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Click here to subscribeAn antique (basically a late 17th Century with restorations) oak Side Chair, the scrolling foliate carved top rail centred with a flower head above a vertical splat with sunflower style motifs emanating from a vase, plank seat, the front rail carved with a vitruvian scroll and with block and turned front feet united by a high turned stretcher
AN EDWARD VII MAHOGANY LONGCASE CLOCK, the eight-day three train movement striking on nine chime bars, with silvered and gilt filigree arch top dial, Arabic numerals, secondary seconds, strike/silent and chime selector dials, the glazed hood flanked by quadrant pillars and with fret pierced sound holes to the sides, below a blind carved and scrolling pediment centred by an urn vase, the astragal glazed trunk door flanked by quadrant pillars, blind-carved and moulded box base, 229cm high. See illustration
A VICTORIAN PORCELAIN QUATREFOIL CABINET PLATE, enamelled with a pair of turtle doves on a honeysuckle branch, against a pale blue ground, within gilt bead rim, registration diamond for 1870, 23cm wide; together with a Bohemian frosted glass vase, of flared hexagonal form, moulded and gilt with flowers and leaves, on a knopped stem from a lobed hexagonal foot, 17.5cm high
A pair of early 20th Century Studio Glass Vases of tapering baluster form decorated with a mottled pale blue and dark blue ground supported on a stepped circular foot, plus an Isle of White Studio Glass Paperweight formed as an Apple with original label, Vase height 28 cms, (3).
A Chinese silver inlaid bronze Bottle Vase (San Shi), the tall circular neck with a sinuous writhing five clawed dragon with bifid tongue amongst stylised clouds and with single scaly fish below, Greek key style border to upper neck and oval lappets above the circular spreading foot, with two character mark to underside, ("ding" to vase lip top), 29cm high x 12cm wide (widest point)
A good two handled Classical Revival silver Vase of squat baluster form, the everted lip above a hand hammered lappet style top border and with hand planished main body and two opposing finely cast scrolling foliate style handles, the underside of the base stamped 925 (and with other marks also), 21cm diameter (including handles) x 13.5cm high, approx. 642g (the bowl probably made by one of the leading American Silversmith manufacturers)
AMENDMENT - CONFIRMED PEKING GLASS A fine Chinese carved White Nephrite Jade Rams head HU Vase, Qing Dynasty (1644 - 1912). The finely carved vase depicting a Recumbent Ram cover above shoulder level Rams Head loose ring handles. Each side of the flattened HU form vase body delicately carved in low relief with two of the "Four Gentlemen" Chinese symbols of Prunus and Orchids amongst a rocky outcrop. The white jade vase is raised on a flared and stepped oval foot. The elegant carving and use of space highlighting the lustrous quality of the natural white jade stone. (Condition Good - No cracks or chips, Minor black, white and russet inclusions within the translucent white stone), Height 14.5 cms, Width 11 cms (max). Notes: Prunus, Orchid, Bamboo and Chrysanthemum are known in Chinese culture collectively as the Four Gentlemen. They represent dignity, quietude, fortitude and simplicity, which in the Chinese tradition are the qualities every Chinese gentleman strives to attain.
A rare 17th/18th Century Chinese Jade carving of a merchant, he wears a headdress with rear feather terminating with a Yin Yang symbol, the figure with long robe and raised hands holding a rectangular section vase, beside him, around his left hand side cloak, a well carved two horned recumbent ram looks on, the greenish white tone stone with some russet inclusions, 7.9cm high x 5cm wide (widest point)
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