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Lot 59

Rene Lalique, an Ormeaux green jade glass vase, model 984, designed circa 1926, white staining, engraved mark R Lalique France, 17cm high

Lot 60

Rene Lalique, a Tournesols electric blue glass vase, model 1007, designed circa 1927, engraved mark R Lalique France, 12cm high

Lot 61

Rene Lalique, a Formose butterscotch glass vase, model 934, designed circa 1924, moulded mark R Lalique, 17.5cm high

Lot 62

Rene Lalique, a Malesherbes green jade glass vase, model 1014, designed circa 1927, white stained leaves, engraved mark R Lalique France, 23cm high

Lot 63

Rene Lalique, a Bacchantes topaz glass vase, model 997, designed circa 1927, moulded mark R Lalique, engraved France, later bronze base, glass 24.5cm high

Lot 64

Rene Lalique, a Formose opalescent glass vase, model 934, designed circa 1924, frosted and blue stained, incised mark R Lalique France No394, 18cm high

Lot 69

Rene Lalique, a Chamarandes opalescent glass vase, model 974, designed circa 1926, polished and frosted with blue staining, engraved marks R Lalique France, 19.8cm high

Lot 247

Antoni Tàpies. (1923 - 2012 Barcelona). Le vase. 1980. Farblithographie auf Velin. 14 x 26 cm (42,5 x 65 cm). Signiert und nummeriert. Unter Glas gerahmt und punktuell auf Unterlage montiert. - Eine Kante wenig merklich angegilbt und teils mit kleinen Fleckchen am Rand. Verso mit Spuren der Montierung. Insgesamt in gutem Zustand. Prachtvoller Abzug in kräftigen Farben und an einer Seite mit dme Schöpfrand. Galfetti 744. - Eines von 75 Exemplaren. - Hg- von Maeght éditeur, Paris. - Druck bei Atelier Maeght, Paris. Colour lithograph on Arches. Signed and numbered. Framed under glass and mounted in spots on backing. - One edge a little bit yellowed and partly with small spots at margins. With traces of mounting on verso. At all in good condition. Splendid print in strong colours and with the scooped margin at one side. - One of 75 copies. Edition Maeght Paris.

Lot 76

Donald Sultan. (1951 North Carolina). Matisse Flowers and Vase. 1998. Farbserigraphie auf Bütten. 36 x 36 cm (41 x 41 cm). Monogrammiert und nummeriert. - In gutem Zustand. Der Abzug prachtvoll und sehr leuchtstark. Eines von 395 Exemplaren. - Hg. v. Marco Fine Art Atelier, Kalifornien (mit dem Blindstempel). Colour serigraph on laid paper. Monogrammed and numbered. - The print is magnificent and very luminous. - One of 395 copies. - Pub. by Marco Fine Art Atelier, California (with their blindstemp).

Lot 10

An Attic red-figure oinochoe Attributed to the Calliope Painter, circa 450-400 B.C.With trefoil lip, decorated with a nude boy holding a leafy sprig, standing on a groundline, a band of ovolo on the front of the neck, 10.7cm high, a label on the underside of the base ink inscribed, p570 odt, and marked in pencil 127Footnotes:Provenance:Münzen und Medaillen, Basel, A.G., Switzerland.Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland), acquired in 1957.Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no. 217161.Published:J.D. Beazley, Attic Red-Figure Vase-Painters, Oxford, 1963, no.1264.For further information on this lot please visit Bonhams.com

Lot 22

A sizeable Attic white-ground lekythos Attributed to the Inscription Painter, circa 460 B.C.The remains of finely detailed outlines of two mourners before a tomb, the young woman offering a lekythos holding oil, the man holding a lyre before the stepped stele, 34.3cm highFootnotes:Provenance:Japanese art market 2005.Japanese private collection 2005.Kotobukiya Co. Ltd, Tokyo 2017.There is another example of a white-ground lekythos by the Inscription Painter, with mourning scene in the Metropolitan Museum of Art, acc.no.06.1021.294. From the late 6th Century B.C. onwards, it was customary to use lekythoi for the pouring of libations over the tombs of the deceased and in the latter half of the 5th Century, the white-ground lekythos was popularly used as a funerary vase.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 32

An Etruscan pottery askos in the form of a duck Attributed to the Clusium Group, 350–325 B.C.Decorated with detailed stylised feathers, each wing with the head of a woman in profile, wearing a laurel leaf and pendant earrings, 20cm long, 11.5cm highFootnotes:Provenance:European private collection acquired between the 1970s and 1990s.Bertolami Auction London, 10 July 2019, lot 46.There is some speculation about the use of such askoi that seem too large for holding scented oils. It has been suggested they may have been used for lamp oil or in connection with wine.The Clusium Group style is found in workshops in the Chiusi and Volterra areas. Beazley lists 20 examples of Etruscan askoi, many assigned to the Clusium Group, cf. Etruscan vase painting, J.D Beazley, Oxford, 1947, pp.119-120. There is a duck askos of the Clusium group in the Metropolitan Museum of Art, Collection no.19.192.14 and another in the Louvre, decorated with a female head, ibid, p.119. Clusium, F. Duck-Askoi, no.12.For further information on this lot please visit Bonhams.com

Lot 5

An Attic Litte Master black-figure band-cup Circa 550-500 B.C.Each side with two opposed horsemen, flanked by two nude male runners, one facing the scene, one turning back to observe the scene, with a vertical Greek inscription: ποπο; one side with the addition of a standing himation-clad youth standing behind the left horse, palmettes tendrils flank both handles, enlivened in added white and wine-red, with incisions, the reserved tondo with dotted circle, 29cm diam including handles, 13.5cm highFootnotes:Provenance:Münzen und Medaillen, Basel, A.G., Switzerland.Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland), acquired in 1957. Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no.9017867. Published:Immerwahr, H., A Corpus of Attic Vase Inscriptions, Preliminary Edition (1998): no.2111. For a discussion on similar inscriptions on Little Master cups, see Pieter Heesen, Meaningless, But Not Useless! Nonsense Inscriptions on Athenian Little-Master Cups, no.38, in Dimitrios Yatromanolakis (Ed), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (2016).For further information on this lot please visit Bonhams.com

Lot 51

Five Egyptian and Greek gold jewellery elements Circa 1500-300 B.C.Including an Egyptian repoussé falcon, 15mm; an Egyptian rectangular repoussé sheet, decorated with a seated falcon-headed deity and a hieroglyph, 2.5cm x 3cm; an ankh-shaped pendant, 2.2cm long; a Greek sheet gold lozenge with scrolled terminals, decorated with a central punched star and borders, 3.5cm x 7.5cm, and a Greek vase-shaped pendant with granulated decoration, 2.2cm high (5)Footnotes:Provenance:With Artemission, London and Ancient and Oriental, Melton Mowbray.Private collection, UK, acquired from the above between 2003-2005.For further information on this lot please visit Bonhams.com

Lot 9

An Attic red-figure Columbus alabastron Attributed to the Aischines Painter, circa 475-425 B.C.The flat-bottomed vessel with disc rim, decorated with two draped figures, each holding a staff, the bearded man offering a sponge and a strigil(?) to a youth, a column behind the figures, meander around the neck and baseline, 12.5cm highFootnotes:Provenance:Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland).Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no.208809.Published:J.D. Beazley, Attic Red-Figure Vase-Painters, Oxford, 1963, no.717.230.J. Boardman, Athenian Red Figure Vases, The Classical Period, London, 1989, fig.62.For further information on this lot please visit Bonhams.com

Lot 113

A Royal Dux baluster vase with two scroll handles painted with flowers and gilded highlights on raised octagonal base, 28cm (h)

Lot 119

Schumann porcelain pierced shaped oval vase decorated with flowers leaves and gilded border, marks to the base, 15 x 19.5 x 15.5cm

Lot 131

A Doulton ovoid vase, decorated with strap work and stylised flowers, marks to the base, 25cm (h)

Lot 132

Shelley miniature squat vase red ground in the oriental style, marks to the base, 8.5cm (h)

Lot 136

Moorcroft two handled baluster vase decorated with flowers, leaves and landscapes, limited edition 32/50 designed by Sian Leeper, marks to the base, 19cm (h)

Lot 137

Moorcroft ovoid vase decorated with flowers and leaves, designed by Sian Leeper, marks to the base, 19cm (h)

Lot 138

Moorcroft Shakespeare collection Oberon vase decorated with flowers, marks to the base, designed by Rachel Bishop, 25cm (h)

Lot 139

Moorcroft baluster vase decorated with landscape, wheat and leaves, designed by Sian Leeper, marks to the base, 20cm (h)

Lot 142

Moorcroft Christmas Angel ovoid vase, marks to the base, 13cm (h)

Lot 145

Wedgwood black basalt Jasperware to include two baluster vases, a small vase and a covered bowl, tallest 17.5cm (h)

Lot 162

A quantity of Royal Copenhagen ceramics to include a vase, two putti, a girl reading and two birds, tallest 18cm (h), (6)

Lot 190

A Murano ruby red glass coffee set with over painted gilt decoration and applied porcelain flowers to include a bud vase (14)

Lot 199

An oriental blue and white double gourd vase decorated with floral sprays, 31cm (h)

Lot 204

A Meiji period Satsuma vase of globular form decorated with geishas in a landscape, 8cm (h)

Lot 207

An oriental cloisonné baluster vase decorated with flowers and butterflies on raised circular base, 39cm (h)

Lot 225

A pair of brass three light candelabra, 34.5cm and a copper conical vase chased with deer and trees, 18cm (h)

Lot 26

A Moorcroft baluster vase converted to a table lamp decorated with flowers on raised hardwood base, 32cm (h)

Lot 375

A hallmarked silver hot water jug of vase form with scroll handle, the domed hinged cover with urn finial on raised oval base, Sheffield 1908, approx total weight 591g

Lot 47

Ena Russell 1906-1997 framed oil on canvas still life of flowers in a vase, signed bottom right, 61 x 45.5cm

Lot 88

Cathleen Sabine Mann ROI RP SWA, British 1896-1959 - Vase of peonies; oil on canvas, signed lower right 'Cathleen Mann', 41 x 44.5 cm (ARR)

Lot 105

Edward Wesson RI RBA RSMA, British 1910-1983 - Roses in a glass vase; watercolour, signed lower right 'Wesson', 33 x 40.5 cm (ARR)

Lot 183

Kathe Strenitz RE, British 1923-2017 - Still life with a large black vase and blue cloth; oil on canvas, 76 x 51 cm (unframed) Provenance: the Estate of the Artist

Lot 21

George Kennerley (British 1908-2009) Still life with vase of flowers on a table Signed, acrylic on board.41cm x 31cm (16.25in x 12.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 359

Shell case vase, 18cm high, together with an assorted group of lighters and tins

Lot 484

Whitefriars Kingfisher coffin vase, pattern 9686, 14cm high

Lot 500

Dresden Helena Wolfsohn ovoid vase and cover, painted with Watteauesque panels within painted and gilded borders with floral sprays, underglaze Augustus Rex mark to base, 25cm high overall

Lot 510

Elton Ware (Clevedon) pottery vase, of compressed form with everted neck, inscribed with stylised floral motif, on a streaked brown and dark blue slip ground, painted mark to base, 12cm high

Lot 513

William Moorcroft large vase tubelined in the 'Flambe Frilled Orchid' pattern, painted initials and impressed marks, 31cm high (a/f)

Lot 516

Moorcroft 'Utility' ware tapered vase, together with a purple glazed jar, impressed marks, 12cm high and smallerThe purple piece has light crazing all over it and a few light scratches. The white piece has crazing all over and two very small chips to the glaze on the rim. Both would benefit from a clean.

Lot 520

Troika slab vase by Linda Taylor, painted marks, 17.5cm high

Lot 545

Chinese porcelain 'Transitional' style vase, of shouldered ovoid form decorated with figures on a terrace, 28cm high, (a/f)

Lot 546

Chinese ovoid vase, the decoration depicting immortals, 14cm high, with book

Lot 548

Chinese blue and white porcelain vase of shoulder form painted with mountainous landscape within shaped panels reserved on a ground of Ming style flowers, four character mark to base, together with another vase of footed baluster form with pierced handles painted with flowers and foliate scrolls, lozenge mark to base, 26cm high

Lot 84

* FIONA STURROCK,STILL LIFE OF FLOWERS IN A VASEoil on board, signedimage size 59cm x 59cm, overall size 79cm x 79cm Framed.Note: Fiona Sturrock’s paintings demonstrate her love of colour and the practice of mixing colour, laying down patterns of light, shade and texture to produce bold representations of what she is observing. She tends to work on one painting at a time, giving it full focus and energy, which often translates visibly in the intensity of colour and boldness of the finished piece of work. Fiona paints from a mixture of life scenes, photographs and imagination. She is influenced by historical works of Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art that surrounds us in the present day. Fiona’s work features across a number of galleries and is held in private collections internationally.

Lot 14

Regimental Interest; A Victorian Hallmarked Silver Footed Bowl, Charles Boyton, London 1892, allover profusely detailed in relief with stylised leaf scrolls, engraved "Battalion Challenge Vase Presented by Colonel Sadler 1892" and bearing insignia of The 1st Volunteer Battalion, Durham Light Infantry, 28cm diameter (1060grams).Lot 14 - rippling to plain band round top, small nicks to inner edge, dents/creases visible to base. 

Lot 126

A mixed lot of ceramics to include various stoneware items, tureen, studio vase (af) etc

Lot 133

A mixed lot to include a Susie Cooper 'Glen Mist' coffee pot, 2 Parker pens, plated toast rack, Dartington glass vase, Wedgwood blue elephant trinket pot, etc

Lot 134

A large green glazed twin handled terracotta pot, together with a blue glazed vase (af), butter dish, Italian fruit bowl, etc

Lot 136

A mixed box to include Silver Jubilee studio pottery cup, Prinknash vase, bacon press, Tower scales, Wedgwood coronation 1953, marbles, cut glass knife rests, etc

Lot 144

A Portmeirion Botanic Garden cylindrical sleeve vase, 28.5cmH; together with a further Portmeirion vase; Wrst German jug etc

Lot 147

A Mdina glass vase, 20.5cmH; together with a Sherekat frosted glass jug; art glass teapot etc (4)

Lot 148

A Staffordshire flatback leopard spill vase, 24.5cmH; together with two further Staffordshire flatback figures

Lot 168

A mottled green glaze studio pottery vase, 24cmH, together with a pottery agate ware style swirled design bowl 19cmD, incised ME to base; and one other vase (3)

Lot 173

A heavy art glass vase with floral design, 28cmH

Lot 177

A pair of Capodimonte Neoclassical style lidded urns depicting frolicking putti in high relief, each twin handled with acorn finial to lid, heightened in gilt, 26.5 high; together with a similar Capodimonte vase depicting putti in mock battle scenes, 21cm high

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