There are 653685 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Buller's porcelain miniature vase, shouldered form, covered in a celadon glaze, two others similar, two Buller's vases by William Ruscoe, shouldered form with incised decoration covered in celadon glazes, two other large vases and a collection of Buller's including unomi tea bowls incised marks, miniature vase 5.5cm. high (a lot)
A rare Bullers porcelain figure of Grecian lady, modelled resting on a bird bath a dove perched next to her, painted in shades of brown on a buff ground, a Buller's pale celadon glazed camel, a shallow 'Chinese' celadon bowl and two crackle glazed porcelain vases by Buller's unsigned, 31.5cm. high (5) Exhibited Art Among The Insulator's The Buller's Studio 1932-1952, the camel exhibited catalogue number E1 and the larger crackled glaze vase exhibited catalogue number D1..
A rare Poole Pottery Atlantis vase by Guy Sydenham, tapering pear shaped body, modelled with a stylised face, glazed in green, her exotic hair carved and matt glazed black, impressed Poole mark Guy Sydenham monogram, 32cm. high Literature British Art Pottery Woolley and Wallis Auctioneers, 30th November 2006, lot 971 for a comparable Poole Atlantis figural vase by Guy Sydenham which sold for £2500. It is believed to be one of six such vases produced.
David Leach (1911-2005) a Lowerdown Pottery stoneware vase, ovoid with incised groves, flaring rim, covered to the foot with a speckled buff glaze, another Lowerdown vase decorated with fern motif, and a small collection of pots including Ray Finch, Robert Barron and Colin Kellam, impressed seal marks, hairline to Lowerdown fern vase, 29cm. high, (a lot)
LARGE ITALIAN CANTAGALLI BLUE AND WHITE, TIN GLAZED, BALUSTER SHAPED POTTERY VASE, having waved rim, entwined serpent hand and mask mounts, overall decorated with Classical figures in Italian landscapes in underglaze painted blue. Black painted cockerel with no.: 19- ? 16? to the base. 49cm high. CONDITION REPORT: Frits and repaired ??? to the neck in places, minor chips to extremities elsewhere.
PAIR OF HAND PAINTED CONTINENTAL CYLINDER VASES raised on four gilt, scrolled feet, having grapes, foliage and satyr mask mounts, hand painted with cattle and ducks in landscape within pink borders. Unmarked, possibly French. 33.5cm high. (2) CONDITION REPORT: One foot has been off and repaired on one vase. Gilding is worn in places as expected, minor chips to grape and foliage mounts, some minor wear to painting, further chips to foliage on other vase.
19TH CENTURY MAHOGANY UPHOLSTERED HOOP BACKED PARLOUR SIDE CHAIR, having foliate scroll moulded pierced splat, padded drop-in seat and vase shaped foliate and reed moulded front legs on brass casters. CONDITION REPORT: Upholstery is scruffy and worn but the chair appears basically sound if rather grubby.
19TH CENTURY CHINESE CANTON PORCELAIN 'FAMILLE ROSE' DECORATED BALUSTER SHAPED VASE AND COVER overall painted with flowers and foliage and having reserved panels depicting Court scenes. Unmarked. 46cm high. CONDITION REPORT: Notable chip to underside of rim of cover, some good restoration detected to rim. Some wear to gilding and decoration in places, very minor chips to edges in places.
Mauchline ware _ ten pieces comprising a tumbler case (The Church at Vicarage, Blaenau Festiniog) varnish to top blistered, 7.5 cm, a bookmark (Usk) small split, a cylinder form box (Llandudno From The Great Ormes Head) a barrel form money box (Dundon From The Church Tower) a rectangular box (Carnarvon Castle) a bakerÍs table money box (Blackgang Chine, Isle of Wight) a cylinder box (Swallow Fall) a cylinder spill vase (HowellÍs Orphan Schools, Denbigh) split, a dome top box (Slate Bridge, Festiniog) and a small coloured seaweed cylinder box (10) (From the collection of the late Helen Eastgate).
Mauchline ware _ eight pieces comprising a cylinder form box, (Rothesay Castle, Exterior) 7cm, a dome top box with ïropeÍ handles (Aberfeldy From The West) 8.3cm, a barrel form go-to-bed (Fort Augustus at Loch Ness) 8cm, a small money box (Old Village, Shanklin) 8cm, a barrel spill vase (Rothsay Castle, Exterior), 6cm, a circular dish (Scott Monument, Edinburgh) 9.7cm dia, an egg timer (BurnsÍ Cottage/Bought In Burns Monument/Verse) 7.5cm, and a cylinder form spill vase with splayed shaped rim (Cottage In Which Burns Was Born/Made of Wood Which Grew Near Alloway Kirkƒ) 11cm (8) (From the collection of Dr Ian McFeeters).
Attributed to Minton, a pair of mid Victorian majolica vases, each with sea green caryatid handles above mask terminals on ochre yellow ground ovoid bodies between classically decorated turquoise ground waisted necks and socles, the paintings after Raphael's tondos in the Stanze de la Signatura of the Apostolic Palace, Rome carried out from 1509-11 depicting amorini holding inscribed tablets flanking seated figures, Thomas Goode paper label, 55cm (21.5 in) high (2) (D) Literature: For an illustration of similar caryatid handles and the painting on the Prometheus vase, see, Karmason and Stacke, 'Majolica', page 40 Other Notes: The attribution to Minton for the present vases might be projected further to suggesting that the caryatid handles are redolent of the shapes and designs of Pierre Emile Jeannest (1813-1857). The Fitzwilliam Museum holds a ewer with a caryatid handle and the Victoria and Albert Museum a wine cooler. Thomas Allen (1831-1915) might be suggested as the painter of these vases on the basis of his work on the Prometheus vase. Allen worked with Thomas Kirkby (1824-1901) for a time at Minton's and both ceramic artists did work for the universal exhibitions in the mid 19th century. A caryatid head has been glued back onto one and the other now has a wooden socle
A pair of Edwardian silver candelabra, by Thomas Bradbury & Sons Ltd, London 1906/1908, each with square bead edged foot embossed with boars' heads and hunting implements, supporting a square tapered column embossed with snake entwined palms, below Adam style vase socket decorated with festoons, the matching branches with reeded wire arms supporting three vase shaped lights, each with bead edged nozzle, 36.5cm high, loaded (branches weigh 39.25oz) (2)
A large silver cup and cover, by The Goldsmiths' and Silversmiths' Company, London 1912, of vase shape, the foot decorated with stiff leaf design, the upper body with anthemion, scroll and beaded band, between two entwined snake handles, the cover with stiff leaf design and border below a bud finial, inscribed 'Presented by The Tenantry of The Danyrallt and Church House Estates to Miss Yseulte Lloyd Peel on her marriage with Mr Nevill Cressett Thursby-Pelham, Welsh Guards April 29th 1920', 45.5cm high, 106.49oz
A pair of Edwardian silver cups and covers, by The Goldsmiths' and Silversmiths' Company, London 1908/1910, each of vase shape, the foot decorated with stiff leaf design, the upper body with anthemion, scroll and beaded band, between two entwined snake handles, the cover with stiff leaf design and border below a bud finial, inscribed 'Presented to Miss Yseulte Lloyd Peel by The Tenantry of The Danyrallt Estate upon her 21st Birthday as a Token of their High Esteem and Regard' October 17th 1910', 30cm high, 69.75oz (2)
A pair of Bow blue and white chamber sticks, a Chelsea red anchor botanical plate and a Rockingham spill vase, the first painted with flowers either side of the nozzles on the leaf shaped bases, the Chelsea with two melons, 20cm (8 in) diameter and the Rockingham with the 'Front of the Bishop's Palace Suffolk ', 8.5cm (3.25 in) high (4) (D) All of these pieces have damage
An 18th century Nailsea glass ewer, green glass jar together with two clear glass vases, the green ewer with white speckled rim and handle, 33cm (13 in) high, the green cylindrical jar, 32cm (12.5 in) high, the shouldered tapering cylindrical vase, 36.5cm (14.25 in) high and the baluster vase, 24cm (9.5 in) high (4) (D) The Nailsea ewer is cracked about the upper terminal of the handle
Follower of Rachel Ruysch (Dutch, 1664-1750) Still life of summer flowers including double hollyhocks, ranunculus, marigolds, roses, stocks, poppies and carnations in a glass vase on a stone ledge with a shell Oil on canvas 60 x 47cm (23 x 18in) Provenance: By descent within the Neave family. Lined. Paint layer has slightly raised edges to the craquelure in some areas. Varnish degraded, matte and slightly yellowed.
Thomas Atwood (British, fl. 1731-1766) Still life of flowers including a Crown Imperial Lily, tulips and ranunculus on a copper vase upon a stone ledge signed lower right "Th. Atwood / pinx. 1731" oil on canvas 86 x 82cm (34 x 32in) Provenance: From a Norfolk country house. Lined canvas. Surface texture has been slightly flattened by lining. Paint layer is stable. Retouching, especially in the dark background. Varnish is clear and even. Out of its frame which is good quality plaster.
§ Stuart Scott Somerville (British, 1908-1983) Summer flowers in a vase on a table with a book signed lower left "Stuart Somerville 1931" oil on board 35 x 29cm (14 x 11in) Provenance: According to an old label on the reverse, the painter Vera Stevens (British, exh. 1934-7) and presumably acquired by her from the Beaux Arts Exhibition of 1932 ( see below) Exhibited: Probably Beaux Arts Gallery, London Nov-Dec 1932 , either number 4 or 13. Perhaps a little dirty. Old exhibition label to the reverse - probably framed by Vera Stevens using one of her old frames..
A George III silver sugar vase and cover, HBpossibly by Philip Freeman, London 1775,of half fluted vase shape on pedestal circular foot with beaded borders and bright cut friezes, with laurel leaf swags and foliate oval bosses, the pull-off cover with twisted flame finial, crested, 17cm high
Lots 176 to 182By descent from the Studdert Family of Clonderlaw House, County Clare.Five generations of the family lived at Clonderlaw between the mid-18th century and the mi-20th century, and were descended from the Rev. George Studdert of Ardlaman in County Limerick (1699-1778).A Victorian Irish silver vase,maker's mark J.S, Dublin probably 1860,of baluster form on shaped circular foot decorated with panels of foliage and trelliswork,engraved with armorial and crest,12cm high, 7.8oz
A George III Irish silver two-handled cup,possibly by Daniel Egan, Dublin 1803,of vase shape on pedestal circular foot with bright cut decoration, monogrammed and with presentation inscription*,21.5cm high, 20.7oz*Clare J Hunt P.To P. Races, Darrahg 1901, Welter Weight Race, 4 Miles won by Mrs Hellam Studdert’s B.G.”Castlewaller” 14st 7lbs.
A Victorian silver three-piece coffee set,by Hunt & Roskell, London 1875,of vase shape with waisted necks on pedestal circular feet with egg and dart borders, decorated with foliate swags and additional bands of foliage against matted backgrounds, the coffee pot with pineapple finial, the reeded scroll handles terminating in bifurcated foliage, with vacant cartouches, stamped 'HUNT & ROSKELL, LATE STORR & MORTIMER', '7002' on base of coffee pot and '7001A' on two-handled sugar bowl and cream jug, all with gilt interiors, 22.5cm high to top of coffee pot finial, 36.2oz (3)
A ROYAL WORCESTER CHINA VASE, 1896, of flared rounded cylindrical form with fluted neck and mask lug handles, with raised gilded flowerheads and blossoming prunus branches on a purple shading to blue shot enamelled type ground within green and pink tinted borders, puce mark, shape 1911, 13 1/4" high
Loading...
