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A Chinese blue & white porcelain moon flask, Qing, 19th century, with chilong handles, painted to each side with a figure beneath an umbrella with further figures, the sides with lotus flowers and fronds, 30.4cm high, a Chinese garlic mouth vase, Qing. 19th century, painted with plantain leaves and scrolls to the neck, the body painted with peony, on a circular foot, 24.5cm, a dinner plate and side plate, a 19th century crackleware vase and cover, 30.5cm, and a small prunus pattern vase, 13cmQty: 6Condition report: Moon flask with 5cm inverted 'Y' shape track to the neck, otherwise in good order. The garlic mouth vase has a restored rim chip and two 1.5cm - 2cm hairline cracks on the rim, otherwise in good order. The cover of the crackleware vase has chips and repaired breaks, the vase is in good condition. Both plates have hairline cracks. The small vase has no obvious faults.
A Chinese white glazed segmented globular vase, Song dynasty, painted with underglaze red decoration and bearing a David Jones Gallery label. 8.5 cm high; a Chinese high fired rouge and green streaked porcelain baluster vase, bearing an apocryphal six-character mark for Yongzeng. 16 cm high Qty: 2Condition report: The white glazed vase has a slight rim chip to the mouth.
Two matching cut glass sweetmeat pedestal bowls and covers, with facetted knop and cover, the bowls with pointed arch rim and facetted bowl, on a single knop stem and hexagonal base, 29cm & 31cm high; a pair of cut glass candlestick lustres, 25cm, a 19th century cut glass water jug, 25.5cm; a cut glass celery vase, 25.5cm; a 19th century cut glass oval bowl, 32cm dia, three decanters, a pair of lustre cups and drops mand a cut glass side plate, 17cm diaCondition report: Both lustre wells have a lot of play and do not sit comfortably. Both lustre wells have small chips. The bases of both lustres have small nibbles. There are vacant lustre drop holes in the wells ( see online images). The lustre drops are generally in good order but the tips feel slightly rough on some. Regardless of the faults listed they are still very decorative.The large bowl is free from chips its dimensions are 31.5 cm long x 22 cm wide X 96 mm deepThe pair of sweetmeats have some chips to either the rims or foot rims but the covers seem to be ok they I think these items are 20th century rather than period itemsI t
A late Victorian silver vase, London 1896 by Walker and Hall, of bulbous form with tall, flared neck, foliate decorated, 21.5 cm high, together with a silver sauce boat and a pair of filled silver candlesticks, 14 cm high, various dates and makers, 17 ozt. combined weight.Qty: 4Private collection.
Joy Packenham (Irish), a still life study of tulips in a vase, watercolour, 36.5 cm x 27 cm (Royal Institute of Watercolour Painters label to verso, with artist's name), together with Rose (early 20th century), Mediterranean Harbour scene, watercolour, signed, 28 cm x 38 cm, each framed and glazed.Qty: 2
A Chinese green and russet jade pendant, carved with a horse, bat and fungus, suspended with a braided silken cord, 4.5 cm x 3.4 cm (the actual pendant); a small Chinese carved jade pendant of vase form, a Chinese white metal and rouge lacquer brooch and a white metal and pierced jade brooch, a silver and black onyx cabochon dagger brooch and a turquoise, seed pearl and agate set gilt metal amulet, probably Tibetan.Qty: 6
FÉLIX-OPTAT MILET (1838-1911) ET ÉMILE DIFFLOTH (PEINTRE DÉCORATEUR), CIRCA 1875Vase en faïence émaillée polychrome à décor japonisant de fleurs sur fond or orangé, et bandeaux de palmes orientalisantes, les anses rondes à attache simulant des têtes d'éléphants. Sur une base en bronze doré à trois pieds griffes. Marqué en creux O.Milet Sèvres, numéroté 414 et signé sur la panse E.DifflothA vase by Félix-Optat Millet et Emile Diffloth, Circa 1875.44 X 30 CM • 17 3/8 X 11 3/4 IN.
DEUX VERSEUSES EN VERRE RUBIS, UN VERRE REFAIT ET LE SECOND RESTAURE, LA MONTURE EN VERMEIL, PROBABLEMENT AUTRICHE, DÉBUT DU XVIIIe SIÈCLEParaison rubis soufflée et anse modelée à chaud. Un des vases, plus clair que l'autre est conforme au "Ruby Glass" ou " Goldrubinglas " qui fut d'abord produit dans le Brandebourg, avant de s'étendre vers la Bohème, la Saxe et l'Allemagne du Sud, tandis que l'autre a une tonalité plus carmin. Les panses rondes un peu aplaties reposent sur un nÅ“ud à frise de feuilles de laurier et un piédouche en laiton doré, bombé à décor au repoussé de grenades et feuillages pour l'une, pour l'autre avec palmes, fleurettes et cartouches quadrillés. Sur le col droit, le bec verseur est muni d'une petite plaque en laiton où figure un chien couché, symbole de fidélité et du foyer sur l'un et sur l'autre, de fleurettes ; poussoirs en laiton de même.(Accidents, choc à la panse du vase le plus clair, petits manques. Le départ de l'anse du plus clair a un petit manque, un verre changé)Twoo ruby glass ewers, one remade, the second restored, silver gilt mounted, probably Austria, early 18th century.HAUT. 19, 5 & 20 CM • 7 11/16 & 7 7/8 IN.
PAIRE DE VASES, CHINE, ÉPOQUE KANGXI (1662-1723), XVIIe SIÈCLE, MONTURE D'ÉPOQUE LOUIS XVIen porcelaine et émaux polychromes de la famille verte, à décor de chevaux marins évoluant au milieu de fleurs et conques sonores, le pourtour orné de fleurs. Monture en bronze doré, à décor de tête de bouc et couronne de laurier.(Fêle sur le fond de l'un et petit rebouchage pour l'autre).A pair of famille verte vases, China, 18th century for the vase, Louis XVI period for the bronze.HAUT. 18 CM • 7 1/16 IN. * HAUT. (TOTALE) 32,5 CM • 12 13/16 IN.
DELFT, MANUFACTURE "DE GRIEKSCHE A", VASE, PAR SAMUEL VAN EENHORN, XVIIe SIÈCLEde forme balustre à pans coupés en faïence à décor en camaïeu bleu de Chinois dans un paysage lacustre, lambrequins et fleurs sur le col. Marqué : SVE, 8.(Un éclat au col, manque le couvercle).Delft, factory "de Grieksche A", a vase by Samuel van Eenhorn, 17th century.H. 21,5 CM • 8 7/16 IN.
A Mid Century Modern Rosenthal Porcelain Studio Linie Serenade Bjorn Wiinblad Blue Underglaze White Vase decorated with a continuous landscape, one chip to the rim, H21cm. Together with a Mid Century Scandinavian cased Art glass vase of a hooped form, has a bright blue color made from casing white glass inside a layer of clear blue. H19cm. (2)
A Chinese blue and white porcelain YenYen vase, Kangxi period (1662-1722) The ovoid body rising from a spread foot to a tall neck and flaring rim, painted with prunus on a cracked-ice ground divided by chevron borders. The inside of the rim, painted with three sprays of blossoming peony and chrysanthemum branches. Standing on a carved hardwood stand. The base of the vase marked with an underglaze double blue circle. The vase H45cm. Total height incl. stand 50cm. Some minor chips to the rim and foot and some losses to the hardwood stand. (2) Provenance: N. Cambalios collection.
A Chinese porcelain Famille-Verte 'Romance of the Three Kingdoms' Yen Yen vase, Kangxi period (1662-1722). The ovoid body rising from a spread foot to a tall neck and flaring rim. The painted enameled scene on the vase may be identified as an episode from the 'Romance of the Three Kingdoms' inspired by the novel authored by Luo Guanzhong (circa 1330-1400). On the lower ovoid body of the vase painted three warlord figures and eunuchs as well as military leaders include General Guan Yu galloping on horseback, wearing a green robe over his armour and holding a Green Dragon Crescent Blade or guandao, crossing a bridge. The figures are drawn within a continuous hilly scene, with the sea in the distance. The neck of the vase with three warlord figures and the five Tiger Generals including Lu Bu wearing his distinctive two-plumed helmet holding a bow and arrow. The body and neck of the vase is divided by bands of green key-frets from which rise upright overlapping lappets hiding war banners and weapons insinuating a large army. The vase H45cm, on hardwood base. Total height incl. base 51.5cm. The bottom cut with a hole to convert it to a table lamp. Some damage and repair to the rim. (2) Provenance: N. Cambalios collection.
A selection of ceramic, EPNS and glass cruet sets, a Copeland Late Spode character jug, a Staffordshire toby pot, a Fieldings Devonware flower stem vase, Rein Zinn pewter wine cups, a brass incense burner, Villeroy and Boch fairy plates, a Japanese floral and gilt decorated part tea service, blue and white transfer printed ware etc Condition Report: Not available for this lot
A pair of Charlotte Rhead for Burleigh Ware tube line decorated vases and a Radon Limoges reticulated vase Condition Report: One of the vases has an area of sticky stuff which seems to have removed the light brown colouring (see image) and the same vase has an area of scratching.. No chips, cracks or restoration to any pieces.
A lot comprising a Noritake Mansfield pattern part dinner service, A Poole pottery coffee service, blue ground floral decorated decorative jars, a Schau Bach Kunst German porcelain vase, an Aynsley Rennie Mackintosh vase etc Condition Report: Not available for this lot
A lot comprising a Royal Albert gilt banded part tea service, a Caithness 25th wedding anniversary vase, another purple example, a moulded glass paperweight depicting bears, a Wedgwood Venus trinket box, a Wedgwood Mirabelle bowl, floral decorated cups and saucers Condition Report: Not available for this lot
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653685 item(s)/page