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Lot 1184

A royal Doulton vase decorated with fruit trees. 16cm tall. Postage D. NO RESERVE

Lot 1173

A Royal silhouette vase together with Wedgwood and Darlington glass tankards and Wedgwood plates- NO RESERVE

Lot 1209

A small Moorcroft vase ref 2 SEAP393/4. Good condition 11cm tall.

Lot 1210

Moorcroft vase D Ararr117/5. 13cm tall. Good condition.

Lot 1216

Italina glass art vase, 22cm tall. Postage category D

Lot 1289

A pair of Minton tube line decoration vase damage to both 30 cm .

Lot 1207

A limited edition Moorcroft vase by Nicola S. number 10 of 30. 19cm tall. Good condition.

Lot 1292

A Troika coffin vase, approx height 17cm. Shipping category D.

Lot 1222

Wedgwood late 19th century Queensware gilt bronze and gilded vase, 14.5cm tall. Postage category D

Lot 1049

A 19thC Cantonese porcelain yellow ground double ended vase, H.38.5cm x D.25.5cm

Lot 1530

A flower vase, pillar candle holder, pedestals, miniature grandfather clock case

Lot 1211

A Moorcroft Trial vase T/D01608. 11cm tall and in good condition.

Lot 1150

A collection of Belleek Irish porcelain items, including a vase, jug, pot, dish, two dog figures and more.- NO RESERVE

Lot 1323

A Vienna style twin handle vase decorated with figures.

Lot 1004

Cloisonne vase and bowl decorated with dragons. 6 & 27.5cm Postage category D

Lot 1030

A large hand painted vase with heavy floral decoration on a gold coloured ground with animal head faux handles, approx height 44cm.

Lot 1208

A queens choice EB Moorcroft vase. 19cm tall. No damage

Lot 1273

A Lladro floral vase ,28cm tall. Postage category D

Lot 1041

A Chinese republic terracotta vase and a modern Japanese satsuma vase. No obvious damage or restoration. Postage category D

Lot 1033

A blue and white vase decorated with figures in a garden setting, approx 35cm. Shipping category D.

Lot 1263

Radford Jug Vase & Twist Jug

Lot 1277

An assorted collection of ceramics including porcelain figures Royal Doulton (restored), plated items such as cruet set, trays, masons vase etc. Postage category D

Lot 1374

A Moorcroft Finches and Berries vase , 20cm tall. No obvious damage or restoration Postage category D

Lot 70

LARGE ANTIQUE CLOISONNE VASE - AS FOUND

Lot 253

2 HANDLED VINTAGE HAND PAINTED VASE

Lot 107

A JAPANESE ARCAISTIC BRONZE GU VASE, 19TH CENTURYof flared circular design, cast with stiff leaf panels and bulbous body with flanges on domed circular foot. 17.5cm high

Lot 288

AN EDWARDIAN MAHOGANY FRAMED CHAIRthe open back with pierced vase splat, above drop-in seat, raised on square legs***PLEASE NOTE: This lot is not on view in Stephen's Green Salerooms but is available for view in our warehouse. Please contact us for further information.***

Lot 8

AFTER EMILE CARLIER, A LARGE BRONZE WATER FOUNTAIN SCULPTURE, 20TH CENTURYdepicted as a classical female figure pouring from a vase into a large scallop shell at her feet, raised on shaped square platform base with scrolled corners, Signed 'Carlier'. 146cm high

Lot 260

A CHINESE BLUE AND WHITE PORCELAIN VASE TABLE LAMP, and a green column table lamp and matching tole shade (2) (E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.

Lot 163

A FINE AND RARE CHARLES I BRASS 'FIRST PERIOD' LANTERN CLOCK OF LARGER PROPORTIONS ATTRIBUTED TO THE WORKSHOP OF WILLIAM BOWYER, THE DIAL SIGNED FOR CLAUDIUS MALBRANCK, LONDON, CIRCA 1630The trains now with endless-rope winding on chains and anchor escapement regulated by seconds pendulum, the strike train sounding the hours on a bell mounted above the frame via an iron countwheel with overlift provided by a hoop wheel cut with a single slot, the dial finely engraved with stylised hatched foliate scrollwork laid out in a quartered design to centre, within applied 6.375 inch narrow silvered Roman numeral chapter ring incorporating slender cruciform half hour markers, with fine substantial sculpted steel hand and foliate engraved infill matching that of the centre occupying the quadrants with the lower flanking signature Claudius Malbranck engraved to the bottom margin, the frame with finely turned generous Doric column corner posts beneath distinctive shouldered vase 'cup and cover' finials with cavetto waists, the front and sides applied with symmetrical scroll pierced cast brass armorial frets with the front incorporating foliate engraved detail including grotesque dolphin masks, beneath domed bell bearer capped with a conforming slightly larger vase finial, with brass side doors and the rear with iron backplate, on turned tapered 'acorn' feet.40cm (15.75ins) high, 15cm (6ins) wide, 18.5cm (7.25ins) deep. Literature:Illustrated and described in Bruce, W.F. EARLY ENGLISH LANTERN CLOCKS 1600-1700, Lewes 2013, pages 16-17 with a detail of the dial on page 6. Claudius Malbranck is noted in Loomes, Brian Loomes, Brian Clockmakers of Britain 1286-1700 as most probably the original owner of the present clock with the surname Malbranck (sometimes Malbranq) being that of French Huguenot (Walloon) family who lived in London at least 1628-35. Bill Bruce and John Hooper in EARLY ENGLISH LANTERN CLOCKS 1600-1700 also note that Malbranck was most likely the original owner and, suggest that the current clock was almost certainly made by William Bowyer. Perhaps the most obvious single piece of evidence to support attribution to Bowyer is the design of the frets used. Although they appear to be outwardly similar to those used on other, smaller, clocks they are almost unique with the only other known example to have matching castings being a clock made by Bowyer for the Brewers' Company clock of 1632 which was sold at Bonhams, London, sale of FINE CLOCKS 16th December 2020 (lot 77) for £56,500. In addition to the frets used, the dial engraving of the Brewers' clock also exhibits notable similarities with that of the current lot with foliate designs executed in quartered segments. Another clock by Bowyer, this time made for the Earl of Rothes, (see White, George English Lantern Clocks page 44, Figure II/5) also has very closely related engraving by the same hand. George White likens this rare style of engraving to that seen on contemporary silverwork and provides an image of a lid of a silver casket attributed to Jan Gerritsz in support of this observation (page 68, Figure II/58). Incidentally the Earl of Rothes clock was also sold by Bonhams, London, in their sale of FINE CLOCKS 11th December 2019 (lot 68) for £43,812.50.In addition to the frets and dial engraving the movement has many features typical of Bowyer's work, most notably the 'hump' cast into the rear movement bar left hand arm to allow for the locking detent arbor pivots, finely executed wheelwork with tapered arbors, decorative blade hammer spring opposing a very substantial stop and iron countwheel. The frame utilises the same casting as the Earl of Rothes clock and is very finely finished with precise turnings and canted filed edges to the bell support straps. William Bowyer is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as the son of Ralph Bowyer (yeoman of Warfield Berkshire) who is believed to have been married to Alice Mansworth in 1590. William was probably born around this time and by 1616 was a member of the Pewterers' Company when he took-in Thomas Taylor (son of Ralph Taylor, a milliner from Halesowen, Shropshire) as an apprentice. Bowyer took-in no less than five further apprentices prior to the formation of the Clockmakers' Company in 1631, including John Pennock (son of William Pennock of Guisborough, Yorkshire) in 1620. Although he subscribed £5 towards its charter and was made free of the City in 1630, William Bowyer did not apparently join the Worshipful Company on its establishment the following year.Bowyer is thought to have been first married to Margery Barlow of Litchfield, Staffordshire, however, by 1631 he was married to Prudence with whom he had five children (three of which sadly died in infancy). By 1638 Bowyer was living in the parish of St. Andrew Undershaft, he took-in Joseph Jackson (through Thomas Dawson) as apprentice that year and during the following decade took-on at least four more, this time through the Clockmakers' Company. One of these apprentices was Nathanial Allen (probably around 1641/2); Allen subsequently married a Phillipa Bowyer in 1646 hence became related to William through marriage.In 1640 William Bowyer was invited to become an Assistant of the Clockmakers' Company, however it appears that he was reluctant to serve the Company as in July 1642 he gave 'a great chamber clock' in return for excusal from any further duties. Nevertheless he became an Assistant in 1651 and a Warden in 1653 the year of his death. The present clock is particularly notable in that it has survived in fine, original untouched condition. At some point the original verge escapement and balance has been substituted for anchor escapement regulated by seconds pendulum and the winding converted to Huygens's design with an endless chain. Most importantly the latter has not resulted in the strike train being reversed, this has been achieved by adding a very discreet small intermediate wheel to the going train front movement bar, between the pinion of report and the hour wheel. Otherwise the clock is very much the same as when it would have left the Leadenhall Street workshop of William Bowyer but with light wear and the build-up of patination resulting in very pleasing mellow colouring that can only come with age. Condition Report: Please contact Dreweatts clock department direct for condition report. Condition Report Disclaimer

Lot 11

A FINE WILLIAM IV/EARLY VICTORIAN MAHOGANY BOWFRONTED MERCURY STICK BAROMETERFRANKHAM, LONDON, CIRCA 1830-40With concave-sided upstand and cavetto cornice over rectangular bow-glazed silvered Vernier scale calibrated in barometric inches and with slider to the right-hand side opposing the usual observations to the left, the upper margin engraved FRANKHAM, 12 Wilson St't, Grays Inn R'd, London, the flame figured mahogany trunk of the same bowed profile incorporating bone Vernier setting key beneath the cavetto throat moulding over applied glazed mercury tube Fahrenheit scale thermometer with ogee moulded crests to the upper and lower rails, the base with turned ebonised half vase cistern cover flanked by canted angles over cavetto moulded underside incorporating level adjustment square.97cm (38.25ins) high, 11cm (4.25ins) wide.  Richard and Henry Frankham are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as engravers working from 12 Wilson Street, Grays Inn Road, London, 1829-55. 

Lot 13

A GEORGE III MAHOGANY MERCURY STICK BAROMETERFRASER, LONDON, CIRCA 1770With open triangular pediment and cavetto cornice projecting at the sides over silvered Vernier scale calibrated in barometric inches and with the usual observations beneath engraved signature Fraser, London to the right hand side of the tube opposing Fahrenheit scale thermometer incorporating brass protective cover to the bulb to the left, over caddy moulded trunk with visible tube, the base with inverted baluster-vase shaped cistern cover.98cm (38.5ins) high, 16.5cm (6.5ins) wide. William Fraser is recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS as born circa 1720 and died 1815. He worked as 'Optician and Mathematical Instrument maker to the King and The Prince Wales' from 3 New Bond Street, London, and took his son into partnership in 1799. 

Lot 160

AN ENGLISH BRASS LANTERN CLOCKTHE DIAL BEARING A SIGNATURE FOR PETER CLOSON, SECOND HALF OF THE 17TH CENTURY AND LATERThe posted countwheel bell-striking movement with Huygens endless rope winding and anchor escapement regulated by seconds pendulum swinging beyond the frame to the rear, now with dial plate engraved with a band of scrolling tulip blooms to centre, with iron hand within applied narrow 5.75 inch Roman numeral chapter ring with stylised cruciform hour markers, the angles engraved with leafy infill and the lower margin with text Peter Closon Nere Holborn Bridge, the frame with column turned corner posts beneath twin dolphin and scroll pierced frets, shouldered vase turned finials and domed bell bearer, on turned tapered feet; with an oak wall bracket constructed with a table supported with two ogee-outline brackets mounted onto a shaped pendant back panel.The clock 38.5cm (15.25ins) high, 14.5cm (5.75ins) wide, 18cm (7ins) deep including crutch; the clock on bracket 60cm (23.5ins) high overall. The core of the present clock appears to date to around 1675 with unusual decorative turnings to the arbors. Evidence in the top plate suggests that the movement was originally made with verge escapement regulated by short bob pendulum swinging behind the frame to the rear. This coupled with Huygens' endless rope winding would suggest a date of around 1675-85 for the movement. The dial is engraved in the mid 17th century style and is commensurate with Closon's work however it is most likely mid 20th century and purpose-made for the current lot. 

Lot 58

A George III silver mounted facetted glass cruet jug by William Stroud, London no date letter (entered 7th July 1788), the cover engraved with a crest with a shell thumbpiece, a double scroll handle, a bright-cut collar and a vase shape body, 18cm (7in) high

Lot 159

A pair of George II silver casters by Charles Alchorne, London 1737, vase shape with bell finials to the panelled scroll and dot pierced domed covers, the vase shaped bases with a scroll chased upper band, on spreading bases, one cover lined, 15cm (6in) high, 411g (13.2 oz)

Lot 24

A Victorian silver baluster cream jug, maker's mark rubbed, Birmingham 1898, with lion capped feet,;an Art Deco cream jug; silver pepper grinder;a silver christening mug with engraved initials 'J.E.C.K'; a silver trumpet vase; a silver vase shaped sugar shaker; three silver miniature armada dishes; a silver napkin ring; a cased set of six silver coffee spoons and a cased pair of Trusty Servant spoons with cast knobs, 900g (28.9 oz) gross, (12)

Lot 43

A collection of small silverwares, including: a vase shape sugar caster by Joseph Gloster Ltd, Birmingham 1966, 15cm (6in) high; A pierced drum mustard pot by Haseler Brothers, Chester 1906; a pierced salt cellar by Haseler Brothers, Chester 1910; a pair of pierced oval mustards; and a pepperette and pair of salts by Shreve & Co., San Francisco, circa 1920, 356g (11.45 oz) gross, with blue glass liners, (8)

Lot 162

A George II silver caster by Samuel Wood, London 1740, with a turned finial to the panelled scroll and dot pierced domed cover, the vase shaped base on a spreading foot, 15.8cm (6 1/4in) high, 173g (5.55 oz)

Lot 78

A silver sugar caster by Elkington & Co., Birmingham 1912, of octagonal vase shape, 16.5cm (6 1/2in) high, 90g (2.85 oz)

Lot 396

J.W. Benson, London a gold half-hunter pocket watch the dial with black Roman numerals, subsidiary seconds dial and signed for the retailer J.W. Benson, London, Swiss Made, the vase signed within Made in England, 606061, JWB and hallmarked for 9ct gold, London 1906, the movement signed for Benson, Ref 748, diameter 46mm, total weight ca. 63.80gms.

Lot 45

Two similar George III silver mustard pots by William Abdy II, London 1801 and 1810, each oval straight-sided, the first with a vase finial to the domed cover, a moulded scroll handle and threaded rims; the second with a vase finial to the domed cover, a moulded angular handle and threaded rims, with blue glass liners, each 11cm (4 1/4in) long, 219g (7.05 oz) gross (2)

Lot 212

Three silver vase shaped casters, the first Victorian Scottish by Marshall & Sons, Edinburgh 1880, engraved PEPPER, 9cm (3 1/2in) high; the second unmarked, possibly colonial, engraved SALT, 9cm (3 1/2in) high; the third late George III, worn marks, London 1816, 212g (6.8 oz) gross (3)

Lot 42

A silver sugar caster by Viners, Sheffield 1958, of vase shape, 18cm (7in) high; and a five piece cruet ser by William Neale & Son Ltd, Birmingham 1928, of canted oblong form, with a salt and a mustard spoon, 346g (11.1 oz) weighable (6)

Lot 284

A George III silver vase shaped hot water pot by Stephen Adams II, London 1808, with a bell finial to the dome centred cover, a wooden double scroll handle, a threaded rim, girdle and foot rim, on a square base, 24cm (9 1/2in) high, 468g (15.05 oz) gross

Lot 41

A collection of silver and silver mounted items, various 20th century dates, including: a vase shaped sugar caster by Richard Comyns, London 1927, 19cm (7 1/2in) high; a silver collared glass ship's decanter by Mappin & Webb, Birmingham 1990; a circular tea pot by G. Bryan & Co., Birmingham 1932; a cream jug with a wooden handle; a matching cream jug and sugar bowl; various cruet items and two glass jars with silver lids, 1091g (35.05 oz) weighable gross, (17)

Lot 47

A Moorcroft bulbous vase, height 20cm.

Lot 430

A group of Wedgwood Jasperware, vase, trinket boxes, candlestick etc CONDITION REPORT: Vase restored.

Lot 101

A group of glass paperweights including Mats Jonasson of Sweden example, another depicting the Tyne Bridge, together with a studio glass vase, two scent bottles, etc.

Lot 179

A group of 20th-century Danish glassware including bark-textured vase, further vases, bowl, etc.

Lot 159

Two contemporary polished aluminium vases with inlaid decoration, and a further vase, tallest 25cm.

Lot 91

A Japanese ginbari cloisonné vase, height 21cm.

Lot 181

A group of 20th-century Danish studio pottery including pedestal vase, figure of two cats, fruit bowl and other vessels.

Lot 182

A group of 19th-century copper and brass measures, together with a set of four brass candlesticks, hammered pewter twin-handled vase, etc.

Lot 454

Two boxes containing metal wares, kitchenalia, tins, cloisonne vase, mantel timepiece etc

Lot 548

A box of lacquered serving trays, glass carboy, Portuguese pottery fish ornament, pair of carved soapstone foo dogs, Chinese vase etc

Lot 144

A large Eastern-style terracotta vase with elephant head handles, height 70cm.

Lot 219

Two boxes containing West German pottery vase, Maling lustre ceramics, Royal Doulton Dickens Ware plate, Etruscan dinner wares, etc.

Lot 544

A 20th century Cantonese porcelain baluster vase on carved hardwood stand, height 85 cm

Lot 186

A group of 20th-century Danish studio glassware including paperweights, bowls, swirl-glass vase, etc.

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