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A large late 19th Century quilted satin air trap ewer, the shouldered ovoid body below collar neck and triform wave rim with a diamond air trap to the bright citron ground with applied rope handle, height 24cm, together with matched vase of shouldered ovoid form with tall slender collar neck, decorated with a quilted diamond design over a graduated ruby with opal interior, height 24cm. (2)
A late 19th Century French opaline glass decanter of shouldered ovoid form with tall slender collar neck and spire form stopper, hand enamel decorated in the Etruscan style with a classical portrait panel with in Greek key border over the white ground with gilded highlights, marked Made in France, height 32cm, together with a similar period Etruscan vase with classical figures and Greek key border, height 28cm. (2)
A late 19th Century Stevens & Williams cameo glass vase of shouldered ovoid form with a collar neck, cased in opal over blue and cut with wild poppies to one side with a large flowering blossom bough verso between pattern and plain banded borders, unmarked, height 21.5cm, damaged.
A late 19th Century Stourbridge Cameo glass vase, possibly Thomas Webb & Sons, the shouldered ovoid body cased in opal over a quilted satin air trap ground and cut with wild flowers and foliage over a quilted diamond ground with opal interior, unmarked, height 14cm, neck reduced.
A 1930s Czech Art Deco Malachite glass vase heavily relief moulded with a freize of naked females amongst flowers and foliage to the tonal green ground, unmarked, height 12.5cm, together with two similar smaller examples relief moulded with cherubs holding floral garlands, one damaged. (3)
A mid 20th Century Orrefors large clear crystal glass lidded jar, circa 1960, designed by Simon Gate in the A Thousand Windows pattern, the barrel form body decorated with semi circle cut panels, complete with cover, signed, retains original paper label, height 20cm, together with an Edvin Ohrstrom for Orrefors optic ribbed clear crystal glass vase, with large mitre cut panels, signed, height 11cm. (2)
A late 20th Century Italian Murano glass vase in the manner of Campanella Livio, of footed bell form, the body decorated with close packed murrine canes in tonal citron, pink and white over a pale citron ground, raised to a cushion foot with gold aventurine, unmarked, height 16.5cm.
A later 20th Century Italian Murano Scavo glass vase by Cenedese, the compressed shouldered ovoid body with dimple knocked sides and narrow collar neck with flat rim, decorated with tonal brown patches over a bright citron ground with textured finish, retains original foil label, height 13cm.
A 1940s Whitefriars glass bowl designed by James Hogan, of rectangular form with turned up rim, all in golden amber, width 27cm, together with a 1950s Whitefriars tumbler form vase designed by William Wilson, with internal controlled air bubble decoration, also in amber, height 18cm.
A post war Murano fazzoletto vase of handkerchief form, decorated with blue spiral lines and bronze aventurine, retains label, height 13.5cm, together with another vase of footed form with latticino and coloured cane decoration with applied handle with leaf decoration. (2)
ROYAL ALBERT OLD COUNTRY ROSES DINNER SERVICE, six place setting comprising dinner plates, tea plates (large and small), soup bowls and saucers, dessert bowls, teacups and saucers, table mats, also two serving mats, gravy boat and stand, salt and pepper, sugar and cream, two butter dishes, tea and coffee pots, four coffee mugs, three-tier cake stand, bud vase, telephone and a miniature tea table
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650806 item(s)/page