A TALL JAPANESE SATSUMA VASE BY HOZANMEIJI ERA, 19TH/20TH CENTURYThe baluster body delicately painted with a daimyo and his retinue travelling to Edo for the sankin kotai; the winding procession of samurai painted in diminishing sizes creating an impression of perspective; some on horseback, others on foot carrying banners, boxes and other paraphernalia; between dense bands of flowers above the foot and to the shoulder, and with various mon and key fret borders; the base signed Hozan under the Shimazu mon, 30.8cm.
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NO RESERVEA LARGE COLLECTION OF PIECES BY THE KORANSHA AND FUKAGAWA COMPANIES MEIJI AND LATER, 19TH AND 20TH CENTURY Of various sizes and shapes, most decorated with flowers, brocade patterns, fish and other designs relating to nature; one a large bulbous vase with a mandarin duck under a flowering prunus tree, another a sizeable bowl with fish in a stream to one side and gods frolicking to the other; some signed with the orchid or Mount Fuji trademarks; together with other various porcelain pieces, 29.5cm max. (42) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
THREE JAPANESE GOSU SATSUMA PIECES MEIJI ERA, 19TH CENTURY One a box and cover of compressed circular form, decorated with stylised scrolling flowers, the base signed Satsuma yaki Kizan zo below the Shimazu mon; another, a figure of a shishi with a drum on its back, fitted with a gilt-metal cover and decorated with ho-o birds in flight; and a small bottle vase, with lobed panels of shishi and peony alternating with foliate scrolls on a blue ground, 11.5cm, 12cm and 12.6cm respectively. (5) Provenance: the private collection of a lady and gentleman, Derbyshire.
THREE JAPANESE CERAMIC PIECESMEIJI AND LATER, 19TH AND 20TH CENTURYThe first a cylindrical vase with a mountainous river landscape, a seal mark underneath; another a garlic-mouth bottle vase with crabs amongst lotus and ginko leaves, signed Nihon Mino no kuni, Kato Gosuke zo (Made by Kato Gosuke, 1837-1915, Mino province, Japan); and a small Nabeshima dish painted with thatched buildings before mountains, with trees in red and green enamels behind, with stylised hibiscus underneath and raised on a short foot with comb design, 17cm max. (3)Provenance: from an English private collection, London.
NO RESERVETHREE JAPANESE CERAMIC PIECES EDO PERIOD, 17TH/18TH CENTURY Variously decorated in underglaze-blue, iron-red, gilt and polychrome enamels; comprising: a baluster vase with panels of flowers beneath a border of phoenix and landscapes to the shoulder; a barber's bowl decorated with pines within a floral border, pierced with two holes for suspension; and a ewer and cover painted with flowering peony, the handle terminals applied with moulded chrysanthemum, 27.7cm, 25.4cm and 20.5cm respectively. (4) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.
A JAPANESE EARLY-ENAMELLED VASE EDO PERIOD, C.1660-80 The ovoid body painted with iron-red, yellow, green, blue and black enamels, depicting a watery landscape with fishing boats sailing from behind rocky outcrops and buildings on the shoreline, with a large willow tree to the side and other vegetation; with two concentric iron-red bands above the foot, the shoulder decorated with a border of spirals and two concentric blue and red bands, with a further tooth-pattern band to the neck, 19.3cm.See the Gardiner Museum, Toronto, access. no.G04.18.33 for a similar vase in the Macdonald Collection. Cf. E Strober, La maladie de porcelaine: East Asian Porcelain from the Collection of Augustus the Strong, p.166, for a discussion on this style decoration. See also a comparable example illustrated in Old Imari Ware: The Toguri Museum of Art, p.81, pl.73.
A JAPANESE GLASS VASE BY KUROKI KUNIAKI (B.1945)HEISEI PERIOD, 20TH CENTURYThe bulbous body raised on a rounded foot, with a tall flared neck and scrolling handles applied to the shoulder; the blown glass is decorated with platinum leaf and a variety of colourful details including millefiori cane inclusions; signed to the base Kuniaki, 19.5cm; with an inscribed tomobako wood box, titled and signed by the artist. (2)See Bonhams New York, 4th June 2008, lot 1393, for another example of a blown glass vase with applied handles by Kuniaki. See also Christie's London, 29 October 2013, lot 50, for another example.
NO RESERVETHREE JAPANESE BLUE AND WHITE VASES MEIJI ERA, 19TH/20TH CENTURY The largest a Hirado baluster vase with a shishi in relief to the cover, the sides decorated in underglaze blue with two other lion dogs and peony; the two other shaped as bottle vases, one with cranes in flight and the other with European figures in a watery landscape; all three with labels for the Lawrence Collection, 39cm max. (4) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: Henry Lawrence (1925-2016) and thence by descent. The Hirado vase purchased from Bonhams' New York, 19th March 2013, lot 2332.
A JAPANESE SATSUMA VASE BY MEIZAN MEIJI ERA, 19TH/20TH CENTURY The flattened circular body decorated with a continuous design of many birds in flight and amongst flowering branches of chrysanthemum, peony and other blooms, the upper section with lappets enclosing brocade patterns and scrolling tendrils; the base signed Meizan, 14.5cm.Provenance: the private collection of a lady and gentleman, Derbyshire.
NO RESERVEA JAPANESE VASE ATTRIBUTED TO SHOJI HAMADA (1894-1978) SHOWA ERA, 20TH CENTURY Of tall cylindrical form with small loop handles to the rim, the body decorated with cream and tenmoku glaze to the outside and russet to the interior, the base left unglazed; together with an inscribed tomobako wood box, titled, sealed and signed by the artist, and a certificate, 20.5cm. (3) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: an English private collection, Devon.
NO RESERVEA LARGE JAPANESE BLUE AND WHITE KRAAK-STYLE DISH EDO PERIOD, C.1700 The well painted with a large tripod vase containing fruiting branches of pomegranate and flowering peony, framed by a border of alternating panels enclosing further pomegranates, peonies and other blooms, 42.2cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection.
A JAPANESE VASE BY SAKAIDA KAKIEMON XII (1878-1963)TAISHO/SHOWA, 20TH CENTURYThe tall baluster body with a short everted rim, decorated in underglaze blue and polychrome enamels with a ho-o bird in flight beside a flowering prunus tree, with banded hedges below; a border of key fret above the foot and another of formal designs to the neck; the base signed Junidai Kakiemon saku, 22.8cm; with an inscribed tomobako wood box, titled, signed and sealed by the artist. (2)
A CHINESE KO-SOMETSUKE DISH TIANQI OR CHONGZHEN, 18TH CENTURYThe fluted lozenge-shaped dish decorated with karakusa and trailing lotus to the well below a brown-glazed rim, the base with a six-character Chenghua mark; together with a Shonzui-style double-gourd vase, painted with alternating panels of key fret, checker and floral scrolls; 18cm and 22.5cm respectively. (2)Provenance: from an English private collection, London.
NO RESERVETHREE JAPANESE CERAMIC PIECES EDO AND LATER, 17TH CENTURY AND LATER The first a bottle vase decorated in polychrome enamels, the neck with later kintsugi-style repair; another a foliate bowl with chrysanthemum and other flowers; the third a large dish in Ko-Kutani style, painted with a dragon flying over crashing waves; all three with paper labels for the R.W. Lawrence Collection, 35.7cm max. (3) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: Henry Lawrence (1925-2016) and thence by descent.
A GOOD JAPANESE KUTANI VASEMEIJI ERA, 19TH/20TH CENTURYOf baluster shape, raised on a flaring foot and with a short neck; delicately painted with a large number of figures collecting seashells on a beach; the foot, shoulder and neck with dense bands of flowers, brocade patterns and other formal designs; signed Kutani Kaburaki sei, Bizan underneath, 19.5cm.
A JAPANESE BLUE AND WHITE ARITA BOTTLE VASEEDO PERIOD, C.1680The bulbous body with a short flared neck, decorated with pavilions in a mountainous river landscape, one side with a large weeping willow and another with fishing nets; with concentric bands of lappets to the shoulder, 21.5cm.Provenance: formerly in the collection of Oliver Impey (1936-2005). Impey was Senior Curator at the Ashmolean Museum, Reader in Eastern Art at Oxford University, and a leading authority on Japanese Art. Published: Barry Davies Oriental Art, Ko-Imari Porcelain from the Collection of Oliver Impey, pp.50-51 no.22, where the piece is discussed and illustrated.
A JAPANESE VASE BY TOKUDA YASOKICHI III/ MASAHIKO (1933-2009) HEISEI ERA, 20TH CENTURYThe bulbous body with a tall twisted neck and a short straight foot, decorated with a deep blue-green glaze and with paler streaks, the base signed Kutani Masahiko underneath, 21.8cm; with an inscribed tomobako wood box, signed and sealed by the artist. (2)
A collection of silver including a pair of Georg Jensen spoons, a silver christening mug by Martin Hall & Co, with engraved scrolling foliate decoration, a cigarette case by Deakin & Francis, a silver vesta, by William Neale, a silver napkin ring, a silver specimen vase, Sheffield, and a cased set of silver mother of pearl fruit forks, 412gms (8) Condition Report:Available upon request
A pair of Graingers Worcester eagle vases, each bird supporting a pierced urn, together with a gilt floral ewer, leaf-moulded vase and a small amphora-shaped vase, the first 20cm high.Eagle 1, small crack to pierced border, some rubbing to gilt, lacks cover.eagle 2, rubbing to gilt particularly to edge of circular foot.Large vase good some rubbing to gilt rim.Ewer, goodAmphora, good slight rubbing to gilt rim.There is another small cornucopia shaped vase pictured with the lot but this is not part of the lot.
A pair of Paris porcelain campana-shaped vases, circa 1810, painted with figures in continuous idyllic landscapes, broad gold ground with bands of vines, bearded mask handles 27.5cm highOne vase with a handle broken and repaired. The other vase with a small chip to the top rim and to the topn rim of the stem. Rubbing to gilding and the vine decoration.
A group of four Royal Worcester flower-decorated blush ivory vases and ewers, a vase on three bird feet, a small flower-form vase, three small basket-weave cachepots a cup and saucer and small jug, the two bottle vases 25cm high (12)One of the pair of trumpet vases top has been repaired. a very small nibbly chip to the rim of the flower vase, otherwise general condition seems good
An Oriental baluster vase, Meiping, 19th/20th Century, of red glaze on a cream ground, a moulded motif of a bat biting a ring to each side, 25cm high and a square water dropper, grey splash dots on green ground, with a short raised rim, 7cm highVase has crazing to glaze and some very minor glaze chips to edge of foot rim.The water dropper is in good condition
comprising a pair of silver plated Danish COHR candlesticks of teardrop form; novelty owl pepperette; brass cylindrical compass; Lion paperweight; Ladies shoe pin cushion; lacquer box; pair of lorgnettes; ancient vessel / vase; child's vintage boxed toy sewing machine; marcasite silver cocktail watch; Great Yarmouth; Khanjar dagger; Japanese panel teapot; dagger. (quantity)* Owl missing one eye; shoe with hole; vase with nibbles; watch with some missing jewels; Khanjar dagger with shortened blade, other pieces with wear.
designed by Steven Green, hallmarked by R&R., Birmingham, 2000, boxed with paperwork; pair of decanter labels, Whisky & Brandy by Francis Howard, Sheffield, 1987; sterling 925 boat shaped trinket dish, 5¾in. (14.7cm.) long; The Queen Mother 80th Birthday silver Crown, Bruce Russell silver disc; crystal glass and silver bud vase, 7 1/8in. (18cm.) high, together with silver keyring and other non silver items, weighable silver 6.0 tr.oz. (qty)* All pieces good condition.
London import marks for Thomas Glaser, 1888-1895, and having 'F' foreign mark and a letter 'T' in a shield, 7¾in. (19.7cm.) high, together with a Victorian silver openwork basket with a blue glass liner and engraved armorial, 4½in. (11.4cm.) high, weight of both without liners 10.9 tr.oz. and a cut glass bud vase with silver base. (3)* Both baskets need polishing, blue liner with nibbles to upper rim, overall good.
of varying forms, colours and sizes, each signed 'EA', the tallest 10in. (25.5cm.) high. (10)* Providence: By family descent, Elizabeth Ann Macphail - worked at Briglin Pottery, London in the late 1950’s and later potted on her own at Grandes Roques, Guernsey from 1961-1989.* One vase with tiny flea-bite nibble to rim, overall good.
underglaze blue mark 'V anchor J 610' 15in. (38.1cm.) wide, together with a Vannes three handled French faience vase marked to the side 'Vannes', 5in. (12.7cm.) high, and a French faience candlestick 7½in. (19cm.) high. (3)* The candlestick with chips & hairline cracks to rim; vase with chips to upper rim; jardinière one handle with snapped off tip, fair
Three hallmarked silver posey vases. The lot to include a pair of Edward VII weighted posey vases hallmarked for London 1906. Makers mark for William Comyns & Sons. A single Art Nouveau style weighted posey vase. Hallmarked for Sheffield, 1957. Makers mark for Walker & Hall. Combined weight approx 983g. Measures approx 18 x 5cm x 8.5cm / 17.5cm x 8.5cm.
A collection of early 20th century hallmarked silver items. The lot to include an Edward VII pair of weighted posey vases. Hallmarked for Birmingham, 1903. Makers mark for Charles Wilkes. A pair a weight candlesticks. Hallmarks partially legible, Birmingham, 1922. An Art Deco silver mounted vanity mirror with engine turned design. Hallmarked for Birmingham, 1936. Makers mark for W I Broadway & Co. A small ladle hallmarked for Birmingham, 1904. Makers mark for A J Bailey. A George V silver miniature trophy urn. Hallmarked for Birmingham, 1925 Makers mark for Charles Edwin Turner. To also include a silver handled button gook, silver handled knife, and a silver fork. Combined weight approx 761.2g. Measures approx 12cm x 3cm (posey vase) / 25.5cm x 13cm (mirror).
Two 20th century hallmarked silver mounted scent bottles and a posey vase. The lot to include a Victorian aventurine glass perfume bottle with hallmarked silver top. The bottle having red tone glass with gold and silver flecks. The spring mechanism not working unable to open. Hallmarked for London, 1882. Makers mark rubbed to be only partially legible. To also include a George V cut glass bottle with silver collar. Hallmarked for Birmingham, 1921. Makers mark rubbed to be partially legible, attributed to W J Myatt & Co. An Edward VII cut glass posey vase with silver plinth base. Hallmarked for Birmingham, 1904. Makers mark for rubbed to be illegible. Combined weight approx 351.5g. Measures approx 8.5cm x 2.6cm / 5.6cm x 12.5cm.
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653833 item(s)/page