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A small collection of 20th Century Royal Crown Derby porcelain items to comprise a table bell, oval pill box, small bud vase, twin handled pedestal cup, cylindrical spill vase, and ginger jar and cover all in the 1128 Old Imari pattern, together with a small footed ovoid coal skuttle vase in the 2044 pattern, tallest 11cm. (7)
An early 20th Century Royal Worcester posy vase, Hadley shape 283, of quatrelobed form with flared collar neck, hand painted with roses between gilded borders, printed marks and date of 1908, together with a small ornate ewer, Hadley shape 221, and a fallen fruits cabinet cup and saucer by Ricketts, damaged. (3)
A 20th Century Royal Copenhagen Porcelain vase, shape 2037, of shouldered sleeve form with an everted collar neck, panel decorated with a cottage to a landscape scene, pattern number 2695, printed and painted marks, height 15cm, together with a smaller vase, shape 271 of ovoid form with shallow collar neck, hand painted with a butterfly and blossom bough over graduated blue ground, pattern 1584, height 11.5cm. (2)
A large late 19th Century Bretby cylindrical 'Long Tom' vase, impasto decorated with a scene of cattle by a shed to a landscape setting by George Leighton Parkinson, the border edges with low relief anthemion borders, incised mark to the body and impressed marks, height 95cm, damaged.
A 1930s Art Deco Myott Son & Co Odeon style vase, the stepped rectangular foot with a flared five block vase hand painted in orange, black, brown and green, printed marks, height 22cm, together with a matched shape example with stylised floral design and a similar fan shaped example with Chevron enamels, (3)
A post war Moorcroft Pottery vase of shouldered ovoid form with everted rim in the Anemone pattern, tubeline decorated with flowers and foliage over a deep blue ground, impressed and painted marks, height 18cm, together with a matched small covered ginger jar, height 10cm. (2)
A 20th Century Royal Copenhagen vase, shape 1048, of tapered ovoid form with roll rim, panel decorated with a scene of rocks to a landscape with seagulls overhead and a further panel of seagulls to the reverse, pattern number 2694, printed and painted marks, height 23cm.
A Royal Copenhagen Porcelain vase, shape 88A, of shouldered ovoid form with a shallow collar neck, decorated in the round with a mallard duck in flight over open water, pattern number 1087, printed and painted marks, height 12.5cm, together with a smaller similar vase, shape 271, of shouldered ovoid form, panel decorated with a sailing boat to open seas, pattern number 2897, height 11.5cm, printed and painted marks. (2)
An early 20th Century Royal Worcester vase of footed ovoid form with waisted collar neck, shape 302/H1154, the body hand enamelled by Kitty Blake with wild blackberries between gilded neck and foot, hand painted mark to the body, printed marks to the base, dated 1935, height 12cm.
China, small collection of blue and white porcelain, 18th century and later, comprising a bowl decorated with flowers, a U-shaped bowl with lotus scroll, a covered bowl with shou-characters and a pear-shaped vase with flower scroll h. 18 cm max./ diam. 15 cm max. Provenance : collectie Dr J.E. van der Meulen (1848-1941) [4]
China, three silver-mounted blue and white porcelain vases, Kangxi period (1662-1722)-18th century, comprising a vase painted with elegant ladies, a small floral vase and a pear-shaped jig with boy and elegant lady (all with damages and losses) h. 12,5-20 cm Provenance : collectie Dr J.E. van der Meulen (1848-1941) [3]
China, celadon-ground famille rose porcelain baluster vase, late Qing dynasty (1644-1912), decorated and gilt with a scholar and servant in a garden with birds, butterflies (one handle damages, hairline to the rim) h. 31,5 cm Provenance: Collectie Professor Ingenieur D. A. A. Koolen. [1]

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713915 item(s)/page