A selection of 19th century carved hardwood vase and figure stands, largest D: 20 cm (6). P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
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A 19th century padouk wood vase stand, heavily carved with cross stretchers and rouge marble inset top, H: 84 cm, top D: 35 cm. Some discolouration to the top.Not available for in-house P&PWarrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A 19th century padouk wood vase stand, heavily carved with cross stretchers and rouge marble inset top, H: 45 cm, top D: 44 cm. Some discolouration to the top.Not available for in-house P&PWarrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A pair of celadon glazed vases, each decorated with enamels and gilt with lotus flowers against the crackled green ground, each H: 41 cm. Loss to rim of one vase, the other cracked at the rim. Not available for in-house P&PWarrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A 19th century dark padouk wood vase stand, heavily carved with cross stretchers and rouge marble inset top, H: 48 cm, top D: 28 cm.Not available for in-house P&PWarrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Japanese Meiji period baluster vase, profusely gilt and decorated with panels depicting figures, having two applied handles to the neck and having a flared rim, H: 36 cm. Very good order throughout, light surface wear, no visible losses, damages or repairs.P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Victorian porcelain cylinder vase with blue enamelled jewelling and painted ivy decoration with presentation inscription to base ' Presented to the Countess of Shrewsbury by Pinder & Co with the contributions of their work people to the Wedgwood Institute Apri 18th 1871' 13.7 cm high
A Chinese blue and white vase, Kangxi period, of flattened globular form raised on a slightly stepped short splayed foot rising to a tall ribbed neck, decorated to the body with chrysanthemum and scrolling foliage below a band of upright plantain leaves, underglaze blue six-character apocryphal Xuande mark to base, 39cm H清康熙 青花繪纏枝菊紋長頸瓶,青花楷書「大明宣德年製」寄託款Please refer to department for condition report
A large Chinese famille rose baluster vase, Qianlong period, of compressed lobed form painted to both sides with an exotic bird perched on a flowering peony branch issuing from rockwork, with iron red Buddhist lion mask and ring handles to shoulders, 51cm high, fitted silk box清乾隆 粉彩錦雞花卉紋獸耳瓶There is a 1 inch firing flaw to the base. Some firing and glaze imperfections elsewhere, but generally good.
A Chinese gilt decorated turquoise Peking glass bottle vase, 19th century, of globular form with long narrow neck, the glass infused with fold frackles, painted to the body with a crane among peony, bamboo and pine, four-character Qianlong mark to base, 20cm high十九世紀 藍料描金長頸瓶,「乾隆年製」寄託款Please refer to department for condition report
A pair of large Chinese lacquered jade and hardstone inlaid 'trompe l'oeil' display cabinet panels, late Qing dynasty, formed as a pair of rosewood display shelves with pierced ivory borders housing carved 'precious' vessels with ivory and carved wood stands including a bowl of fruit, a vase of flowers, a ruyi sceptre and ritual vessels, 89x66cm, fitted silk lined casesIvory exemption acquired. Reference number: R1WZBWAA.清中期 紫檀框黃漆地百寶嵌博古圖掛屏一對Note: As is recorded in Jianyangcongbi《尖陽叢筆》, a Qing dynasty book written by Wuqian (吳騫), Zhouzhu (周柱) was the first person in late Ming or Early Qing dynasty to invent the technique of inlaying lacquer panels with ‘Hundred Precious Materials’ (百寶嵌) such as jade, jadeite, pearls, corals, and ivory (其法以金、銀、寶石、珍珠、珊瑚、碧玉、翡翠……象牙……嵌於檀、梨、漆器之上……五色陸離,難以形容,真古以來未有之奇玩也). Such impressive inlaid design panels bespeak of the High Qing scholarly sensibility, and were popular among members of the Imperial household, especially during the reigns of Emperors Yongzheng and Qianlong. This can be seen in the detail of similarly inlaid doors of an imperial huanghuali cabinet in the Palace Museum, Beijing, illustrated by Hu Desheng in Ming Qing gong ting jia ju da guan, vol. II, Beijing, 2006, pp. 554-5.Apart from the ‘Hundred Previous Materials’, each of the pairs of panels depict the theme of ‘Hundred Antiques’ (博古), a collection of emblematic forms comprising ruyi handles, scholar’s objects, and archaic vessels. A pair of panels with similar shape, colour scheme, material, inlaid technique and theme is now exhibited in the Sui'an room (隨安室) in the Yangxindian (養心殿), which had been the bedroom of the Qing emperors in the Forbidden city since Qianlong emperor. Chinese collectors’ appreciation of this design continues until this day. Please refer to department for condition report
A large Chinese hardstone carved 'taotie' vase, hu, 19th/early 20th century, of flattened form, carved to the body with four blade pendent panels each containing a taotie mask above stylised chilong, the waisted neck flanked by a pair of handles in form of ram, the cover with a buddhist lion finial, the stone of pale celadon color with natural inclusions, 25cm high 十九世紀/二十世紀早期 玉雕明式饕餮紋雙耳蓋瓶Please refer to department for condition report
A Chinese celadon jade twin-handled vase and cover, late Qing Dynasty/Republic period, of flattened pear shape, carved to the body with lotus foliage flanked by a pair of stylised flower stem handles attached with loose rings, the stone of pale celadon color with cloudy inclusions, metal inlaid wood stand, 15cm high. 清晚期/民國 青玉雕連紋蓋瓶Please refer to department for condition report
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653833 item(s)/page