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Lot 122
A Chinese bronze vase,Ming dynasty (1368-1644), of olive form flanked by two lug handles, rising from an everted foot, moulded in the archaic style with lappets of taotie masks, the interior inscribed, 31cm high, 2.6kg明 铜仿古饕餮纹系带瓶Condition ReportVerdigris throughout. Surface scratches, small knocks to edges.2.6kg.
Lot 18
A Chinese blue and white meiping vase,possibly Chongzhen (1628-1644), of octagonal form, the tapering body painted with sprigs of flowers, sweeping up to a broad rounded shoulder decorated with lotus in shaped panels, 32cm high 明崇祯(可能) 青花折枝花卉纹八方梅瓶Condition ReportSurface scratches. A small chip to base. Rim slightly grounded to glaze.
Lot 181
A Japanese Satsuma ware vase,Meiji period (1868-1912), of lobed form, painted with figures in a landscape in shaped panels, surrounded by dragons against a diapered ground, stamped mark to base,31cm highProvenance: From the Collection of Alfred Augustus Field (1898-1977), who worked in Calcutta as a pharmacist from around 1920 until the early 1950s. During his time in India, his love of ceramics developed and he started collecting various pieces that interested him. His collection later passed to his daughter and thence by descent in the 1980s.Condition ReportA small chip to rim, some gilt and enamel losses.
Lot 182
A Japanese Satsuma ware vase,Meiji period (1868-1912), the tapering body rising to a rounded shoulder with a flared mouth, painted with panels of figures gathering under cherry blossoms or in a courtyard of a temple with a tablet reading 'Kinkozan', surrounded by scrolling florets in gilt against a midnight-blue ground, with a four-character mark Kageyama seizo in a square to base, 24.5cm highCondition ReportGilt losses and surface scratches in various locations.
Lot 183
A Japanese cloisonné vase,early 20th century, of tapering form, enamelled with two birds among a blossoming prunus tree by bamboo and other flowers, reserved on a ruby-red ground decorated with bamboo leaves, stamped mark 'MADE IN JAPAN',31cm highCondition ReportRim and foot rim mounting not silver. Surface scratches.
Lot 184
A Japanese cloisonné vase,Taisho period (1912-1926), by Ando Jubei (1876-1953), of tapering form, enamelled with an iris in musen (wireless) technique, stamped mark of Ando Jubei to foot rim,21.8cm highCondition ReportVery minor surface scratches to mountings. Rim and foot rim mountings not silver. Foot rim slightly dented.
Lot 191
A Japanese gilt-lacquered bowl,Meiji period (1868-1912), of lobed form, the centre inlaid in mother-of-pearl and hardstones with a cockerel standing on a pole, by a lantern and a vase with blossoming cherry branches, enclosed by diapered panels, 17.6cm diameterCondition ReportLacquerwork with scratches and cracks. Chips to rim and foot rim.
Lot 21
A Chinese blue and white gu vase,Kangxi (1662-1722), of slender elongated form, rising from an everted foot to a slightly bulbous middle section and a tall trumpet neck, painted with literati, attendants and boys in a garden,20.4cm high 清康熙 青花人物故事图花觚Condition ReportMouth and neck damaged and fully restored.
Lot 225
A Chinese famille rose yuhuchun vase,19th-20th century, the pear-shaped body rising from a circular foot to an everted rim, painted with shou characters among scrolling lotus and other flowers against a yellow ground, six-character Jiaqing mark to base,29.5cm high Condition ReportNo obvious faults.
Lot 241
A Chinese famille rose vase,19th-20th century, the globular body rising from a circular foot to a waisted neck and a garlic mouth, painted with a continuous mountainous landscape, the neck with bats among scrolling lotus against a ruby ground, six-character Jiaqing mark to base,32.5cm highCondition ReportGlaze flakes and enamel losses in various locations.
Lot 289
A collection of Chinese blue and white,Guangxu (1875-1908), comprising:a ginger jar and cover, of ovoid form, painted with ladies and boys playing in a garden, four-character Kangxi mark to base,22cm high, a pair of rouleau vases, painted with blossoming prunus trees, six-character Kangxi mark to base,26.3cm high,another vase, of olive form, painted with a Buddhist lion playing with a brocaded ball with pups, four-character Kangxi mark to base,20.5cm high, and a baluster vase and cover, painted with birds and flowers, the domed cover with a Buddhist lion knop, four-character Kangxi mark to base,17cm high (7)Condition ReportPair vases - one with chips to rim and foot rim.Small vase with cover - chips to cover and foot rim.
Lot 295
A Chinese Canton famille rose vase,late 19th century, of compressed globular form with a straight neck, painted with figures in oval panels surrounded by sprigs of flowers and butterflies, 34cm high, and an associated cover (2)Condition ReportSome gilt and enamel losses. Small chips to rim of cover.
Lot 32
A Chinese blue and white vase, 18th century, of rouleau form, painted with dragons chasing flaming pearls among clouds, 42cm high Provenance: from the collection of John Timlin (died 11 September 2020), a world-renowned art psychotherapist. John started collecting Chinese porcelain in the 1950s along with French and German art nouveau objects. He had an extensive library on these subjects and travelled around the world visiting galleries, dealers and collectors. He also visited China in the 1980s. This vase was used as a lamp in his property in Chelsea. 清十八世纪 青花云龙纹棒槌瓶Condition ReportSurface scratches, chips to rim. Drilled to the side near base. Was fitted as a lamp.A 13cm crack to the side of the body.
Lot 330
A large Chinese famille rose vase,19th-20th century, the rounded sides rising from an everted foot, painted with boys in a garden celebrating the new year, the neck painted with precious objects among scrolling lotus against a yellow ground, six-character Qianlong mark to base,68.5cm highCondition ReportSurface scratches, some enamel losses.
Lot 44
A Chinese copper-red and underglaze-blue meiping vase,Qing dynasty (1644-1911), the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, painted with fruiting peaches, pomegranates and finger citrons, six-character Qianlong mark to base,18.5cm high清 青花釉里红三多纹梅瓶 《大清乾隆年制》青花篆书款Condition ReportSurface scratches.
Lot 45
A Chinese famille noire vase,19th century, the tapering square body rising to a trumpet neck with a flared rim, each side painted with peony, lotus, chrysanthemum or prunus, all enamelled in a famille verte palette on a black enamel ground, six-character Kangxi mark to base,50.2cm high 清十九世纪 墨地素三彩花卉纹天圆地方瓶 《大清康熙年制》青花楷书款 Condition ReportDrilled to base. A repaired chip and a 6cm hairline crack to rim.
Lot 47
A Chinese flambé-glazed meiping vase,Qing dynasty (1644-1911), the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, covered with a lustrous glaze of purplish-red streaked with olive tone,18cm high, wood stand (2)清 窑变釉梅瓶 连木底座Condition ReportChips to glaze of foot rim. Wood stand with surface scratches and losses.
Lot 50
A large Chinese flambé-glazed yuhuchun vase,Qianlong (1736-1795), the pear-shaped body rising from an everted foot to a flared rim, covered with a lustrous glaze of purple streaked with lavender blue,43.5cm high 清乾隆 窑变釉玉壶春瓶Condition ReportBroken in pieces and glued. Chips and losses to mouth, foot rim and various other locations.
Lot 55
A Chinese sang-de-boeuf vase,Qing dynasty (1644-1911), the globular body rising from a circular foot to an inverted rim, applied with a glaze of rich oxblood-red colour thinning to white at the rim,31cm highProvenance: From the Collection of Alfred Augustus Field (1898-1977), who worked in Calcutta as a pharmacist from around 1920 until the early 1950s. During his time in India, his love of ceramics developed and he started collecting various pieces that interested him. His collection later passed to his daughter and thence by descent in the 1980s. 清 祭红釉天球瓶Condition ReportSurface scratches, chips to foot rim.
Lot 57
A Chinese sang-de-boeuf vase,18th-19th century, of baluster form, applied with a glaze of rich oxblood-red colour,27.5cm highProvenance: From the Collection of Alfred Augustus Field (1898-1977), who worked in Calcutta as a pharmacist from around 1920 until the early 1950s. During his time in India, his love of ceramics developed and he started collecting various pieces that interested him. His collection later passed to his daughter and thence by descent in the 1980s. 清十八至十九世纪 祭红釉瓶Condition ReportMouth cut down and grounded, small chips and cracks to rim, small chips to glaze and foot rim. Surface scratches.
Lot 58
A Chinese famille rose guanyin, early 20th century, seated on a double lotus pedestal, wearing a long blue and white robe decorated with scrolls, holding a vase and a rosary in his hands, stamped mark ‘Zhu Maosheng zao’ to the base,35cm highProvenance: From the Collection of Alfred Augustus Field (1898-1977), who worked in Calcutta as a pharmacist from around 1920 until the early 1950s. During his time in India, his love of ceramics developed and he started collecting various pieces that interested him. His collection later passed to his daughter and thence by descent in the 1980s. 二十世纪初 粉彩观音坐像Condition ReportSome enamel and gilt losses. Surface scratches.
Lot 77
A Chinese famille rose gu vase,Republic period (1912-1949), of archaistic gu form, finely modelled with a trumpet neck above a central bulb and a bell-shaped foot, painted with Eight Buddhist Emblems among scrolling lotus against a yellow ground, six-character Qianlong mark within a rectangular cartouche to the neck, the interior of the neck and foot enamelled in turquoise,36.4cm high民国 黄地粉彩缠枝莲八吉祥纹花觚 《大清乾隆年制》矾红篆书款Condition ReportSurface scratches, small chips to rim in various locations.
Lot 79
A Chinese iron-red vase,Guangxu (1875-1908), of baluster form with an inverted rim, flanked by two Buddhist lion and pup handles, painted with Eight Buddhist Emblems among scrolling lotus,61.5cm high清光绪 矾红彩八吉祥缠枝莲纹瓶Condition ReportOne handle chipped to the lion pup's tail. Surface scratches, some minor enamel losses.
Lot 1
BAMBOO CARVING OF MAGU WITH DEER QING DYNASTY, 19TH CENTURY 清 竹雕麻姑獻壽擺件 carved with the female immortal riding a deer, her left hand holding lingzhi fungus, right arm with a vase, the deer standing on all fours, its mouth further with a lingzhi fungus, turning back to an attendant presenting a cup on a trayDimensions:13.5cm high
Lot 123
QINGBAI 'FLOWER' LOBED VASE WITH COVER SONG DYNASTY OR LATER 宋或以後 青白釉刻花瓜稜蓋瓶 of baluster shape, the bulbous body curving towards the stepped shoulders and surmounted by a straight neck, further applied with four small lug handles around, the exterior of the body decorated with freely carved design of scrolling flowers, the domed cover moulded with ribs and surmounted by a stalk-shaped finial, covered overall with a pale bluish glaze, leaving the base unglazed revealing the porcelain body with fire marksDimensions:18cm highProvenance:Provenance: Private Canadian collectionNote: Note: The rounded baluster form, combined with the domed top and stalk finial appears to be extremely rare. A Northern Song qingbai vase decorated with a petal pattern around the body, similar in size and proportions, but without a cover, is in the Muwen Tang collection. See Song Ceramics – The Muwen Tang Collection Series Vol. 11, Hong Kong, 2012, no. 71, pp. 232-3.
Lot 125
LONGQUAN CELADON RELIEF-DECORATED DOUBLE-GOURD VASE YUAN DYNASTY OR LATER 元或以後 龍泉青釉貼花葫蘆瓶 finely potted with a globular lower section rising to a narrow waist surmounted by a pear-form upper bulb and an upright splayed rim, both the lower and upper bulbs decorated in the round with a lively display of crisply moulded and slip relief decorated scrolling leafy stems issuing luxuriant flower blossoms and tender buds, covered overall with a lustrous, thick sea-green glaze stopping neatly at the foot, the foot rim burnt russet-orange in the firing, with a Japanese wood boxDimensions:24cm highProvenance:Provenance: Formerly in a Private Japanese collection, acquired in 2003Note: Note: There are few Longquan celadon relief-decorated double-gourd bottles of this type are known. Two illustrated by R. Krahl, Chinese Ceramics in the Topkapi Saray Museum, Istanbul, London, 1986, vol. I, nos. 202 and 203, p. 222 (col. pl.), and pp. 287-8. One in the Hatakeyama Memorial Museum of Fine Art, Tokyo, is published in Hatakeyama Hisato, Tsutaetai, bi no kioku, Tokyo, 2011, pl. 32. See also a similar vase from the Dexingshuwu Collection, sold at Christie’s Hong Kong, 30th October 1995, lot 679A and again in Sotheby's New York, 18th March 2008, lot 106; a vase of similar form but decorated with scroll of chrysanthemum on the lower bulb and the top with chrysanthemum heads, in the Datong Municipal Museum, Shanxi province, is illustrated in Zhongguo taoci quanji [Complete series on Chinese ceramics], vol. 10, Shanghai, 2000, pl. 34.
Lot 133
BLUE-GLAZED VASE QING DYNASTY, JIAQING MARK, 19TH CENTURY 清 嘉慶款 藍釉瓶 帶木座 the spindle shaped body with wide shoulders and waisted neck, terminating to an everted rim, the exterior covered in a dark blue glaze, the interior and the base glazed in white, the base inscribed with a six-character Jiaqing mark in underglaze blueDimensions:26.8cm high
Lot 134
GUAN-TYPE HU-FORM VASE QING DYNASTY, 18TH-19TH CENTURY 清 仿官釉貫耳壺 of oval shape, the waisted neck with two raised bands and flanked by a pair of lug handles, covered overall with a thick glaze of pale bluish-grey colour suffused with very subtle craquelure near the footDimensions:19cm highNote: Note: For a similar squatted green-glazed Hu-form vase, also with two bands on the waisted neck, dated to the Ming dynasty and with Qianlong Emperor's inscriptions on the base, is in the collection of The Palace Museum Taipei, museum no. 故瓷9573
Lot 136
GUAN-TYPE CELADON LONG NECK VASE QING DYNASTY, 18TH-19TH CENTURY 清 仿官釉青瓷七弦紋長頸瓶 the compressed globular body rising from a short recessed foot to a smooth shoulder and surmounted by a tall tapering neck terminating to a straight mouth rim, both the body and the neck exquisitely potted with three raised horizontal ribs, and a faintly discernible protruding fillet encircling the base of the neck, covered overall with a lustrous bluish-celadon glaze suffused with a network of luminous golden-beige crackles, leaving only the foot ring unglazed and revealing the dark brown bodyDimensions:25.5cm highNote: Note: a comparable Qing dynasty celadon-glazed vase imitating a Guan-ware prototype from the Southern Song dynasty, similar in raised horizontal ribs and shape to the current example, was in the collection of the Qing Court collection with a Qianlong imperial poem inscribed to its base, and currently is in the collection of the National Palace Museum, Taipei, museum number Gu Ci 故瓷14085.
Lot 137
RED-GLAZED VASE YONGZHENG MARK 雍正款 紅釉瓶 sturdily potted from a recessed foot rising to a wide shoulder and topped with cylindrical long neck, applied overall with a thick red glaze on the mouth rim, the vase covered in a brown glazeDimensions:31cm highProvenance:With rugged foot ring;Pitting and surface scratches here and there;Otherwise, in good overall condition and no sign of restoration under UV light.
Lot 138
LARGE FLAMBÉ-GLAZED HEXAGONAL VASE QING DYNASTY, QIANLONG MARK, 18TH-19TH CENTURY 清 乾隆款 窯變釉六方貫耳大瓶 the six-sided vessel rising from a flared foot to a wide belly to a waisted neck, the neck flanked by a pair of tubular lug handles, covered overall in a claret coloured glaze with a milky lavender glaze streaking the neck and along the six corners, the base inscribed with a six-character Qianlong mark beneath a brown glazeDimensions:43.5cm highNote: Note: A comparable vase of similar shape, glaze and size was sold at Christie's Paris, 12 Jun 2019, lot 122
Lot 141
GE-TYPE CRACKLE-GLAZED VASE WITH ELEPHANT HANDLES 19TH-20TH CENTURY 十九至二十世紀 仿哥釉象耳尊 the bulbous body supported on a short splayed foot, the angled shoulder tapering to a waisted neck flanked by two elephant-headed handles, covered overall with a soft creamy-greyish glaze suffused with a fine russet crackle, save for the foot rim to expose the dark-grey body, the centre of the base drilled throughDimensions:28.5cm high
Lot 147
RED-GLAZED 'YUHUCHUAN' VASE TONGZHI MARK, 19TH-20TH CENTURY 十九至二十世紀 同治款 紅釉玉壺春瓶 the bulbous sides raised from a slightly everted foot to a waisted neck and flared rim, covered to the exterior with a pale red glaze stopped neatly on the foot, the base inscribed with a six-character Tongzhi mark in underglaze blueDimensions:30cm high
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653685 item(s)/page