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A large Bohemian ruby glass vase, with flared rim above bell shaped bowl on knopped stem and circular foot, decorated with gilt scrolling foliage and swags and with a painted Venetian theatre scene of a man and a woman, 45.5cm high; together with a matched ruby glass stand, with a band of yellow jewelling and a continuous scene of figures in 18th century costume, 34.5cm diameter (2)
A large early 19th century terracotta 'Chinoiserie' vase, of inverted baluster design painted with ivory cartouches of Chinese figures in garden settings on a mid-blue and gilt ground with reserve diaper panels and scattered foliage, on circular foot and square painted softwood 'faux marble' plinth, veined in ivory and ochre, on a blue ground, 41cm diameter, 102cm high
An 18th century Chinese blue painted porcelain vase, of hexagonal form, decorated with landscapes, 25cm high; a Chinese export blue painted porcelain tea kettle with metal handles, 12cm high; a Chinese blue painted porcelain bowl, 16cm wide; and a small blue painted jar, probably 17th century decorated with pomegranates and birds, 12cm high (4)
An Edwardian rosewood drawing room suite, with cushioned back with open arms and vase turned supports, the cushioned seat raised on tapering ring turned legs terminating in ceramic castors, comprising: a settee; two arm chairs; and five side chairs (8), 130cm wide, 88cm high, 80cm deep
Two Victorian style mahogany torcheres, the moulded circular top raised on quadruped spiraly turned supports, C scroll cabriole legs; shaped top raised on a vase shaped support , cabriole tripod legs terminating pointed pad feet 45cm diameter, 89cm high and 28cm diameter, 101cm high (2)
A Regency circular rosewood occasional table, the baluster turned gallery over a stepped frieze raised on a vase shaped octagonal column, cruciform base with bun feet, 47diameter, 81cm high, Provenance: The Estate of Sir George Washington Baxter Bt and thence by direct descent
A SET OF SIX MAHOGANY DINING CHAIRS, of George II style, comprising pair of carvers and four singles, each having a shaped and scrolled top rail with circular outline ears, the vase splat pierced with a shield-shape, upholstered drop in seat and on front cabriole legs with ‘C’ scroll moulding and on pad feet, joined by turned and square stretchers c. 1900
A LATE 18TH CENTURY MAHOGANY BUREAU, inlaid with boxwood stringing, having a tambour front, the interior fitted with small drawers, central cupboard inlaid with a vase of flowers within an oval paterae, pigeon holes and a baisie lined pull-out writing surface, above four graduated drawers with gilt metal swing handles and oval back plates, on splayed bracket feet, 107.5cms wide x 112cms high (tambour at fault)
AN EARLY 20TH CENTURY WILLIAM MOORCROFT CORNFLOWER PATTERN VASE, of baluster form, tubelined and painted with red and ochre flowers and green foliage against a streaky green ground, facsimile signature in green, impressed number 392, circa 1911, 15.5cms high (minute glaze chip to rim)
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653685 item(s)/page