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Click here to subscribeA Pilkington's Lancastrian vase by William S. Mycock, dated 1930, shouldered form with collar rim, painted with seagulls flying above waves in a dark gold and ruby lustre on a midnight blue lustre ground impressed mark, painted artist cipher and date mark for 1930, 33.5cm. high Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 69 plate 109 this vase illustrated.
•Charles Vyse (1882-1971) a stoneware Chun glazed dish, covered in a lavender and blue glaze over grey, and a pair of terracotta busts possibly by Charles Vyse incised Charles Vyse Chelsea to dish, busts incised CV 16cm. diam. (3) Literature Terence Cartlidge Charles & Nell Vyse, Richard Dennis and Ed Pascoe, page 51 for two bowls and a vase covered in comparable Chun glazes.
•Clive Bowen (born 1943) a large wood-fired earthenware floor vase and cover, shouldered form with four loop handles, decorated with alternate panels of fish, shrimp and foliate spray, covered in a graduated brown to yellow glaze unsigned, small chip to side, 65cm. high (2)
•Phil Rogers (born 1951) a large stoneware bottle vase, with carved flutes to shoulder, covered to the foot with a speckled ash glaze impressed seal mark, 36cm. high Literature Phil Rogers Tradition Renewed, Pucker Gallery, catalogue number 32 for a comparable bottle vase.
Mike Dodd (born 1943) a slab-built stoneware vase, shouldered form with swollen, square section neck, incised with panels of grasses, covered to the foot with an ash glaze, a stoneware vase with fluted decoration, covered to the foot in a celadon glaze by Phil Rogers, a jug by Phil Rogers and two other vases impressed seal mark, 31cm. high (Mike Dodd vase), (5)
Jane Hamlyn (born 1940) a salt-glazed stoneware vase, shaped square section, a jug similar, a Geoffrey Whiting porcelain teapot and cover, a Geoffrey Whiting hare's fur stoneware teapot and cover, and a large collection of studio pottery impressed seal marks, 12cm. high (a lot) Literature Geoffrey Whiting, Aberystwyth Arts Centre, touring exhibition 1989-1990, page 79 for a comparable teapot and cover.
John Dunn (born 1944) a large Raku pottery vase, elliptical form with spilt neck, glazed with brushed panels of sky blue on a splashed grey and white ground, another taller John Dunn vase, a John Wheeldon raku pottery vase and another vase painted signature John Dunn 32cm. high (5) Provenance British Art Pottery Woolley and Wallis, 11th December 2013, lot 516, John Wheeldon vase and the Unomi.
Mary Rich (born 1940) a porcelain bottle vase with everted rim, painted with a band of fleur de lys in chestnut on a white ground, another Mary Rich vase, and two Christine-Ann Richards covered vases, and three miniature vases, impressed seal marks, 18cm. high (7) Provenance British Art Pottery, Woolley and Wallis, 11th December 2013 lot 489 (Christine-Ann Richards)
A Minton's Pottery Aesthetic Movement jug, amorphic form, glazed in shades of green and blue with gold aventurine inclusions, an Aesthetic Movement vase decorated with waterlily, a Sarreguemines vase, a Copeland cup and saucer painted in ruby with a frieze of ducks flying, and five other items, impressed marks, minor restoration to jug 21cm. high (9)
•Chris Carter (born 1945) a stoneware Totemic vase, covered in a pitted pale blue-green striped glaze, and a Chris Carter footed bowl with flutes to the interior, impressed seal mark, 27.5cm. high (2) Literature Chris Carter, Hart Gallery, 2008, page 8 for two comparable forms.
•Peter Hayes (born 1946) a tall white raku vase, dated 1989, sack form, with splits and textured decoration, incised Peter Hayes 89, exhibition number to base, 53cm. high Provenance Mr K Taylor, private collection Clarice Cliff, Art Deco and 20th Century Design, Woolley and Wallis, 5th March 2014, lot 433
A Minton's Aesthetic Movement water jug, printed with foliage and Japanese mon frieze in shades of terracotta, grey and tan on a white ground, a Craven Dunnill lustre vase, a Royal Doulton agate vase and a collection of ceramics, including thirteen Staffordshire flat backs printed marks, minor damages 31cm. high (a lot)
An Ashworth Pottery vase, ovoid with cylindrical neck, covered in a burgundy red glaze with blue splashes, another Ashworth Pottery vase covered in a curdled, streaked blue and brown glaze with silver aventurine inclusions, another small green Ashworth Pottery vase, a Sevres blue glazed vase, a Jerome Massier jardiniere and three other vases impressed Ashworth mark, 11cm. high (8) Provenance British Art Pottery Woolley and Wallis, 30th November 2005, lot 974 (main Ashworth Pottery vase).
An Ashby Guild vase, shouldered form, stencil decorated with a peacock and moth flying, in golden lustre on a red lustre ground, and a North State Pottery vase, covered in a sang de boeuf running glaze with sage green patches impressed marks, Ashby vase 21.5cm. high, North State vase 26cm. high Provenance Arts and Crafts Woolley and Wallis, 20th June 2012 lot 163 (Ashby Guild vase).
A Shelley Pottery vase designed by Walter Slater, pattern no. 8306, pedestal form, slip decorated with fish swimming in fast flowing water, in white on a blue and pearl lustre ground, the interior pearl lustre printed mark, facsimile signature Walter Slater 18.5cm. high Literature Chris Watkins, William Harvey and Robert Senft Shelley Potteries, Barrie & Jenkins page 61 colour plate V for a vase in this pattern.
A Clarice Cliff wall plaque, circular, moulded in low relief and pierced with flowers, glazed in colours on a turquoise ground, a Phoenix Ronda ware plate painted with birds, a Carltonware vase, a modern Poole Studio charger by Janice Tchalenko and a collection of ceramics printed mark, Christie's lot label, 34cm. diam. (a lot) Provenance Clarice Cliff Christie's South Kensington, 24th May 1996 lot 111.
A Hancock & Sons Morrisware vase by George Cartlidge, pattern no. C17-3, swollen cylindrical form, tubeline decorated with thistle flowers in red and green on a streaked green ground printed marks, painted facsimile signature, paper collection label, 30.5cm. high Provenance The Harriman Judd Collection, Sotheby's Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 97 figure 263 for examples of this shape.
An unusual Royal Doulton Flambe vase, waisted, shouldered form, covered in a streaked blue glaze over white a smaller Royal Doulton solifleur Flambe vase covered in a white crystalline glaze, and a modern Royal Doulton limited edition Chengdu bowl printed marks, vase 11.5cm. high (3)
A Pierrefonds high-fired stoneware vase, shape no.603, shouldered form with collar neck, covered in a claret crystalline glaze with blue splashes to the shoulder, another smaller, a Rambervillers tall vase covered in a purple, blue and dove grey high-fired glaze, a Sarreguemines pale green lustre solifleur vase, and four other items, impressed marks, 21.5cm. high (8))
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