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Antoni Tàpies. (1923 - 2012 Barcelona). Le vase. 1980. Farblithographie auf Velin. 14 x 26 cm (42,5 x 65 cm). Signiert und nummeriert. Unter Glas gerahmt und punktuell auf Unterlage montiert. - Eine Kante wenig merklich angegilbt und teils mit kleinen Fleckchen am Rand. Verso mit Spuren der Montierung. Insgesamt in gutem Zustand. Prachtvoller Abzug in kräftigen Farben und an einer Seite mit dme Schöpfrand. Galfetti 744. - Eines von 75 Exemplaren. - Hg- von Maeght éditeur, Paris. - Druck bei Atelier Maeght, Paris. Colour lithograph on Arches. Signed and numbered. Framed under glass and mounted in spots on backing. - One edge a little bit yellowed and partly with small spots at margins. With traces of mounting on verso. At all in good condition. Splendid print in strong colours and with the scooped margin at one side. - One of 75 copies. Edition Maeght Paris.
Donald Sultan. (1951 North Carolina). Matisse Flowers and Vase. 1998. Farbserigraphie auf Bütten. 36 x 36 cm (41 x 41 cm). Monogrammiert und nummeriert. - In gutem Zustand. Der Abzug prachtvoll und sehr leuchtstark. Eines von 395 Exemplaren. - Hg. v. Marco Fine Art Atelier, Kalifornien (mit dem Blindstempel). Colour serigraph on laid paper. Monogrammed and numbered. - The print is magnificent and very luminous. - One of 395 copies. - Pub. by Marco Fine Art Atelier, California (with their blindstemp).
An Attic red-figure oinochoe Attributed to the Calliope Painter, circa 450-400 B.C.With trefoil lip, decorated with a nude boy holding a leafy sprig, standing on a groundline, a band of ovolo on the front of the neck, 10.7cm high, a label on the underside of the base ink inscribed, p570 odt, and marked in pencil 127Footnotes:Provenance:Münzen und Medaillen, Basel, A.G., Switzerland.Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland), acquired in 1957.Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no. 217161.Published:J.D. Beazley, Attic Red-Figure Vase-Painters, Oxford, 1963, no.1264.For further information on this lot please visit Bonhams.com
A sizeable Attic white-ground lekythos Attributed to the Inscription Painter, circa 460 B.C.The remains of finely detailed outlines of two mourners before a tomb, the young woman offering a lekythos holding oil, the man holding a lyre before the stepped stele, 34.3cm highFootnotes:Provenance:Japanese art market 2005.Japanese private collection 2005.Kotobukiya Co. Ltd, Tokyo 2017.There is another example of a white-ground lekythos by the Inscription Painter, with mourning scene in the Metropolitan Museum of Art, acc.no.06.1021.294. From the late 6th Century B.C. onwards, it was customary to use lekythoi for the pouring of libations over the tombs of the deceased and in the latter half of the 5th Century, the white-ground lekythos was popularly used as a funerary vase.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An Etruscan pottery askos in the form of a duck Attributed to the Clusium Group, 350–325 B.C.Decorated with detailed stylised feathers, each wing with the head of a woman in profile, wearing a laurel leaf and pendant earrings, 20cm long, 11.5cm highFootnotes:Provenance:European private collection acquired between the 1970s and 1990s.Bertolami Auction London, 10 July 2019, lot 46.There is some speculation about the use of such askoi that seem too large for holding scented oils. It has been suggested they may have been used for lamp oil or in connection with wine.The Clusium Group style is found in workshops in the Chiusi and Volterra areas. Beazley lists 20 examples of Etruscan askoi, many assigned to the Clusium Group, cf. Etruscan vase painting, J.D Beazley, Oxford, 1947, pp.119-120. There is a duck askos of the Clusium group in the Metropolitan Museum of Art, Collection no.19.192.14 and another in the Louvre, decorated with a female head, ibid, p.119. Clusium, F. Duck-Askoi, no.12.For further information on this lot please visit Bonhams.com
An Attic Litte Master black-figure band-cup Circa 550-500 B.C.Each side with two opposed horsemen, flanked by two nude male runners, one facing the scene, one turning back to observe the scene, with a vertical Greek inscription: ποπο; one side with the addition of a standing himation-clad youth standing behind the left horse, palmettes tendrils flank both handles, enlivened in added white and wine-red, with incisions, the reserved tondo with dotted circle, 29cm diam including handles, 13.5cm highFootnotes:Provenance:Münzen und Medaillen, Basel, A.G., Switzerland.Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland), acquired in 1957. Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no.9017867. Published:Immerwahr, H., A Corpus of Attic Vase Inscriptions, Preliminary Edition (1998): no.2111. For a discussion on similar inscriptions on Little Master cups, see Pieter Heesen, Meaningless, But Not Useless! Nonsense Inscriptions on Athenian Little-Master Cups, no.38, in Dimitrios Yatromanolakis (Ed), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (2016).For further information on this lot please visit Bonhams.com
Five Egyptian and Greek gold jewellery elements Circa 1500-300 B.C.Including an Egyptian repoussé falcon, 15mm; an Egyptian rectangular repoussé sheet, decorated with a seated falcon-headed deity and a hieroglyph, 2.5cm x 3cm; an ankh-shaped pendant, 2.2cm long; a Greek sheet gold lozenge with scrolled terminals, decorated with a central punched star and borders, 3.5cm x 7.5cm, and a Greek vase-shaped pendant with granulated decoration, 2.2cm high (5)Footnotes:Provenance:With Artemission, London and Ancient and Oriental, Melton Mowbray.Private collection, UK, acquired from the above between 2003-2005.For further information on this lot please visit Bonhams.com
An Attic red-figure Columbus alabastron Attributed to the Aischines Painter, circa 475-425 B.C.The flat-bottomed vessel with disc rim, decorated with two draped figures, each holding a staff, the bearded man offering a sponge and a strigil(?) to a youth, a column behind the figures, meander around the neck and baseline, 12.5cm highFootnotes:Provenance:Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland).Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no.208809.Published:J.D. Beazley, Attic Red-Figure Vase-Painters, Oxford, 1963, no.717.230.J. Boardman, Athenian Red Figure Vases, The Classical Period, London, 1989, fig.62.For further information on this lot please visit Bonhams.com
George Kennerley (British 1908-2009) Still life with vase of flowers on a table Signed, acrylic on board.41cm x 31cm (16.25in x 12.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Moorcroft 'Utility' ware tapered vase, together with a purple glazed jar, impressed marks, 12cm high and smallerThe purple piece has light crazing all over it and a few light scratches. The white piece has crazing all over and two very small chips to the glaze on the rim. Both would benefit from a clean.
Chinese blue and white porcelain vase of shoulder form painted with mountainous landscape within shaped panels reserved on a ground of Ming style flowers, four character mark to base, together with another vase of footed baluster form with pierced handles painted with flowers and foliate scrolls, lozenge mark to base, 26cm high
* FIONA STURROCK,STILL LIFE OF FLOWERS IN A VASEoil on board, signedimage size 59cm x 59cm, overall size 79cm x 79cm Framed.Note: Fiona Sturrock’s paintings demonstrate her love of colour and the practice of mixing colour, laying down patterns of light, shade and texture to produce bold representations of what she is observing. She tends to work on one painting at a time, giving it full focus and energy, which often translates visibly in the intensity of colour and boldness of the finished piece of work. Fiona paints from a mixture of life scenes, photographs and imagination. She is influenced by historical works of Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art that surrounds us in the present day. Fiona’s work features across a number of galleries and is held in private collections internationally.
Regimental Interest; A Victorian Hallmarked Silver Footed Bowl, Charles Boyton, London 1892, allover profusely detailed in relief with stylised leaf scrolls, engraved "Battalion Challenge Vase Presented by Colonel Sadler 1892" and bearing insignia of The 1st Volunteer Battalion, Durham Light Infantry, 28cm diameter (1060grams).Lot 14 - rippling to plain band round top, small nicks to inner edge, dents/creases visible to base.
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653685 item(s)/page