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A 20th Century Loetz Papillon glass vase, of triform shape with dimpled sides below a tall collar neck and frilled rim, decorated with a floral silver overlay over an iridescent green mottled ground, together with another Papillon vase, of larger triform shape with floral silver overlay over an iridescent green mottled ground, tallest 25cm, second vase A/F. (2)
A large Aureliano Toso Eldorado vase circa 1953 designed by Dino Martens, the compressed ovoid body rising to a split double neck, the body decorated with a black and white spiral, white lattachino canes and bronze aventurine panels over a mottled black, purple and blue ground, unmarked, height 40cm.
A 20th Century Kosta Boda glass vase from the Artist Collection by Bertil Vallien, of ovoid sleeve form with irregular rim, the rough textured exterior in blue with variegated flecks of colour in orange and yellow, retains original label, engraved signature, height 20.5cm.
A 20th Century Kosta Boda Tonga vase by Monica Backstrom, of shouldered ovoid form with cup rim, decorated with hand enamelled wave decoration below alternating bands of vertical stripes and chevrons all in blue and white over a clear ground, retains original label, signed, height 34.5cm.
A later 20th Century Riihimaki hooped vase designed by Tamara Aladin, pattern number 1472, all in green cased in clear, together with a similar example of ribbed form with flared neck in grey and another similar vase of flared cylinder form with three angular knops all in grey, tallest height 20cm. (3)
A 1950s Kosta glass vase designed by Vicke Lindstrand, the tall tapered ovoid vase with thick cased wall over a blue interior, the blue then etched away with an interpretation of Air with stylised birds in flight, engraved mark with LG 2499, height 16.5cm, retains original label.
A small group of 20th Century Riihimaki graduated glass vases, designed by Tamara Aladin, model 1461, all of cylinder form with moulded textured decoration and scattered relief blocks, in cinnamon, green, blue, clear and all cased in clear crystal, together with another similar Tamara Aladin vase, model 1462, with moulded textured decoration, all in green and cased in clear, tallest height 28cm. (5)
A small collection of three Stuart and Sons glass vases, designed by John Luxton comprising a vase of conical form in the Edge pattern, cut with vertical panels, retains label, height 17cm, and two in the Prism pattern cut with vertical lines and stylised leaves, the first of swollen form, the other with slender foot rising to a flared bowl, all acid marked. (3)
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