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A pair of late 19th century Black Forest carved vases, each modelled as a hollowed tree stump with attendant billy goat and kid goat grazing on leaves, h.23cm Condition Report / Extra Information Left hand vase - right horn later replacement (reasonably well done), chip to branch upper left corner, small chip to branch upper right, some shrinkage splits noticeable to back of top.. Right hand vase - small hole visible from underside, hole to middle of stump at bottom of vase, one small leaf chip, kid goat tail chipped. Both with some handling wear.
Vernon Ward (1905-1985) Oil on canvas Still life, flowerpiece, anemones and other flowers in a vase, signed and dated '45, 50cm x 60cm Live Bidding: Left of centre above flowers 1cm dent exposing canvas. Left about inch from frame 1” line like a split but not gone through. Top right possible touch-up? One spotting from decorating
19th century Dutch delft covered vase, the cover with fruit and scroll surmount, having fish and scroll handles to the inverse baluster body, painted with couple in garden to one side, sailing boats to the other, on ornate relief scroll decorated circular feet, 58cm high
CHARLES BOUND (born 1939); a stoneware lugged and altered vase with heavy encrustations, wood fired, impressed mark, height 27cm. Provenance: Gift from the artist, 1992. CONDITION REPORT: Chip to rim, otherwise appears good with no obvious signs of damage, repair or restoration.
JUDY TRIM (1943-2001); a tall hand built white earthenware flared vase, striped decoration, saggar fired, height 41cm. Provenance: Purchased from The Rufford Craft Gallery, 1983. CONDITION REPORT: Miniscule flake to underside of rim, otherwise appears good with no further obvious signs of faults, damage or restoration.
KARIN HESSENBURG (born 1944); a smoke fired raku vase, cut and flared neck, variegated burnished surface, impressed mark, height 28.5cm. Provenance: Purchased from The Rufford Craft Gallery, 1983. CONDITION REPORT: Professional restoration to the rim, otherwise appears good with no further obvious signs of faults, damage or restoration.
GEOFFREY SWINDELL (born 1945); a porcelain vase, lustre decoration, incised S mark, height 11cm. Provenance: Purchased from Heals, London, 1978. CONDITION REPORT: Three tight hairline cracks to the rim, otherwise appears good with no obvious signs of damage, repair or restoration.
STEEN KEPP (born 1949); a large stoneware vase, textured decoration, anagama fired, incised signature and gallery labels to base, height 37cm. Provenance: Purchased from The Rufford Craft Gallery, 1984. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
ALEX McERLAIN (born 1950); a small stoneware flared vase with brush decoration, incised neck and covered in a dry ash glaze, height 17.5cm. Provenance: Gift from the artist, 1987. CONDITION REPORT: Appears good with no obvious signs of damage, repair or restoration.
RUTH KING (born 1955); a hand built stoneware vase of angular and bulbous form, impressed RK mark, height 23cm. Provenance: Purchased from The Grape Lane Gallery, York, 1985. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
MICHAEL ALLEN; a burnished vase, smoke fired and blackened, impressed MA mark, height 17cm. Provenance: Purchased from The Craft Centre and Design Gallery, Leeds, 1987. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
JAMES LEAKEY (1775-1865) PORTRAIT OF A LADY, TRADITIONALLY SAID TO BE A PORTRAIT OF THE ARTIST'S WIFE, ELIZA HUBBARD (nee WOOLMER) Seated half length at a table, wearing a black dress and patterned shawl, a vase of flowers to her left, signed J Leakey/ Exeter on the envelope she writes, oil on panel 17 x 13.5cm. Exhibited: Exeter, Royal Albert Memorial Museum, Loan Exhibition of Works by Early Devon Painters, 1932, no.88 (lent by Dr. C. Montague Leakey) Provenance: By descent in the artist's family until acquired by the current owner ++ Good condition; needs a light clean; period gilt frame
ROBERT WALLACE MARTIN (1843-1924) for Martin Brothers, London and Southall; a salt glazed vase with twin handles, engraved floral motif, incised signature, pottery name and date 5/1/1885, height 25cm. Provenance: Purchased from Diana Wilson Antiques, 1976. CONDITION REPORT: Short firing crack to underside of one handle, otherwise appears good with no obvious signs of faults, damage or restoration.
ROBERT WALLACE MARTIN (1843-1924) for Martin Brothers, London; a salt glazed vase, engraved floral motif with rouletted embellishments and polychrome glazes, incised signature, pottery name, code number P 21 and date 6/75, height 26cm. Provenance: Purchased from Taylor Antiques, Sheffield, 1978. CONDITION REPORT: Small firing crack to interior of neck, otherwise appears good with no further obvious signs of faults, damage or restoration.
ROBERT WALLACE MARTIN (1843-1924) for Martin Brothers, London and Southall; a small salt glazed vase with narrow neck, engraved floral motif, incised signature and pottery name, height 13cm. Provenance: Purchased from Halifax Antiques, 1975. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
Martin Brothers, London and Southall; a salt glazed bulbous vase, engraved dragon motif, incised pottery name and date 6-1898, height 22cm. Provenance: Purchased from Diana Wilson Antiques, 1976. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. There is some very small bubble type firing imperfections. Postage within UK would cost approx. £18 + VAT.
BERNARD LEACH (1887-1997) for Leach Pottery; a stoneware vase of squat form with flared rim, impressed early BL and St Ives marks and painted glaze code to base, height 19cm. Provenance: Purchased from Phillips Auctioneers. CONDITION REPORT: Appears good with no obvious signs of damage, repair or restoration.
LUCIE RIE (1902-1995); an early stoneware vase, oval form with flowing thick eruptive glaze, impressed LR mark, height 16cm. Provenance: Purchased from the artist, 1977. CONDITION REPORT: One area where the glaze is beginning to lift from the body (inherent to the manufacturing process), otherwise appears good with no further obvious signs of faults, damage or restoration.
LUCIE RIE (1902-1995); a porcelain squat vase, creamy glaze with variegated colours, vertical and radiating inlaid lines, darkened rim, impressed LR mark, made 1978, height 18.5cm. Provenance: Purchased from The Peter Dingley Gallery, Stratford-upon-Avon, 1978. Exhibited: Sheffield City Museum and Mappin Art Gallery, Lucie Rie, 1985; Barbican Art Gallery, London, Lucie Rie and Hans Coper: Potters in Parallel, 1997. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
LUCIE RIE (1902-1995); a porcelain vase, bulbous form with flared rim, bronze glaze with sgraffito lines, impressed LR mark, made 1970s, height 25cm. CONDITION REPORT: Restoration to rim and foot, otherwise appears good with no obvious signs of faults or damage.
LUCIE RIE (1902-1995); a porcelain vase, straight sided with slender neck and flared rim, bronze glaze with sgraffito lines to underside of rim, sgraffito through blue slip to neck and rim bordered by inlaid mauve rings, impressed LR mark, made c. 1974, height 25cm. Provenance: Purchased from the artist, 1975. Exhibited: Barbican Art Gallery, Lucie Rie and Hans Coper: Potters in Parallel, 1997. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
LUCIE RIE (1902-1995); a porcelain vase, straight sided with slender neck and flared rim, bronze glaze with sgraffito lines, impressed LR mark and collector's reference number to base, made 1974, height 26cm. Provenance: Purchased from the artist, 1976. Literature: Illustrated in Tony Birks, Lucie Rie (London, 1987), p. 218. In the Birks book Alan spotted that the vase had been wrongly attributed to the collection of A. Egner, further noting: 'When I bought this from Lucie at Albion Mews she had at first been reluctant to sell - then later changed her mind, saying 'Oh you can take it'. The piece had a label on the base BIRKS; perhaps it indicated its use for photography'. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
JANET LEACH (1918-1997) for Leach Pottery; a large stoneware 'Bizen' style oval vase, running green ash glaze on a dark body, impressed JL and St Ives marks, height 26cm. Provenance: Purchased from Kettle's Yard, Cambridge, 1979. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
JANET LEACH (1918-1997) for Leach Pottery; a stoneware 'Bizen' style oval vase, running green ash glaze on a dark body, impressed JL and St Ives marks, height 23cm. Provenance: Purchased from Kettle's Yard, Cambridge, 1981. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
HANS COPER (1920-1981); a slender stoneware hourglass vase, white slip with spiralling linear band, yellowing manganese interior, impressed HC mark, made c. 1975, height 31.5cm. Provenance: Purchased from The Robert Welch Studio Shop, Chipping Campden, 1975. Literature: Illustrated in Tony Birks, Hans Coper (London, 1983), p. 194. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
HANS COPER (1920-1981); a stoneware hourglass vase with cylindrical neck, white slip over textured manganese ground, band of incised lines to lower half, burnished black interior, impressed HC mark, made 1964-66, height 17cm. Provenance: Purchased from Lucie Rie, 1979. Exhibited: Barbican Art Gallery, London, Lucie Rie and Hans Coper: Potters in Parallel, 1997. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
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653833 item(s)/page