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A Chinese Kangxi style famille verte blue ground vase, late 19th Century, the baluster body painted with opposing figural panels reserved against a blue ground, height approx 25.5cm, together with a pair of Chinese blue and white export porcelain plates, 18th Century, each painted with a foliate design within a rim of lotus and tendrils (one repaired) and a famille rose porcelain jar and cover (faults).
A Chinese porcelain bottle vase, mark of Kangxi but late 19th Century, the ovoid body painted with a mythical scene of a figure standing on rocks as a red dragon and boat struggle in rough waters beneath iron red vapours carrying an immortal, pseudo underglaze blue six character mark to base, height approx 29cm (badly broken and repaired), together with two Chinese Canton famille rose cylindrical boxes and covers, 19th Century, painted with figures (some faults).
A Chinese famille rose porcelain vase, probably late 19th/early 20th Century, of rectangular baluster form, painted with opposing figural scenes, flanked by moulded pink lion mask and ring handles above lines of black text and red seals, iron red pseudo seal mark to base, height approx 24cm, together with a Chinese famille rose vase of cylindrical tapering form, mark of Jiaqing but probably Republic, painted with a continual figural scene beneath a lotus and tendril filled ruby ground flared neck, iron red pseudo seal mark to base, height approx 23.5cm (cracked).
A Chinese porcelain circular tea bowl, mark of Guangxu and possibly of the period, the exterior painted with opposing iron red dragons amongst vapours, six character mark in iron red to base, height approx 5.5cm, together with a Canton famille rose vase and cover, mid/late 19th Century, the baluster body painted with figural and floral panels (faults).
A Chinese Transitional famille verte porcelain jar, mid-17th Century, the cylindrical body painted with figures, rocks and plantain, height approx 17cm (heavily restored), a blue and white porcelain bottle vase, 20th Century, transfer printed with a continuous figural scene, and a small collection of porcelain and cloisonné (faults).
A Chinese silk and gilt thread embroidered panel, early 20th Century, worked in coloured and gilt thread with a design of a bat, two butterflies and scattered flowers above a flower vase within a gilt scrollwork surround, on a blue ground, with patterned border, approx 61cm x 34, framed and glazed.
A Japanese Arita blue and white porcelain vase, early 18th Century, the ovoid body painted a terrace, pine, bamboo and willow, height approx 24cm (minor foot repair), together with a Chinese blue and white baluster vase, late 19th Century, painted with birds perched amongst blossom and a blue and white prunus ginger jar and cover.
A Chinese famille verte porcelain vase, 19th Century, the ovoid body painted with figures standing on a pavilion terrace, iron red seal mark to right of image, height approx 18cm (neck broken and re-glued), together with a Chinese famille rose export porcelain teapot, Qianlong period, each side painted with a figural scene, together with a matched cover (faults).
A Chinese blue and white porcelain stand, mark of Qianlong but modern, the circular top with uniform tendril border, the pedestal foot filled with dragons above waves, six character mark to base, height approx 16cm, together with two Chinese famille rose porcelain teapots, a Kutani vase, a resin ivory style figure and a blue and white jar (some faults).
A Chinese famille rose export porcelain circular dish, Qianlong period, finely painted and gilt with a lone fallow deer beside gilt bamboo and polychrome lingzhi fungus, diameter approx 38.5cm (broken and rivet repaired), together with a famille rose export porcelain soup plate, Qianlong period, painted with flowers and gilt barbed borders and a Chinese blue ground famille verte vase (badly damaged).
A Chinese provincial blue and white porcelain ginger jar, 18th/19th Century, the ovoid body painted with a coastal landscape of pavilions, trees and fishermen, height approx 19cm, together with a Chinese blue and white vase, a blue printed earthenware vase, and a small collection of Oriental porcelain and a hardwood stand (some faults).
A pair of Japanese Imari dishes, Meiji period, painted with birds and flowers, together with a Japanese Satsuma vase, early 20th Century, gilt with pagoda and pavilions in a landscape on a black matt ground, iron red and gilt signature to base, and a modern porcelain figure of a seated Buddha.
A Minton limited edition bone china caddy and cover celebrating the marriage of Prince Andrew and Sarah Ferguson, No. 192 of 500, boxed with certificate, a Royal Crown Derby limited edition two handled loving cup commemorating the same event, boxed, and an Aynsley bone china two handled vase commemorating the Coronation of George VI (cracked).
A pair of Staffordshire pottery figures, late 19th Century, modelled as a seated boy and girl each holding a bird, on circular gilt lined bases, a Staffordshire pottery clock spill vase in the form of a castle, two other Staffordshire pottery items and two Dutch Delft plates, mid-18th Century, one decorated with a bird in a tree, the other with a tree (faults).
A Wedgwood lustre `Boston Cup` circular bowl, designed by Daisy Makeig-Jones, the exterior gilt with butterflies against a mottled green ground, the base interior painted and gilt with a bird against a mother-of-pearl ground, beneath a gilt pan-fei border, gilt printed Portland vase mark and `Z4831` pattern number to base, diameter approx 10.4cm.
A Royal Worcester porcelain ewer, circa 1897, with scalloped rim above a baluster body, decorated with flowers against a blush ground, a Royal Doulton vase decorated in relief with panels of stylized flowers (faults), a Maling `Peony Rose` pattern vase, a Wedgwood blue jasper chamberstick and snuffer and a collection of decorative ceramics and glass (faults).
A cranberry glass and brass mounted cornucopia vase, 19th Century, decorated in gilt with flowers, terminating in a brass gloved hand, mounted on a rectangular alabaster base, height approx 19cm, together with two Continental porcelain plates decorated with classical scenes (faults).
A Poole pottery vase, 1930s, designed by Truda Carter, the shouldered tapering body painted by Marian Heath with the leaping gazelle pattern `TZ` on a clear glaze over white slip, impressed `Poole England`, incised shape No. `595` and painted artist monogram and pattern to base, height approx 21.5cm.
A C.H. Brannam pottery vase, circa 1902, the pear shaped body decorated by James Dewdney, monogrammed, with incised stylized fishes, weed and flowers against a textured ground applied with three scroll handles, glazed in shades of green, brown, orange, blue and cream, incised factory marks to base, height approx 39cm.
A pair of C.H. Brannam pottery spill vases, circa 1902, each modelled as a stork beside bamboo on a naturalistic base, glazed in shades of green, blue and brown, incised factory marks and `RD 4456` to bases, heights approx 23.5cm (minor paint flakes and restoration), together with a similar C.H. Brannam pottery spill vase and sconce, circa 1896, glazed in shades of pale green and yellow, incised factory marks to base (some restoration).
A C.H. Brannam pottery water jug, circa 1896, the ovoid body incised with a bird flying amongst flowers, glazed in blue, brown and cream, incised factory marks to base, height approx 36cm, together with a collection of other Brannam pottery, comprising an owl wall pocket, two fish wall pockets, a frog posy vase, two fish vases and a fish ewer, and a pair of Lauder green glazed fish vases (some faults).
A pair of German porcelain figures of a lady and gallant, late 19th Century, each decorated in 18th Century costume, crossed swords in underglaze blue to bases, height approx 25cm (minor faults), together with a Herend porcelain two handled vase and cover and a leaf shaped dish, each decorated with Rothschild birds, printed factory marks to bases (faults to vase).
A Sitzendorf porcelain vase and pierced cover with flower encrusted finial, late 19th Century, the urn shaped body moulded in relief with frolicking putti beneath a flower encrusted and mask rim, flanked by scroll handles, on a canted corner square base (faults), together with a pair of Continental porcelain flower encrusted figural candlesticks (faults).
An Amphora vase, early 20th Century, the ovoid body decorated with a bird, stylized flowers and foliate scrolls within pink textured borders, printed factory mark to base (hairline crack to neck), together with a French opaline glass vase, late 19th Century, enamelled with birds perched on vertical and horizontal stems of bamboo.
A Foley china commemorative small cream jug and sugar bowl, Victoria`s Diamond Jubilee, together with two blue printed carpet bowls, a Picardy pattern vase, a James Kent flower printed tazza, and Doulton Burslem bowl, printed, painted and gilded with summer flowers, (7).
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653833 item(s)/page