Josef Hospodka for Chribska Skio Union - A retro mid 20th Century Bohemian Czechoslovakian studio art glass vase in green with shaped rim a tapering bodie. Measures approx; 30cm x 21cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
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A matching pair of vintage 20th Century Art deco dip glazed vase of bulbous tapering from with each having orange and gold tones to each. Makers marks rubbed to the base. Each measures approx; 37cm x 20cm diameter. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
A selection of three retro mid 20th Century Scandinavian studio art glass vases comprising a miniature Rondo vase by Lutken for Holmegaard. A tall green Sommerso vase by Ny'lund for Stromberg and a diamond faceted cut glass by Asta Stromberg for Strombergshyttan. All dated to 1950s and bearing makers marks. Tallest measures approx; 26cm tall. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
A large 20th Century Earthenware / terracotta fool standing jar / vase having a flared rim with hoop handles top the ovoid tapering body with geometric patterns throughout. Possibly Mediterranean. Measures approx; 67cm x 38cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Julfar Ware (U.A.E., Ras Al-Khaimah) - A large 17th Century traditional style amphora pottery vase of large floor standing tapering ribbed form. Measures approx; 74cm x 44cm diameter. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Josef Hospodka for Chribska Skio Union - A retro mid 20th Century Bohemian Czechoslovakian studio art glass vase in purple. Measures approx; 29cm x 16cm diameter. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Julfar Ware (U.A.E., Ras Al-Khaimah) - An Antique pottery bowl / vase of squat globular form decorated with brown painted bands. Measures approx; 16cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
A curved two-door cabinet, Holland, transition, 4th quarter 18th century. Mahogany glued, double curved profiled hood with carved crest with medallion, contoured doors with ditto medals and flower vase, double curved base cabinet with three large drawers, brass fittings, contoured base, resting on claw feet, h 245 x w 198 x d72 cm.
Hans CoperImportant tall bottle vase with disc, circa 1968Stoneware, layered white porcelain slips and engobes over a body with textured and incised linear designs, the neck, disk, and base with manganese glaze.50.5 cm high, 20.5 cm diameter Impressed with artist's seal.Footnotes:ProvenanceGalerie Besson, LondonAcquired from the above by the present owner, 2005LiteratureLucie Rie, Hans Coper, and their pupils: A selection of contemporary ceramics illustrating their influence, exh. cat., Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, 1990, p. 16 for a comparable exampleMienke Simon Thoms, ed., The Essential Potness: Lucie Rie and Hans Coper in Museum Boijmans van Beuningen, exh. cat., Rotterdam, 2014, fig. 43 for a comparable exampleThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Hans CoperBottle vase with disc, circa 1957Stoneware, layered white porcelain slips and engobes over a body with textured and incised linear designs, the shoulder, neck and disk with manganese glaze.38.5 cm high, 15.2 cm diameter Impressed with artist's seal.Footnotes:ProvenanceGalerie Besson, LondonAcquired from the above by the present owner, 2005This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
STATUETTE D'AMITAYUS EN ALLIAGE DE CUIVRE DORÉNÉPAL, VERS XIVE SIÈCLEHimalayan Art Resources item no. 4648 7.8 cm (3 1/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF AMITAYUSNEPAL, CIRCA 14TH CENTURY尼泊爾 約十四世紀 銅鎏金無量壽佛像Provenance:With Claude de Marteau, Brussels, by 1970sThis delicate and small image of Amitayus sits with peaceful resonance, imparting blessings of long-life through the vase containing the elixir of longevity cradled in his hands.The figure's broad upper body with tapering wrists and ankles, the prominent urna, the lotus base, and the articulated finger joints are all characteristics of a Nepalese work informed by Pala Indian bronzes, as seen on a crowned Buddha illustrated in Heller, Early Himalayan Art, 2008, pp. 68-9, no. 12.For further information on this lot please visit Bonhams.com
STATUETTE D'USHNISHAVIJAYA EN ALLIAGE DE CUIVRE DORÉTIBET CENTRAL, XVE/XVIE SIÈCLEHimalayan Art Resources item no. 4601 23.8 cm (9 3/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF USHNISHAVIJAYACENTRAL TIBET, 15TH/16TH CENTURY藏中 十五/十六世紀 銅鎏金尊勝佛母像Provenance:With Claude de Marteau, Brussels, by 1970sUshnishavijaya, whose name translates as 'the Victorious Crown Ornament', is a peaceful deity who bestows long life. Depicted with three distinctive faces and eight arms, the deity is crowned, jeweled and ornamented seated atop a double lotus throne. Each implement and gesture signify the giving of boons. The primary right hand holds the visvavajra, the symbol of indestructability. The second right hand holds an effigy of the Buddha Amitabha, whose name means 'Infinite Light', and whose emanation is Amitayus, represented by the vase containing the elixir of long life held in Ushnishavijaya's fourth left hand. The third arm at right holds an arrow signifying wisdom with the bow mirrored in the second left hand symbolizing compassion. The lower right hand is held in varada mudra and the third left arm is raised in abhaya mudra expressing gestures of generosity and assurance respectively. The multi-faced, many armed deity offers enduring protection and favorable rebirth to those who have devoted faith. Adhering to a 15th-century style, Ushnishavijaya shows a syncretic blend of Indo-Nepalese, Central Asian, and Chinese artistic traditions. While these stylistic exchanges were occurring earlier during the Yuan dynasty, their integration matured in the 15th century with a distinctive Tibetan style at its art historical peak. Political and economic support for these artistic developments partly came from the Early Ming emperors' patronage with Tibetan monasteries. The sending and receiving of gifts between the Early Ming court and Tibetan lamas which included texts, commentaries, silks and Buddhist imagery inspired a process of elaboration and refinement in Tibetan art, yielding casts like this delicate gilded sculpture of Ushnishavijaya. The qualities that harken back to earlier influences from India and Nepal include the lithe proportions of the body, the foliate triangular leaf crown, and the cabochon of turquoise and inlaid stones with heavy gilding which was popular in Nepalese artistic traditions. Skilled Nepalese metalworkers coming from the Kathmandu Valley had long been involved in workshops relating to specific monasteries throughout Tibet. These stylistic choices, especially in consideration of the overall layout of ornamentation can be compared to another Ushnishavijaya in the Rubin Museum of Art (C2005.16.22). While the garments and ornamentation are predominantly of Indian and Nepalese style, the modeled face, with its demure expression, is more definitively Chinese and can closely be compared to another tantric deity of Ratnasambhava in this sale (see lot 21) along with a Vairocana Buddha on Himalayan Art Resources (HAR 15711).For further information on this lot please visit Bonhams.com
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653833 item(s)/page