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Click here to subscribeA Royal Doulton bulldog vesta, designed by the dog`s head draped in the union flag and raised on green lined base, green printed marks 18.5cm wide, along with a Royal Doulton union flag shaped bulldog, 5.5cm high, a majolica style pug tobacco jar and cover 21cm high, and a Derby gilt decorated bottle vase with claret ground, red printed mark, 24cm high (4)
A Regency rosewood pedestal, the octagonal top with line moulded edge on eight reeded supports joined by an undertier on an octagonal base and eight compressed bun feet, 30cm diameter, 74.5cm high Note: This octagonal pedestal follows from a pattern for one such French fashion stand noted as for a reading lamp or for a vase, illustrated in 1815 by Rudolf Ackerman intended to be executed in a variegated wood. Ackerman advised that its character renders it suitable for the library or morning room.
A Chinese porcelain vase or teapoy of baluster form painted in blue with a pair of figures flanking a jardiniere of prunus in a garden setting and verso with pierced rock and prunus with repousse decorated white metal mounts and stopper, 17 cm high, Artemesia leaf mark, Kangxi, foot chipped.
A Chinese porcelain vase of yen-yen form painted in blue with continuous encircling bands, the lower section with figures in a garden pavilion, the centre with boys at play and the upper with a procession of soldiers coming upon a sage, 46 cm high, Kangxi, significant loss to neck and rim, together with the neck section of a similar vase. (2)
A Doulton Lambeth salt glazed stone ware vase of oviform with flaring neck, the body incised with an encircling band of fish, crab and shrimp amongst weed below a band of snails and scrolling foliage, 36 cm high, incised to base Designer-W.Parker, Thrown-Askew, Lathed-Martin, April 1889, S.A.C. Doulton & Co. Lambeth.
David Leach, a stoneware vase of globular form with short raised neck, the upper half thickly applied with ‘Hare’s Fur’ glazes, 26 cm high, impressed personal seal. Provenance: Devon Learning Resources The Elmslie Philip Collection, Devon Museum Service & Film Library
A Hedda, Gouda candle holder, the central sconce surrounded by a flared trumpet shaped rim on tapering column in black glazed with broad polychrome bands decorated with stylized flowers, painted mark and number 1510 (22cms) and a late 19th/early 20th century blue glass and gilt overlaid baluster shaped vase (35cms, as viewed, gilding rubbed)
A small collection of Chinese famille rose items including a rectangular lidded box with inner divider (17.5cms), a cylindrical vase (25cms), another shouldered vase (24cms) a small globular teapot, 2 cylindrical lidded boxes (11cms and 8cms, the larger with repaired lid) and 2 other items (a lot, as viewed)
A large 20th century Dresden ovoid lidded vase, the white ground with scrolled foliate borders and decorated overall in polychrome enamels with floral sprays and detail, the cover similarly decorated with a gilt tipped spear point finial and with blue painted insignia "Dresden" (approx 41cms high)
A collection of silver and silver mounted items, including a bud vase by Goldsmiths and Silversmiths Company, London 1910; a commemorative Millennium silver spoon, in its case; a silver hand bell by Hutton & Sons, Sheffield 1926, with ivorine handle; two silver napkin rings, and a silver mounted hand mirror and cut glass circular box; together with a silver plated cup by Christofle, 13 oz gross weighable
A collection of seven pieces of Art Deco style Lorna Bailey Old Ellgreave Pottery, including a large Clarice Cliff style Bonjour shape pot and cover, a `Bridge and Stream` vase, a jug decorated with a crane and a limited edition `Aztec` jug, No. 162 from an edition of 200 (one cover repaired).
A Dutch delft vase and cover, late 19th/20th Century, in the 18th Century style, of hexagonal baluster shape, decorated with a couple walking in a landscape within scroll moulded borders, against a ground of stylized flowers and foliage, the cover with bird finial, blue painted factory marks to base, together with two other pieces of 20th Century delft in an earlier style.
A Poole pottery bowl by Ruth Pavely, painted with a scrolling purple ribbon band and stylized flowers, impressed factory mark and painted monogram to base (minor faults), a Phoenix `Seville` pattern two handled vase, a Royal Doulton jug decorated with cottages, and a Corona Ware `Old Woodstock` pattern vase.
A Flight Barr & Barr porcelain vase, circa 1820, painted with a titled scene of `Warwick Castle`, within blue and gilt overlaid borders, factory marks including title in script to base (lacking one handle), together with a Wedgwood creamware `The Three Brothers` tea caddy (badly damaged).
A Wedgwood Queen`s Ware two handed vase and cover, circa 1861, painted by Emile Lessore, signed, the urn shaped body inset with opposing jasper oval plaques worked in white with classical figures on a blue and sage green ground, framed by painted puce putto united by fabric festoons and vine, on a circular foot, impressed and painted factory marks to base, height approx 24.5cm (minor restoration to handles).
A brown glazed pâte-sur-pâte vase, circa 1880, probably Brown-Westhead, Moore, of flattened ovoid form, one side decorated by Frederick Schenk, signed, with a nymph seated on rocks at the waters edge with sun setting in the distance, the flared neck worked with a foliate band flanked by fixed gilt ring handles, height approx 20cm.
A Walton pearlware sheep spill vase group, circa 1820, modelled as a ram standing before a treestump flanked by bocage, raised on a naturalistic base applied with a lamb above a blue edged scroll, relief `Walton` banner mark to reverse, height approx 18cm (minor bocage tip repairs and some enamel flaking), together with a Staffordshire pottery model of a Zebra (faults).
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