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A 19th century Chinese mug, decorated boats, trees and houses, 4" high, two blue and white oviform vases, 5 1/4" high, two ginger jars and other itemsCondition:Hairline crack to mugOviform vase decorated panels with figures has been heavily restoredOviform vase decorated dragons has chips to top rimGlobular vase has small hairline crackJar with men carrying vase has light restoration to top rim and a small hairline crack to top rimLarger blue ginger jar is crackedOther pieces appear to be okay.
A Chinese sang de boeuf two-handled vase, 11 1/2" high, two celadon glazed vases and a Japanese Kutani vaseCondition:Kutani vase is chipped and crackedSang de boeuf vase has some fritting to base along with some minor chips to base tooLarger celaden vase is crazedSmaller celaden vase has been cracked and restored.
A Japanese blue and white jardiniere, decorated cherry blossoms, 5 1/2" high, a Chinese blue and white charger, decorated tree and flowers, 15 1/4" dia, another similar, and a Chinese platter, 14 1/2" wide (restored)Condition:The jardiniere has a big hairline crack, restoration to the base.Charger decoration cherry blossom is chipped and cracked to rimPlatter has been heavily restored, heavily chipped to vase as well. chips to rim, overall poor condition.Larger charger has some surface scratches
λ A CHINESE INLAID LACQUER TABLE SCREEN QING DYNASTY The dark yellow lacquer ground inlaid with ivory, mother of pearl, wood, lapis lazuli and soapstone, decorated with flowering magnolia branches growing from a vase detailed with taotie, a qin, a crane, a suspended shou plaque, a carp amidst waves, two seated figures playing go, and a pot containing scrolls and a massager, the reverse with a poem and a Qianlong mark in mother of pearl on a black ground, together with a carved wood stand, 59cm x 39cm overall. (2)
A PAIR OF CHINESE BRONZE-MOUNTED CLOISONNE CONJOINED VASES 1ST HALF 19TH CENTURY Mounted as candelabras, each double-vase formed as two conjoined black and white bottle vases, the ovoid bodies decorated with colourful floral medallions, all contained between lappets and reserved on a geometric diaper ground, the tall necks with scrolling lotus between bands of ruyi-heads, 61.2cm overall. (2)
A LARGE CHINESE GOLD-SPLASHED YEN YEN VASE 17TH CENTURY The body cast in two sections, the tall flared neck with two thick rings above the shoulder and two dragon-shaped handles towards the broad rim, the body with three chilong to the shoulder and four shou characters in various script style, raised on a tall flared foot, 49.1cm, 12kg. Provenance: from a private collection, London, acquired prior to 1995. Cf. Sydney L. Moss Ltd, The Second Bronze Age, Later Chinese Metalwork, no.64-66 for a slightly smaller related vase. See also Sotheby's London, 11th May 2011, lot 236.
A CHINESE ARCHAISTIC BRONZE VASE, LEI LATE MING DYNASTY The ovoid body with a short waisted neck and tapering towards the foot, cast in low relief with taotie masks and stylised beasts against a leiwen ground, with eight triangular lappets extending down the lower section of the vase, the shoulder flanked by two loop handles, with some areas highlighted in gilt, all supported on a flared foot, 30.5cm, 3.7kg. Provenance: from the collection of William George Mackay Thomas (d.1960s) and thence by descent.
A CHINESE SILVER WIRE AND GOLD INLAID BRONZE HU-SHAPED VASE LATE MING DYNASTY The pear-shaped body decorated with taotie masks against a leiwen ground, the neck with raised animal masks and archaistic motifs, flanked by two cylindrical handles with geometric designs, with a band of key fret in silver wire encircling the rim, the base cast with a mark, 27cm, 2.1kg.
A MASSIVE CHINESE CLOISONNE GU-SHAPED VASE 20TH CENTURY Decorated with lotus flowerheads amidst scrolling foliage and stylised dragons contained within large pendant leaves, the central section with taotie masks and archaistic motifs, with four flanges to the centre and tall flaring neck, all reserved on a turquoise ground, 98cm.
THREE CHINESE FAMILLE ROSE WALL VASES 19TH CENTURY Comprising: a pair decorated with butterflies amongst finger citron and various blossoming flowers, the third painted with an official greeting a boy carrying a vase of flowers as a lady fans him, with flowerheads reserved on a blue ground to the edges, each with impressed seal wax to the reverse, 15.3cm max. (3) Provenance: from a European private collection.
A SMALL CHINESE POWDER BLUE-GROUND ROULEAU VASE KANGXI 1662-1722 Decorated in gilt with a small figure in a sampan and others beside huts in a mountainous watery landscape, with further figures playing go and another riding a horse, the base with a paper label for S Henrici G Mercatoris, 28.5cm.
A CHINESE FAMILLE ROSE PINK-GROUND VASE SIX CHARACTER QIANLONG MARK AND POSSIBLY OF THE PERIOD The ovoid body surmounted by a waisted neck, painted to the exterior with a bird perched amongst peony and chrysanthemum, the flowers blossoming amidst rockwork, all reserved on a pale pink ground finely incised with sgraffito scrolls, 37.5cm.
A CHINESE FAMILLE ROSE 'BAXIAN' VASE REPUBLIC PERIOD Painted with the Eight Immortals holding their attributes in a landscape, all contained between bands of scrolling lotus, key fret and ruyi-heads in underglaze blue, the base with an iron-red six character Qianlong mark, together with an openwork wood stand, 23cm. (2)
A CHINESE BLUE AND RED-ENAMELLED 'CHILONG' BOTTLE VASE LATE QING DYNASTY Decorated in relief with a moulded red chilong clambering around the tall neck, the body painted in blue with hibiscus flowers amidst stylised foliage, the design finely outlined in black enamel, with a six character Qianlong mark to the base, 24.5cm.
A MASSIVE CHINESE CANTON FAMILLE ROSE VASE 19TH CENTURY Painted with panels enclosing scenes of warriors, officials and ladies, all reserved on a ground of various blossoms and fruits, with a phoenix and pheasant perched amidst the flowers between quatrefoil cartouches containing figures in a garden and precious objects, with applied lion dogs to the neck and dragons to the shoulder, the rim interior decorated with floral sprays, 90cm.
A LARGE CHINESE FAMILLE ROSE ROULEAU VASE 19TH CENTURY The tall ovoid body painted with a continuous scene of workers engaged in rice cultivation, the shoulder with four quatrefoil cartouches enclosing landscapes reserved on a band of diaper, with a six character Kangxi mark to the base, 62cm.
A CHINESE FAMILLE VERTE IRON-RED GROUND GU-SHAPED VASE 19TH CENTURY The tall flaring neck and foot painted with panels containing various blossoming flowers including lotus and peony, the central bulbous section decorated with alternating cartouches enclosing birds perched on branches and watery landscape scenes, all reserved on a floral-decorated iron-red ground, 44.8cm. Provenance: from the collection of the Littman Family.
A CHINESE WUCAI JARDINIERE AND A FAMILLE VERTE VASE 19TH CENTURY The jardini?re decorated with fish amongst seaweed, flowers and other plants, all beneath an iron-red wave border, the vase depicting Shoulao with his deer and two boys holding a large peach, with three bats in flight, the neck painted with the moon and a band of alternating red and green leaves, 26cm. (2) Provenance: the vase previously in an American private collection. To be offered without reserve.
A CHINESE BLUE AND WHITE 'SQUIRREL AND VINE' VASE WANLI 1573-1620 The lobed octafoil body painted with two squirrels perched amidst dense leafy vines bearing fruit, all contained within pointed lappets encircling the shoulder and foot, with a geometric band to the short neck, 15cm.
A CHINESE UNDERGLAZE BLUE AND RED VASE GUANGXU 1875-1908 With a tall body and short cylindrical neck, painted to the exterior with Imperial horse trainers squatting around a kettle as two horses feed beside a tent, inscribed with calligraphy and signed Lin Hongqing, the base with a six character Kangxi mark, 21.6cm.
A MASSIVE CHINESE FAMILLE VERTE POWDER BLUE-GROUND OVOID VASE 19TH CENTURY Painted with four large cartouches enclosing scenes of figures in gardens and pavilions, one with a seal mark in gilt, all reserved on a blue ground decorated in gilt with butterflies in flight amidst various floral sprays, together with a wood cover pierced with a shou medallion, with an old paper label to the side, 39cm dia. (2) Provenance: from the collection of Sir Thomas Jackson, 1st Baronet (1841-1915) and thence by descent. Sir Thomas Jackson, 1st Baronet (1841-1915) was the third Chief Manager of the Hongkong and Shanghai Banking Corporation and his influence on the company was so notable that he became known as the bank's 'Great Architect'. He was also one of the founding members of the Hong Kong Jockey Club. Born in County Leitrim, Ireland, Jackson joined the Belfast branch of the Bank of Ireland at age nineteen before accepting a position in East Asia with Agra and Masterman's Bank five years later. In 1866, he joined HSBC, which had only been established the previous year. Jackson was quickly promoted to the position of an accountant in Shanghai, and he later spent several years working in Japan as the manager of the bank's Yokohama office. At the early age of 35, he was appointed as Chief Manager of HSBC and, under his direction, the company became the leading bank in Asia. After a successful career in Hong Kong, Jackson returned to the UK in 1891, taking charge of the company's office in London. He was knighted in 1899 and three years later he retired and received the additional title of Baronet. In 1906, a statue of Sir Thomas Jackson was unveiled in recognition of his services both to HSBC and Hong Kong. His statue still stands in Statue Square in front of the bank's Hong Kong headquarters. Jackson Road in Hong Kong was also named after him. His collection comes from Gilford Castle in County Down, Northern Ireland, which was purchased by James Wright, husband of Sir Thomas Jackson's niece Mary Menary.
A CHINESE BLUE AND WHITE PEAR-SHAPED VASE KANGXI 1662-1722 The body rising from a tall spreading foot to a flared rim, painted with two scholars seated by the shore of a river gazing at the moon and distant mountains, with another figure sitting on a sampan beneath trees, all below bands of swirls and simple circles, 21.5cm. Cf. R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), p.401, no.257 for a vase of the same design in the collection of the Palace Museum.
A CHINESE BLUE AND WHITE OVOID VASE WANLI 1573-1620 Painted with a continuous scene of scholar-officials standing amidst bamboo in a landscape, with a further figure observing them from a shelter, the shoulder with cartouches enclosing peaches on a geometric ground, the base with a rabbit mark, 17.3cm. Provenance: from the estate of Anne Marie Wood, Warwickshire, acquired no later than the 1990s.
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653685 item(s)/page