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A CHINESE CLOISONNE PEAR-SHAPED VASE LATE MING DYNASTY The body decorated with bands of yellow and red flowers and green leaves on a turquoise ground, the neck mounted with loose ring handles with bat escutcheons, the flared foot beneath a band of lappets, the base with a four character Jingtai mark, 20.3cm. Cf. Compendium of Collections in the Palace Museum, Enamels I, p.259, no.133, for an incense burner with very similar decoration. 明晚期 銅胎掐絲琺瑯纏枝蓮紋玉壺春瓶《景泰年製》仿款
A RARE AND LARGE CHINESE ARCHAIC BRONZE RITUAL WINE VESSEL, POU EARLY WARRING STATES PERIOD, 6TH - 5TH CENTURY BC The spherical body supported on a splayed reticulated foot, cast with a band of S-shaped dragons, the body with four bands of interlocking stylized dragons, reserved on a leiwen ground, the base with lug locks, the surface with a mottled green, blue and iron-red patina, 25.7cm. Provenance: J J Lally & Co, New York, 1998. Cf. C Deydier, Chinese Bronzes, p.227, no.73, for a related hu vase. 戰國時期早期 青銅夔龙纹瓿來源:紐約J J Lally & co, New York, 1998
A CHINESE HENAN WARE BOTTLE VASE, YUHUCHUNPING SONG/YUAN DYNASTY The bulbous pear-shaped body raised on a short foot, the neck rising to a widely flaring rim, decorated in an unctuous black glaze draining from the rim and with elongated brown splashes to the body, 27cm. Cf. Rare Treasure in Shanxi Museum, p.185, where a bottle of similar shape and decoration is illustrated. 宋/元 黑釉鐵銹花紋玉壺春瓶來源:牛津郡安德魯•威廉姆斯先生收藏
A CHINESE CELADON JADE ARCHAISTIC VASE QING DYNASTY The flared body carved with six flanges, a small celadon jade moutain carving, a ewer and cover and two boxes and covers, one formed as a bird, three with wood stands, 17cm max. (10) Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990. 清 青白玉雕鶴鹿同春蓋盒、山子、壺、花觚及鳥型蓋盒 一組五件來源:南非開普敦Robert Frederick Hathaway (逝于1991年)收藏,藏於1970年代至1990年
A CHINESE PALE CELADON JADE VASE AND COVER QING DYNASTY Carved in shallow relief with a continuous scrolling peony design, a band of lappets extending from the rim, the shoulder with two leaf-shaped handles, the cover surmounted by a cloud, 19.8cm. (2) Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990. 清 青白玉雕纏枝牡丹雙耳蓋瓶來源:南非開普敦Robert Frederick Hathaway (逝于1991年)收藏,藏於1970年代至1990年
A CHINESE CELADON JADE INSCRIBED VASE QING DYNASTY The body carved in shallow relief to one side with an orchid and a poem written by the Qianlong Emperor, the reverse with lingzhi and bamboo, the neck with key fret, 18.5cm. Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990. 清 青白玉雕題詩竹報如意及君子蘭雙耳瓶題識:芝乃朵擎一,蘭則花開二。其旁幾個竹,三壽作朋譬。如與善人居,又惟君子厠。雖頌不忘規,斯豈僅繪事。來源:南非開普敦Robert Frederick Hathaway (逝于1991年)收藏,藏於1970年代至1990年
FIVE SMALL JADE ITEMS LATE QING DYNASTY One nephrite, formed as an ink stone, the others jadeite, formed variously as a brush washer shaped as a melon gourd, two small incense burners and a vase, three with stands, 15cm max. (9) Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990. 晚清 青白玉硯台、翡翠雕香爐、筆洗及瓶 一組五件來源:南非開普敦Robert Frederick Hathaway (逝于1991年)收藏,藏於1970年代至1990年
A CHINESE JADEITE ARCHAISTIC TWO-HANDLED VASE 19TH/20TH CENTURY Carved to the exterior with a phoenix and a chilong, and with a band of taotie masks beneath them, raised on a four-legged hardwood stand, 15.2cm. (2) Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990. 十九/二十世紀 翡翠雕龍鳳呈祥饕餮雙耳瓶來源:南非開普敦Robert Frederick Hathaway (逝于1991年)收藏,藏於1970年代至1990年
A SMALL CHINESE LANGYAO BOTTLE VASE KANGXI 1662-1722 The globular body raised on a thickly potted flared foot, the deep red glaze draining from the rim, paper labels for Bluett London, George Eumorfopoulos and ‘D.M.S.W.’, 16.2cm. Provenance: the collection of Andrew Williams Esq., Oxfordshire. 清康熙 郎窯紅膽瓶來源:牛津郡安德魯•威廉姆斯先生收藏,附Bluett London、 George Eumorfopoulos 及‘D.M.S.W’標籤
A CHINESE BLUE AND WHITE YEN YEN VASE KANGXI 1662-1722 Painted with panels depicting the Eight Immortals, reserved on a lozenge diaper ground, 44.3cm. Cf. The Complete Collection of Treasures of the Palace Museum, Blue and White Porcelain with Underglaze Red (III), Vol.36, p.33, no.27 for a similar example. 清康熙 青花開光八仙鳳尾尊
A CHINESE FAMILLE ROSE CELADON GROUND VASE 19TH CENTURY With a peach-shaped panel to each side, one depicting two boys with goats, the other with a man holding a vase and a canopy, reserved on a celadon ground with ruyi and foliate designs above a band of lappets, two stylized dragon handles to the neck, the base with a Qianlong mark, 29.7cm. Provenance: the property of a Nobleman. 十九世紀 綠地開光三陽開泰瓶《大清乾隆年製》青花篆書仿款來源:貴族收藏
A LARGE CHINESE BLUE AND WHITE VASE 19TH/20TH CENTURY The ovoid body painted with concentric bands depicting crashing waves, scrolling lotus designs and stylized acanthus leaves, with elephant head handles, the base with a six character Qianlong seal mark, raised on a reticulated hardwood five-legged stand carved with lotus, 60.5cm. (2) 十九/二十世紀 青花纏枝蓮紋瓶《大清乾隆年製》青花篆書款
A RARE SET OF FOUR CHINESE CANTONESE PEWTER FIGURES 18TH CENTURY Dressed as American traders, wearing Western outfits and tall hats decorated with red and gilt, two carrying a bottle vase, the others a large incense burner and cover between them, all raised on a waisted rectangular plinth, 42.2cm. (4) Cf. C L Crossman, The Decorative Arts of The China Trade, pp.367-69, pl.125, where pewter figures of this type are discussed and illustrated. 十八世紀 廣東錫镴人物立像 一組三件
A CHINESE CLOISONNE SQUARE-SECTION VASE 19TH CENTURY Decorated with taotie masks, stylized dragons and stiff leaves, the flaring base with galloping horses amongst clouds, all reserved on a turquoise ground, a gilt lion mask handle to each face, the base with a four character Jingtai mark, 36cm. Provenance: the property of a Nobleman.
THIRTEEN CHINESE GILT METAL AND KINGFISHER FEATHER HAIRPINS QING DYNASTY Variously formed, one as a bat with a shou character to its back and a tassel of twin fish and cash, another a vase with lotus emerging from it, the remainder formed as fruits and flowers, 19cm max. (13) Provenance: a private collection, London. Cf. V M Garrett, A Collector’s Guide to Chinese Dress Accessories, p.79, pl.16, for hairpins of similar style. 清 點翠頭簪及福壽面簪來源:倫敦私人收藏
A JAPANESE SATSUMA VASE MEIJI 1868-1912 The body of compressed circular form decorated with panels of women and children at play and birds amongst blossoming branches, the tall and narrow neck with a continuous scene of further women and children, with borders of lappets, signed Ryozan with the Yasuda trademark, 14.5cm.
A LARGE PAIR OF CHINESE BLUE AND WHITE VASES AND COVERS 19TH CENTURY Decorated with a large vase of peony flanked by attendants, with many birds in flight amongst prunus sprays, all between bands of waves, pomegranate, peony and chevrons, the domed covers surmounted by Buddhist lion dogs, 72cm. (4)
A CHINESE BLUE AND WHITE OCTAGONAL TEA SET 18TH CENTURY Comprising: a teapot and cover, a vase and cover, a jug and two tea bowls, decorated with panels depicting a lady standing in a garden beside rocks, divided by lotus flowers and scrolls beneath a band of chevrons, 19.2cm max. (7)
A CHINESE BLUE AND WHITE BOTTLE VASE KANGXI 1662-1722 The pear-shaped body with a long narrow neck, painted with two mythical creatures, with long forked tails and tufted heads amongst flower sprays and flames, all above waves, the neck with ribbon designs and stiff leaves, a flower mark to the base, 26.3cm. Cf. C J A Jorg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.276, no.319 for a similar example.
A CHINESE FAMILLE VERTE VASE AND COVER KANGXI 1662-1722 Painted with an abundance of peony and chrysanthemum emerging from rockwork, with two small birds and butterflies in flight above, a band of auspicious objects with ribbons on a cell diaper ground to the shoulder, the cover with flower sprays within chevrons, 44cm. (2)
A CHINESE BLUE AND WHITE BOWL KANGXI 1662-1722 Painted with lotus and peony spray, the base with a lingzhi mark, a blue and white small vase painted with a Buddhist lion dog and vases, and a celadon glazed yen yen vase, decorated with large peony blooms divided by concentric bands, 42.7cm max. (3) Provenance: formerly in the estate of Elyse Lord, Artist and Printmaker (d.1971).
A SMALL CHINESE VASE 20TH CENTURY Painted with panels depicting mountainous landscapes, with figures in pagodas and small boats, reserved on a faux bois ground with bands of key fret, the neck with a band of stiff leaves and ruyi handles, a mark to the base which reads ting song zhai, 16.5cm.
A CHINESE FAMILLE ROSE VASE 19TH CENTURY Painted with three goats in a rocky garden beneath trees and amongst flowers, with bands of ruyi-heads and lappets, the neck with a scrolling flower design and bats on a green ground, the base with a four character mark which reads shen de tang zhi, 30cm.
A CHINESE FAMILLE ROSE BOTTLE VASE SIX CHARACTER GUANGXU MARK AND PERHAPS OF THE PERIOD The body brightly painted with eight bats and shou characters, with fruiting peach sprays and ruyi-heads wrapped in ribbons, a band of lotus scrolls and shou characters to the shoulder, 40cm.
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653685 item(s)/page