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Click here to subscribeA William IV Rosewood Teapoy, of sarcophagus form, the hinged lid with gadrooned edge opening to reveal a fitted interior of four lidded compartments and two holes for mixing bowls (now lacking), on a vase shaped support with gadrooned socle and quadreform base, scrolling carved paw feet with recessed brass castors, 40cm by 33cm by 74cm
†A Sally Tuffin for Dennis China Works "Tulips" Teardrop Vase, painted with tulips on a green ground, stamped Dennis China Works RMc (thrower Rory McLeod) 99 and painted S.T DES No.108 artist’s monogram for Sarah Leeson, 17cm; A "Pensee" Trial Vase, stamped Dennis China Works JG 99, painted S.T.des Trial artist’s monogram for Theresa Brooker, 15cm; and A "Primrose" Baluster Vase, stamped Dennis China Works RMc (thrower Rory McLeod) 98 and painted S.T Des No.46 artist’s monogram for Heidi Warr, 13.5cm (3)
†A Sally Tuffin for Dennis China Works "Scratched Butterfly" Baluster Vase, painted with two butterflies on a dusky ground, stamped Dennis China Works RMc 96, painted S.T.des No.5, artist’s monogram for Louise Norris, 12.5cm; and A "Sea Bream" Vase, on a blue ground, stamped Dennis China Works JG 99, painted S.T.des, No.1, artist’s monogram for Catherine Mellor, scratched X, 14cm (2)
†A Sally Tuffin for Dennis China Works "Indian Elephant" Vase, painted with two elephants on a blue ground, stamped Dennis China Works JG (thrower Jon Gray) 99 and painted S.T des No.28 artist’s monogram for Heidi Warr, 16cm; and An "Owl" Jug, stamped Dennis China Works RMc (thrower Rory McLeod) 98 and painted S.T des No.106 artist’s monogram for Louise Norris, 15cm (2) See illustration
†A Sally Tuffin for Dennis China Works "Monkey" Teardrop Vase, painted with three monkeys in shades of green, stamped Dennis China Works JG 98, painted S.T.des No.24, artist’s monogram for Heidi Warr, 14.5cm; and A "Penguin" Teardrop Vase, stamped Dennis China Works JG 98, painted S.T.des No.134, artist’s monogram for Heidi Warr, 14.5cm (2)
A Doulton Lambeth Stoneware Vase, by Eliza Simmance, with incised foliate design in pale green, brown and blue, further decorated with bead work, impressed Doulton Lambeth 1875, ES and assistant's monogram Emma Martin, 15cm (restored rim); and A Doulton Lambeth Stoneware Bowl, by Francis E.Lee, incised and carved with foliate designs in pale green, brown and blue, further decorated with bead work, raised on three hairy paw feet, impressed Doulton Lambeth 1883, FEL 520, 27cm diameter (firing cracks) (2)
A Modern Royal Doulton Lambethware Vase, incised and applied decoration in shades of blue, green and white, impressed marks and No.8/100 2002, 31cm; A Royal Doulton Archives Burslem Artwares "Wuhan" Vase, printed factory marks and BA12, No.217/250, 28.5cm; and A "Chengdu" Bowl, printed factory marks and BA7, No.75/250, 21cm diameter (3)
A Wedgwood Fairyland Lustre Punch Bowl, circa 1920, pattern number Z4968, designed by Daisy Makeig-Jones, the dark purple lustre exterior enriched in colours and gilt in the "Poplar Trees" pattern, the interior with a central "Mermaid" medallion surrounded by the "Woodland Bridge" pattern, worn gilt Portland Vase mark and Z4968, 28cm (11") diameter See illustration. See Una de Fontaines, Wedgwood Fairyland Lustre, New York, 1975, p.112, pl.19 for a very similar bowl from the Zietlen collection
A Wedgwood Lustre Bowl, circa 1917, pattern number Z5294, designed by Daisy Makeig-Jones, of circular pedestal form, the internal mottled orange and external mottled indigo glaze decorated in gilt and polychrome with humming birds after a design by Daisy Makeig-Jones, the borders of flying geese, gilt printed Portland Vase mark, pattern number Z5294/38, 28.5cm diameter, 15.4cm high
Gabriel Argy-Rousseau (1885-1953): "Vase à la Chevelure" A Pâte-de-Verre Vase, circa 1928, moulded with stylised maidens' heads with wavy hair, moulded signature G Argy-Rousseau and France, 19cm high See illustration. See Bloch-Dermant, Janine, G. Argy-Rousseau, Paris, 1990, Cat. No. 28.01, p.216
An Arts & Crafts Mahogany and Marquetry Mirror-Back Sideboard, the broken swan neck, foliate and leaf carved pediment above a plain frieze decorated with ribbons and flowers, the superstructure with fret cut pierced gallery raised on ring turned column supports, the base with two glazed cupboard doors with angled sides centred by a bowfront panel decorated with vase shape motifs and flowers, on short cabriole legs, 137cm by 46cm by 226cm
A Continental Opaque Turquoise Glass Large Vase and Cover on Stand, probably French, circa 1860-70, the ovoid body with concave sided cover with acorn gilded knop, the body painted with three panels depicting a bearded tit, kingfisher and sedge warbler catching insects amongst aquatic plants and grasses, in vivid enamel colours, the body within three black glass lyre supports on spheres, on a concave sided capstan base engraved with anthemion and line detail rubbed with gilt, 67cm high See illustration
A Royal Worcester Porcelain Fruit Painted Vase, William Albert Ricketts, circa 1926, of spherical shape, the cupped neck moulded with pointed leaf tips and richly gilded, painted with two peaches, black grapes and blossoms against a mossy bank, signed, the reverse with three red cherries, puce printed crown and wheel mark, year mark and shape F126, 13.5cm high (restored); and A Fruit Painted Small Bowl, W J Bagnall, circa 1930, circular, with waved and gilded rim, painted with two apples and brambles against a mossy bank, signed, the exterior solid gilded, printed mark and year mark, 10.5cm diameter, 5.5cm high (2)
A Royal Worcester Porcelain Fruit Painted Vase, E Townsend, 1931, the trumpet neck moulded with pointed leaf tips and gilded, painted with two peaches, black cherries and a sprig of apple blossom on a mossy bank, signed, two red cherries to the reverse, puce printed crown and wheel mark, year mark and shape F110, 10cm high
A Royal Worcester Porcelain Fruit Painted Vase, William Albert Ricketts, 1923, of wrythen fluted spherical form, gilded rim, painted with three apples, three cherries and blossom against a mossy bank, signed, the reverse with three damsons, green printed crown and wheel mark, year mark and shape G161, 6.8cm high; and A Milk Jug, painted by Ricketts, conical, solid gilded C shape handle, painted with a peach, a plum, grapes, a cherry and gooseberries on a mossy bank, signed, printed mark and year mark, and W9535, 8.5cm high (2)
A Royal Worcester Porcelain Highland Cattle Pot-Pourri Vase and Cover, Harry Stinton, Shape No.291, circa 1917, of squat quatrelobed form, scroll pierced shallow domed cover, pointed finial, the shoulders with raised scroll brackets, frontally painted with two highland cattle in a misty glen, signed, with rock and heather vignette to the reverse, gilt line rim to the shallow circular foot, puce printed crown and wheel mark, year mark and "291H", 15.8cm high
A Royal Worcester Porcelain Cylinder Vase, William Powell, circa 1907, the plain body painted with a continuous frieze of two flamingos at the side of a lake flanked by grasses and tall mountains, signed, on a gilded scroll pierced spreading foot, puce printed crown and wheel mark, year mark and shape 6/161 and 74 in green, 16.4cm high (restored) See illustration
A Royal Worcester Porcelain Sheep Painted Vase, Harry Davis, circa 1908, of classical pedestal baluster shape, frontally painted with three sheep on a cloudy moorland, the reverse with a boulder amongst tussocks, outscrolled shoulder handles picked out in gilt, moulded trumpet neck and leaf moulded foot, in blush ivory and apricot, puce printed crown and wheel mark, year mark and shape 1482, 16cm high See illustration. Provenance: Burrow Hall, Nether Burrow, Kirkby Lonsdale, Tennants sale on the premises, 14 May 1996, lot 77.
A Royal Worcester Blush Ivory Porcelain Vase, circa 1895, of Islamic inspiration, the flared conical neck moulded with repeat arched panels enclosing flowers, over a lappet shoulder collar with leaf "suspension" loops, the body printed with ferns in drab colours and gilt, on four outswept floret feet, puce printed crown and wheel mark (smudged), shape number 1237, 27cm high
An English Porcelain Rococo Vase and Cover, probably Coalport, circa 1830, of ogee outlined pedestal baluster shape, the domed cover moulded with radiating panels of husks, boldly scrolled shoulder handles against a dark blue ground, the frontal scroll edged cartouche depicting three exotic birds in a landscape, the opposite panel with a spray of vividly coloured flowers, on an ogee swept foot, richly gilt throughout, 37.5cm high (cracked, restoration, a/f)
A Derby Porcelain Topographical Vase, circa 1820-30, of semi-ovoid shape with dished neck, applied to the rim with a pair of solid gilded dragon handles, frontally with an oval cartouche painted with figures standing before a ruinous abbey, the reverse with a spray of flowers including roses and auriculas, against a richly gilded dark blue ground, the triangular section base flanked by leering dragons, concave sided plinth, red painted crown, crossed batons and dots, 34cm high (significant gilding loss)
A Collection of Fifteen Assorted Pieces of Creamware and Pearlware Pottery, circa 1780-1810, including Leeds and Wedgwood, comprising six meat and serving plates of shaped circular and oval form, the largest 52cm wide, an oval tureen stand, a table centrepiece, 26cm diameter, and seven others, including a bidet liner and a quintal vase, some pieces with old labels inscribed Broadhead Sale Leeds April 1788; and A Late 19th Century Creamware Pedestal Bowl and Cover, perhaps a Travelling Font, of campana form, 31cm high (16) (damage throughout)
A Chinese Underglaze Blue, Red and Celadon Glazed Porcelain Vase, 19th century, of dumpy baluster shape with elephantine shoulder handles, the neck glazed in celadon over moulded leave tips and overlapped lotus petals, the main body painted with bats in flight amongst clouds, the leaf collar moulded base with further celadon glaze, 36.5cm high, upon an associated ebonised wood stand with five S scroll legs, 51cm high overall See illustration
A Chinese Porcelain Canton Decorated Vase and Cover, circa 1880, of baluster shape, the shoulders with fo dog mask and ring handles, domed cover with fo dog finial, decorated throughout with panels of precious jewels hanging from blossoming shrubs against a dense foliate ground divided by chrysanthemum bandings, 50cm high See illustration
A Chinese Porcelain Canton Decorated Baluster Vase, circa 1880, with cupped neck, the shoulders applied with gilded fo dogs and pups, the body decorated with typical panels enclosing Manchu courtiers, birds, flowers and insects against a densely scrolling ground enriched in gilt, 43cm high See illustration
A Pair of Japanese Earthenware Small Ovoid Vases, Kinkozan, Kyoto, circa 1890, each with blue ground densely gilded with flowering weeping tree branches, one with a frontal panel depicting women washing at the edge of the village beside a stream, the opposite side with ducks near flowering peonies, the other vase with an interior scene of families playing Go, on the reverse with a cockerel and hen beside flowering peonies, one signed Kinkozan zo, the other with original label, 9cm high See illustration. Provenance: Burrow Hall, Nether Burrow, Kirkby Lonsdale, Tennants sale on the premises, 14 May 1996, lot 108.
A Japanese Imari Porcelain Baluster Vase and Cover, late Meiji Period (1868-1912), the domed cover with pear shape finial, decorated with panels of scrolling foliage in alternating dark blue and tomato red, the main body similarly decorated, two panels painted with a hairy-tailed tortoise, in rich enamels and gilt, 51cm high
A Chinese Famille Verte Porcelain Vase, late 19th century, of baluster shape, the concave sided neck and ovoid body decorated with panels of military and administrative figures and archaic objects, against a scrolling chrysanthemum ground, 45cm high. Provenance: Burrow Hall, Nether Burrow, Kirkby Lonsdale, Lancashire, Tennants sale on the premises, 14 May 1996, lot 95
A Chinese Blue and White Export Gu Vase, Kangxi (1662-1722), divided into three registers, the upper example with two dignitaries waited upon by attendants in a garden setting, the middle register with figures dining en plein air, the lower with Confucian scholars, attendants and an equestrian figure, blue painted fungus mark within parallel line circle, 45.3cm high See illustration
A Chinese Blue and White Export Porcelain Vase and Cover, Kangxi (1662-1722), of baluster shape, the domed cover with compressed button knop painted with five boys playing amongst rocks, a band of foliage and crackled ice to the shoulder, the main frieze with a procession of nine ladies on horseback in a misty gorge, blue painted artemisia leaf within a parallel line circle, 27.5cm high, the base applied with old label of J R Kidson, Antique China Dealer, 116 Albion Street, Leeds, inscribed in ink Old Nanking Porcelain Kang Hsi period 1662.1722 See illustration
A Japanese Mixed Metal Carved and Inlaid Vase, circa 1900, of compressed ovoid shape, cast in relief on one side only with a carp rising out of a still pool, silver weed nearby, stylised character mark within a circle, 15cm high; and A Silver Inlaid Bronze Shallow Dish, circa 1900, circular, inlaid with a cut node of leafy bamboo, manufacturer's mark (circle within a square), incised two character mark, 9.6cm diameter (2)
A Pair of Chinese Gilt Bronze Processional Pole Head Ornaments, probably 19th century, each with bracket pierced finial, one applied with a stylised conch shell, the other with carp, issuing from a dragon head, on hexagonal vase terminals with engraved inscriptions, on later hardwood cylindrical poles, the finials 66.5cm and 65.5cm high respectively See illustration
A Japanese Cloisonné Enamel Squat Baluster Vase, circa 1950-60, attributed to Ando Company, Nagoya, the rims applied with chrome plated mounts, the light green enamel ground worked with four stylised lotus blossoms punctuated by scroll linked fleur-de-lys in tones of blue and white, the foot rim with indistinct stamped mark, 31cm high, in the original wood case
A Chinese Enamelled Porcelain Snuff Bottle, 19th century, of plain cylindrical form, decorated with a phoenix and blossom on blue cellular ground, coral stopper, 6.5cm; A Blue and White Snuff Bottle, 19th century, of vase form, decorated with continuous scene of figures in a landscape, green hardstone stopper, 9.5cm; A Porcelain Snuff Bottle, of flattened ovoid form, decorated in liver red with a dragon chasing a flaming pearl, 7cm; and A Porcelain Snuff Bottle, of squat ovoid form, decorated in green and iron-red with a dragon chasing a flaming pearl, green hardstone stopper, seal mark in red, 7cm (4)
A Japanese Shibayama Inlaid Lacquer Dish, late Meiji Period (1868-1912), circular, the central gold lacquer ground inlaid with bijin and two children by a cart carrying a huge vase brimming with flowers including peonies, birds in flight above, with a red lacquer and prunus flower decorated border, on high circular foot, 54.4cm diameter (a/f); and A Lacquer and Bone Inlaid Photograph Album, circa 1910, the cover decorated with two servants carrying bijin by a lake, Mount Fuji in the distance, containing a collection of hand tinted photographs of diverse subjects including Kyoto, Nagasaki and general figurative scenes, 35cm by 27.5cm, in the original silk lined box (both a/f)
A Large Chinese Embroidered Silk Wall Hanging, circa 1880, rectangular, the crimson ground centred by a depiction of Guanyin in fine robes holding a staff in her left hand from which is pendant a vase of flowers, a milu deer at her side, a bat and stork in flight overhead, three shou roundels in gold wrapped thread to the top, all within a saya-gata bat, fungus and lotus indigo banding, 413cm by 239cm
A Victorian Pedestal Claret Jug, Martin Hall & Co, Sheffield 1867, of vase form, with acanthus capped slender swept handle to the shoulder, the hinged cover with beaded spherical finial, engraved all over with ribbon tied swags of leaves and flowers and with frontal shield enclosing a monogram, upon a beaded circular foot, 35cm high, 525g, 16½oz
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