 20th Century Murano glass block vase, of hexagonal section, with facet cut sides internally decorated in smoky grey and cased in clear, height 14.5cm, together with a small dish of triangle section internally decorated with green and cased in amber, and a facet cut dish internally decorated with ruby and amber, cased in clear. (3)
A contemporary Alum Bay studio glass vase of ovoid form with tapering collar neck and wide flat rim, decorated with iridescent streaks over an opal interior ground, sticker to base, height 22.5cm, together with a Sozo Art glass vase, of ovoid form decorated with a mottled and streaked iridescent pattern over a deep blue ground, height 15cm.
A 20th Century Kosta Boda Rainbow vase, designed by Bertil Vallien, of squat ovoid form with tall collar neck, decorated with multicoloured threads over a mottled white ground, signed, height 22cm, together with a Mdina vase decorated with streaks of brown, blue and purple over a mottled yellow ground, signed and a large blue glass vase, of ovoid form with bands of opal. (3)
Friedrich, Heinz: (1924 Schwetzingen). "O fortuna". Fortuna mit dem Füllhorn. Farbholzschnitt auf Vélin, 1975. 16 x 22 cm, Blgr. 30,5 x 42,5 cm. Sign., dat. u. num. Eines von 60 Ex. - â•”Dabei: Ders.â•— Blumenstrauss in grüner Henkelvase vor grauem Hintergrund. Farbholzschnitt auf J.Annonay, 1972. 54 x 40, Blgr. 65 x 50 cm. Sign., dat. u. num. - Eines von 70 Ex. - â•”Ders.â•— Sonnenblumen in Vase vor olivfarbenem Hintergrund. Farbholzschnitt auf Plakat der Galerie am Grasholz, 1976. 47 x 38, 5 cm. Blgr. 70 x 45 cm. Am unt. re. Rd. typogr. bez. Zus. 3 Bl. R
Sempe,(J.-J.).: Bonjour, bonsoir. Zürich, Diogenes 1976. 4°. 107 S. Mit zahlr. Illustr. Olwd. mit farb. illustr. Orig.-Schutzumschl. (Dieser mit leichten Gebrauchssp.). (= 48. Werk Club der Bibliomanen). - Erste dt. Ausg. - Mit â•”eigenhändiger Widmung u. einer kl. Zeichnung (Blume in Vase auf einem Tisch) von J.-J. Sempé.â•— - Sehr gutes Exemplar.
Kratervase Jugendstil: wohl Johann Loetz Wittwe. Breiter Boden mit kraterförmigem, gewelltem Lipprand. Wellenförmige Fadenauflage. H: 28 cm. Dazu: Kleine Vase mit farbigem Lüster, WMF Myra. Leichte Chips am Lipprand. - â•”Dabei: Kl. Konvolutâ•— aus 4 Flaschen um 1900 Ludwigsburg u. Stuttgart, Sowie 7 tlg. böhmisches Likörset mit rubinrotem Überfang u. feiner Gravur. Dazu kl. Vase wohl Murano in Uranglas. D
Konvolut.: Ca. 19 Bl. Verschiedene Techniken und Formate. Großteils Aquarell. â•”Dabeiâ•—: The South Sea Scheme. Kupferstich. Thomas Cook nach William Hogarth. Um 18. Jhd. 30 x 40,5 cm. - Arno Schünzel, 3 Landschaften. Aquarell/Gouache/Öl. 20. Jhd. - Michael Uhlig, Blumenstrauß in Vase. Aquarell auf Papier. 1949. - D
Koempoeczi-Balogh, Endre: (1911 Budapest 1977). Stillleben m. rustikalem Strauß m. Pfingstrosen, Rosen u. Wiesenblumen in hoch prunkvoller Vase auf rundem Tisch, daneben eine ebenfalls prunkvolle kleine Dose mit ähnlichem Dekor. Öl auf Lwd. Ca. 99,3 x 79,2 cm. Sign. unt. li. In schmuckhaftem Rahmen m. Filzapplikation. - Die dunkleren Farben tls. m. stärkerem Craquelée. Tls. etw. berieb. D
VERRERIES SCHNEIDER Art Deco vase, France, ca.1920.Paste glass.Signature visible against the light.Measurements: 19, x 19 x 7 cm.Globular vase made of mould-blown glass in different colours. The mottling has been achieved by adding a darker glass to the still hot piece, so that they melt without mixing.Ernest (1877-1937) and Charles Schneider (1881-1953) founded a small glassworks in Epinay-sur-Seine, France, in 1911. Charles Schneider, a graduate of the École des Beaux-Arts in Paris and gifted with unusual artistic skills, together with his brother, succeeded in making his production the most important art glassworks in France between 1926 and 1930. His pieces were always hand-blown, which meant that each glass in the same series would never be identical to another. At the same time, the range of hot and cold decoration processes was always applied with virtuoso mastery. Charles Schneider meticulously studied the temperature and chemical compositions to obtain an extremely extensive palette of colours, some of them never seen before and of unprecedented strength in the art of glass. The so-called Tango, for example, an explosive orange, was to become the most innovative. Known as Verreries Schneider, the firm produced two production lines, one under the brand name Le Verre Français and the other as Schneider. In any case, the success of this firm was undoubtedly due to the creative frenzy, enthusiasm, talent and genius of one man, Charles Schneider.
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653685 item(s)/page