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Woolley & Wallis
Lot 100

‡ James Tower RA (1919-1988) Winter Grasses-Opus 202, 1986 a stoneware vase, white tin-glaze with wax relief, incised James Tower 86, paper label James Tower 202, 45cm. high Literature Timothy Wilcox The Ceramic Art of James Tower, Lund Humphries, page 196 cat. no.202. Provenance Sheila Harrison Fine Art, 7th February 1989. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 28th September- 8th November 2009, catalogue number 38. 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 50.

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Woolley & Wallis
Lot 103

‡ Chris Carter (born 1945) a slender Hilted bottle vase with flaring rim, covered in a pitted matt blue, green and ochre glaze, surface textured with angled sgraffito lines, impressed seal mark to the base, 41cm. high Provenance Hart Gallery, 25th May 1999. Literature Chris Carter Deep Feelings for the Earth, Hart Gallery, 2010, page 6-7 for two similar Hilted vases illustrated.

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Woolley & Wallis
Lot 104

‡ Joanna Constantinidis (1927-2000) a porcelain vase, swollen, shouldered form with slender neck and modelled rim, covered to the shoulder with a lustrous glaze over grey, impressed seal mark to side, 17cm. high Provenance Contemporary Ceramics, Christie's London, 21st November 1988 lot 147.

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Woolley & Wallis
Lot 105

‡ Joanna Constantinidis (1927-2000) a porcelain vase, swollen form covered in a pale cleadon glaze to the foot with cobalt blue swirl, impressed seal mark to base rim, hairline crack, 18.5cm. high Provenance Contemporary Ceramics, Christie's London 23rd November 1987 lot 96. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 45.

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Woolley & Wallis
Lot 106

‡ Joanna Constantinidis (1927-2000) a porcelain flaring vase, with applied slip decoration and covered in a golden lustre glaze, impressed seal mark, 10.5cm. high Provenance Adrian Sassoon Gallery, 17th June 1996.

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Woolley & Wallis
Lot 108

‡ Joanna Constantinidis (1927-2000) a cylindrical porcelain vase, with slip swirl, covered in a golden lustre glaze, impressed seal mark to foot rim, small frit chip to top rim, 13cm. high Provenance Adrian Sassoon Gallery, June 1996.

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Woolley & Wallis
Lot 109

‡ Joanna Constantinidis (1927-2000) a porcelain solifleur vase, slender, cylindrical form with squeezed wing to top, covered with an antique gold lustre glaze, impressed seal mark, 27.5cm. high Provenance Paul Rice Gallery November 2008.

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Woolley & Wallis
Lot 111

‡ Joanna Constantinidis (1927-2000) a tall, slender stoneware vase, asymmetric form sprayed gold with iron spots, impressed seal mark to side of base, 39cm. high Provenance Gainsborough House Society, 21st April 1994, bottle no.20. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 47.

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Woolley & Wallis
Lot 112

‡ Ulla Hansen (born 1953) a cut-sided stoneware vase, shouldered form with cylindrical neck, covered to the foot with a turquoise glaze, and a elliptical box and cover by Malene Mullertz, 29.5cm. high (3) Provenance Eight Danish Potters Galerie Besson February 1990 (Hansen pot)

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Woolley & Wallis
Lot 117

‡ David Lloyd Jones (1928-1994) an ovoid porcelain vase with flaring neck, covered in a matt buff glaze with mushroom, the top rim with dripping manganese band, impressed seal mark, 20cm. high Provenance Geoffrey Godden Collection The Geoffrey Godden Collection of Studio Pottery, Bonhams, London 29th November 1995 lot 269.

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Woolley & Wallis
Lot 12

‡ William Staite Murray (1881-1962) a stoneware baluster vase with slightly flaring cylindrical neck, covered to the foot with a controlled running, pale blue, white and lavender translucent glaze, impressed hexagonal seal mark, painted FFH to base, 19cm. high Provenance Contemporary Ceramics, Christie's London 31st January 1990 lot 283. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 27

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Woolley & Wallis
Lot 124

‡ John Maltby (born 1936) Small Suffolk Seaport, 1991, a tall spade vase, painted to one side with houses, the reverse with a boat, in black, blue and white on a buff ground, painted Maltby to base, 20.5cm. high Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 59.

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Woolley & Wallis
Lot 127

‡ Jennifer Lee (born 1956) a coil-built stoneware vase, built with bands of grey, buff and blue rim, painted JL monogram to base, paper Galerie Besson label, 15cm. high Provenance Jennifer Lee, Galerie Besson, October-November 1997 catalogue number 15.

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Woolley & Wallis
Lot 129

‡ Jennifer Lee (born 1956) a coil-built stoneware vase, sand rich stoneware vase, asymmetric form, painted JL monogram, Galerie Besson label, 18cm. high Provenance Jennifer Lee, Galerie Besson, October-November 2000, no.18.

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Woolley & Wallis
Lot 13

‡ William Staite Murray (1881-1962) a stoneware vase, swollen form covered in a rust glaze to the foot, impressed seal mark, incised marks to base, painted 18, 26.5cm. high Provenance Maak October 2011, Literature Malcolm Haslam William Staite Murray Arts Council, page 81 cat. no. 20 for a comparable shaped vase from Bray 1929.

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Woolley & Wallis
Lot 130

‡ Ashraf Hanna (born 1967) a hand-built and burnished raku vase, ovoid, with burnished neck rim and vertical columns incised marks, 10.5cm. high Provenance Oxford Fair, 2000 (Oxford Ceramic Fair).

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Woolley & Wallis
Lot 131

‡ Abdo Nagi (1941-2001) an ovoid vase, with cylindrical neck, covered in a speckled, volcanic matt blue glaze impressed seal mark to side of base, 23.5cm. high Provenance Contemporary Ceramics, Bonhams, London 13th June 1990 lot 179.

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Woolley & Wallis
Lot 132

‡ Abdo Nagi (1941-2001) a large thrown porcelain vase, tapering cylindrical form with collar neck, covered in a shiny blue glaze with matt grey sprayed bands, impressed seal mark to base, 41cm. high Provenance Contemporary Ceramics, Bonhams, London 10th June 1998 lot 31. Catalogue Notes Abdo Nagi came to England in 1967 from the Yemen. He started potting in 1975 working between 1978-2001 from his studio in Greylands, Letchworth in Hertfordshire.

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Woolley & Wallis
Lot 134

‡ John Ward (born 1938) a coil-built stoneware vase, cylindrical form covered in a matt white glaze, impressed seal mark, 13cm. high Provenance Contemporary Ceramics, Bonhams London, 27th February 1989, lot 114. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 52.

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Woolley & Wallis
Lot 135

‡ Julian Stair (born 1955) a porcelain vase, shouldered form with cylindrical neck, white with irregular incised bands with cobalt blue pigment colouring, the interior glazed dark blue, impressed seal mark to base, 21cm. high Provenance Crafts Council Gallery, 4th February 1992. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 60. Literature Lucie Rie, Hans Coper and their Pupils, Sainsbury Centre for the Visual Arts, page 77 catalogue number 146-147 for comparable vases.

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Woolley & Wallis
Lot 137

‡ Emmanuel Cooper (1938-2012) a stoneware vase, black oxide covered in a running white volcanic glaze, impressed seal mark to base, paper label no.47 to side of base, 10cm. high, 13cm. diam. Provenance Fine Art Society, London 8th October 2003 catalogue number 47. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 53.

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Woolley & Wallis
Lot 138

‡ Edmund De Waal (born 1964) Jar for a Branch, 1997, a tall waisted porcelain vase, covered in a pale celadon glaze impressed seal mark to base, paper labels, 36cm. high Provenance Galerie Besson, 22nd August 1997. Exhibited Edmund De Waal Galerie Besson 16th July-14th August 1997, catalogue number 36. British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 64.

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Woolley & Wallis
Lot 14

‡ William Staite Murray (1881-1962) a stoneware vase dated 1924, compressed form with collar rim, covered to the foot with a speckled tan glaze, painted to the shoulder with a foliate repeat in tenmoku, incised signature and date to base, professional restoration to top rim and shoulder,12cm. high

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Woolley & Wallis
Lot 16

‡ William Staite Murray (1881-1962) a stoneware vase, shouldered form with cylindrical cup rim, covered to the foot with a speckled and lightly pitted pale grey glaze, impressed seal mark to base, 25.5cm. high Provenance Paul Rice Gallery, 3rd July 1992. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 28

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Woolley & Wallis
Lot 17

‡ William Staite Murray (1881-1962) a stoneware vase, shouldered, flaring cylindrical form with narrow neck, glazed to the foot with a grey pitted glaze with simple drawn blue fine swirling foliate design, the top rim with tenmoku band impressed seal mark to base, incised DSM, 34cm. high Provenance Paul Rice Gallery, London, February 1998.

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Woolley & Wallis
Lot 18

‡ William Staite Murray (1881-1962) a rare stoneware Vorticist vase dated 1924, shouldered flaring cylindrical form, covered in an iron rich glaze over celadon with cut Vorticist decoration to the body, incised signature date and London 687, 16cm. high Provenance Contemporary Ceramics, Bonhams, London 24th November 1998, lot 1. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 2.

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Woolley & Wallis
Lot 19

‡ William Staite Murray (1881-1962) Aulos, a rare stoneware twin-handled vase, shouldered form, painted with alternate bands of beige, brown and green, with circle motif, with incised decoration to the shoulder, impressed seal mark, painted MA2, museum repair to one handle, 27.5cm. high Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 5. Literature Malcolm Haslam William Staite Murray, Arts Council page 51 plate No.XV for a comparable vase entitled Aulos made at Bray in 1932.

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Woolley & Wallis
Lot 21

‡ Reginald Fairfax Wells (1877-1951) a Coldrum Pottery vase, swollen cylindrical form, covered to the foot with an opaque olive green glaze, with iron spots impressed Coldrum, 15cm. high Provenance Contemporary Ceramics, Bonhams London 20th April 1994 lot 1.

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Woolley & Wallis
Lot 23

‡ Charles Vyse (1882-1971) a stoneware footed vase, slightly swollen form, covered to the foot with a running blue fine hare's fur Jun glaze, and another stoneware Lotus bowl by Charles Vyse covered in a tenmoku glaze, incised C Vyse Chelsea, 12cm. high, (2) Provenance Lotus dish purchased from Charles Vyse's studio in 1957. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 9 (main vase). 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 23 (Jun glazed vase).

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Woolley & Wallis
Lot 24

‡ Charles Vyse (1882-1971) a stoneware vase, ovoid, shouldered form, glazed to the foot with a green celadon, with running iron splashes incised C Vyse, 11.5cm. high Provenance Contemporary Ceramics, Christie's London 21st November 1988 lot 77.

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Woolley & Wallis
Lot 25

‡ Charles Vyse (1882-1971) a stoneware vase dated 1931, pear shaped with flaring top rim, painted with foliate sprays in ovide on a celadon green ground incised CV 1931, 29.5cm. high Provenance Paul Rice Gallery, September 1999.

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Woolley & Wallis
Lot 26

‡ Katherine Pleydell-Bouverie (1895-1985) a stoneware vase, shouldered form with cylindrical neck, incised with a frieze of petal decoration, glazed to the foot in a thin lavender-blue ash glaze, with brown crackle veins, impressed seal mark, to side of base, 21.5cm. high Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 13. 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 18.

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Woolley & Wallis
Lot 30

‡ Henry Hammond (1914-1989) a small stoneware vase, compressed ovoid form with collar rim, covered to the foot in an ash glaze, painted with spiralling column and dot motif in rust, unsigned, small chip to top rim, 9.5cm. high Provenance Contemporary Ceramics, Christie's, London 20th June 1988 lot 112.

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Woolley & Wallis
Lot 31

‡ Henry Hammond (1914-1989) a stoneware vase, shouldered form with everted rim, covered in a speckled ash glaze, painted with simple brushed tenmoku design, and another similar, painted marks to base, second has impressed seal mark, 10.5cm. high, (2) Provenance Contemporary Ceramics, Bonhams, London 5th April 1990 lot 67 (first vase) Contemporary Ceramics, Bonhams, London 5th April 1990 lot 52 (second vase)

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Woolley & Wallis
Lot 32

‡ Henry Hammond (1914-1989) a stoneware vase, shouldered form with flaring collar rim, covered to the foot with a celadon glaze, painted in rust with a willow tree design to both sides, impressed seal mark to base, museum restoration to top rim, 23cm. high Provenance Henry Hammond, Bonhams, London 5th April 1990 lot 29. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 29.

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Woolley & Wallis
Lot 33

‡ Geoffrey Whiting (1919-1988) an Avoncroft pottery stoneware vase, three handled vase covered in a tenmoku glaze, impressed marks, 15.5cm. high Purchased Contemporary Ceramics, MAAK, London, 17th May 2012, lot 54.

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Woolley & Wallis
Lot 34

‡ Geoffrey Whiting (1919-1988) an Avoncroft cut-sided stoneware bottle vase, covered to the foot in a rich tenmoku glaze, seal marks flooded with glaze, 22cm. high Provenance Primavera Gallery, 1986.

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Woolley & Wallis
Lot 35

‡ Geoffrey Whiting (1919-1988) a tall Avoncroft stoneware vase, shouldered, slightly swollen cylindrical form, covered with a rust glaze, with running tenmoku to the shoulder, impressed seal marks, 34cm. high Provenance Contemporary Ceramics, Christie's London 5th February 1992, lot 365. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 14

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Woolley & Wallis
Lot 38

‡ Michael Cardew (1901-1983) an earthenware vase, shouldered ovoid form with everted top rim, painted with black banded decoration on a blue ground, impressed seal mark to base, 23cm. high Provenance Contemporary Ceramics, Bonhams, London, 5th April 1995, lot 22. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 15. Literature Bernard Leach, Hamada & Their Circle, from the Wingfield Digby Collection, Phaidon, page 131 catalogue no.133 for a comparable vase.

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Woolley & Wallis
Lot 39

‡ Michael Cardew (1901-1983) an Abuja Pottery earthenware plate, the well slip decorated with combed design, the rim with cut-away pattern, in olive green and celadon highlighted in tenmoku, and an Abuja Pottery vase by Alhassan Tanko, applied with three looped handles, impressed seal marks, 21.5cm. diam. (2) Provenance Contemporary Ceramics, Bonhams, London 27th February 1989, lot 35. Contemporary Ceramics, Christie's London 20th June 1988 lot 98. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 20.

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Woolley & Wallis
Lot 4

‡ Bernard Leach (1887-1979) a stoneware vase, spiralling faceted form covered to the foot in a celadon glaze impressed seal marks to the base, 21cm. high Provenance Auction Atrium, 10th March 2010 lot 12667.

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Woolley & Wallis
Lot 40

‡ Janet Leach (1918-1997) a St Ives Pottery porcelain vase, ovoid with tall neck and small looped handles, covered in a pale celadon glaze with simple tenmoku brushed motif, and tenmoku interior, impressed seal marks to base, 20cm. high Provenance Contemporary Ceramics, Bonhams, London 20th April 1994, lot 93. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 18th November 2009, catalogue number 36. 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 5.

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Woolley & Wallis
Lot 41

‡ John Leach (born 1939) a Muchelney Pottery wood-fired stoneware vase, dated 2004, shouldered form with collar rim, covered with a burnished finish, and another waisted cylindrical vase similar impressed seal mark, 13.5cm. high (2) Provenance Monmouth, 2006 Contemporary Ceramics, Bonhams London 21st November 1988 lot 21 (waisted vase). Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 12.

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Woolley & Wallis
Lot 42

‡ David Leach OBE (1911-2005) a cut-sided porcelain vase, shouldered form, covered in a reduction fired copper red glaze, impressed seal mark and paper labels to base, 16cm. high Provenance Contemporary Ceramics, Bonhams, London 2nd April 1998 lot 44 Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 94 plate 69 for a bowl with the same decoration.

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Woolley & Wallis
Lot 43

David Leach OBE (1911-2005) a cut-sided porcelain bowl, shouldered form, covered in a reduction fired copper red glaze, a David Leach Lowerdown Pottery stoneware box and cover, painted with iron red motif, a Colin Pearson Aylesford Pottery cut sided bowl covered with a tenmoku glaze, a Lowerdown Pottery bud vase and a Simon Leach Raku unomi, various marks, small repaired chip to Leach bowl, 15cm. diam. (6) Provenance Wellingborough School, October 1988 (Leach bowl) Contemporary Ceramics, Bonhams, London, 9th December 191, lot 35 (Leach box and cover) Contemporary Ceramics, Christie's, London, 21st November 1988 lot 141 (Pearson bowl) Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 11 (bowl).

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Woolley & Wallis
Lot 44

‡ David Leach OBE (1911-2005) a Lowerdown Pottery porcelain bottle vase, shouldered form, covered with a rich tenmoku glaze with brushed zig-zag grass motif to both sides, impressed seal mark, 33cm. high Provenance Contemporary Ceramics, Christie's London 20th June 1988 lot 3. Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 107 catalogue number 106 for a comparable design on a taller stoneware vase. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 4

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Woolley & Wallis
Lot 45

‡ David Leach OBE (1911-2005) a Lowerdown Pottery stoneware Willow vase, cylindrical form, wax-resist decorated with a willow tree motif with dolomite glaze over tenmoku, impressed seal marks 19cm. high Provenance Galerie Besson, London 18th September 1997. Exhibited David and Jessamine Kendall Pots and Jewels by brother and sister, Galerie Besson September-October 1997, no.23. Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 100 catalogue number 92 for a bottle vase decorated with the same design and glazes.

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Woolley & Wallis
Lot 46

‡ David Leach OBE (1911-2005) a Lowerdown Pottery Willow vase, stoneware, ovoid form with collar rim, decorated in resist with a tenmoku willow tree, under thick and running Dolomite glaze, impressed seal mark to base, 28cm. high Provenance Contemporary Ceramics, Bonhams, London 21st March 1991, lot 25. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 9. Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 92 for a bottle vase similar.

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Woolley & Wallis
Lot 47

‡ David Leach OBE (1911-2005) a large and impressive Lowerdown Pottery Willow, vase, stoneware, ovoid form with collar rim, resist decorated in tenmoku, under a grey glaze, impressed seal mark, 48cm. high Provenance Lowerdown Pottery, purchased directly from David Leach's studio, 23rd August 1989. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 31.

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Woolley & Wallis
Lot 48

‡ Jim Malone (born 1946) a stoneware vase, shouldered form with flaring neck, incised with simple glass motif, glazed to the foot in celadon impressed seal mark, 33cm. high Provenance Contemporary Ceramics, Christie's London, 20th June 1988, lot 143.

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Woolley & Wallis
Lot 49

‡ Jim Malone (born 1946) a tall Ainstable Pottery stoneware vase, shouldered cylindrical form with cylindrical neck and everted rim, covered to the base with a tenmoku glaze, wax-resist decorated with simple grasses, impressed seal marks to side of vase, 39cm. high Provenance Crafts Council London 6th February 1991. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 58.

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Woolley & Wallis
Lot 5

‡ Bernard Leach (1887-1979) a St Ives Pottery stoneware Leaping Salmon vase, shouldered form, painted with two bands of fish in tenmoku on a grey glaze, impressed seal marks, 29.5cm. high Provenance Contemporary Ceramics, Christie's London, 20th June 1988 lot 23. Literature 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 1.

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Woolley & Wallis
Lot 50

‡ Mike Dodd (born 1943) a stoneware vase, shouldered form with flaring cup rim, incised with panels of simple grass motif, covered to the foot in an ash glaze, impressed seal mark to side of base 41cm. high Provenance Contemporary Ceramics, Bonhams, London 24th April 1989, lot 103.

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Woolley & Wallis
Lot 51

‡ Mike Dodd (born 1943) a stoneware cut-sided vase, with knopped collar neck, covered to the foot in a blue and white hawthorn ash glaze and a Muchelney Pottery stoneware vase by Nick Rees, impressed seal mark to foot rim, 18cm. high, (2) Provenance European Ceramics, Knaresborough Gallery, 23rd September 1992, catalogue number 176, (MIke Dodd). Muchelney Pottery, (Nick Rees) Exhibited John Leach and Nick Rees, The Potters of Muchelney, Glastonbury Rural Life Museum, cat. no.15 (Nick Rees vase).

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Woolley & Wallis
Lot 52

‡ William 'Bill' Marshall (1923-2007) a tall stoneware vase, shouldered cylindrical form with impressed cross panels, covered to the foot with a pitted celadon-green ash glaze, impressed seal mark to side of vase, 47cm. high

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Woolley & Wallis
Lot 53

‡ William 'Bill' Marshall (1923-2007) a tall, cut-sided stoneware vase, with knopped cylindrical neck, covered in a tenmoku glaze to the foot, impressed seal mark to side 51cm. high Provenance Contemporary Ceramics, Christie's London 23rd November 1987, lot 33.

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Woolley & Wallis
Lot 54

‡ William 'Bill' Marshall (1923-2007) a tall cut-sided stoneware bottle vase, shouldered cylindrical form, covered to the foot in a pitted celadon green ash glaze with combed decoration and iron highlights and speckle, impressed seal mark to side of base, 48cm. high Provenance Sheila Harrison Fine Art, London 12th September 1990. Exhibited 20th Century British Studio Pottery from the Collection of an Oxford Graduate, Ashmolean Museum 14th April-14th August 1994, catalogue number 16.

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Woolley & Wallis
Lot 55

‡ William 'Bill' Marshall (1923-2007) a slender cut-sided stoneware bottle vase, covered to the foot with a white glaze, brushed with pale green impressed seal mark to side, 29cm. high Provenance Contemporary Ceramics Bonhams, London 15th June 1989 lot 45. Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 43.

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Woolley & Wallis
Lot 57

‡ Phil Rogers (born 1951) a Marston Pottery tall cut-sided stoneware vase, incised with bamboo stems, covered to the foot with an ash hakeme glaze, impressed seal marks, 36cm. high Provenance Leigh Gallery, London 5th January 1994.

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Woolley & Wallis
Lot 59

Ray Finch (born 1914) a stoneware jug, ovoid form with waisted cylindrical neck, covered to the foot with a tenmoku glaze, with brushed iron red scrolling band, a Trevor Corser stoneware vase covered in a tenmoku glaze, a Leach Pottery jug covered in a green glaze and a collection of thirty pots by various artists including Marianne de Trey, Emily Myers, Philip Wadsworth and Derek Clarkson, unsigned, 26cm. high (33) Provenance St Ives Pottery, Cornwall, 11th June 1994 (Ray Finch jug) Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 33 (Ray Finch).

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