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Lot 389A

'Poiret XL Deco' a Dennis China Works limited edition vase designed by Sally Tuffin, dated 2014, flaring cylindrical form, tubeline decorated in colours, highlighted in platinum on a cream ground, impressed and painted marks, number 3 of 5, 41.5cm. high

Lot 39

'Mountain' a Clarice Cliff Bizarre Meiping vase, painted in colours printed factory mark, 22cm. high

Lot 390

'Butterfly' a Dennis China Works vase designed by Sally Tuffin, dated 1999, swollen cylindrical from, tubeline painted with butterflies in colours on an ivory ground, a Dennis China Works Dragonfly vase, a Koala Bear side plate and a Trial colour vase, impressed and painted marks, 16cm. high, (4)

Lot 397

‡ Maureen Minchin (born 1954) a pottery vase with pinched rim, painted with a mackerel, puffin and gannets, in colours, and two Maureen Minchin pottery mugs decorated with an Oyster Catcher and a Pheasant, impressed seal marks, 16.5cm. high, (3)

Lot 405

‡ William Staite Murray (1881-1962) a shouldered stoneware vase, painted with stylised flower stems, in iron on a translucent oatmeal ground impressed seal mark, 25.5cm. high Provenance 20th Century Decorative Arts, Bonhams, 23rd April 2012, lot 577

Lot 406

‡ William Staite Murray (1881-1962) a stoneware vase, painted with simple Flag Iris flower stems in iron on a speckled oatmeal ground, the shoulder and neck with iron bands, impressed seal mark, pencil number 18, 29.5cm. high Exhibited Leferve Gallery, 1931 catalogue number 18 lists an iris vase, probably this one. The 20th Century Aesthetic, 22nd May 2013, lot 181. 30 Pots, Woolley and Wallis, 2019 catalogue number 3.

Lot 408

‡ William Staite Murray (1881-1962) 'Dark Celadon White Birds' a fine tall stoneware vase, slender shouldered cylindrical form with stork neck and collar rim, slip decorated with three curlew in white with lavender translucency, on an oatmeal ground, impressed seal mark, paper exhibition label no.6, 40cm. high Provenance The Leferve Galleries, London, November 1931, catalogue number 6, priced at 15 guineas. International Contemporary Ceramics, Bonhams, 19th September 2006 lot 1. Exhibited The Leferve Galleries, 1931 30 Pots, Woolley and Wallis, 2019, catalogue number 28.

Lot 409

‡ William Staite Murray (1881-1962) 'Persian Bird' a monumental stoneware vase, thrown in two sections, swollen conical body with cylindrical neck, the body incised and painted with two large peacocks, glazed with iron dots, on an oatmeal ground under a grey translucent slip graduating to white, impressed seal mark, painted IMG, 63 cm. high Provenance Lefevre Galleries, probably exhibited (suggested by Ian Bennett) alongside 'Persian Garden' in 1931, which was later purchased by Eric Milner-White. Richard Murray Exhibited Lefevre Galleries, London November 1931, Leicester Galleries William Staite Murray Retrospective,1958 30 Pots, Woolley and Wallis, 2019 catalogue number 30.

Lot 410

‡ William Staite Murray (1881-1962) Geese by The Reeds a fine stoneware vase, shouldered form with cylindrical neck, slip decorated with three preening geese amongst tall grasses, impressed seal mark, 31cm. high Provenance Patterson's Gallery, Old Bond Street, London, Exhibited between 1st-28th November 1928, catalogue number 24, priced at 40 guineas. Contemporary Ceramics, Bonhams 16th November 1995 lot 1 Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003 catalogue number 78. British Studio Pottery from Bernard Leach, Chichester Cathedral/Pallant House, 2005 catalogue number 37. 30 Pots Woolley and Wallis Auctioneer's, catalogue number 29.

Lot 417

‡ William Staite Murray (1881-1962) 'Sun and Air' a fine stoneware vase, painted with a hot-air balloon flying amongst seagulls and clouds, the reverse a large sunflower. rust on an oatmeal ground highlighted with blue, impressed seal mark, 22.5cm. high Provenance William Paterson Gallery, London exhibited 1-28th November 1928, priced at 25 guineas. Contemporary Ceramics, Bonhams, 13th November 1996 lot 5. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003 catalogue number 79. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House. 30 Pots, Woolley and Wallis, 2019, catalogue number 4, Literature Dr Jeffrey Jones, Studio Pottery in Britain 1900-2005, A & C Black,. page 57 this vase illustrated.

Lot 418

‡ William Staite Murray (1881-1962) a shouldered stoneware vase, incised and painted with stylised foliate panels, in brown and white slip under a translucent glaze, impressed seal mark, painted FB.5, 25.5cm. high Exhibited 30 Pots Woolley and Wallis, 2019, catalogue number 1.

Lot 426

‡ William Staite Murray (1881-1962) a stoneware vase compressed ovoid form, painted with a running horse in iron on a pitted oatmeal ground, impressed seal mark, 13cm. high Provenance Decorative Arts, Sotheby's 4th December 1985 lot 345 Contemporary Ceramics, Bonhams 26th March 1992 lot 94 Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003 catalogue number 61. 30 Pots, Woolley and Wallis 2019, catalogue number 13 Literature Ronald Cooper, The Modern Potter, John Tiranti Ltd, 1947, page 32, catalogue number 39 for a comparable vase titled Tiger. Dr Jeffrey Jones Studio Pottery in Britain 1900-2005, A&C Black Publishers, illustrated page 58.

Lot 427

‡ William Staite Murray (1881-1962) a heavy stoneware vase, ovoid with knopped neck, covered in a thick pitted off white glaze, painted with abstract design in blue, impressed seal mark, 18.5cm. high Exhibited 30 Pots, Woolley and Wallis, 2019, catalogue number 7.

Lot 428

‡ William Staite Murray (1881-1962) a squat stoneware vase with collar rim, dated 1923, covered to the foot with a high-fired Chun glaze in silver and purple, incised W S Murray 1923 London, 12.5cm. high Provenance Brian Page Antiques, Brighton Exhibited 30 Pots, Woolley and Wallis, 2019 catalogue number 5

Lot 433

‡ Charles Vyse (1882-1971) a stoneware vase, dated 1933, shouldered form with collar rim, covered in a rose ash and iron glaze to the foot with grey splashes, incised CV 1933, paper lot label, 21cm. high Provenance 20th Century Decorative Arts, Christie's South Kensington, 26th May 1994 lot 240 (originally purchased from the Walker Gallery). Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 129. British Studio Ceramics from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, catalogue number 35. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 55 and back cover this vase illustrated,

Lot 434

‡ Charles Vyse a stoneware vase dated 1931, shouldered form with flaring neck, covered to the foot with a rich tenmoku glaze, painted with stylised Oriental flower design in iron, incised CV dated 1931, 26cm. high

Lot 435

‡ Charles Vyse (1882-1971) a stoneware vase with lug handles, dated 1931, shouldered cylindrical form, covered in a rose ash glaze with splashes, and an ovoid vase with vertical grooves, covered in an ash glaze incised marks, 13.5cm. high, (2) Provenance Modern Art, Photography and Ceramics, Colombos, Hamburg Germany, 17th November 2012, lot 5,.

Lot 436

‡ Charles Vyse (1882-1971) a stoneware vase, shouldered form with collar rim, dated 1930, covered to the foot in a rich deep blue/purple and silver mottled glaze, and another similar glazed to the foot with celadon splashed with iron, incised Charles Vyse 1930, 16.5cm. high, (2) Provenance Applied Arts Sotheby's 14th April 1992 lot 563 (main vase, sold as part of a group of three). Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 119 and 121 Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 51 these vases illustrated,

Lot 438

‡ Charles Vyse (1882-1971) a stoneware vase dated 1938, shouldered form with knopped neck, incised with a broad band of palm leaves, glazed celadon, highlighted with brown, incised Vyse 1938 to base, 32cm. high Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 56 and back cover this actual vase illustrated.

Lot 439

‡ Charles Vyse (1882-1971) a Tzu-Chou stoneware vase dated 1930, shouldered form with swollen neck, the body incised with scrolling lotus flower decoration, covered to the foot with a pale white celadon glaze incised CV 1930, 34cm. high Literature Charles Vyse Richard Dennis/Fine Art Society, 1974, page 56 catalogue number 126 this actual vase illustrated.

Lot 44

'Oranges and Lemons' a Clarice Cliff small vase, shape no.572, painted in colours inside orange bands, unmarked, impressed factory number, 10cm. high Provenance The Pamela Harding Collection.

Lot 440

‡ Charles Vyse (1882-1971) a porcelain bottle vase dated 1939, pear shaped with everted top rim, painted in ochre with a heron flying past grass clumps, on a grey ground incised Vyse 1939, 26cm. high Literature Terence Cartlidge Charles and Nell Vyse, Dennis & Pascoe, page 53 this actual vase illustrated.

Lot 442

‡ Charles Vyse (1882-1971) a stoneware vase, dated 1927, covered in a dark blue and purple splashed glaze to the foot, and two miniature vases incised CV 1927, 9cm. wide, (3)

Lot 443

‡ Charles Vyse (1882-1971) a stoneware vase dated 1931, slender ovoid form with flaring solifleur neck, covered to the foot in a pale blue glaze splashed with purple, a smaller Charles Vyse vase with two lug handles, with similar glaze and a small footed bowl, painted CV and 1931 marks, 19.5cm. high, (3) Provenance J L Naimaster, Richard Dennis, Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 128. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 51 this actual vase illustrated.

Lot 444

‡ Charles Vyse (1882-1971) a stoneware vase, dated 1928, ovoid with collar rim, covered to the foot in a streaked lavender, blue and silver glaze incised CV monogram and date, 12.5cm. high Provenance George Eumophopolus collection (sold at Sotheby's) Ian Bennett collection Ed Wolff collection Contemporary Ceramics, Bonhams 10th November/1st December 1994 lot 7. Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 127. Literature Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 51 and back cover this vase illustrated,

Lot 445

‡ Charles Vyse (1882-1971) a rare pottery vase dated 1923, swollen form with tapering neck, painted with a brightly coloured toucan perched in on a fruiting tree bough, in colours painted CV monogram, Chelsea 1923, 19.5cm. high

Lot 453

‡ William 'Bill' Marshall (1923-2007) a massive stoneware vase, with applied loop handles and collar rim, covered to the foot with a deep, rich tenmoku glaze and green copper brushed decoration, impressed seal mark, 48cm. high

Lot 454

‡ William 'Bill' Marshall (1923-2007) a Leach Pottery stoneware bottle vase, swollen rectangular section with narrow cylindrical neck, covered in a rich tenmoku glaze with iron brushed grasses, impressed seal marks, 17cm. high Provenance The Design Age Mallam's Auctioneer's 12th December 2013 lot 206

Lot 455

‡ William 'Bill' Marshall (1923-2007) a large stoneware vase dated 1995, ovoid with slightly flaring cylindrical neck, covered in a grey glaze with hakeme, painted iron bamboo shoot with copper splashes, incised monogram and date 1995, 29cm. high

Lot 456

‡ William 'Bill' Marshall (1923-2007) a stoneware vase and cover, ovoid, the shouldered vessel with inset cover, the body with impressed hatched geometric panels, covered in a translucent white glaze, impressed seal mark to base, 27cm. high Literature Marion Whybrow Leach Pottery St Ives The Legacy of Bernard Leach, Beach Books, page 81 this actual vase and cover illustrated.

Lot 458

‡ William 'Bill' Marshall (1923-2007) a Leach Pottery stoneware vase, shouldered form with cylindrical neck, dark grey ground with brushed white Hakeme decoration, impressed seal marks, 31.5cm. high Provenance Modern & Post-War British Art, Design, Mallam's Auctioneer's, 10th December 2015 lot 88.

Lot 460

‡ William 'Bill' Marshall a stoneware vase, pilgrim flask form, covered in a pitted celadon ash glaze to the foot, painted in tenmoku with simple grass motif, indistinct seal marks, 20cm. high

Lot 461

‡ William 'Bill' Marshall (1923-2007) a fine porcelain vase dated 2004, ovoid with flaring cylindrical neck, covered in a pale celadon glaze and painted grey bamboo shoot motif, incised monogram and date to base, 25cm. high

Lot 463

‡ William 'Bill' Marshall (1923-2007) a tall and impressive stoneware vase, shouldered, tapering cylindrical form with cylindrical neck, covered to the foot with a Nuka glaze, with running brushed design and lavender spots, impressed seal mark, 51cm. high

Lot 464

‡ William 'Bill' Marshall (1923-2007) a stoneware vase, shouldered form with waisted cylindrical neck, decorated with a simple band of flowerhead motif to the shoulder and mid-ridge, covered in a running ash glaze to the foot, with Hakeme splashes, impressed seal mark to side, 43cm. high

Lot 466

‡ Janet Leach (1918-1997) an unusual Leach Pottery vase, shouldered form with modelled band of disc motif, glazed ash green and ochre, impressed seal marks, 17cm. high

Lot 467

‡ Janet Leach (1918-1997) a Leach Pottery stoneware bottle vase with lug handles, glazed grey under a translucent white hatch design and ash markings, another bottle vase and a stoneware small bowl, impressed seal marks, 16cm. high, (3)

Lot 472

A massive Royal Copenhagen porcelain vase with bronze cover, by Richard Bocher and Karl Andersen, dated 1932, shape no.1599, shouldered form, painted with a thatched farm by a tree-lined lane, a wooded landscape in the background, painted in colours printed and painted marks, 48cm. high Provenance Ceramic Design1860 to 1945, Bonham's London, 1st March 2005, lot 162. The Daryl Fromm collection. Catalogue notes This monumental vase is a unique exhibition piece and was on display when H.R.H Prince of Wales (later Edward VIII), visited the Royal Copenhagen factory in 1932.

Lot 477

‡ Mick Casson (1925-2003) a tall salt-glaze stoneware vase with loop handles, waisted cylindrical form, with applied handles to top rim, salt-glazed with a simple wavy trail design, impressed seal mark to base, 51cm. high Provenance Wobage Farm, 1989 From a private collection of studio pottery

Lot 479

‡ Mike Dodd (born 1946) a cut-sided stoneware bottle vase, covered with a streaked Corsican pine glaze, impressed seal mark, 25.5cm. high Provenance Amalgam Gallery, 1997 From a private collection of studio pottery

Lot 481

‡ Jim Malone (born 1946) an Ainstable Pottery stoneware vase, shouldered, flat sided form with collar rim, painted in iron and resist decorated with a grass motif, under blue wash, on celadon grey ground impressed seal marks, 23.5cm. high Provenance Harlequin Gallery, 1997 From a private collection of studio pottery

Lot 482

‡ William 'Bill Marshall (1923-2007) a Leach Pottery salt-glazed stoneware vase, slender, swollen form with flaring neck, the shoulder with simple, feint brush design impressed seal marks, 49cm. high

Lot 484

‡ Svend Bayer (born 1946) a large wood-fired stoneware Amphora vase, shouldered form with flaring neck, the body inlaid with clam shell decoration, glazed in shades of pale blue and ash unsigned 44cm. high

Lot 491

‡ Janet Leach (1918-1997) a large Leach Pottery stoneware vase, ovoid with lug handles and collar rim, incised surface decoration covered in a rust and green Hamstone glaze, impressed seal marks, 22cm. high Provenance Beaux Arts, Bath, 1992 From a private collection of studio pottery

Lot 492

‡ Janet Leach (1918-1997) a Leach Pottery stoneware vase with lug handles, matt umber with splashed silver-grey design to body and neck, impressed seal marks, 14.5cm. high Provenance CPA, 1989 From a private collection of studio pottery

Lot 495

‡ Marianne De Trey CBE (1913-2016) a porcelain solifleur vase, decorated in resist with geometric design in flambe and black on a white ground, and two Marianne De Trey bowls similar, impressed seal mark, 15cm. high (vase), (3) Provenance Bettles Gallery, 1990 (vase) From a private collection of studio pottery

Lot 496

‡ Hilary Brock (born 1933) a porcelain comical sculpture, modelled as a hunter being attacked by a tiger, a lady sitting on the back of the tiger, distracting the tiger with an umbrella, in colours and a large stoneware vase, painted monogram 19cm. high (2)

Lot 501

‡ John Ward (born 1938) a hand-built stoneware vase with asymmetric rim, orange and sand graduating to green and ochre with blue streaks, impressed seal mark, 24cm. high Provenance Peter Dingley Gallery, 1990 From a private collection of studio pottery

Lot 504

‡ Colin Pearson (1923-2007) an unusual porcelain vase with three flanges, the footed, waisted body with central plunging aperture, covered in a mottled brown and grey-blue glaze over white impressed seal mark, 15.5cm. high

Lot 505

‡ Colin Pearson (1923-2007) a porcelain winged cylinder vase, with four applied wings, covered to the foot with a celadon glaze, impressed seal mark, 12cm. high

Lot 507

‡ Mary Rich (born 1940) a porcelain vase, compressed form with cylindrical neck and flaring rim, decorated with a bold geometric star design in red, blue and gilt, impressed seal mark, 13.5cm. high Provenance Bettles Gallery, 1991 From a private collection of studio pottery

Lot 513

‡ Kate Malone MBE (born 1959) Baby Bud Snap Dragon, 2013, (KM1453), crystalline stoneware vase, incised KM monogram to base, 9.5cm. high

Lot 519

‡ Philippa Cronin a stoneware vase, dated 1983, angular form, painted decoration, another by the same artist and a small porcelain teapot and cover by Claire Ireland, painted PJC 1983 to base 48cm. high, (4)

Lot 522

‡ Geoffrey Eastop (1921-2014) a stoneware vase, ovoid with flattened sides, copper and bronze glaze with blue and copper splashes, painted monogram, 18cm. high Provenance Beaux Arts, Bath, 1988 From a private collection of studio pottery

Lot 527

An Art Nouveau Gouda Zuid Holland miniature twin-handled vase, painted with stylised foliage, two miniature solifleur vases and a miniature ewer painted marks, small chip to twin-handled vase, 10.5cm. high (tallest), (4)

Lot 529

An Art Nouveau Amphora Holland pottery vase by T Verstraaten, shouldered form, painted with a finch flying past a pine tree bough, in colours, a Gouda pottery hexagonal pot painted with Art Nouveau bell flowers, and nine various Dutch pottery pieces, painted marks, hairlines to top rim, 18.5cm. high, (11)

Lot 534

An Art Nouveau Mettlach stoneware twin-handled vase the design attributed to Hans Christiansen, model no.2814, incised and painted with a frieze of Art Nouveau maidens amidst fruiting grape vine in the manner of Mucha, impressed marks to base, professional restoration to inside top rim, 24cm. high

Lot 56

A Wedgwood Moonstone vase designed by Keith Murray, shape no.3801, ribbed ovoid form with collar neck, covered in a matt white glaze, printed mark and KM monogram, 15.5cm. high Literature Andrew Casey 20th Century Ceramic Designers, ACC, page 191, figure 208 for a comparable vase.

Lot 58

A Wedgwood Moonstone vase designed by Keith Murray, shape no.3842, flaring, ribbed bucket form, covered in a matt white glaze printed factory mark with KM monogram, star-crack to side, 23.5cm. high

Lot 59

A rare Wedgwood vase designed by Keith Murray, flaring cylindrical form with cast loop handles, covered in a cream and champagne glaze, impressed and printed factory marks, printed facsimile signature, two small repaired bruises to foot rim, 16cm. high

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