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An Indian silver vase, probably Kutch, circa 1916, with undulating rim, the bellied sides profusely chased with scrolling flowers and foliage on textured ground, front with escutcheon inscribed "A.F.R & L.F.R., 3.10.16", 16.5 cm. high, wt. 485 gm.A tiny ding to foot rim but otherwise in good condition with crisp chasing
A Japanese stained bronze vase with short neck above rounded body, decorated with relief carving of three carp emerging from water. Signed on base. Meiji period, late19th/early20th century. 14.5cm high and 19cm diam. In good condition. Property from an English lady’s collection.
Seven Derby figures of putti c.1760-80, the largest seated and supporting a candlestick entwined with flowers, three standing beside baskets of flowers, three holding small baskets before them, and a Bow figure of a seated putto resting a vase on one knee, some restoration, 16cm max. (8) Provenance: from the collection of Elizabeth Adams.
A Wedgwood Jasperware vase c.1905, commemorating the centenary of the Battle of Trafalgar and the death of Lord Nelson, one side applied with a profile portrait of Nelson, the reverse with a winged Classical maiden before a tall column, the shoulders applied with sphinx head handles, all in white on a pale blue ground, impressed mark, 25.7cm.
A rare Dublin or Liverpool delftware vase c.1760, the ovoid form boldly painted in blue relief with large peony and chrysanthemum blooms amidst scrolling leaves and prunus blossom branches, a rim crack, the cover lacking, 25cm. Cf. Peter Francis, Irish Delftware, fig. 175 for a similar garniture.
A large Italian maiolica albarello dated 1787, possibly Liguria, one side painted with a two-handled vase issuing tall flower stems including tulip and chrysanthemum, the reverse inscribed 'OG 1787' in manganese, some faults, 23cm. Cf. The Victoria & Albert Museum, Accession No. C.741-1925 for an example with near identical decoration, dated 1791.
A small Italian maiolica albarello dated 1613, probably Siena, the slightly flared cylindrical form painted with a winged mask of a putto above a banner inscribed 'F Di Cappi 1613', a small portrait of a child flanked by two griffins, a vase to the reverse supporting a long stem bearing the date '1613', the shoulder and foot with a simple border of ochre triangles within a manganese line, a surface chip to one side, 15cm. Caper flowers have a long history of use as a culinary spice and as an anti-inflammtory.
A massive stone china vase and cover 19th century, decorated in an Imari type palette with birds perched on large flowering branches surrounding a figure in a small pavilion, the shoulders with kylin handles, echoed to the cover's finial, printed Real Stone China mark, 78cm. (2)
A Royal Doulton stoneware commemorative jar and cover c.1905, moulded in shallow relief with a portrait of Nelson, his coat of arms, and crowned N motifs, together with a small vase bearing a similar portrait against a naval battle scene, impressed marks, the jar with a small section broken out and restuck, 13.2cm max. (3)
A dry-bodied stoneware campana vase of naval interest early 19th century, the squat globular body applied with Britannia and an angel beside a shield inscribed for Howe and Nelson, the reverse with a maiden and winged Cupid, in white on a dark brown ground, the wide flared neck with a band of stiff fern leaves, restoration to the neck, 19cm.
A Royal Crown Derby pot pourri vase and cover date code for 1909, painted by Charles Harris with a colourful bird standing on the ground before trees and aquatic reeds, a pink rose motif beneath, echoed to the foot and cover, the reverse with a pair of birds in flight, signed 'C Harris', edged in gilt and turquoise and raised on a chamfered square foot, pattern numbers 7734 and 1586, printed red marks, 14.5cm. (2)
A tall Italian (Naples) maiolica albarello dated 1802, the narrow waisted form painted with a two-handled vase in the Neoclassical manner, issuing flowering branches, flanked by vertical stripes in blue, ochre and green on yellow, the reverse inscribed '1802' in manganese, two short rim cracks, 30.7cm.
A Worcester baluster vase c.1770, printed in black with Rural Lovers to one side, the reverse with Milking Scene No. 1, with birds in flight between both bucolic scenes and to the neck, 17.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2001.
A Royal Doulton figure of Delight HN1773 together with a further Royal Doulton figure Dainty May HN1656, also together with a small Coalport vase of four sided form with pink printed floral spray and ribbon decoration on a gilt ground, with green printed mark to base and number 4773
A collection of picture including a framed Toile du Jour, pink printed panel of a girl amongst geese and poultry, 17 x 26cm in gilt frame, a set of three coloured prints after Serge Ivanoff, showing dancers in historical costumes performing La Gavotte, La Karole, etc in gilt frames, and oil painting on board of a still life with fruit and a vase of Daffodils, signed initials JM, together with a gilt framed bevelled mirror of arched top form with Swiss retailer label verso
A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc
A collection of 19th century and other ceramics including an early 19th century Ironstone china tankard of octagonal form with imari type decoration and serpents handle, an early 19th century campana shaped two handled vase and cover with printed infilled chinoiserie decoration, a farmers arms loving cup, ginger jar and cover, etc
A collection of Hummel figures of children including little girl holding a posy, little girl with poultry, etc, together with a Coalport figure of Paddington and the marmalade, together with three further Paddington Bear figures, an Eastern brass vase and similar box and cover with Egyptian style motifs, etc
A Victorian walnut freestanding tree shaped hall stand of full height with three graduated branches supporting turned hooks flanking a slender rectangular mirror plate over a glove box with hinged lid, flanked by umbrella stands and pierced vase shaped column support raised on a platform base (lacks inset drip tray)
A pair of 19th century Staffordshire figures of male and female fish sellers, a further Staffordshire figure of General Gordon, height 44cm approx, a pair of Staffordshire arbour groups, a Mettlach vase with relief moulded and painted scrolling decoration and impressed mark to base 1807, a pair of continental two handled green ground vases with art nouveau style raised decoration, a 19th century relief moulded jug with baccus head detail, a Masons Ironstone dish, etc, together with a substantial studio glass vase with amber green and red shaped rim
A Victorian priedieu upholstered seat and panelled back within an oak showwood frame together with a beechwood ladderback elbow chair with rush seat, a Victorian balloonback dining chair with scrolled vase shaped splat, a child's hoop and stick back rocking chair, a Victorian stool with scrolled cabriole supports, two brass clad coal boxes with varying embossed scenes, a pair of table lamps in the form of cockerels, a model galleon etc
A collection of 19th century and other ceramics including continental tea wares with blue and white floral decoration, marked to reverse Adolphe Dangotte, a set of ten tiles with Art Nouveau type stylised peacock feather decoration in tones of green, 15 cm square, a further 19th century tile with polychrome painted floral decoration in the Persian manner, a Studio Pottery slab moulded vase with geometric coloured glaze decoration dated 1993, further Studio Pottery wares, etc
A quantity of various trinket boxes including Hammersley trefoil shaped example, a Royal Worcester black and white printed example with landscape detail, etc together with a 19th century Stone China basin with chinoiserie style floral decoration, a Doulton Watteau pattern blue and white printed teapot and stand, a Caithness glass vase with engraved stag decoration, a 19th century glass mug with ruby coloured overlay and etched decoration inscribed Love the Giver, etc
A Poole Pottery Art Deco vase with painted geometric and botanical decoration in tones of grey, yellow and black, Pattern No YE, to a design by Truda Carter, with impressed rectangular mark to base, incised number 203, painted letters YE and with painted mark for Ruth Pavely, 20 cm tall approx
A late Edwardian mahogany dining room suite comprising a D end extending dining table with two additional leaves raised on pad feet, a set of eight dining chairs with vase shaped splats, a matching sideboard, the central three drawers flanked by two cupboards and pad feet
A collection of Studio Pottery wares including a vase with painted abstract decoration in dark brown, with painted monogram to base GM (?) and numerals 55, a further vase with globular body and drawn neck, numbered to base 46 and a quantity of small bowls of various design, all with painted numerals to bases
A quantity of various Studio Pottery wares including a vase with incised vertical line decoration on a green glazed ground, a set of eight dishes with simple lug handles and painted decoration, a set of ten matching egg cups, a bottle and stopper with grey resist glazed finish, various further vases, bowls, etc
Two similar Studio Glass vases attributed to Caithness, one with an etched thistle decoration, a similar glass vase together with an amber coloured Studio Glass vase of tapering cylindrical form with flecked mottled gold decoration in the Monart manner and a trio of drinking glasses with emerald green bowls
A selection of Studio Glass to include a green tinted bowl of organic leaf shaped form together with further Murano type glass, a Studio Glass bowl and vase, further Studio Glasswares to include a large mottled bowl, vase, paperweight in the form of a mushroom, further paperweights, etc
An extensive and wide ranging collection of clear cut glass and drinking glasses to include various wines, tumblers, beakers, liqueur glasses, champagne flutes, decanters, etc together with a pair of Victorian hand blown clear glass vases of poppy head form with textured and pinched rims, a large wrythen moulded cranberry glass vase by Dartington, etc
A pair of boxed graduating Wedgwood blue glass candlesticks (the tallest measuring 20 cm tall approx) together with a Bristol cobalt blue glass vase, a conical Studio Glass paperweight, an unusual blue tinted Studio Glass vase of wedge shaped form, four smoked glass beakers in the Holmegaard manner, etc
A Swarovski crystal candle stand measuring 23 cm long x 12 cm tall approx together with an associated pair of Swarovski candlesticks each measuring 9 cm tall approx, a large clear cut glass vase, a further smaller vase and a large clear cut glass decanter of squared form (Swarovski items displayed behind ceramic cabinet)
A quantity of blue and white printed ceramics including two oval Willow pattern meat plates, Booths Blue Dragon pattern tea wares and dessert wares, an oriental vase with blue and white character decoration and mark to base, 20 cm tall approx etc together with a set of six Limoges dessert plates with printed decoration of trades and street sellers
A Royal Doulton model of a brown and white spaniel puppy in a basket HN2586, a Royal Worcester model of a Corgi 3243, a Royal Worcester vase with pierced rim and painted rose decoration with green printed mark to base with initial H, 11 cm tall approx, a small Royal Worcester jug with coopered moulding and fruit detail and a Royal Doulton figure of The Old Balloon Seller
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650806 item(s)/page