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FOUR EDWARDIAN MAHOGANY CORNER CHAIRS, comprising: THREE SIMILAR, with boxwood line inlays, central splat , oval padded seat and square cabriole legs, THE OTHER, with vase shaped splat and pierced side splats, bow fronts seat and cabriole legs, all covered in matching green ‘Regency’ stripe fabric, (4)
LATE NINETEENTH CENTURY FRENCH GREEN ONYX AND GILT METAL MOUNTED THREE PIECE CLOCK GARNITURE, THE CLOCK, with 3 ¼” Arabic dial and drum shaped movement, striking on a bell, housed in a case with ornate two handled vase surmounting the stepped top, vertical side handles and oblong plinth base with scroll feet, 16” (40.7cm) high, and the MATCHING PAIR OF SIDE FOUR LIGHT CANDELABRA, 17” (43.2cm) high, (3) one candelabra base with chips
IMPRESSIVE EARLY TWENTIETH CENTURY LARGE BRASS MANTLE CLOCK, the 4” Arabic dial powered by an eight day drum shaped movement striking on a bell, housed in an ornate case cast with lion masks and scroll work, surmounted by a two handled vase and raised on a moulded plinth base with scroll feet central angelic mask cartouche, 24" (61cm) high
A Turner blue-dip jasper two-handled urn, circa 1800, sprigged in white with classical scenes including 'The Drunken Silenus', beneath a Greek Key border, un-marked, 29cm high; and a Wedgwood blue-dip Jasper miniature vase and cover, late 19th century, 12.5cm high Provenance: The Oxborrow Collection. Cf. Edwards & Hampson, English Dry-Bodied Stoneware (1998), fig. 311, p. 187 for similar shapes as regards the first vase.
A rare S. Greenwood of Fenton black basalt classical urn, circa 1775, the shoulder with an oakleaf band above ram's masks suspending swags, indistinctly marked .........WOOD, 24.5cm high; and another larger black basalt classical urn, probably Palmer or Neale, 35cm high Provenance: The Oxborrow collection. See Diana Edwards, Black Basalt (1994), p.163, fig. 233 for the pair to the Greenwood vase now in the British Museum and according to the author thought to be the only marked example by this manufacturer and were it not for that piece, Greenwood would be unknown as a maker.
A good quality heavy tulip shaped Benares brass Vase and Cover, the lid with figure of an Indian God, the main body profusely decorated with animals and figures on circular base, approx. 74cms (29"); together with a pair of 19th Century attractive engraved Middle Eastern Benares brass bulbous Bowls on octagonal bases profusely decorated with animals and flowers, each approx. 26cms (10")h. (3)
An attractive embossed silver Tea Caddy, with lid, decorated with figures in a classical landscape; a fine embossed silver Box of shaped outline, the pierced lid profusely decorated with a wedding scene, and a silver Bud Vase, with embossed floral decoration. A lot. (3)
A quantity of Rye pottery, including a conical shaped lamp base, vertical purple stripes with black stars and orange circles, 22cm, another with blue horizontal stripes, stars and circles, 21cm, a bottle shaped lamp vase, blue vertical stripes in the middle and red circles above and below, 18cm, plus 6 pots and 2 models of ducks. (13)
Three oil lamps, to include Duplex, white opaque upside-down bowl-shaped shade, blue ceramic reservoir with white floral decoration, brass circular column and base, 62.5cm, Duplex, blue wrythen fluted shade, blue opaque reservoir with hand-painted wading birds and water plants, brass base,no shade, 55.5cm, and Gaudard (France), transparent blue reservoir with moulded finish, brass column, square brass base with ribbon, fruit and vase decoration, no shade, 65.5cm. (3)
Four oil lamps, to include Hink's No. 2, green wrythen fluted shade, clear transparent reservoir, brass column and base in hexagonal-style shape, no chimney, 46cm, Oetzmann,vase-shaped shade with etched floral decoration, clear reservoir, brass column, black pottery base, 55cm, Matador Brenner, brass reservoir, tripod brass base, no shade, 57.5cm, and an unnamed oil lamp, cut glass reservoir, brass column, black ceramic base, no shade, 55cm. (4)
Four oil lamps, to include Hink's No.1, pink and clear glass banded globe with floral decoration, pink reservoir with hand-painted flowers, brass column and pottery base, 58cm, another Hink's oil lamp, pink and cream glass shade with etched floral decoration, pink glass reservoir with hand-painted floral decoration, gilt metal base, 56cm, a Diplex oil lamp with pink fluted glass shade and pink glass reservoir, brass base, 57cm and an unnamed oil lamp, white and pink glass reservoir and vase-shaped column with pastoral image, metal base, 79cm. (4)
A reproduction cameo glass lamp base, acid etched with a landscape, signed Galle Typ, with metal tripod mount, 36cm; a cameo glass bowl and cover, late 20th Century, leaf design in brown over a bright yellow ground, raised on four bun feet, 14cm diam; and another glass vase with gilt overlay with trailing vine design against a green ground, 31cm (3).
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650806 item(s)/page