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A large Barovier & Toso Spina glass bowl designed by Ercole Barovier, elliptical section, aubergine and opaque glass cases in clear, etched Barovier & Toso Murano, 42.5cm. wide, 16.5cm. high Literature Marino Barovier Venetian Art Glass 1840-1970, Arnoldsche, page 159 cat.no. for a vase similar. This page also illustrates a similar Spina bowl exhibited at the XXIX Biennale Internationale d'Arte, Venezia, 1958
A Hadeland glass Atlantic vase designed by Willy Johansson, moulded cylindrical form with everted top rim, thick clear glass with air bubble inclusions, an Orrefors glass dish possibly by Vicki Lindstrand, two Orrefors opalsecent glass dishes and an Orrefors smoked grey glass dish, etched Hadeland WJ mark, 26cm. high (5)
An etched glass panel by Karel Hrodek, dated 1952, rectangular, decorated with a young woman with flowing hair, an artist palette and brushes and a vase of flowers, with polished black slate base, etched HK 52 to panel edge, 41cm. high Literature Helmut Ricke Czech Glass 1945-1980, page 185
A Carter Stabler & Adams Poole Pottery Persian Deer vase designed by Truda Adams, painted by Margaret Holder, shape no.911 pattern SK, painted in colours on a white slip ground, impressed marks, painted marks and artist monogram, 21.5cm. high Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 55 for a comparable example of this pattern on this shape vase illustrated.
'Sliced Fruit' a unique Clarice Cliff Bizarre large floor vase, painted in colours between orange and yellow bands, printed factory marks, 70cm. high Provenance Clarice Cliff 4th November 1993, Christie's South Kensington, lot 247. Private collection. Literature Richard Green and Des Jones, The Rich Designs of Clarice Cliff, Rich Designs, page 182. Andrew Casey 20th Century Ceramic Designers in Britain ACC books, page 80. Clarice Cliff Collector's Club Review, 'Clarice Cliff Giants' by Len Griffin, October 1989, discusses a comparable example of this large vase decorated in the Branch & Squares pattern which was exhibited at L'Odeon's Clarice Cliff exhibition loaned by Midwinter and now in the Wedgwood collection. after Midwinter closed in 1986. Exhibited Clarice Cliff Centenary Exhibition, Yorkshire, 1999, catalogue number 17.
'Bell' an Art Deco Carlton Ware vase designed by Violet Elmer, pattern 3788, enamelled in colours on a mottled red lustre ground, highlighted in gilt, and another Carlton Ware 'Crested Bird and Waterlily' vase pattern 3529, printed and painted marks, 14.5cm. high, (2) Provenance The Burningham Collection.
'Gum Flower' an Art Deco Carlton Ware vase, pattern 3790, swollen cylindrical vase, painted in colours on a mottled cream ground, highlighted in gilt, and a Carlton Ware 'Chinese Bird and Cloud' vase pattern 3321, printed and painted marks, hairline to Chinese Bird vase, 25.5cm. high, (2) Provenance The Burningham Collection.
'Flower and Falling Leaf' an Art Deco Carlton Ware vase designed by Violet Elmer, pattern 3948, the flaring case with stepped shoulder and base, enamelled in colours on a streaked matt turquoise ground, highlighted in gilt, printed and painted marks, 21cm. high Provenance The Burningham Collection. Literature Andrew Casey Art Deco Ceramics in Britain, ACC Books, page 212 catalogue number 24.12 for a bowl in this pattern illustrated.
'Flower and Falling Leaf' an Art Deco Carlton Ware vase, pattern 3949, shouldered, cylindrical form, enamelled in colours on a red lustre ground, highlighted in gilt, printed and painted marks, professionally restored top rim, 26.5cm. high Provenance The Burningham Collection. Literature Victor Arwas Art Deco, Academy Editions, page 289 for a comparable vase illustrated.
'Mandarin's Chatting' an Art Deco Carlton Ware vase and cover, pattern 3653, painted and enamelled in colours on a mottled red lustre ground, highlighted in gilt, the cover with Dog of Fo finial, printed and painted marks, cover restored, 31cm. high (2) Provenance The Burningham Collection.
An Art Deco Crown Devon twin-handled vase, pattern, enamelled in colours with a stag in a stylised woodland setting, on a blue lustre ground, highlighted in gilt, and two other Crown Devon vases patterns 20055 and 2764, printed and painted marks, 15cm. high (3) Provenance The Burningham Collection.
An Art Deco Crown Devon twin-handled vase, pattern 2114, enamelled in colours with geometric flowers on a red lustre ground, highlighted in gilt, and a Crown Devon ginger jar and cover, pattern 2551 printed and painted marks, small hairline to cover of ginger jar, 16cm. high, (3) Provenance The Burningham Collection.
'Fairy Castle' an Art Deco Crown Devon Mattajade vase, swollen form with flanges to base, painted in colours on a combed matt turquoise ground, and another smaller Crown Devon Mattajade vase, printed and painted marks, repaired main vase, 19.5cm. high, (2) Provenance The Burningham Collection. Literature Sue Lunt Age of Jazz British Art Deco Ceramics, The Bluecoat Press, page 65 catalogue number 51 for a dish in this range illustrated.
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653833 item(s)/page