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Lot 498

MISCELLANEOUS CLOCKS, BAROMETER, 1970'S TELEPHONE, ONYX VASE, BYGONES, ETC

Lot 349

A ROYAL WORCESTER MINIATURE BOTTLE SHAPED VASE, PRINTED AND PAINTED WITH BELL FLOWERS ON A LAVENDER GROUND, 12.5CM H, SCARCE BLACK PRINTED MARK, FLAG, 1914 AND 2491

Lot 318

MISCELLANEOUS DECORATIVE GLASSWARE, TO INCLUDE A CRANBERRY GLASS JUG, LOETZ STYLE IRIDESCENT VASE, LATE 20TH C, ETC

Lot 150

A treen spice tower, a turned wood box, two Chinese wooden vase stands and various other wooden items

Lot 24

A French overlaid and acid etched glass vase, decorated flowers, signed Daum Nancy to base, 6 3/4" highCondition:No apparent condition issues.

Lot 428

A 19th century Chinese watercolour, vase of flowers, unframed, and a number of other pictures, prints, etc

Lot 43

A Waterford crystal vase, by John Rocha, 13 3/4" high, a raised glass bowl and cover and seven green glass wines

Lot 433

Giovanni Romagnoli: still life, vase of flowers, 28" x 40", in gilt frame

Lot 52

A Wemyss vase, decorated roses (chip to base), a pair of Royal Worcester blush ivory figures of children, a porcelain model of a spaniel and other glassware, plates, etc

Lot 64

A Royal Doulton vase and cover, various cranberry glasses, sherry and port glasses, two decanters, two wooden shoe lasts and other items

Lot 76

A 19th century Chinese mug, decorated boats, trees and houses, 4" high, two blue and white oviform vases, 5 1/4" high, two ginger jars and other itemsCondition:Hairline crack to mugOviform vase decorated panels with figures has been heavily restoredOviform vase decorated dragons has chips to top rimGlobular vase has small hairline crackJar with men carrying vase has light restoration to top rim and a small hairline crack to top rimLarger blue ginger jar is crackedOther pieces appear to be okay.

Lot 85

A Chinese sang de boeuf two-handled vase, 11 1/2" high, two celadon glazed vases and a Japanese Kutani vaseCondition:Kutani vase is chipped and crackedSang de boeuf vase has some fritting to base along with some minor chips to base tooLarger celaden vase is crazedSmaller celaden vase has been cracked and restored. 

Lot 86

A Japanese blue and white jardiniere, decorated cherry blossoms, 5 1/2" high, a Chinese blue and white charger, decorated tree and flowers, 15 1/4" dia, another similar, and a Chinese platter, 14 1/2" wide (restored)Condition:The jardiniere has a big hairline crack, restoration to the base.Charger decoration cherry blossom is chipped and cracked to rimPlatter has been heavily restored, heavily chipped to vase as well. chips to rim, overall poor condition.Larger charger has some surface scratches

Lot 94

A 19th century Chinese blue and white porcelain cylinder vase, decorated horses and figures, 9" high (damages)Condition:Chips to top rim, hairline crack to centre of vase.

Lot 113

A late 19th century Chinese blue and white cylinder vase decorated with dragons and having four character marks

Lot 117

A mixed lot to include a Doulton vase, French plates, Art Nouveau vase, Bavarian service, boxed KPM basket-weave bowl and other items

Lot 199

A 20th century Chinese vase and a scroll painting

Lot 312

A collection of china boxes to include an Eximious enamelled box with inset clock face, small ornaments to include a Lenox Cornucopia and glass items, together with a small pewter vase

Lot 318

Two Crown Derby Old Imari boxes and others, a Crown Derby Bachelor's Wish tankard, a Minton twin handled vase and mixed ornaments

Lot 34

An Aynsley Edwardian Kitchen Garden vase, graduating jugs, four teapots to include The Village Teapot, mixed glass, ornaments and wooden coasters, together with mixed collectors plates to include Wedgwood Harvest Home plates

Lot 348

An 18th century blue and white Chinese teapot and four other teapots, together with a modern pierced Chinese vase

Lot 36

A Caithness Moon Crystal pink glass paperweight and other examples, a Caithness pink glass vase, a Murano paperweight in the form of a duck and mixed glassware to include six Royal Doulton port glasses

Lot 383

A Minton lustre vase, a Piet Heim wall plaque by Royal Copenhagen and two other Royal Copenhagen items

Lot 39

A mixed lot to include silver napkin rings, flower vase, whale bone handled toddy ladle, silver plate and other items

Lot 438

A retro anniversary clock under a glass dome, a continental green painted vase on matching base, mixed ceramics to include a Crown Staffordshire condiment set and mixed glassware, mixed engravings and print etc

Lot 54

Mixed decorative items to include a crackle glazed vase, two large ginger jars, cushions and other items

Lot 68

A Royal Worcester china vase of bulbous form painted with fruit and a modern Satsuma and plated biscuit barrel

Lot 465

λ A CHINESE INLAID LACQUER TABLE SCREEN QING DYNASTY The dark yellow lacquer ground inlaid with ivory, mother of pearl, wood, lapis lazuli and soapstone, decorated with flowering magnolia branches growing from a vase detailed with taotie, a qin, a crane, a suspended shou plaque, a carp amidst waves, two seated figures playing go, and a pot containing scrolls and a massager, the reverse with a poem and a Qianlong mark in mother of pearl on a black ground, together with a carved wood stand, 59cm x 39cm overall. (2)

Lot 474

A PAIR OF CHINESE BRONZE-MOUNTED CLOISONNE CONJOINED VASES 1ST HALF 19TH CENTURY Mounted as candelabras, each double-vase formed as two conjoined black and white bottle vases, the ovoid bodies decorated with colourful floral medallions, all contained between lappets and reserved on a geometric diaper ground, the tall necks with scrolling lotus between bands of ruyi-heads, 61.2cm overall. (2)

Lot 481

A LARGE CHINESE GOLD-SPLASHED YEN YEN VASE 17TH CENTURY The body cast in two sections, the tall flared neck with two thick rings above the shoulder and two dragon-shaped handles towards the broad rim, the body with three chilong to the shoulder and four shou characters in various script style, raised on a tall flared foot, 49.1cm, 12kg. Provenance: from a private collection, London, acquired prior to 1995. Cf. Sydney L. Moss Ltd, The Second Bronze Age, Later Chinese Metalwork, no.64-66 for a slightly smaller related vase. See also Sotheby's London, 11th May 2011, lot 236.

Lot 484

A LARGE CHINESE BRONZE GU-SHAPED VASE 17TH CENTURY Cast in relief with beasts and archaistic motifs against a delicate leiwen ground, the foot, central bulbous section and tall flaring neck all with flanges, 43.3cm, 4.3kg.

Lot 485

A CHINESE BRONZE GU-SHAPED VASE 17TH/18TH CENTURY Cast with taotie masks and other archaistic motifs against a leiwen ground, with small flanges to the raised central section and spread foot, the tall flaring neck decorated with large upright leaves, 29.2cm, 1kg.

Lot 494

A CHINESE BRONZE OVOID VASE 17TH/18TH CENTURY Cast with taotie masks against a broad leiwen band to the shoulder, with two handles shaped as animal masks, the base incised with a two character mark, together with a wood stand, 23.7cm, 4.4kg. (2)

Lot 495

A CHINESE ARCHAISTIC BRONZE VASE, LEI LATE MING DYNASTY The ovoid body with a short waisted neck and tapering towards the foot, cast in low relief with taotie masks and stylised beasts against a leiwen ground, with eight triangular lappets extending down the lower section of the vase, the shoulder flanked by two loop handles, with some areas highlighted in gilt, all supported on a flared foot, 30.5cm, 3.7kg. Provenance: from the collection of William George Mackay Thomas (d.1960s) and thence by descent.

Lot 496

A CHINESE SILVER WIRE AND GOLD INLAID BRONZE HU-SHAPED VASE LATE MING DYNASTY The pear-shaped body decorated with taotie masks against a leiwen ground, the neck with raised animal masks and archaistic motifs, flanked by two cylindrical handles with geometric designs, with a band of key fret in silver wire encircling the rim, the base cast with a mark, 27cm, 2.1kg.

Lot 518

A MASSIVE CHINESE CLOISONNE GU-SHAPED VASE 20TH CENTURY Decorated with lotus flowerheads amidst scrolling foliage and stylised dragons contained within large pendant leaves, the central section with taotie masks and archaistic motifs, with four flanges to the centre and tall flaring neck, all reserved on a turquoise ground, 98cm.

Lot 564

THREE CHINESE FAMILLE ROSE WALL VASES 19TH CENTURY Comprising: a pair decorated with butterflies amongst finger citron and various blossoming flowers, the third painted with an official greeting a boy carrying a vase of flowers as a lady fans him, with flowerheads reserved on a blue ground to the edges, each with impressed seal wax to the reverse, 15.3cm max. (3) Provenance: from a European private collection.

Lot 565

A SMALL CHINESE POWDER BLUE-GROUND ROULEAU VASE KANGXI 1662-1722 Decorated in gilt with a small figure in a sampan and others beside huts in a mountainous watery landscape, with further figures playing go and another riding a horse, the base with a paper label for S Henrici G Mercatoris, 28.5cm.

Lot 567

A CHINESE FAMILLE ROSE PINK-GROUND VASE SIX CHARACTER QIANLONG MARK AND POSSIBLY OF THE PERIOD The ovoid body surmounted by a waisted neck, painted to the exterior with a bird perched amongst peony and chrysanthemum, the flowers blossoming amidst rockwork, all reserved on a pale pink ground finely incised with sgraffito scrolls, 37.5cm.

Lot 568

A CHINESE PEACHBLOOM GLAZED TAPERING VASE LATE QING DYNASTY With a tall cylindrical neck and everted rim rising from a body decorated with green and peach-coloured mottling, the base with a six character Kangxi mark, together with a silk stand and a fitted box, 16.5cm. (2)

Lot 569

A CHINESE BLUE GLAZED OVOID VASE 1ST HALF 19TH CENTURY The vase gently tapering towards the foot and with a short biscuit neck, with a deep blue glaze coating the exterior, the interior glazed white, together with an openwork wood cover and stand, 24cm. (3)

Lot 570

A CHINESE FLAMBE GLAZED BOTTLE VASE 18TH CENTURY With an ovoid body and tall cylindrical neck, the crackled glaze draining from a rich purple at the neck down to a deep red, the base with a thin brown glaze, 29.2cm.

Lot 571

A CHINESE CLAIR-DE-LUNE 'DRAGON' VASE LATE QING DYNASTY The ovoid body with moulded decoration of two dragons amidst scrolling foliage, the base with a six character Yongzheng mark, drilled, 29.5cm.

Lot 576

A CHINESE TURQUOISE GLAZED BOTTLE VASE LATE QING DYNASTY The exterior evenly coated in a pale turquoise glaze, with gilt to the mouthrim, the base with a four character mark reading Shi De Feng zhi, all supported on a short straight foot, 26cm.

Lot 577

A CHINESE TEADUST GLAZED ARCHAISTIC VASE LATE QING DYNASTY/REPUBLIC PERIOD The ovoid body carved with bands of archaistic scrolls, with two applied animal masks holding rings in their mouths, the base with a six character Kangxi mark, 32.5cm.

Lot 578

A CHINESE FAMILLE ROSE 'BAXIAN' VASE REPUBLIC PERIOD Painted with the Eight Immortals holding their attributes in a landscape, all contained between bands of scrolling lotus, key fret and ruyi-heads in underglaze blue, the base with an iron-red six character Qianlong mark, together with an openwork wood stand, 23cm. (2)

Lot 579

A CHINESE FAMILLE ROSE 'BATS AND PEACHES' BOTTLE VASE LATE QING DYNASTY Painted with five bats in flight amidst a fruiting and flowering peach tree, all below a band of ruyi-heads, the base with a six character Qianlong mark, 21.8cm.

Lot 580

A CHINESE BLUE AND RED-ENAMELLED 'CHILONG' BOTTLE VASE LATE QING DYNASTY Decorated in relief with a moulded red chilong clambering around the tall neck, the body painted in blue with hibiscus flowers amidst stylised foliage, the design finely outlined in black enamel, with a six character Qianlong mark to the base, 24.5cm.

Lot 581

A CHINESE BLUE AND WHITE ROULEAU VASE 19TH CENTURY Painted with variously shaped panels enclosing floral sprays, birds, precious objects, fish and mythical beasts, all against a densely decorated ground of butterflies amongst flowers, 35.5cm.

Lot 586

A MASSIVE CHINESE CANTON FAMILLE ROSE VASE 19TH CENTURY Painted with panels enclosing scenes of warriors, officials and ladies, all reserved on a ground of various blossoms and fruits, with a phoenix and pheasant perched amidst the flowers between quatrefoil cartouches containing figures in a garden and precious objects, with applied lion dogs to the neck and dragons to the shoulder, the rim interior decorated with floral sprays, 90cm.

Lot 587

A LARGE CHINESE FAMILLE ROSE ROULEAU VASE 19TH CENTURY The tall ovoid body painted with a continuous scene of workers engaged in rice cultivation, the shoulder with four quatrefoil cartouches enclosing landscapes reserved on a band of diaper, with a six character Kangxi mark to the base, 62cm.

Lot 592

A CHINESE BLUE AND WHITE MING-STYLE BALUSTER VASE 18TH CENTURY Painted with flowerheads blossoming amidst scrolling foliage between bands of ruyi-heads and lappets, with a further ruyi-head band encircling the rim, together with a wood cover, 33.5cm. (2)

Lot 597

A CHINESE FAMILLE VERTE IRON-RED GROUND GU-SHAPED VASE 19TH CENTURY The tall flaring neck and foot painted with panels containing various blossoming flowers including lotus and peony, the central bulbous section decorated with alternating cartouches enclosing birds perched on branches and watery landscape scenes, all reserved on a floral-decorated iron-red ground, 44.8cm. Provenance: from the collection of the Littman Family.

Lot 598

A CHINESE WUCAI JARDINIERE AND A FAMILLE VERTE VASE 19TH CENTURY The jardini?re decorated with fish amongst seaweed, flowers and other plants, all beneath an iron-red wave border, the vase depicting Shoulao with his deer and two boys holding a large peach, with three bats in flight, the neck painted with the moon and a band of alternating red and green leaves, 26cm. (2) Provenance: the vase previously in an American private collection. To be offered without reserve.

Lot 604

A CHINESE BLUE AND WHITE 'THREE FRIENDS OF WINTER' OVOID VASE 18TH CENTURY With a continuous scene of pine, bamboo and flowering prunus painted to the exterior, the cover possibly associated and decorated with a watery landscape and sprays of bamboo, 22.5cm. (2)

Lot 620

A CHINESE BLUE AND WHITE 'SQUIRREL AND VINE' VASE WANLI 1573-1620 The lobed octafoil body painted with two squirrels perched amidst dense leafy vines bearing fruit, all contained within pointed lappets encircling the shoulder and foot, with a geometric band to the short neck, 15cm.

Lot 622

A CHINESE UNDERGLAZE BLUE AND RED VASE GUANGXU 1875-1908 With a tall body and short cylindrical neck, painted to the exterior with Imperial horse trainers squatting around a kettle as two horses feed beside a tent, inscribed with calligraphy and signed Lin Hongqing, the base with a six character Kangxi mark, 21.6cm.

Lot 626

A MASSIVE CHINESE FAMILLE VERTE POWDER BLUE-GROUND OVOID VASE 19TH CENTURY Painted with four large cartouches enclosing scenes of figures in gardens and pavilions, one with a seal mark in gilt, all reserved on a blue ground decorated in gilt with butterflies in flight amidst various floral sprays, together with a wood cover pierced with a shou medallion, with an old paper label to the side, 39cm dia. (2) Provenance: from the collection of Sir Thomas Jackson, 1st Baronet (1841-1915) and thence by descent. Sir Thomas Jackson, 1st Baronet (1841-1915) was the third Chief Manager of the Hongkong and Shanghai Banking Corporation and his influence on the company was so notable that he became known as the bank's 'Great Architect'. He was also one of the founding members of the Hong Kong Jockey Club. Born in County Leitrim, Ireland, Jackson joined the Belfast branch of the Bank of Ireland at age nineteen before accepting a position in East Asia with Agra and Masterman's Bank five years later. In 1866, he joined HSBC, which had only been established the previous year. Jackson was quickly promoted to the position of an accountant in Shanghai, and he later spent several years working in Japan as the manager of the bank's Yokohama office. At the early age of 35, he was appointed as Chief Manager of HSBC and, under his direction, the company became the leading bank in Asia. After a successful career in Hong Kong, Jackson returned to the UK in 1891, taking charge of the company's office in London. He was knighted in 1899 and three years later he retired and received the additional title of Baronet. In 1906, a statue of Sir Thomas Jackson was unveiled in recognition of his services both to HSBC and Hong Kong. His statue still stands in Statue Square in front of the bank's Hong Kong headquarters. Jackson Road in Hong Kong was also named after him. His collection comes from Gilford Castle in County Down, Northern Ireland, which was purchased by James Wright, husband of Sir Thomas Jackson's niece Mary Menary.

Lot 627

A CHINESE BLUE AND WHITE PEAR-SHAPED VASE KANGXI 1662-1722 The body rising from a tall spreading foot to a flared rim, painted with two scholars seated by the shore of a river gazing at the moon and distant mountains, with another figure sitting on a sampan beneath trees, all below bands of swirls and simple circles, 21.5cm. Cf. R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), p.401, no.257 for a vase of the same design in the collection of the Palace Museum.

Lot 629

A CHINESE BLUE AND WHITE OVOID VASE WANLI 1573-1620 Painted with a continuous scene of scholar-officials standing amidst bamboo in a landscape, with a further figure observing them from a shelter, the shoulder with cartouches enclosing peaches on a geometric ground, the base with a rabbit mark, 17.3cm. Provenance: from the estate of Anne Marie Wood, Warwickshire, acquired no later than the 1990s.

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