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Lot 1065A
A small collection of mid 20th century studio pottery vases including ; Bourne Denby by Glyn Colledge decorated with stylised flowers against a green ground, height 17.5cm, a Beswick cylinder vase decorated with a band of stylised fruit, height 20.5cm, a Poole jardinière and further, similar items. (9)
Lot 1069
Clarice Cliff for Wedgwood, four limited edition plates from the Bizarre World of Clarice Cliff range, 1994/1995, together with a Clarice Cliff square dish, a boxed set of six coffee cans and saucers by Susie Cooper, a West German pottery vase in brown colourway, a Poole pottery dish, and three green glass vases (Qty)
Lot 1072A
A Rosenthal modern glass vase with clear textured body and acid etched mark to base, height 32cm, a clear glass vase of triangular section with indistinct etched mark, height 23cm, a coloured glass bowl of stylised form, height 20.5cm and a collection of mid 20th century decorative glass vases and related items. (qty)
Lot 1066A
A collection of mid-20th century coloured glass wares including ; an Orrefors blue vase of twin tapering section, height 25cm, a Holmgaard green glass vase, etched mark to base, height 19cm, a Holmgaard style red glass vase, height 27.5cm, a blue glass bowl and four further pieces. (7)Condition Report: Overall all the pieces are in good condition, some signs of domestic use like limescale, water marking and dust.No chips or cracks.Blue leaf plate has some air bubbles.
Lot 1096
Rachael bishop for Moorcroft, a pottery vase, tube-line decorated in the 'Leicester' pattern, dated 1995 and with initials JH, height 10.5cm, designed to celebrate Centenary of William Morris and one further Moorcroft pottery vase decorated in the 'Strawberry Thief' pattern, both designs by Rachel Bishop, dated 1995, height 13.5cm, both marked as seconds to base. (2)
Lot 1095
Hannah Bolton Barlow, (British, 1851-1916) for Doulton, a vase decorated with sheep, initials H B 384 to the base, impressed marks, broken and rivetted, 31.5cmCondition Report: This vases has been completely broken into large pieces and rivetted together. There are fragments along the edges of some of the shards that are missing.
Lot 1077
Amendment, Please note the amended description and added measurements. Geoffrey Baxter (British, 1922-1995) for Whitefriars, four glass vases, to include a cylinder Bark vase, in indigo colourway, with label, 15.5cm high, two Finger vases, in aubergine and tangerine colourways, 14 and 14.4cm high respectively, and a Nailhead vase, in sage green colourway, 16.6cm high (4)
Lot 1073
Amended description: R W Martin Brothers, a vase decorated with a continuous scene of flying geese and bulrushes, signed to the base, R W Martin Bros, 2/ 1890, London, Southall, 25.5cm highCondition Report: Under UV light there is a crack at the base of the neck that runs round the neck. The neck appears to have been separated and re-joined to the base. Possible fracture around the manufacturing join of body to neck as the break is quite regular.There are some other areas of florescence to the body.
Lot 25
A Purmerend Pottery Vase, of low squat form, Art Nouveau, with a tulip-shaped neck, decorated with a repeating design of flowers, painted monograms and marks, 'Faience de Pemerend Holland', with artist monogram 'NB' 19cm tall. Generally in good condition and displays well, some surface wear and odd sections of missing glaze / paint, some from production. Firing crack to base.
Lot 26
Pilkingtons Royal Lancastrian lustre vase, decorated with fish swimming amongst seaweed, Arts and Crafts, by Richard Joyce, with impressed and painted marks to base, '2445' to base, 12.5cm tall. In good condition with no obvious damage or restoration, firing blemish to underside of lip and to one fish eye.
Lot 154
A pair of late 19th-century French pedestal vases, (possibly Paris Porcelain), gilt decorated on a dark blue ground, with scroll handles, on a square base, 38.5 cm high.Top of the handle terminals on one vase have poor definition and may have been restored. Gilding generally good with rubbing to the edges of surfaces. The bases are covered in baize.
Lot 136
Yeesookyung (b. 1963) South Korean, 'Translated Vase Baby Elephant' (2012), celadon ceramic pieces fused with epoxy and gold, 149 cm high, 74 cm wide, 161 cm longWith a presentation box for a framed Certificate of Origin, auction catalogue, invite to the Grand Gala Dinner and paddle number. Purchased by the vendor at the Elephant Parade auction in Singapore on 12th January 2012
Lot 153
A French Napoleon III Sevres porcelain baluster base painted with scattered blooms and fruits on a Blu Celeste ground mounted with elaborate ormolu fittings of rams masks and winged cherubs. 36 cm high.Restoration to the vase, with one particularly noticeable area / glaze issue (see images). Mounts appear in good order, with some surface wear and pitting commensurate with age.
Lot 3109
BIBLE, In Latin. [Biblia sacra, ad optima quaeque veteris et vulgatae translationis exemplaria… cum Hebraicorum, Caldoeorum et Graecorum nominum interpretation. Lyon: G. Rouillé, 1566.] Folio (391 x 252mm.) Double-column, numerous initials and decorations and many woodcut illustrations by Pierre Vase, some full-page, index to rear. (Lacking title, first leaves with corner damp-staining, near contemporary ink annotation and underlining to several leaves, blanks replaced). 17th century vellum, gilt lettering to spine, g.e. (minor soiling, scuffing and discolouring, endpapers replaced). Note: first printed in 1547, with the text prepared by Jean Huntenius after revisions by the Louvain theologians.
Lot 569
A late Victorian silver and hardstone novelty scent bottle, of amphora vase form, with engraved decoration and inset with specimen hardstone plaques, with chain and ring, by Joseph Cook & Son, Birmingham 1888, 4.5cm high, and another very similar by the same maker (maker's mark only). (2)One has a small ding to the back near the point, otherwise both appear to be in good condition.
Lot 737
A collection of silver, comprising a George III caddy spoon with bright-cut decoration, maker I.T, Birmingham 1807, 7cm, a four piece lobed cruet set, by Atkin Bros, Sheffield 1929 and 1930, a Dutch oval clothes brush, embossed with a group of soldiers, two circular small dishes with coin inset bases, a candle snuffer, a spill vase, and a small quantity of assorted flatware, 13.5oz weighable. (qty)
Lot 776
A silver and glass vase, of slender tapered form, the silver outer composed of graduating scrolls, and having glass liner, maker B.S.R, Birmingham 1992, 26.5cm high, 8oz weighableGlass liner is chipped and cracked to the base, not really visible when in the silver outer though. Marks to underside of base are clear.
Lot 794
An early Victorian silver christening mug, the urn shaped body embossed and chased with shaped panels of flowers and having leaf capped scroll handle by Charles Reily & George Storer, London 1838, 11cm high, together with a small twin handled trophy cup, a small spill vase and a teaspoon, 10.5oz overall. (4)
Lot 443
A DUTCH DELFT BLUE AND WHITE TULIP VASE late 17th/early 18th century, possibly De Metale Pot Factory, 21cm high x 21cm wide; together with a Dutch Delft butter dish (2)Note: The winged dolphin handles are typical of 'The Metal' factory and its workshop. For a comparable example see Robert D. Aronson, Dutch Delftware, Amsterdam, 2008, p. 68, no. 45.
Lot 670
A DUTCH WALNUT AND MARQUETRY INLAID ARMCHAIR 19th century, of curvaceous outline with ornate vase shaped splat decorated with a bird above a vase of flowers, with carved knees and cabriole legs; together with a similar chair, both chairs 112cm high, the arm chair 65cm wide (2)Provenance: The Estate of Henry Morton Stanley (1841-1904), thence by descent.Please note the side chair has a detached leg, which is present.
Lot 272
A GROUP OF SIX H & R DANIEL ORNAMENTAL WARES including a twin handled vase painted with pink roses, 21cm high, an acanthus shape vase decorated with landscapes, 12cm high, an ornamental water jug in pattern 6192, 21cm high, an ornamental vase with pierced rim, painted with shells to one side and flowers to the reverse, on lions paw feet, 17cm high, a twin handled vase decorated in Imari, pattern 3710, 20.5cm high, and a baluster vase with applied flower, on a cylinder base, 16.5cm highProvenance: The Beardmore Collection, nos. 1818, 1872, 1609, 1812, 2101, 463.Note: Please see the ‘cylindrical base vase’ listed on the Daniel Ceramic Circle website for a comparable to no. 1609. Similarly see the ‘Daniel two handled vase’ listed on the same website for a comparison to no. 463.
Lot 460
A LARGE MULTAN POTTERY VASE AND COVER late 19th/early 20th century, of baluster form, decorated in blue and turquoise with vignettes of dancing figures, a band of animals around the shoulders, and a background of leafy tendrils, 55cm highProvenance: By repute a gift from Her Majesty the Queen for the Royal United Kingdom Beneficent Association Sale, at Kensington Town Hall.
Lot 394
A MURANO 'JACK IN THE PULPIT' COLOUR AND CLEAR GLASS VASE ITALIAN, THIRD QUARTER 20TH CENTURY Naturalistically modelled as a flower 30cm high Condition Report: In generally good condition- natural bubble inclusions to glass- mild foot wear and small surface scratch to base edge Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 312
λ  DOMITILLA HARDING (ITALIAN, 1960-) A FROSTED AND CASED GLASS VASE 2015 The interior with a turquoise,opaque white and amethyst vertical stripes within a clear and frosted glass cased outer section, inscribed and dated to base 25cm high Provenance: Lante Ltd, where purchased by Count Manfredi della Gherardesca, 2 February 2017 Condition Report: Very minor wear- foot protected by felt pads, natural flaws run to polished top edge. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 11
A RARE CARVED ROSSO ANTICO MASK IN THE MANNER OF BENEDETTO BOSCHETTI (1820-1860) ITALIAN, LATE 19TH CENTURY The mask or 'mascaron' of Greek theatrical form, set on a polished black marble base overall height 56cm, base 18cm wide, 13.5cm deep Provenance: Daniel Katz Ltd. London, where purchased by Count Manfredi della Gherardesca Benedetto Boschetti (active c.1820-1870) exhibited at the Crystal Palace Exhibition 1851 where he won a medal for a pair of mosaic tables in the Byzantine style, representing the Triumph of Love and the Blessed Soul. The Boschetti workshop at 74 Via Condotti, Rome, was renowned for the exceptional quality of its copies, mostly in marble of Antique vases and objects, for example a rosso antico reduction of the Warwick vase in the Toledo Museum, Ohio (A. Gonzalez-Palacios, Il Tempo del Gusto, Roma e il Regno delle Duo Sicilie, Milan, 1984, Vol II, fig.286). F.S. Bonfigli noted in 1856 that 'The Establishment is particularly conspicuous for its great variety of marble works, bronzes, etc.' (A. Gonzalez-Palacios, The Art of Mosaics, 1982, p.166). Pieces by Boschetti are in many public and private collections, including that of Mario Praz, the famous Italian critic and connoisseur (now held in the Museo Mario Praz, Rome). In Greek theatre of the third and second century BC, all performers, except musicians, wore masks. A full-face character mask would probably originally have been in painted, starched linen when worn on the stage. Much admired- these masks were often reproduced in stone, terracotta or, occasionally as here, in more expensive marbles. Perhaps the best known collection, now housed in the Cortile del Belvedere, Vatican Museums, adorned the odeon (theatre) at Hadrian's Villa. The Grand Tour saw a considerable rise in interest and use of the mask as a decorative device- reaching its apogee in the work of Thomas Hope. In part the interest was driven with the publication in the mid-18th century of "Le Maschere Sceniche e le Figure Comiche d'Antichi Romani" by Francesco de' Ficoroni (1664-1747). Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There has been discussion as to whether this may be slightly later in date (early 20th century) but no consensus of opinion. Some natural flaws to stone- notably to his left temple. Glue residues around plinth to base attachment underneath. Some mile base edge wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 119
INGRID ATTERBERG (1920-2008) AN INCA VASE LATE 20TH CENTURY Now fitted as a lamp, terracotta glaze with incised white stripe, inscribed 'EKEBY 32' and signed with artist's stamp vase 53cm high, 98cm high overall including current lampshade Provenance: Foster and Gane, where purchased by Count Manfredi della Gherardesca, 21 April 2015
Lot 211
CARLA PETERS FOR WONDERABLE, SOUVENIR ZOO XL VASE MODERN PORCELAIN Stamped WONDERABLE to base and with numbered disc applied beneath the rim 136, 40cm high Provenance: Paul Smith, where purchased by Count Manfredi della Gherardesca Condition Report: One creature cleanly knocked off and lacking.Condition Report Disclaimer
Lot 20
A PAIR OF GILT DECORATED EBONISED STANDS IN THE NAPOLEON III STYLE 20TH CENTURY 103cm high, 36cm wide, 36cm deep Condition Report: Good, condition, structurally secure and with slight general wear and tear. As described these are 20th century so the decoration is not old and there may be some redecoration to parts. There is slight scuffing and scratches to leading edges and legs, minor scratches to tops and most notably some scuffs to the gilding with the red bole layer visible beneath. Otherwise clean and tidy and sturdy enough to take a good weight (vase/marble etc)on top, Condition Report Disclaimer
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650806 item(s)/page