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‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery footed vase, 1995 painted with a stylised dove with laurel branch in it's beak, in golden lustre on a tin-glaze, and another Aldermaston Pottery bowl by Alan Caiger Smith, dated 1980 painted artist mark and date code, second bowl cracked, 14.5cm. high (vase), 31cm. diam. (bowl), (2)
‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery vase and cover, 1973 shouldered twin-handled form with pierced decoration, painted with stylised brush design in ruby lustre on a burnished tin-glaze ground, printed factory mark, painted artist cipher and date mark, 1973, 23cm. high, (2) Exhibited Alan Caiger -Smith, Stoke on Trent Museums, 1985, cat. no.47.
Ruth Barrett-Dames (born 1940) and Alan Barrett-Danes (1935-2004) a porcelain box and cover, the cover modelled as a resting frog, two porcelain boxes by Chris Avis, a large stoneware platter, a Jonathan Adler porcelain head vase, and a collection of ceramics including Prue Cooper plate, unsigned, chip to rim of box, 9.5cm. high (a lot)
‡Sasha Wardell (born 1956) Space Bowl, circa 2015 a multi-layered porcelain bowl, the tapering body with faceted lower section, apricot, cased in white and sepia taupe, and another smaller incised SKW 14cm. high (tallest), 8.5cm. high (smaller vase), (2) Provenance Observed and Made, Sasha Wardell & Joanna Veevers, De Morgan Centre, 5th July-31st August, 2013.
An Art Nouveau Zsolnay Pecs vase, tapering cylindrical form, surface decorated with stylised grasses, in golden and green lustre, a modern Zsolnay Pecs vase covered in a green lustre glaze, a teapot and cover, a Herend hot chocolate cup, saucer and side plate painted with an exotic bird in a tree, three Zsolnay pieces, two Herend cabinet cups and saucers and a collection of ceramics main vase, unsigned, chip to top rim, 22cm. high (a lot)
A modern glass vase after the design by Josef Hoffmann, swollen cylindrical form, decorated with black foliate and geometric panels, a modern Series B wine glass originally designed by Josef Hoffmann, decorated with geometric panels, and a Rosenthal Studi Linie glass Art Nouveau style bowl glass with printed monogram, 20cm. high (vase), (3) Provenance Kate Catleugh collection.
‡Pauleen Solven (born 1943) tall goblet,1970 made at The Glasshouse, irregular clear glass with green and orange speckled and applied band, a goblet by Annette Meech, another smaller goblet, a vase by Norman Stuart Clarke, a Mdina glass paperweight, and a small collection of glass, etched marks, 26cm. high, (a lot)
An Art Nouveau Della Robbia Pottery single-handled vase by Cassandia Annie Walker, dated 1903, the cylindrical body painted with panels of heart motif in blue, yellow and rust red, on a white ground, incised mark, date and monogram, 21.5cm. high Provenance David Coachworth and Peter Myers Collection.
A Della Robbia Pottery vase by Hannah Jones, shouldered ovoid form with flaring cylindrical neck, incised and painted with stylised foliage in green and yellow, highlighted with brown on a white ground, incised Della Robbia marks, painted HJ monogram, 25.5cm. high Provenance David Coachworth and Peter Myers Collection.
A Della Robbia Pottery Irish Clay bottle vase by J Delahunt, dated 1902, the pear shaped body with knopped neck and flaring top rim, modelled in low relief with two Art Nouveau maidens holding diaphanous scarves, dancing before the rising sun, inscribed to lower band Who Teaches Beauty Teaches Holiness, glazed in colours, incised DR Irish Clay, dated 1902 and incised signature, paper US import label and DRC collection label, restoration to top rim and knop of neck, 38.5cm. high Provenance The David Coachworth and Peter Myers Collection.
A Della Robbia Pottery bottle vase by Cassandia Annie Walker, the pear shaped body with knopped neck and flaring rim, incised and painted with three ships sailing on a calm sea before a rising sun, glazed in colours incised mark, CAW monogram and 99, DRC paper label, professional restoration to knop, 40cm. high Provenance The David Coachworth and Peter Myers Collection.
A Yoruba beadwork headdress, tapering form applied with bands of stylised birds, another bird perched on the top, on perspex stand, a Yam mask from Papua New Guinea, a Ron S Rodriguez (born 1968) cheetah with a bird painted wood sculpture with inset glass marble eyes, dated 2015, 'Little Moon' 1974 by Tadek Beutlich, a textile panel, two wooden figures, an iron articulated metal bird, two larger wooden animals, a modern Peruvian pottery vase, and a collection of tribal items, unsigned, 58cm. high (a lot)
A Moncrieff's Monart Ware glass vase, shouldered ovoid form with everted rim, mottled green glass with dark mottled rim with aventurine inclusions, a small bowl similar, a clear pale green glass vase with whorls, four other small pieces of Monart and a Whitefriars Cloudy White Lattice beaker vase, unsigned, 20.5cm. high (8)
A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with three applied handles, slip decorated with a fruiting bough, in colours on a streaked green and blue ground, a Sunflower Pottery jug with three handles, a candlestick, a mug and a pot, painted Elton, minor glaze chips, pot missing a cover 23.5cm. high (5) Provenance The David Coachworth and Peter Myers Collection.
A Sabino opalescent glass scent bottle and stopper, cast in low relief with bathing maidens, a Sabino ovoid opalescent glass scent bottle and stopper, cast in relief with overlapping petals, a 'Parfum Gemey Richard Hudnut Paris glass perfume advertising plaque, a Glasform studio PO85 glass vase by John Ditchfield , a Volupte minaudierie modelled as an evening bag, and a collection of scent bottles including large display bottles and glass, and a Meerschaum pipe, main two bottles signed Sabino, chips to Gemey plaque, 15.5cm. high (main bottle), (a lot)
A Podebrady Glassworks cut glass vase by Vladimir Zahour, cylindrical form with cut and polished geometric decoration, and a solifleur glass vase, purple cased in thick, faceted clear glass, etched monogram, 34.7cm. high (2) Literature Mark Hill, Sklo, Mark Hill Publishing, page 184 for an example illustrated.
A Mdina glass solifleur vase, flattened disc body with tapering cylindrical neck, streaked blue and pale yellow cased in clear, an Italian glass vase, square section, aubergine glass cased in orange and clear, a tall tapering orange glass vase and five other glass items, applied Mdina label, etched mark to base, 23.5cm. high (8)
A pair of press moulded glass urn shaped vases, marbled white, green and blue glass, cast on tripod base modelled as three classical birds, chained to an urn, a clear and frosted glass vase modelled as a hand offering up a flower, a purple marbled glass vase cast in low relief with figures, a pair of cut glass decanters, a Poison bottle and stopper, five other chemists bottles, and a large collection of glass mainly press moulded, various marks, minor damages, 17.5cm, high (a lot)
A Wedgwood Pottery vase and cover painted by Grace Barnsley, swollen cylindrical form, the cover with ball finial, vase and cover painted with flower stems in blue and red on a white ground, and a Wedgwood bowl dated 1912, painted with green ivy borders, impressed Wedgwood painted GB monogram and 187, bowl painted G F M monogram, 12cm. high, (3) Provenance The David Coachworth and Peter Myers Collection. Catalogue notes The Grace Barnsley monogram incorporates the 'D' denoting her married name of Davies, following her marriage to Oscar Davies in 1926.
A Carter Stabler & Adams Poole Pottery vase designed by Truda Carter, painted by Margaret Holder, pattern EP and sahe 337, painted with geometric flowers and foliage in colours impressed factory mark, incised and painted marks, artist cipher, 25cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 61 this design illustrated
An earthenware vase by Otto Lindig, hand thrown ovoid form with everted rim, covered in a streaked silver-grey and tan glaze, incised marks for Otto Lindig and his son Markus Lindig, 17.5cm high Provenance Clarice Cliff & Art Deco, Woolley and Wallis Auctioneer's 11 March 2011 lot 297. Private collection.
A C H Brannam Barum Ware jug by Frederick Braddon, dated 1904, slender, waisted cylindrical form, slip decorated with Glasgow Rose and bird motif in green and ochre on a yellow ground, a Lauder vase with applied scroll handles painted with a hummingbird amidst flowers, two Brannam vases covered in a purple glaze and a collection of ceramics, incised marks, damages 26cm. high (a lot) Provenance The David Coachworth and Peter Myers Collection.
'Hibiscus' a Moorcroft Pottery solifleur vase designed by Walter Moorcroft, tubeline decorated in green and pink on a yellow ground, another Moorcroft Pottery 'Hibiscus' vase, an 'Aquilegia' vase and two James Macintyre Aurelian Ware cups, saucers and side plates, impressed factory marks, 15.5cm. high (9)
A James Macintyre & Co Florian Ware solifleur vase designed by William Moorcroft, waisted form with fluted rim, tubeline decorated with flower stems in blue and green on a white ground, printed factory marks, painted green signature, professionally restored top rim, 19.5cm. high
'Floral Panel' a James Macintyre & Co solifleur vase designed by William Moorcroft, compressed form with tall cylindrical neck and everted, fluted top rim, tubeline decorated with panels of forget me knots, tulips and wild flowers in yellow, blue, pink and green on a white ground, the rims highlighted in gilt, printed factory marks, painted green signature, Stonier & Co, Liverpool retailers mark, 30.5cm. high
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653685 item(s)/page