An Emerald Green Glass, Painted and Parcel Gilt Pedestal Vase, Bohemia, circa 1870, of Islamic inspiration, the cylindrical neck with flared rim from a compressed semi-ovoid body, solid gilded shoulder handles, frontally applied with an oval panel painted with a beautiful young girl holding a flaming torch, against a background of large leaf fronds and dots, circular foot, 25cm high; and A Ruby Glass Example, the ovoid body panel painted with the bust length portrait of a pretty woman in medieval costume, against a fern gilded background, 20.5cm high (2) See illustration
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An Emerald Green Glass, Painted and Parcel Gilt Trumpet Vase, Bohemia, circa 1870, applied with a panel painted with a spray of summer flowers in vivid enamel colours against a gilded densely arranged leaf ground, on a panelled swept circular foot, 41cm high; and Another, applied with a panel painted with the bust length portrait of a pretty young woman with a veil in her hair, against a gilded leaf and dot background, swept circular foot, 36.5cm high (2) See illustration
A Wedgwood Porcelain Rose Painted Two-Handled Vase and Cover, circa 1910, with a compressed oval body, the domed and trellis pierced cover with acanthus sheathed vase finial, the body painted with bands of pink roses within cartouches, signed G Bond, amongst gilt scroll cartouches and with solid gilded scrolling shoulder handles, on a scrolled edged swept foot, brown printed Portland Vase mark and Wedgwood England, 22cm high
A Royal Worcester Porcelain Highland Cattle Painted Vase, Harry Stinton, 1924, of slender ovoid shape with short flared neck, gilded at the rim, painted with a pair of Highland cattle amongst boulders in a misty glen, a boulder and heather motif to the reverse, signed, puce printed crown and wheel mark, year mark and shape no.2491, 14.5cm high See illustration
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1924, of compressed quatrelobed form, the shallow domed and scroll pierced cover with fluted pointed finial, frontally painted with three cattle near a thatched bothy in a Highland river landscape, the reverse with crag and boulder vignette, signed, with olive green and gilt strapwork shoulder moulding, and with serration to the swept circular foot, puce printed crown and wheel mark, year mark, and shape no.278H, 13cm high See illlustration
A Royal Worcester Porcelain Highland Cattle Painted Two-Handled Pot Pourri Vase and Cover, John Stinton, 1921, the bud finial issuing from knurled leaves from a domed and gadrooned cover edged with raised leaf tip band, on a low concave sided neck with two foliate and dolphin pierced panels applied with ribbon-tied swags of laurels, with acanthus enriched arched side handles, frontally painted with three highland cattle grazing amongst boulder-strewn heather against a misty mountainside, the reverse with a misty lochside vignette, a rocaille moulded low pedestal solid gilded foot, puce printed crown and wheel mark, year cypher and shape no 1428, 33.5cm See illustration
A Royal Worcester Porcelain Sheep Painted Two-Handled Pedestal Vase, Ernest Barker, early 20th century, the ovoid body with solid gilded trumpet neck and spurred shoulder handles in olive-gilt colours, painted with a pair of sheep on a heather clad misty mountainside, signed, the reverse with a boulder vignette on a solid gilded circular pedestal foot, puce printed crown and wheel mark, year mark indistinct, shape no. 1963, 21.5cm high See illustration, Ernest Barker (1890-1956) Painter trained at the Royal Worcester factory by Harry Davis.
A Royal Worcester Porcelain Sheep Painted Vase, Harry Davis, 1900, of slender baluster shape, with solid gilded trumpet neck, painted with two sheep and a lamb amongst boulder strewn heather on a misty moor, on the reverse with a rocky and heather vignette, signed, on low swept circular foot with olive banding and gilt edging, green printed crown and wheel mark, year mark, shape no 307/H, 20.3cm high See illustration
A Royal Worcester Porcelain Blush Ivory Pot Pourri Vase and Cover, 1893, of compressed ovoid shape, moulded in relief with faux basketry, the domed and pierced cover with fluted and pointed finial (inner cover lacking), printed and painted with chrysanthemums and other rambling flowers, enriched in gilt throughout, puce printed crown and wheel mark, year mark and shape no 1286, also impressed 16, 29.5cm high
A Carl Thieme Encrusted Porcelain Pot Pourri Vase and Cover, circa 1870, the pierced and gently domed cover with an elaborate finial as a spray of flowers, on inswept fan pierced shoulders, veiled maiden mask side handles over encrusted fruits and flowers, the front and reverse painted with couples in 18th century costume dallying, on angular tripod legs linked by laurel swags and on a tri-concave flat plinth, blue painted crossed swords mark and T, 37.5cm See illustration
A Pair of German "Vienna" Painted Porcelain Pedestal Vases, circa 1870, of baluster shape with flared short trumpet necks with beaded rims, the outswept shoulder handles linked by beaded roundels, each vase painted to the front and reverse with figures in medieval costume, perhaps relating to Charlemagne, against trellis and dot solid gilt backgrounds, with iridescent blue metallic finish to the neck, shoulder and key pattern base with corkscrew edging, each with pseudo beehive mark in underglaze blue and vestiges of original titles in red script, 37.3cm high See illustration
A Garniture of Three Frankenthal Porcelain Pedestal Vases and Covers, circa 1760, the central large ogee vase with domed cover painted with a panel of three figures and with fruit finial, the main body with a scroll edged frontal reserve depicting eight figures in a fte champetre after Antoine Watteau, the reverse with three further figures, against a background of swags of flowers, scattered sprigs to the swept circular foot, 27.5cm high, the baluster flanking vases also with figurative scenes to the covers and bodies, 22cm high, each with underglaze blue painted standing lion mark (severe damage) See illustration
A Japanese Imari Porcelain Large Fluted Vase and Cover, Meiji Period (1868-1912), the domed cover with compressed ovoid finial, decorated all over with panels of vases containing sprays of chrysanthemums, veranda landscapes, and fruiting vines, against a complex blue background enclosing mon roundels, diaper patterns and other natural elements, 71cm high (cover a/f) See illustration
A Chinese Cloisonne Bottle Vase, Qing Dynasty, late 18th/early 19th century, the neck worked with a band of leaf tips over a thunder pattern collar, the main body with a continuous band of scrolling lotus, on a predominantly turquoise ground, 27.5cm high (dented); and A Japanese Cloisonne Enamel Small Circular Tray, Meiji Period (1868-1912), centrally worked with a grasshopper and butterfly amongst blossoms within a complex diapered border, 20.3cm diameter (2)
A Chinese Carved Green Quartz Vase and Cover, late 19th century, of compressed ovoid form, carved in high relief with two pair of dragons amongst clouds and rocks, 16cm high, upon a carved hardwood chrysanthemum blossom stand; and A Carved Jadeite Figure of Guanyin, early 20th century, holding a rose and dressed in sweeping robes, 25cm high (2)
A Matched Pair of Chambersticks, Hawkesworth, Eyre & Co Ltd, Sheffield and London 1902-12, the shaped circular bases with scroll borders interrupted with shells, supporting fluted vase shaped sconces with detachable nozzles, each with a leaf capped scroll handle and conical snuffer, 15cm diameter, 19oz 11dwt
A Pair of Edward VII Adam Style Two-Branch Three-Light Table Candelabra, maker`s mark HE Ltd, Sheffield 1904, with square section candlestick stems with husk draped paterae embossed weighted bases, supporting a campana nozzle with removable swept cap with vase finial, flanked by whiplashed S reeded branches slightly upraised, numbered 10828, 40cm high See illustration
A Cold Painted Bronze Inkwell as an Egyptian Pyramid, Franz Bergmann, Vienna, circa 1900, the upper section hinged to reveal a ceramic ink pot, a small entrance to the pyramid below flanked by a seated figure of a turbaned gentleman, on a canted square plinth, stamped vase rebus, 10cm high, 15.5cm square See illustration
A Derbyshire "Blue John" Spar Pedestal Vase, early 19th century, of classical semi-ovoid shape, with integral domed cover, slightly dished on the shoulder, with attractive deep purple, amber and green inclusions, on a short pedestal stem with circular foot, on polished black marble square base, 24.5cm high
A Derbyshire Spar Classical Vase on Stand, early 19th century, the integral bell shape cover with ormolu fluted bud finial, the shoulder with triple reeded band and incised girdle string line, the vase of a general deep russet and white colour, on a short swept circular foot, on a veined spar and white and black marble mounted base, 41.2cm high overall See illustration, Underneath with cloth small label inscribed MAP 116 II.
A Derbyshire "Blue John" Spar Pedestal Vase, early 19th century, of classical ovoid form, the integral small and ogee domed cover with pear shape finial (possibly later associated?), with deep purple inclusions forming a concentric oval motif to one fascia, on a stepped short stem with circular foot, on a black marble square plinth, 37.5cm high
A Set of Four Slice and Facet Cut Bead Mounted Basket Light Fittings, early 20th century, each of vase form with an upper cylindrical bracket edged with pyramidal cut drops, the main body composed of swags of graduated beads with faceted compressed sphere terminal, 41cm high approx
A Gilt Brass and White Opaline Glass Mounted Ceiling Lamp, early 20th century, with an upper vase connected to the rose by angular chain links, with three downswept key pattern brackets to circular hood with key pattern fretted frieze, supporting a large double ogee bowl, approximately 82cm high overall
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653833 item(s)/page