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Two Japanese Asahi chargers, decorated with Koi, and netted prawns, marks to verso, the largest 31.5cm diameter; an Oriental turquoise glazed baluster-form vase, 14cm high; a Studio art glass vase, possibly Japanese, of flattened ovoid form, with irregular facet cut decoration, 18cm high; Japanese studio pottery vase, etc, (6).
A Japanese bronze vase, of compressed ovoid form, decorated with Egret birds in relief, character mark to base, 16cm high x 13cm wide; an early to mid 20th century Japanese bronze bottle vase, green patination, 25.5cm high; another 20th century Japanese bronze vase; etc, (4).
John Maltby (1936-2020)a small stoneware box and cover, painted to the cover with panels of flowers, two bowls by Marianne de Trey, a Sheila Fournier bowl, a Robert Fournier vase, a burnished vase by John Nuttgens and another terracotta vase,painted Maltby5cm. diam. (8) ProvenanceCollection of John and Pierrette Beckley
Φ Dame Lucie Rie DBE (1902-1995)a porcelain bottle vase, shouldered form, cylindrical neck with flaring rim, the neck sgraffito decorated with radiating lines, the exterior glazed manganese with sgraffito lines to the rim, the base with similar decoration,impressed seal mark, 16cm. high ProvenancePrivate collection.
Φ Waistel Cooper (1921-2003)a stoneware vase, ovoid with flaring neck, covered ina pale blue and shite speckled glaze, and a bowl covered in a running blue and translucent white glaze by Waistel Cooper,painted Waistel, crack to vase,20cm. high (2) ProvenancePrivate collection purcahsed from the Potter directly
Φ Waistel Cooper (1921-2003)a pair of stoneware lamp bases, shouldered form, glazed matt iron, and an unglazed vase by Waistel Cooper,painted Waistel, one lamp repaired, 26.5cm. high ProvenancePrivate collection purchased from the Potter directly LiteratureWaistel Cooper 1921-2003, The Fine Art Society, page 53 catalogue number 38 for a comparable form.
Φ Waistel Cooper (1921-2003)a Porlock Pottery vase, waisted cylindrical form, painted with blue and mushroom bands under wavy cream slip lines, a small jug, a taller jug, five various mugs, and a sebra striped cruet setpainted W Porlock, 11cm. high (vase), (11) ProvenancePrivate collection purchased from the Potter directly
Φ Waistel Cooper (1921-2003)a small compressed ovoid vase with flaring neck, covered in a white and pale blue matt glazepainted Waistel8cm. high ProvenancePrivate collection purchased from the Potter directly LiteratureWaistel Cooper 1921-2003, The Fine Art Society, page 55 catalogue number 40 for a comparable form.
Sir Hubert Von Herkomer RA (1849-1914)A group of four enamelled copper vessels, comprising a compressed copper jug with leaf spout, covered in a grey-blue enamel, a vase enamelled blue, a small bowl enamelled green and a hexagonal box and cover enamelled in purple and lavender, cast HVH and laurel wreath mark to three, box and cover unmarked, minor losses, 13cm high (jug), 13.5cm wide (box), (5) ProvenanceBonham's, From the Herkomer family directly
A Royal Doulton Sung vase designed by Charles Noke, square body with tall tapering neck, applied loop handles, painted with a Peacock before poppy seedheads, in colours on a red flambe ground, a Royal Doulton stoneware Persian vase, a Royal Doulton dragonfly soap dish made for Wright's Coal tar soap, a stoneware cruet and a Doulton Slater's Patent jardiniere, printed and painted marks to Sung vase, Persian vase and soap dish restored, 15.5cm. high (5) ProvenanceFrom the collection of Ian and Rita Smythe
An unusual large Mintons Secessionist vase and cover designed by John Wadsworth and Leon Solon, shouldered, square section form with domed square section cover, slip modelled in low relief with Art Nouveau flower stems in purple, yellow and green on a graduated green ground, impressed Mintons mark, finial chipped off, minor damages, 56cm. high (2) ProvenanceFrom the collection of Ian and Rita Smythe
A Mintons Secessionist vase designed by John Wadsworth and Leon Solon, swollen cylindrical form, tubeline decorated with Art Nouveau flower stems in buff and cream on a mottled green ground, a Mintons Secessionist soap dish, cover and drainer, a Bretby Pottery Art Nouveau vase and two Foley Intarsio pieces, printed factory marks, No.1 to Mintons vase, 24cm. high (7) ProvenanceFrom the collection of Ian and Rita Smythe
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1891, slender baluster form, incised and painted with wild flowers in green, ochre and blue on a buff ground, incised 10 1891 Martin Bros, London & Southall, 19cm. high ProvenanceFrom the collection of Ian and Rita Smythe
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1884, slender bottle form with cylindrical neck, incised and painted with martins swooping over ears of corn, in blue and ochre highlighted in white on a buff ground, incised 12.5.84, R W Martin & Bros, London & Southall, neck restuck, 22.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
A William De Morgan Merton Abbey period Persian vase, painted by JB, shouldered form with flaring rim, painted with carnation flowers and scrolling foliage in blue, turquoise, green and aubergine on a cream ground, impressed factory marks, painted JB monogram, rim broken and museum restored, 23.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
'Daffodil' a Moorcroft Pottery vase designed by William Moorcroft, flaring cylindrical form with inverted rim, tubeline decorated with daffodil flower stems in celadon green and white on a blue ground, impressed factory mark, painted green signature, hairline cracks, 13.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
A Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C.10.7, compressed body with tapering cylindrical neck, painted with purple cornflowers, on a mottled blue ground, and a Morrisware bowl pattern C46.1, painted with wild rose and blackberry frieze, printed and painted factory marks, facsimile signature, 23.5cm. high (2) ProvenanceFrom the collection of Ian and Rita Smythe
A Della Robbia Pottery Water Vase by George Seddon and Annie Smith, slender, shouldered form incised and painted with flower and fan panels, in yellow, turquoise and green on a brown ground incised factory mark, JS monogram, painted ADS, handle re-stuck, 29.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
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653833 item(s)/page