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Lot 416
A Coalport ewer, the lemon ground body reserved with a deep shaped gilt band jewelled with turquoise beading, painted with a small oval panel of a loch scene, acanthus moulded handle, 18.5cm high, printed marks in green, circa 1905; a compressed globular vase and cover; a two-handled vase, similarly decorated; a Coalport two-handled vase and cover, of shouldered ovoid form, painted with panels of fruiting vine within barbed gilt borders enamelled with red jewels, acanthus scroll reeded handles, the high domed cover with gilt finial, 16cm high, circa 1905; a Coalport two-handled globular pedestal vase and cover, with transverse oval painted by E. Ball, with a castle, within gilt and jewelled borders reserved on a cobalt blue ground, angular handles, 14.5cm high, circa 1905
Lot 416A
A two-handled pedestal pot pourri vase and cover, in rococo style, with two quatrefoil panels, one painted with an assemblage of summer flowers and foliage, the opposing side with two Chelsea style birds in the landscape within moulded foliate C-scroll frames reserved on a blue ground body elaborately moulded with acanthus and scrollwork, the conforming pierced domed cover surmounted with a seated boy finial, in 18th century attire with fruit at his side, divided gilt acanthus scrolling handles, scroll moulded base, 31cm high (cover broken and glued)
Lot 457
A Royal Worcester nautilus shell vase, supported on stylised coral, with bronzed and gilt decoration, printed green marks, date code for 1883 (damaged); a Royal Worcester ivory ground two-banded claret jug, printed, painted and gilt with flowers, 23cm high, shape 1047, puce marks date code for 1887
Lot 463
A Royal Worcester two-handled pedestal vase, of inverted baluster form, painted by John Stinton, with highland cattle in a mountain glen, the opposing side with a loch scene within rococo moulded panels, acanthus scroll moulded handles, re-entrant square base, gilt rims, 36cm high, printed marks in puce, shape 2010, date code for 1907
Lot 470
A Royal Worcester two-handled pedestal vase, the compressed globular body painted by H. Stinton, with two highland cattle in a mountainous river landscape, acanthus moulded angular handles, on a knopped spreading circular pedestal, and re-entrant square plinth, gilt rims, 19cm high, printed marks in puce, shape 1958, date code for 1908
Lot 474
A Royal Worcester two-handled pedestal vase, painted by Frank Roberts, with a sheep and cottages in a mountainous landscape, spool olive glazed neck, the rim moulded with stiff leaves, acanthus moulded angular handles, gilt rims, 24cm high, printed marks in puce, shape 2425, date code for 1910
Lot 475
A Royal Worcester two-handled pedestal vase, the slender ovoid body painted by E. Barker, with two sheep in a glen, divided acanthus scroll moulded handles, gilt spool neck, on a moulded spreading circular pedestal, re-entrant square base, 21cm high, printed marks in puce, shape 1957, date code for 1919
Lot 487
A Royal Worcester Hadley style two-handled pedestal vase and cover, the slender ovoid body painted by White, with a continuous landscape and two peacocks perched in a tree, moulded stylised foliate bands in shades of turquoise and green, angular gilt handles, on knopped spreading circular base, 30cm high, printed marks in green, date code for 1907
Lot 509
A late 19th century Royal Worcester metallic bowl, moulded with basketweave and vine leaves, pierced gilt rim, 17.5cm diameter, moulded VR Worcester mark; a Royal Worcester flat sided ivory ground jug, printed and painted with flowers, reeded handle, gilt rims, 12.5cm high, printed marks in green, shape 1094, circa 1890; a Royal Worcester blush ivory two-handled spill vase of wyvern form, acanthus moulded handles, spreading circular base, gilt rims, 17cm high, printed marks in puce, shape 1556, date code for 1893 (3)
Lot 510
A Royal Worcester white glazed model of a conch shell, 26cm wide, printed marks in green, circa 1927; a Royal Worcester Sabrina ware trumpet shaped spill vase, signed with initials P.D., 15cm high, printed marks in black, shape 923; a Royal Worcester shaped plate, painted to the centre by Ernest Phillips, with a bouquet of flowers, broad apple green border, gilt gadrooned rim, 24cm wide, printed marks in puce, date code for 1912 (3)
Lot 511
A Royal Worcester two-handled bottle vase, the pink ground body printed and gilt with roses, 21cm high, printed marks in puce, shape 857, date code for 1893; a Royal Worcester bottle vase, the lobed body moulded in white relief with barbed panels of foliage, 27cm high, printed marks in puce, date code for 1892; a Royal Worcester two-handled pedestal vase, of slender ovoid form, printed and painted with bands of foliage, acanthus moulded handles, spool neck, 21.5cm high, printed marks in black, circa 1900 (handles restored); a Royal Worcester teacup and saucer, the pink ground body painted with birds and butterflies, gilt dentil rims, butterfly handle, impressed mark, circa 1860 (5)
Lot 55
A Pair of Royal Worcester Porcelain Fruit Painted Pedestal Vases and Covers, John Cook, 1950's, each with bud shaped finial and domed cover with shouldered ovoid bodies with angular mask handles painted with peaches, grapes and cherries above a stiff leaf band and waisted foot, square bases, black printed crown and wheel mark, and shape number "2363", 21.5cm; and A Similar Vase signed P Higgins (3) See illustration
Lot 63
A Royal Worcester Porcelain Fruit Painted Pot Pourri Vase and Cover, William Ricketts, 1926, of quatrelobed compressed ovoid form, with slightly domed scroll pierced cover with ovoid finial, painted frontally with two apples and four cherries against a mossy bank, signed, the reverse with three cherries, on a leaf moulded swept circular foot, enriched in gilt throughout, puce printed crown and wheel mark, year mark and shape "H278", 12.5cm high See illustration
Lot 82
Ondine, after J B Klagmann, Shape 474, Minton, 1861, the semi-nude classical beauty gazing downwards to dexter, holding a tipping vase of water in her right hand beside a stump, stepped circular base, impressed "Minton", ermine mark and date cypher, 41.5cm high See illustration A version of this figure is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.427, pg.120. The figure is described as a companion to Bacchus, Shape 473.
Lot 86
An Italian Greyhound, Minton, circa 1865, seated on its haunches on rockwork, impressed ermine mark, 16.5cm high; A Classical Maiden, Minton, 1860, upholding the back of her toga to reveal her nude lower figure, upon rockwork, impressed ermine mark and date cypher for 1860, 31.5cm high; and A Water Carrier, unknown factory, circa 1880, standing completely nude holding a tipped vase of water on her left shoulder, 33.5cm high (3)
Lot 134
A Glazed and Tinted Parian Pierrot Group, unknown factory, circa 1890, as a cross-legged Pierriot being given a drink by a naked infant perched on his shoulders, on a tasselled cushion, indistinct impressed mark "... & C", 18.5cm high; A Glazed Parian "Hand and Basket" Table Ornament, unknown factory, circa 1885, on an oval plinth, impressed lozenge registration mark, 12.5cm high; A Bone China Seashell Vase, Royal Worcester, circa 1908, Shape 2351, issuing from a bed of seaweed and other shells, green printed crown and wheel mark, shape number, 22.5cm high; and Two Similar Recumbent Maiden Candlesticks, unknown factory, circa 1890, one tinted, one plain, as half-naked maidens recumbent on cushions, on rectangular bases with canted angles, 11cm high (5)
Lot 172
A Humorous Owl Spill/Match Vase, Robinson & Leadbeater, circa 1871, as two short eared owls perched on a log by tree stump amongst ferns and moss, on a canted rectangular plinth with incised title "Match Making", applied diamond lozenge mark, 18.5cm high See illustration A similar piece is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.731, pg.227.
Lot 184
A Conjoined Triple Vase, Worcester, circa 1880, each small ovoid classical vessel with entwined serpent handles, in black and red detail, on a separate triangular plinth, the base with orange printed interlaced "W"s mark, 12cm high; and A Reticulated Porcelain Pot Pourri Vase, possibly Locke, Worcester, as a bird with outstretched wings holding a semi-ovoid cup with pierced cover, impressed diamond registration mark, 20cm high (2)
Lot 204
A Figural Partly Glazed Candlestick, John Rose & Co (Coalport), circa 1870, the central beaded upraised nozzle flanked by four seated classical maidens including Justice, on a guilloché edged concave sided base, apparently unmarked, 16.5cm high; A Parcel Gilt Parian Dwarf Table Candlestick, Copeland, circa 1870, of foliate moulded quatrelobed form with lion masks to the squat nozzle, impressed "Copeland", 3.5cm high; A Parian Swan Jug, unknown factory, circa 1875, the handle as a double-neck swan, the webbed feet forming the base, 30.5cm high; and A Green Tinted Parian Trumpet Vase, unknown factory, circa 1880, as a child grappling with a large flared bunch of bulrushes, circular moulded base, 26.5cm high (4)
Lot 210
Erin Unveiling Her First Pot, Belleek, circa 1870, as a young woman lifting off a light sheet over a classical shaped vase, on a plinth inscribed "BELLEEK POTTERY", flanked by a harp (and originally by a fallen Irish cross, now missing), on a rock and wave effect base with rear wall, black printed hound, tower and harp mark, and "BELLEEK", 42.5cm high See illustration
Lot 245
A Woven Effect Basket, Copeland, circa 1870, of naturalistic oval form with ropetwist handle, impressed mark "Copeland", 36cm long; A Campana Pedestal Pot-Pourri Vase and Cover, Copeland, circa 1870, vase and flambeau finial, with triple lion masks to the frieze, on leaf moulded swept circular pedestal foot, impressed "Copeland", 17.4cm high; and An Octagonal Panelled Tapering Vase, Copeland, circa 1870, probably originally with cover (now lacking), moulded with vertical trails of ivy, S scroll shoulder handles, impressed "Copeland", 25cm high (3)
Lot 248
A Gilded Parian Table Inkwell, Copeland, circa 1870, of swept triangular form, the pierced cover with pine cone finial on a lift-out reservoir, inserting into a base with ram mask angles moulded with swags in relief and on fluted bun feet, impressed "Copeland", 21.5cm high; and A Pierced Pedestal Trumpet Vase, unknown factory, circa 1870, with flared petalled rim and strapwork pierced body to a knopped swept circular foot, 28.5cm high (2)
Lot 259
A Wedgwood Majolica Pottery Figural Vase, circa 1875, modelled as blue glazed wrythen fluted baluster vase supporting swags and upheld by two crouched infants divided by a gardening implement trophy, on a rounded plinth with leaf moulded outswept legs, in typical soft colours overall, impressed "Wedgwood", "NRY" and "L", 28cm high (restored) See illustration
Lot 270
A Flight, Barr & Barr Worcester Porcelain Named Topographical Campana Vase, circa 1820, with gadrooned rim and internal gilded band of anthemion scrolls, frontally with a panel painted with a view of Malvern church-Worcestershire, within a plain gilt frame, against a blue ground enriched in gilt, and with winged caryatid handles, on a square foot, extensive script mark on base including title and "Flight, Barr & Barr Royal Porcelain Works Worcester, London House, 1 Coventry St", 12.7cm high
Lot 277
A Staffordshire Porcelain Floral Tea Service, circa 1835, each piece painted with scroll reserved bouquets of flowers against a midnight blue ground enriched with gilt, comprising a pair of teapots and covers, a pair of milk jugs, a two-handled sugar vase and cover, a pair of slop bowls, a bread and butter plate, fourteen teacups, one coffee cup, fourteen saucers, pattern number "730"
Lot 314
A Japanese Imari Porcelain Charger, late Meiji period (1868-1912), of chrysanthemum outline, centrally painted with a bonsai tree and peonies in a vase, within radiating panels of phoenix birds, chrysanthemum florets, trellis and other textile derived motifs, in typical colours and gilt, 45cm diameter
Lot 316
A Chinese Blue and White Export Porcelain Cylinder Vase, Kangxi (1662-1722), the slightly flared short conical neck with later applied copper mount, the flat shoulder painted with three lotus trails, the main body with two baskets brimming with flowers beneath a frame of pointed leaf tips, 17.5cm high
Lot 327
A Pair of Chinese Imari Porcelain Plates, early Qianlong, circa 1740, circular, centrally painted with peonies growing amongst rocks near a fence (one of the peony heads painted in famille rose enamels), trellis cavettos, three floral sprigs to the rims, 23cm diameter; and Another Pair, circular, painted with pomegranates and finger citrons in a vase on a table near peonies within a floral border, 22.7cm diameter
Lot 330
A Chinese Famille Verte Porcelain Tea Bowl and Saucer, Kangxi (1662-1722), each piece with external café-au-lait glaze decorated with panels of flowers and rockwork, underglaze blue painted pseudo seal marks, the saucer 13cm diameter; and A Porcelain Shaft and Globe Vase, 19th century, decorated with a complex pattern of interwoven scrolls, lotus and bats, and with four shao medallions to the neck, against a light green ground, bearing Qianlong seal, 17cm high, inside the vase is an old label inscribed "I bought this in Japan 1911" (2) See illustration
Lot 340
A Silver Mounted and Japanese Shibayama Decorated Large Sectional Tusk Handled Vase, circa 1900, decorated on one side with a cock and hen pheasant amongst a flowering hydrangea and a stream, the opposite side with a similar pair of birds in a bamboo grove, with tusk form handle decorated with rambling flowers, the bracket edged silver mounts by Elkington & Co Ltd, Birmingham 1900, 27.3cm high (old losses and damage, a/f) See illustration
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653833 item(s)/page