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Lot 661

A Royal Worcester shape 2491 vase panel decorated by Kitty Blake with hand painted autumnal fruits and berries, signed, puce mark with date code for 1939, height 11.5cm

Lot 664

A 1920s Wedgwood Ordinary Lustre hexagonal bowl designed by Daisy Makeig-Jones decorated to the interior with a patterned roundel and three creatures in flight against a pale celadon ground, the exterior in a mottled dark green with gilt mythical beasts, printed Portland vase mark alongside pattern code Z4831, diameter 10.5cm

Lot 671

A Royal Worcester shape 2491 vase of slender swollen form, panel decorated by Kitty Blake with hand painted autumnal fruits and berries, signed, black printed mark, height 14cm.

Lot 672

A pair of Wedgwood Dancing Hours Jasper ware twin handled pedestal vase and covers, each decorated in relief with classical maidens dancing and holding garlands, with grotesque mask handles and repeat patterns to the shoulder and pedestal, impressed mark to one, height 24cm, one A/F.

Lot 676

A large 19th Century Bohemian ruby glass vase in the manner of Moser of Neuwelt, the tall trumpet form body cased in opal over ruby with hand enamelled roses and strawberry diamond cuts over a foliate scrolled ground, raised to a stiff leafe foot with further matched gilding, height 41cm.

Lot 698

A collection of 19th Century North Counties pressed glass to include Molineaux Webb castle table centre in opalescent finish, Burtles & Tate wall hanging opalescent posy vase with sea shell decoration, Molineaux Webb opalescent pressed glass pike and John Derbyshire pressed glass lion in pale green. (qty)

Lot 699

A collection of 19th Century pressed flint glass to include a Molineaux Webb Pike posy vase, Greeners wheelbarrow and a satin finish pressed glass lion, S/D. (qty)

Lot 710

A collection of 19th Century Davidsons pressed Primrose Pearline glass to include a biscuit barrel, assorted dishes, celery vase and sugar bowls in a range of patterns. (qty)

Lot 713

A later 20th Century Czech Desna glass vase in the Art Deco style, relief moulded with dancing female nudes to the green malachite glass ground, height 13cm, acid mark and original label.

Lot 714

A 1930s John Walsh Walsh Art Deco clear crystal glass vase designed by Clynne Farqhuarson in the Leaf pattern beneath a mitre cut rim, engraved signature and date for 1938, height 20cm.

Lot 719

A late 19th Century Stourbridge glass posy vase of wrythen fluted trumpet for with a sunrise opal rim falling to a pale green ground, height 27cm, together with a similar version in graduated opal with green applied rim and a smaller opal over green version. (3)

Lot 728

A large late 19th to early 20th Century ruby glass vase of footed ovoid form with collar neck and fluted body, hand enamelled with a figure in 19th Century walking dress over the ruby ground, height 26.5cm, together with a smaller example depicting a young boy in a garden setting, height 22.5cm. (2)

Lot 729

A large late 19th to early 20th Century vase of footed baluster form with frill rim and fluted body, hand enamelled in the Mary Gregory style with a young girl in a garden setting over the deep green ground, height 29cm, together with a similar smaller example and an earlier jug with a cherub. (3)

Lot 732

A contemporary Allistair Malcolm studio glass vase of swollen ovoid form in the Golden Trailing pattern, with random threads over a graduated golden brown to clear oxide ground, impressed mark, height 21cm.

Lot 733

A late 19th Century 'Cottage' glass garniture with a central tall sleeve vase and a pair of compressed wrythen fluted globe and shaft vases, cased in clear crystal over a mottle yellow, pink and white, tallest 26cm. (3)

Lot 734

A contemporary studio glass vase of ovoid form with tapered collar neck, decorated with a black oxide fissured web pattern over mottled pink and yellow ground, height 15cm.

Lot 736

A late 19th Century Loetz posy vase with ovoid bowl with knocked in sides above a wrythen fluted pedestal, all in Crete finish, height 19cm, together with similar period Kralik posy bowls. (3)

Lot 737

A late 19th Century Kralik glass posy vase in the Teardrops pattern with applied green iridescent green tear drops over a pearlised white ground, height 12cm, together with a compressed ovoid posy vase with green threading. (2)

Lot 740

A pair of late 19th Century Stourbridge glass finger bowls and stands in pale blue with uranium green threading to the wave edge border, together with a small wave rim posy vase with graduated opalescence. (3)

Lot 748

A late 19th Century posy vase of footed ovoid form with Jack in the Pulpit rim, decorated with a graduated ruby to green with internal opalescent spiral, together with a taller pair in pale green and a Fentons Queens Burmese posy vase. (4)

Lot 765

A later 20th Century Caithness vase of slender baluster form with flared collar neck, decorated with black trailed tear drop lines over the caramel coloured iridescent ground, height 25cm, together with an ovoid Caithness vase cut with leaping dolphins over a tonal blue to green ground, height 20cm. (2)

Lot 767

A late 19th Century posy vase of slender fluted form with a frill rim mounted to a scroll work brass frame, height 37.5cm, together with a Swedish fluted spill vase in sea green with engraved mark to the base, height 31cm. (2)

Lot 822

A later 20th Century Riihimaki glass vase, in the Rocket shape, of low shouldered form with tall slender neck, all in red and cased in clear, height 29cm, together with a similar smaller rocket vase in blue/grey and a Piippu vase in blue. (3)

Lot 823

A 20th Century Murano glass block vase, of hexagonal section, with facet cut sides internally decorated in smoky grey and cased in clear, height 14.5cm, together with a small dish of triangle section internally decorated with green and cased in amber, and a facet cut dish internally decorated with ruby and amber, cased in clear. (3)

Lot 825

A contemporary Alum Bay studio glass vase of ovoid form with tapering collar neck and wide flat rim, decorated with iridescent streaks over an opal interior ground, sticker to base, height 22.5cm, together with a Sozo Art glass vase, of ovoid form decorated with a mottled and streaked iridescent pattern over a deep blue ground, height 15cm.

Lot 827

A 20th Century Kosta Boda Rainbow vase, designed by Bertil Vallien, of squat ovoid form with tall collar neck, decorated with multicoloured threads over a mottled white ground, signed, height 22cm, together with a Mdina vase decorated with streaks of brown, blue and purple over a mottled yellow ground, signed and a large blue glass vase, of ovoid form with bands of opal. (3)

Lot 828

A contemporary studio glass vase by Peter Layton, from the Glacier series, of compressed bottle form decorated with a streaked and mottled pattern in white on a black ground, height 24cm.

Lot 849

A 20th Century Stuart and Sons clear crystal vase of footed conical form, in the Trellis pattern, cut with panels of stylised leaves, height 26cm.

Lot 851

A 20th Century clear glass vase of moulded triangular form, with vertical wavy decoration, height 33cm.

Lot 852

A small collection of assorted Victorian cranberry glass, to include two jugs, a basket vase, and three graduated preserve bowls, all with applied and crimped clear crystal trim. (6)

Lot 854

A 19th Century Bohemian glass vase of footed ovoid form, cased in deep blue over opal and clear and flash cut in a repeat Gothic design, height 12cm.

Lot 857

A Victorian clear crystal vase of footed compressed ovoid slice cut form, decorated with engraved diagonal lines to the front and reverse, with hand painted turquoise bird, height 18.5cm.

Lot 2726

Friedrich, Heinz: (1924 Schwetzingen). "O fortuna". Fortuna mit dem Füllhorn. Farbholzschnitt auf Vélin, 1975. 16 x 22 cm, Blgr. 30,5 x 42,5 cm. Sign., dat. u. num. Eines von 60 Ex. - â•”Dabei: Ders.â•— Blumenstrauss in grüner Henkelvase vor grauem Hintergrund. Farbholzschnitt auf J.Annonay, 1972. 54 x 40, Blgr. 65 x 50 cm. Sign., dat. u. num. - Eines von 70 Ex. - â•”Ders.â•— Sonnenblumen in Vase vor olivfarbenem Hintergrund. Farbholzschnitt auf Plakat der Galerie am Grasholz, 1976. 47 x 38, 5 cm. Blgr. 70 x 45 cm. Am unt. re. Rd. typogr. bez. Zus. 3 Bl. R

Lot 924

Sempe,(J.-J.).: Bonjour, bonsoir. Zürich, Diogenes 1976. 4°. 107 S. Mit zahlr. Illustr. Olwd. mit farb. illustr. Orig.-Schutzumschl. (Dieser mit leichten Gebrauchssp.). (= 48. Werk Club der Bibliomanen). - Erste dt. Ausg. - Mit â•”eigenhändiger Widmung u. einer kl. Zeichnung (Blume in Vase auf einem Tisch) von J.-J. Sempé.â•— - Sehr gutes Exemplar.

Lot 1501

Kratervase Jugendstil: wohl Johann Loetz Wittwe. Breiter Boden mit kraterförmigem, gewelltem Lipprand. Wellenförmige Fadenauflage. H: 28 cm. Dazu: Kleine Vase mit farbigem Lüster, WMF Myra. Leichte Chips am Lipprand. - â•”Dabei: Kl. Konvolutâ•— aus 4 Flaschen um 1900 Ludwigsburg u. Stuttgart, Sowie 7 tlg. böhmisches Likörset mit rubinrotem Überfang u. feiner Gravur. Dazu kl. Vase wohl Murano in Uranglas. D

Lot 1400

China Cocoon-Vase: wohl Han Periode. Querbauchige Vase mit ausladendem Lipp- u. Fußrand. Reste von Bemalung. 22 x 25 cm. - Aus hessischer Privatslg. D

Lot 1282

Alte Sammlungsgegenstände,: römisch u. Mochekultur. Dabei u.a. Rillenbecher, figürliche Gewandnadel, Steigbügelgefäß, sowie Köpfchen u. Figur der Mochékultur. - Dazu apulische Vase (Replika) des griech. Nationalmuseums. D

Lot 3699

Strathmeyer-Wertz, Julie: (1898 Dresden - Stuttgart 1989). Sommerblumenstrauß in Vase auf Tisch. Öl a. Lwd. Ca. 90 x 53 cm. Sign. unten re. Gerahmt. R

Lot 3109

Konvolut.: Ca. 19 Bl. Verschiedene Techniken und Formate. Großteils Aquarell. â•”Dabeiâ•—: The South Sea Scheme. Kupferstich. Thomas Cook nach William Hogarth. Um 18. Jhd. 30 x 40,5 cm. - Arno Schünzel, 3 Landschaften. Aquarell/Gouache/Öl. 20. Jhd. - Michael Uhlig, Blumenstrauß in Vase. Aquarell auf Papier. 1949. - D

Lot 3084

Koempoeczi-Balogh, Endre: (1911 Budapest 1977). Stillleben m. rustikalem Strauß m. Pfingstrosen, Rosen u. Wiesenblumen in hoch prunkvoller Vase auf rundem Tisch, daneben eine ebenfalls prunkvolle kleine Dose mit ähnlichem Dekor. Öl auf Lwd. Ca. 99,3 x 79,2 cm. Sign. unt. li. In schmuckhaftem Rahmen m. Filzapplikation. - Die dunkleren Farben tls. m. stärkerem Craquelée. Tls. etw. berieb. D

Lot 46

A Galle style amber and red cameo glass vase carved with blossom and leaves. Signed Galle. H.42cm

Lot 480

A collection of mid century Art Glass. Including a turquoise bottle vase signed to the base, an amber opalescent vase with wide rim and a collection of Art Glass scent bottles, makers mark to base. H.43cm

Lot 47

A Galle style amber, blue and purple cameo glass conical vase carved with irises. Signed Galle. H.40cm

Lot 223

A Mid-century Iittala glass Crassus vase designed by Timo Sarpaneva, the flared foot rising to a medial square section below a flared neck decorated with a textured ground in moulded relief. Signed to base. H.24 W.18cm

Lot 399

A large onion shaped Studio Pottery stoneware vase with cream glaze and abstract brown speckling. H.25 W.20cm

Lot 406

A Royal Worcester Victorian gilded ivy leaf vase with Chinese carved wooden stand design base. Makers mark to the base. H.13 W.13cm

Lot 304

Two glass dolphins, a cut glass vase and a glass hot air balloon under dome.

Lot 306

A large glass paperweight, a glass hippo and a cut glass vase.

Lot 335

A Royal Doulton vase, a/f (damage under rim)

Lot 372

A tall blue and white vase with artificial flowers.

Lot 415

A tall mosaic mirror glass vase, 54 cm (some chips to rim).

Lot 571

An unusual old hand painted vase.

Lot 50

VERRERIES SCHNEIDER Art Deco vase, France, ca.1920.Paste glass.Signature visible against the light.Measurements: 19, x 19 x 7 cm.Globular vase made of mould-blown glass in different colours. The mottling has been achieved by adding a darker glass to the still hot piece, so that they melt without mixing.Ernest (1877-1937) and Charles Schneider (1881-1953) founded a small glassworks in Epinay-sur-Seine, France, in 1911. Charles Schneider, a graduate of the École des Beaux-Arts in Paris and gifted with unusual artistic skills, together with his brother, succeeded in making his production the most important art glassworks in France between 1926 and 1930. His pieces were always hand-blown, which meant that each glass in the same series would never be identical to another. At the same time, the range of hot and cold decoration processes was always applied with virtuoso mastery. Charles Schneider meticulously studied the temperature and chemical compositions to obtain an extremely extensive palette of colours, some of them never seen before and of unprecedented strength in the art of glass. The so-called Tango, for example, an explosive orange, was to become the most innovative. Known as Verreries Schneider, the firm produced two production lines, one under the brand name Le Verre Français and the other as Schneider. In any case, the success of this firm was undoubtedly due to the creative frenzy, enthusiasm, talent and genius of one man, Charles Schneider.

Lot 119

Edwardian silver pedestal cream jug, London 1902, plain helmet shaped over a stepped square foot, height 19cm, weight approx. 241g; also a twin handled ovoid vase, Birmingham 1908, with loaded base, height 17.5cm (2)

Lot 12

Chinese flambe vase, 20th Century, of inverted baluster form with a short neck decorated with an even glaze, painted Kangxi six character mark, height 37cm

Lot 128

George V silver twin handled vase, by John Round & Son, Sheffield 1912, slender ovoid form decorated with beaded garlands over a circular foot, height 24.5cm, weight 335g

Lot 130

Late Victorian silver bonbon dish, London 1896, of boat shape with beaded edge, pierced and with bellflower garlands, 18.5cm, weight approx. 124g; also a silver trumpet shaped pierced vase, with petalled rim, Chester 1903, height 9cm, weight approx. 89g (2)

Lot 16

Five Chinese flambe miniature vases, all 20th Century, including a double gourd example, 11.5cm; and a small shouldered ovoid vase, 7.5cm

Lot 23

Chinese celadon ground vase, having a cylinder neck with ruyi sceptre handles, decorated in low relief with figures in a walled garden in blue and white, height 46cm

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