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Harry Stinton for Royal Worcester, a painted stag vase and cover, circa 1932, inverse baluster pedestal form, gilded domed cover with flower bud finial, with Greek key tasseled handles on gilded circular swept foot, decorated with a stag and doe in wooded mist shrouded mountainous landscape, signed, shape No 2713, 21cm high
An Art Deco leaf cut glass vase, Harbridge Crystal, circa 1936, beaker form, engraved with vertical tendrils of mitre cut leaves and flower heads, acid marks, 19.5cm highNote: similar to the popular Clyne Farquharson design for John Walsh Walsh circa 1938, the Harbridge example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, a Legacy of British Art Deco Glass, p.34 fig.175 and also Miller's Glass of the 20s and 30s, p.35
Y John Leach for Muchelney (b.1939), a studio pottery stoneware vase, iron drip glaze with unglazed bottom, impressed mark and stamped Muchelney, 16cm high, note: Examples of his work are housed in the V&A Museum, London. See British Studio Pottery, Oliver Watson p.211 and 278
Ernest Barker for Royal Worcester, a sheep painted vase, circa 1914, bottle form, shot silk foliate moulded trumpet form neck, on circular foot with foliate moulded collar, decorated with two Highland sheep in mist shrouded mountain landscape, signed, shape no.1661, 24cm high
Harry Stinton for Royal Worcester, a Highland cattle painted vase, circa 1914, ovoid form, with gilded trumpet shaped neck on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape, with landscape vignette verso, shape no.H 302, 17cm high
George Owen for Royal Worcester, a reticulated vase and cover, 1919, the campana body supported on three dolphin scroll acanthus and beaded legs, on a circular platform base, pierced and gilt jewelled honeycomb band below geometric foliate rim, milled and raised gilt scroll motifs below, the splayed lid similarly decorated with interlocking bands of reticulation, raised beading and open laurel finial, incised signature, gilt marks model 2519, 25cm high Note: an almost identical example was sold at Bonhams, London, 2nd December 2009, lot 327 and also Bonhams, London, 10th December 1997, lot 573
Harry Davis for Royal Worcester, a sheep painted vase, circa 1909, globular twin handled pedestal form, grey-green glazed foliate moulded trumpet form neck, angular moulded handles, on circular shot enamelled and ivory glazed foot, decorated with two Highland sheep and lamb in a mist shrouded mountainous landscape, with landscape vignette verso, signed, shape no.2440, puce printed mark, 20cm high
Josef Riedel, a Secessionist etched, frosted and enamelled glass vase, circa 1910, ogee rimmed navette section boat form, decorated with central panels of knotted tendril and Art Nouveau foliate motifs in gilt enamel, on a semi iridescent incuse carved rustic tiger stripe ground, 14cm long
A Coalport relief moulded and jewelled portrait painted bracket vase, bombe form on reticulated acanthus scroll cabriole legs, the central Reynolds type portrait of a girl with a rose, within a swagged curtain and foliate scroll cartouche, twin foliate and mask handles, encrusted with agate jewels, the reverse with tooled and raised gilt bi colour emblems of sport, 40.5cm high
Harry Stinton for Royal Worcester, a Highland cattle painted vase, ovoid circa 1920, ovoid twin handled form, trumpet form foliate moulded neck and gilded arcaded collar, on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape with landscape vignette verso, signed, shape No.1762, 20cm high
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653685 item(s)/page