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Lot 19
° ° Gregynog Press - Newtown, Wales - The Plays of Euripides…translated into English Rhyming Verse by Gilbert Murray…with wood-engravings from the Greek Vase Paintings, by Robert Ashwin Maynard and Horace Walter Bray, 2 vols, one of 500, folio, red gilt-blocked linen, 1931**CONDITION REPORT**PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 11
Fieldings Crown Devon jug, the pattern with gazelle under a tree, 19.5cm; a Doulton Lambeth stoneware vase, the neck tubelined with trailing flowers, 19.5cm; a Crown Staffordshire Art Deco coffee can and saucer, and other decorative ceramics including Japanese Fukagawa Seiji sake bottles and cups.
Lot 190
Victorian pottery vase-shape oil lamp, complete with acid-etched shade and chimney, height 68cm overall, and two other oil lamps with glass reservoir's, shades and chimneys.Qty: 3Condition report:The two glass reservoirs are without any cracks or chips. The pottery base/ reservoir is also without any cracks or chips, just some glaze and gilding flaking to the handles.
Lot 43A
Chinese porcelain lobed vase and cover, Kangxi period, the body and cover with integral spiral, painted with flowers, 18.5cm; together with a blue and white shallow dish and cover, painted with birds, blue seal mark (cover damaged), 9.5cm diam; a vase with red painted with foo dogs, heightened in green, with red dash ground against a white porcelain body, unmarked, 11cm; and another vase painted with figures, as found.Qty: 4Condition report:From the left of the photo; Vase - has multipul long cracks that start at the top, one goes nearly the full length, Pot with lid - The lid has chips to the rim and glue residue, the pot has thess large chips to the top rim, there are some firing cracks showing on the inside, some small nibbles around the base. Vase - has a chip to the top rim and the base rim, the sides are a bit rubbed, Dish with lid - The lid has broken in two three and been reglued, there is tape residue to the sides.
Lot 53
Small quantity of assorted Western and Eastern china, including a Chinese blue and white vase and cover, painted with warriors in a mountain landscape, 33cm; a Japanese ginger jar and cover, Fukagawa Seiji mark (old damages), 15cm; a Dresden porcelain cabinet cup and saucer with figural panels; Coalport saucer, retailed by Stonier & Co, Liverpool; etc.Qty: 1 boxCondition report:Dresden cuo and sauser - one foot has been restored, no other cracks to the two, but both are quite rubbed on the edges, both illustrations are good. Ginger Jar - significant damages, and have been rebuilt from many fractures. Blue white vase - has no marks to the base, and has two hairline crack to the neck and rim. Small blue white jug - rubbed to the base rim otherwsie no cracks or chips, it quite dusty. The large jug is not part of this lot, it is lot 8,
Lot 55
Box of miscellaneous Chinese porcelain and ceramics, including two Imari style plates, 21.5cm, another pair of plates painted with landscapes, pair of pear-shaped vases, Cantonese vase with figural panels, a cylindrical caddy and cover, other bowls and vases, some damages.Qty: 1 boxCondition report:Large plate - chip and hairline crack to rim. Two pairs of plates - nibbles to rims. Lidded pot - repair to base and body, chips to inside rim, chips and hairline crack to lid rim. Bowl - damaged. Pair of vases - good condition. Pair of tall vases - one with chips and hairline crack to rim. Tall vase- chips and hairline crack to rim. Octagonal bowl - repaired. Please see additional uploaded images.
Lot 59
19th century Continental porcelain pedestal vase, horsehead handles to the shoulders, the field painted with a llama (?) in a fenced enclosure, gilt banding, 24.5cm; another pedestal vase, classical mask handles, old stapled repairs; a set of six Coalport coffee cans and saucers retailed by Thomas Goode, and other cabinet cups, saucers, etc.
Lot 67
Seven pieces of Royal Crown Derby including pair of campana-shape urns, 6.8cm, a small spill vase, fan-shape pin dish, miniature tray, miniature jug and basin.Qty: 7Condition report:There is a hairline crack to the inside of the small spill vase. All other items are in very good condition. Please see additional uploaded images.
Lot 9
Modern Chinese porcelain twin-handled vase, blue and white decoration, 24cm; a Japanese porcelain vase, brick-red ground with firebird/ phoenix in blue and white with gilt detailing, signed, 15cm; and pair of cloisonne vases on hardwood stands, 17cm.Qty: 4Condition report:There is some damage to the cloisonne vases. Their stands are quite rubbed. The other items are in very good condition. Please see additional uploaded images.
Lot 99
A large Royal Albert 'Old Country Roses' tea, breakfast, and dinner service.Qty: 3 boxesCondition report:This lot comprises the following items:1 tureen1 oval meat platter8 dinner plates6 starter plates6 side plates12 bowls1 gravy boat with saucer11 bread plates1 coffee pot (20.5cm)1 teapot (16.5cm)2 milk jugs - 1 with broken handle1 large sugar bowl1 small sugar bowl17 saucers11 large cups - 1 with chip to rim, 1 with chip to foot1 small cup1 scallop dish1 cake plate1 rectangular trinket dish1 butter knife, cased1 mug2 oval sweet dishes, boxed2 square sweet dishes, boxed1 circular ashtray3 square ashtrays6 napkinsanda Cottage Rose urn shape vase, boxed - chip to rim, hairline crackAynsley Cottage Garden dinner plate.Please see additional uploaded images of damaged items.
Lot 244
Chinese Kangxi-style oviform vase and cover with all over white prunus decoration on a blue ground, four character mark of Kangxi to the underside, on an ebonised stand, 30cm high.CONDITION REPORT: There are several chips to the glazed on the top rim of the cover. There is crazing to the underside of the cover and the underside of the vase. There are stains to the rim of the vase. There is a restored crack to the top part of the vase. The repair patch is visible inside.
Lot 253
Pair of 20th century Chinese red and black double gourd cinnabar lacquer vases decorated with figures, 33cm high, on hardwood stands. (2)CONDITION REPORT: There are dents/misshapen areas to the rim of one vase. There are cracks and small pieces of lacquer lacking to both vases. There are losses to the woven decoration and cracks also. There is colour fading and stains to the decoration. There are further all over lacquer losses and age-related indentations to the underside of both vases.
Lot 254
Chinese famille verte vase of baluster shape decorated with warriors and Royal figures within foliage, double blue concentric mark to the underside, 28.5cm high, with wooden cover, on hardwood stand.CONDITION REPORT: There are age-related stains and marks to the rim. There are minor areas of crazing to the vase. There are further stains and marks to the underside and the interior. There is age-related wear, marks/scuffs to the vase cover and stand.
Lot 725
Seated in royal ease, lalitasana, dressed in a flowing robe cascading towards a central lotus bloom flanked by leaves and buds, her left hand holding a scroll, her arm resting on a demi-lune stand supporting a vase issuing a single Ruyi, her right flanked with a bird perched on a tall rocky outcropping, her pensive face with downcast eyes beneath a high chignon covered with a veil, traces of gilt-lacquer, paper and clay, raised on a later lucite stand31cm high excluding stand
Lot 780
NOT SUITABLE FOR EXPORT Seated on a decorative drum stool, both hands concealed within the sleeves of her voluminous robe, her serene face beneath a high chignon covered by a veil, a small boy at her feet presenting her with a vase issuing a Ruyi, the whole raised on a double-lotus base, minor age cracks, discolouration, staining13cm high
Lot 10
Chinese Wukai vase, Qing dynasty, Kangxi period. First quarter of the 18th century.Hand-painted porcelain.Slightly chipped and hair on the mouth.Seal on the reverse.Measurements: 60 cm (height); 24 cm (largest diameter).Wukai porcelain vase from the "Green Family" of the Kangxi period (1662-1722), with circular forms, elongated neck and open circular mouthpiece. Hand-painted with scenes of warriors, plant decorations and borders.The Kangxi Emperor was a great promoter and patron of the porcelain industry. It was during his rule that the ailing industry received a major revival. The artistic achievements made between the late 17th and early 18th centuries place these pieces among the finest in history. Wucai or Wu tsai porcelain for export, produced by folk kilns during the Kangxi period, has historically been referred to by Westerners as "green family porcelain". This name was given by Albert Jacquemart in the book Historie artistique, industrielle et commerciale de la porcelain, Paris 1862, to denote a group of wares where the green glaze presents a certain leadership in the decorative composition. The term 'famille verte' sometimes refers to a range of wares which, in the opinion of Chinese experts, is often erroneous. Wucai porcelain of the Kangxi period is a type of porcelain produced between the late 17th and early 18th centuries, the distinctive feature of which is a polychrome decoration based on the use of low-temperature glazes of various colours.
Lot 17
Chinese vase. Qing dynasty, 19th century.Blue-grey celadon porcelain.Some old restoration.Measures: 58 x 23 x 23 cm.Chinese vase, late Qing dynasty, 19th century. Hexagonal shape with open mouth, with side handles in the shape of small Foo dogs. Polychromed in bluish-grey celadon enamel.Celadon refers both to a glaze colour and to a type of pottery specific to China (Chinese: qingci, literally 'green porcelain'). Korean celadon ware from the Goryeo period (918-1392) used this translucent green or blue-grey glaze. There is, however, early celadon in China, where the process was invented in the Yue region of the Yangtze River basin. Celadon is very popular in Asia, as it allows the colour of jade, the sacred stone, to be obtained.
Lot 23
Chinese "Meiping" vase. Qing Dynasty, 19th century.Hand-painted porcelain.Measures: 36 x 22 x 22 cm.Chinese vase from the end of the Qing Dynasty, 19th century, with circular forms, small neck and the mouth open at the top. Hand-painted with vegetal, geometric and border decorations in various colours.Meiping (meaning 'prunus vase') is the later name given to jars with constricted necks that were originally used to hold alcohol. Decorative jugs like this one were used for serving at the table, the liquor having been decanted from larger vases. Later these vases were used to hold branches of plum blossom. It is a tall vase, with a narrow base that extends gracefully into a broad body, followed by a highly rounded shoulder, a short narrow neck with a small top opening.
Lot 6
Chinese vase, Qing dynasty, Qianlong period. Late 18th century.Hand-painted porcelain.Mouthpiece with restoration with grooves (staples).Seal on the reverse.Measurements: 63 cm (height); 37 cm (largest diameter).Chinese vase from the Qing dynasty, Qianlong period, late 18th century, of circular forms with elongated upper neck and open circular mouthpiece. The side handles have zoomorphic forms. Hand-painted with palace scenes of characters, vegetal ornamentation and borders of great quality and colour. The seal on the reverse confirms the period of the vase.Ch'ien-lung (1711-1799) was the fourth emperor of the Ch'ing, or Manchu, dynasty in China. His rule spanned a span of 63 years, a longer reign than any other in recorded Chinese history. In Ch'ien-lung's reign, the Ch'ing dynasty reached its zenith and began the downward spiral that would culminate in the Revolution of 1911, which marked the final demise of imperial China. He was one of the greatest imperial patrons of the arts and literature.
Lot 75
Quianlong vase, 18th century.Porcelain with white on white decoration.The base is chipped.Measurements: 45,5 x 21,5 cm.This Quianlong vase has a circular base and a trumpet-shaped body. It has been decorated using the white-on-white technique, combined with gilt floral motifs inscribed in polygonal pavilions. The Qianlong Emperor, a member of the Qing dynasty, ruled China from 1736 to 1795, and is remembered to this day as one of the most cultured emperors and one of the most important in terms of art collecting. His long reign was a particularly interesting moment in Chinese history. At that time, the country was the richest and most populous nation in the world. Qianlong was able to preserve and foster his own Manchu warrior and hunter traditions, and combine them with the adoption of Confucian principles of political and cultural leadership, thus achieving an effective and stable government. Indeed, it was his ability to adopt Chinese customs while honouring his Manchu tradition that made him one of the most successful emperors of the Qing dynasty. Qianlong studied Chinese painting, and especially enjoyed the art of calligraphy, highly regarded in this culture, indeed conceived as the highest of the arts.
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653685 item(s)/page