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Click here to subscribeTEA-DUST-GLAZED YUHUCHUN VASE QING DYNASTY, GUANGXU MARK AND OF THE PERIOD 清光緒款及年代 茶葉末釉玉壺春瓶 the compressed globular body resting on a slightly waisted ring foot, rising to a short neck and terminating to a flared rim, covered overall in an even tea-dust glaze, the base carved with a six-character Guangxu mark in a rectangle Dimensions:29cm high
FLAMBÉ-GLAZED 'RAM-HANDLED' VASE, HU QIANLONG MARK, 19TH-20TH CENTURY 十九至二十世紀 乾隆款 窯變釉三羊開泰壺 of archaic bronze hu form with raised bands, set with three ram heads in relief on the shoulders, applied overall with a thick red glaze infused with lavender streaks, the mouth rim and widest parts of ram handles with mushroom tone, the base engraved with a six-character Qianlong mark covered with milky and brown glaze Dimensions:34.5cm high
BLUE AND WHITE 'LOTUS' BEAKER VASE, ZUN 青花蓮紋出戟尊 after the archaic bronze zun form, the flaring foot decorated with scrolling lotus rising to the globular central bulb set with four vertical undulating flanges, painted with lotus flowers and leaves bouquets, rising to a trumpet foliated mouth decorated with plantain leaves on the neck Dimensions:31.7cm high
WUCAI 'DRAGON' BOTTLE VASE MING DYNASTY 明 五彩龍紋瓶 the pear-shaped body with a reduced tall cylindrical neck, the body decorated with iron-red, green and yellow enamels depicting dragons in flight amongst floral borne on tendrils, all below a band of downward plantain leaves Dimensions:37.5cm high Provenance:Provenance: Formerly in a private English collection
LARGE DOUCAI VASE QING DYNASTY 清 鬥彩祥雲纏枝蓮紋夔耳盤口大瓶 sturdily potted on a gently flayed foot, rising to a rounded body, waisted neck and opening up to a galleried mouth, flanked on the neck with two stylised openwork kui-phoenix handles, painted on the body and neck with large scrolling lotus roundels, against the ground with colourful ruyi-head clouds Dimensions:80cm high Provenance:Provenance: Formerly in a private Dutch collection, acquired in 1980s in Belgium
BLUE AND WHITE 'DRAGON' BALUSTER VASE QING DYNASTY, 18TH-19TH CENTURY 清 青花龍紋祥雲瓶 the body painted with a four-clawed dragon amongst clouds, all between key-fret bands around the mouth rim and above the foot Dimensions:34.5cm high Provenance:Provenance: Private Scottish collection, Aberdeen; Inherited from current owner's grandfather (H. Johnson) who resided in the Castle of Fiddes. With an associated collector's label on base 'CASTLE OF FIDDES, INV. NO. 1099, B&W VASE- WATER DRAGON, CHINESE- K'ANG HSI, CIRCA 1662-1722, H. JOHNSON'.Mr Johnson was an avid collector of ceramics. According to his catalogue entry, this vase was bought on 15 Aug 1966 from Coutts.
TWO BLUE AND WHITE MEIPING VASES QING DYNASTY, 18TH-19TH CENTURY 清 青花纏枝蓮紋 及 萬曆款 花鳥紋梅瓶（共兩件） the larger vase decorated densely with lotus flower heads borne on scrolling tendrils with foliage; the smaller one painted with two birds with flowers and rockwork, the base inscribed with a four-character Wanli mark Dimensions:heights: 18.9cm and 15.7cm Provenance:Provenance: Private Scottish collection, Glasgow
TURQUOISE-GROUND FAMILLE ROSE DOUBLE-GOURD WALL VASE 粉彩松石綠地花卉紋葫蘆型壁瓶 lower larger bulb painted with a large spray of chrysanthemum with foliage, the upper smaller bulb with poppies, all against a pale turquoise ground Dimensions:16.6cm high Provenance:Provenance: Private Scottish collection, Glasgow
RED-AND-GREEN-ENAMELLED 'PHOENIX' SQUARE-SECTIONED GOURD-SHAPED VASE JIAJING MARK, 19TH-20TH CENTURY 十九至二十世紀 嘉靖款 紅綠彩鳳凰穿花紋葫蘆瓶 of double-gourd form, the lower body square-sectioned with each side painted with a phoenix in tendrils below a band of ruyi-head clouds around the shoulder, the upper gourd body further decorated with lotus in tendrils, the base inscribed with a six-character Wanli mark in underglaze blue Dimensions:23.5cm high
SUSANCAI-GLAZED 'EIGHT IMMORTALS' VASE KANGXI MARK BUT LATE QING DYNASTY TO REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 康熙款 素三彩八仙渡海瓶 帶木座 the bulbous body adorned with eight Daoist immortals riding on ruyi-head clouds crossing wavy ocean, all between a band of ruyi-head clouds and lappet on the shoulder and the neck, the base carved with a six-character Kangxi mark, with a wooden stand Dimensions:36.5cm high
GREEN-GLAZED POTTERY VASE, HU HAN DYNASTY 漢 綠釉壺 the body, shoulders, and neck are encircled by sawtooth and bow-string bands, a pair of taotie mask and fixed-ring handles, covered overall with an olive-green glaze with yellowish streaks, three spur marks on the base Dimensions:29cm high Provenance:Provenance: Priestley & Ferraro Chinese Art, 4 November 2011, with an original invoice and an associated label on base inscribed '298'.Report of Thermoluminescence Analysis (TL Test), Research Laboratory for Archaeology and the History of Art, Oxford University, the result corresponding to the stated period. With an original certificate dated 1 Oct 1996.Dr. Kenneth P. Lawley's inventory number: Cer.149/150. Note: Please note this lot will be offered with no reserve. 本拍品不設底價
PAIR OF WUCAI 'FISH AND FLOWER' MALLET VASES QING DYNASTY, KANGXI MARK, 19TH CENTURY 清 康熙款 五彩魚池紋搖鈴尊 （共兩件） each of yaoling zun (hand bell vase) form, the body painted with various types of fishes swimming in lotus ponds interspersed with lotus flowers, lotus buds and conches in between, all below a band of lappet around on the upper neck, the base inscribed with an apocryphal six-character Kangxi mark within double circles in underglaze blue Dimensions:26.3cm high each
WUCAI 'MULAN' BOTTLE VASE QING DYNASTY, 19TH CENTURY 清 五彩木蘭從軍膽瓶 the bulbous body extending to an elongated neck, the body finely painted with two cavalries, one possibly the legendary folk heroine Hua Mulan from the Northern and Southern Dynasties era, the base painted with a ding-vessel mark in iron-red Dimensions:15cm high
ORMOLU MOUNTED FAMILLE ROSE CRANE-HANDLED VASE QING DYNASTY, 19TH CENTURY 清 粉彩開光人物雙鶴耳瓶 嵌鎏金銅飾底座 the bulbous body supported on a short splayed foot, the body finely painted with figures in pavilions within two square cartouches, all below two pairs of chi-dragons on the shoulder against a floral ground, the neck flanked by a pair of crane handles underneath the foliate rim, the base with ormolu gilt bronze mount in openwork Dimensions:the vase: 41cm high; 48.5cm high including the metal base
LARGE FAMILLE ROSE 'HISTORICAL FIGURES' VASE QING DYNASTY, 19TH CENTURY 清 粉彩東吳孫權衣錦歸鄉圖大瓶 the elongated body elaborately painted with Eastern Han dynasty historical figures including the warlord Sun Quan (182 - 252), the founder of the Eastern Wu dynasty and one of the Three Kingdoms, and his military general Han Dang (died 227) returning to their home in glamorous dresses, all below a band of birds on branches surrounding the shoulder, the waisted neck further painted with small figures in household Dimensions:64.5cm high Provenance:Provenance: From an estate in St Andrews, Scotland
LARGE FAMILLE ROSE 'LADIES' VASE HONG BUYU MARK, 20TH CENTURY 二十世紀 洪步余款 粉彩十里揚州時裝人物及花卉圖大瓶 帶木座 the baluster form, one side painted with a group of ladies wearing the most fashionable costumes of the period, the reverse further painted with various flowers, inscribed and signed, the neck flanked with a pair of stylised ruyi-head handles, with a wooden stand Dimensions:57.5cm high Provenance:Provenance: Private English collection, Brighton; acquired from Ka Po Curios & Arts, Hong Kong （嘉寶古玩工藝品）on 10th March, 1995, with an original receipt stated the piece about 70 to 80 years old
LARGE FAMILLE ROSE 'FASHION LADIES' HANDLED VASE HONG BUYU MARK, 20TH CENTURY 二十世紀 洪步余款 粉彩十里揚州時裝人物圖大瓶 帶木座 the baluster form, one side painted with a group of ladies wearing the most fashionable costumes of the period, inscribed on the upper right and the reverse and signed, the neck flanked with a pair of stylised key-fret handles, with a fitted wooden stand Dimensions:57cm high Provenance:Provenance: Private English collection, Brighton; acquired from Friendship Trading Company, Hong Kong （興華工藝古玩行）on 1st July, 1995, with an original receipt stated the piece about 80 years old
LARGE BRONZE VASE XUANDE MARK BUT QING DYNASTY, 18TH-19TH CENTURY 清 宣德款 銅鑄撇口大瓶 heavily and sturdily cast, the bulbous body elegantly extending to a wide shoulder surmounted with waisted neck, terminating to an everted rim, the base cast with a six-character Xuande mark in a recessed rectangle Dimensions:29.8cm high; 7.82kg Provenance:Provenance: Private Scottish collection, Paxton House. From the collection of H.W. Robertson, Taipan for Butterfield & Swire in Shanghai then Hong Kong 1906-1912, whose son married the heiress to Paxton House in Berwickshire; thence by descent.Paxton House is situated on the banks of the River Tweed, near Berwick-upon-Tweed. Designed by John and James Adam in 1758, it is perhaps the finest example of an eighteenth-century Palladian country house in Britain and contains a pre-eminent collection of Chippendale furniture. In 1811, the Edinburgh architect Robert Reid added the largest purpose-built picture gallery in a Scottish country house.
CLOISONNÉ ENAMEL 'ARCHAISTIC' BALUSTER VASE TIANLI MARK, LATE QING DYNASTY TO REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 天利款 銅胎掐絲琺瑯仿古饕餮紋瓶 the body vividly decorated with a pink-ground band around the shoulder containing six archaistic taotie masks, the body and the neck further with six cicada lappets with stylised taotie heads against light- and dark-blue ground, the base cast with a two-character 'Tian Li' mark Dimensions:31.5cm high; 1580g Provenance:Provenance: Private Scottish collection, Paxton House. From the collection of H.W. Robertson, Taipan for Butterfield & Swire in Shanghai then Hong Kong 1906-1912, whose son married the heiress to Paxton House in Berwickshire; thence by descent.Paxton House is situated on the banks of the River Tweed, near Berwick-upon-Tweed. Designed by John and James Adam in 1758, it is perhaps the finest example of an eighteenth-century Palladian country house in Britain and contains a pre-eminent collection of Chippendale furniture. In 1811, the Edinburgh architect Robert Reid added the largest purpose-built picture gallery in a Scottish country house.
CLOISONNÉ ENAMEL VASE MEIJI PERIOD, BY OTA JIN’NOE (1858-1907) 明治 「太田造」款 銅胎掐絲琺瑯鴛鴦菊紋瓶 of oval form, decorated with a pair of mandarin ducks on water with a bunch of chrysanthemums growing on bamboo sticks against a maroon ground, silver rims, the base signed 'Ota zo' Dimensions:24.4cm high; 755g Provenance:Provenance: Private Scottish collection, Glasgow
NAMIKAWA YASUYUKI (1845-1927) FINE CLOISONNÉ ENAMEL VASE AND COVER, MEIJI PERIOD 明治 「京都並河」款 並河靖之（1845-1927）作坊製 銅胎掐絲琺瑯菊紋蓋瓶 intricately worked in colourful enamel and silver and gold wire with scattered chrysanthemums against a simulated pale yellow drip glaze over a jet-black ground, the cover similarly decorated and surmounted by a gilt chrysanthemum bud finial, the base signed with chiselled characters Kyoto Namikawa on a silver tablet, with bespoke wooden stand Dimensions:11.7cm high; 126g Provenance:Provenance: Private Scottish collection, acquired in the UK art market in the early 1980s. Note: Note: Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing more than 20 employees. Having won countless medals at national and international exhibitions, his works were sought after by the national and international collectors during his lifetime and became even more highly collectable thereafter. A comparable cloisonné enamel vase and cover, by the workshop of Namikawa Yasuyuki, with a similar design of simulated drips, albeit in celadon colour, and chrysanthemums, was sold at Bonham's New York, 19 March 2013, lot 2406. Also compare to a jar and cover by the same workshop, note the similarity of the wooden base, which might have been original, sold at Christie's New York, 18 Mar 2014, lot 555.
THREE SATSUMA VASES MEIJI PERIOD 明治 司山及豊山款 薩摩燒描金風景人物及花草紋瓶（共三件） comprising: one small vase with foliate mouth rim, the body minutely painted with various flowers, the base inscribed with a two-character 'Shizan' mark in rectangle; together with a pair of baluster vases painted with various scenes, including kannon and rakans, boys at play and birds on flowering branches, the base inscribed with a three-character 'Toyoyama' mark Dimensions:heights: 18cm and 9.3cm Provenance:Provenance: Private Scottish Collection, Moray
YABU MEIZAN (1853-1934) SATSUMA VASE, MEIJI PERIOD, CIRCA 1910 明治 約1910 藪明山底款 薩摩燒富士山景瓶 共箱 finely decorated on the slender body in enamels and gilt with a continuous landscape scene with Fuji Mountain afar and river meandering in the foreground, with small figures, houses and boats in between, all between a band of clustered chrysanthemum and peony blossoms around the mouth rim and foot, the based inscribed with a gilt seal 'Yabu Meizan' in square, with a fitted wooden stand and original tomobako, which has a sticker on the inside cover reading 'Yabu Meizan, Painter of the finest satsuma porcelain, No. 197, Naka Ni-chome, Dojima, Ocaka, Japan' Dimensions:17.8cm high Provenance:Provenance: Private English collection, London; acquired by current owner’s great-aunt Etta May Gubbins (1871-1955) during her honeymoon trip in Yokohama in 1910. Etta May Gubbins married in 1909 at Kilmallock, Ireland to Captain Burston Beresford Gubbins (1876-1929), The 13th Hussars.May Gubbins, nee May Gibson, was the eldest of the three daughters of Edmund Gibson who was born at Quernmore Park, near Lancaster in 1824, went out to New Zealand with his brother Wilson and staked a claim to about 20,000 acres of land in South Island and died at Otago in 1886.
STRAW-GLAZED BOTTLE VASE TANG DYNASTY 唐 白釉盤口橄欖瓶 heavily potted with an oval body on a short flared foot surmounted by a galleried mouth, the creamy glaze with slight pale celadon tinge covered the body stopped inconsistently above the foot revealing buff body Dimensions:30.7cm high Provenance:Provenance: Bluett & Sons Ltd., 1969 (according to collector's inventory).Dr. Kenneth P. Lawley's inventory number: Cer.39. Note: Note: A comparable but smaller oviform vase with a dish-shaped mouth, Tang dynasty, is illustrated in the catalogue of The George de Menasce Collection Part One, 1971, London: Spink & Son Ltd, pl. 21. The same vase was exhibited in the Oriental Ceramic Society, 1955, No. 192. Also compare to two smaller jars, in a more squatted form, one of straw-glazed and the other white-glazed, are illustrated in Regina Krahl, 2000, Yuegutang: A Collection of Chinese Ceramics in Berlin, Berlin: G + H Verlag, pls. 84 & 86.Please note this lot will be offered with no reserve. 本拍品不設底價
NAMIKAWA YASUYUKI (1845-1927) TWO FINE CLOISONNE ENAMEL VASES, MEIJI PERIOD 明治 「京都並河」款 並河靖之（1845-1927）作坊製 銅胎掐絲琺瑯楓樹紋及花鳥紋瓶 共箱（共兩件） one worked in silver wire and coloured enamels with a lone bird perched in a branch of red and yellow maple leaves against a bright blue ground, the foot decorated with floral lozenges, the rims silver, the base signed with chiselled characters on a silver tablet Kyoto Namikawa; the other one intricately worked in colourful enamel and gold wire with two birds perched on prunus branches and bamboo leaves against a black ground, the base signed with chiselled characters of the same mark; both with bespoke wooden stand and tomobako Dimensions:heights: 12.1cm and 23.2cm Provenance:Provenance: Private English collection, London; acquired by current owner’s great-aunt Etta May Gubbins (1871-1955) during her honeymoon trip in Yokohama in 1910. Etta May Gubbins married in 1909 at Kilmallock, Ireland to Captain Burston Beresford Gubbins (1876-1929), The 13th Hussars.May Gubbins, nee May Gibson, was the eldest of the three daughters of Edmund Gibson who was born at Quernmore Park, near Lancaster in 1824, went out to New Zealand with his brother Wilson and staked a claim to about 20,000 acres of land in South Island and died at Otago in 1886. Note: Note: Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing more than 20 employees. Having won countless medals at national and international exhibitions, his works were sought after by the national and international collectors during his lifetime and became even more highly collectable thereafter. A closely comparable cloisonné enamel small vase, by the workshop of Namikawa Yasuyuki, with the same, shape and almost identical design of a lone bird perched in a branch of red and yellow maple leaves but against a pale green ground, was sold at Bonham's New York, 24 September 2020, lot 1039.
BRONZE BEAKER VASE EDO PERIOD 江戶 銅獸面紋花觚 cast in the form of two trumpets with a bulging middle section, decorated with four stylised lion masks linked by a thin double string course Dimensions:34.5cm high; 2637g Provenance:Provenance: Gregg Baker Asian Art, 9 November 2010, with an original receipt.Dr. Kenneth P. Lawley's inventory number: M.39. Note: Please note this lot will be offered with no reserve. 本拍品不設底價
BRONZE VASE BY SEKIGUCHI SHINYA (1877- ca.1932), TAISHO-EARLY SHOWA PERIOD 関口真也（1899-約1932） 「真也刻」款 銅龍蝦紋罐 共箱 of compressed ovoid form with high shoulders, decorated with two confronting lobsters with clams and vegetation, the decoration highlighted with coloured patination and with gold inlay, chiselled on one side ' Shinya koku' (carved by Shinya), with original inscribed and sealed tomobako Dimensions:30cm diameter; 3764g Provenance:Provenance: Simon Pilling East Asian Art & Interiors, 2 November 2022, with a printed receipt.Dr. Kenneth P. Lawley's inventory number: M.73. Note: Note: Sekiguchi Shinya was born in Tokyo as the son of the celebrated metalworker Sekiguchi Ichiya (1850-1933), who himself was under the tutelage of Goto Ichijo (1791-1876). Shinya studied painting with Hashimoto Gaho (1835-1908) and exhibited at the fourth Naikoku Kangyo Hakurankai (National Industrial Exposition) in 1895.Please note this lot will be offered with no reserve. 本拍品不設底價
BRONZE HEXAGONAL VASE MEIJI PERIOD 明治 銅六角瓶 attractively cast rising from a stepped everted high foot to a compressed globular body and larger trumpet mouth, covered in warm brown patina Dimensions:31.7cm high; 4.98kg Provenance:Provenance: Joos van den Bergh, TEFAF 2022, with an associated label on base inscribed '249'. Note: Please note this lot will be offered with no reserve. 本拍品不設底價
CERAMIC FLOWER VASE BY KUSUBE YAICHI (1897-1984), SHOWA PERIOD, CA. 1960 昭和 約1960 楠部彌弌 花瓶 共箱 signed Ya, with a wooden tomobako inscribed Heigyokuyu kabin (Jasper glaze flower vase) signed Yaichi saku and sealed Dimensions:35.5cm high Provenance:Provenance: Greg Baker Asian Art, 7 November 2018, with a printed valuation document from the gallery after purchase.Exhibited: 'Diversity from Adversity: An exhibition of Japanese works of art from the 1950s and 1960s', Gregg Baker Asian Art & Brian Harkins Oriental Art, 3rd-19th November 2005, catalogue no. 2, with a copy of the catalogue.Dr. Kenneth P. Lawley's inventory number: Cer.168. Note: Note: Kusube Yaichi was born to a family of ceramic exporters in Kyoto and studied ceramics at the Ceramic Institute of Kyoto.In 1920, joined by other aspiring young ceramists, he formed the innovative group Sekidosha manifesting to create ceramics as art objects. He first exhibited at the Teiten (the Imperial Fine Art Exhibition) in 1927, the year when the ‘works of art’ section was first introduced and won the Tokusen (Speciality) prize in 1933.After serving as a judge for the Shin-Bunten (Ministry of Education New Fine Arts Exhibition) and the Nitten (The Japan Fine Art Exhibition) for many years, he became a director in 1969 and a consultant in 1974.Kusube was honoured with the Minister of Education Award in 1951 at the 7th Nitten, the Japan Art Academy Award in 1962 and both the Mainichi Newspaper Art Award and the cultural merit award in 1972. After receiving the Order of the Sacred Treasure from the government, his solo exhibition was successfully held at the Louvre (Museé Des Art Décoratifs) in Paris in 1977. Finally, the Bunka Kunshō, or Order of Cultural Merit, was conferred upon him in 1978.Having studied all kinds of ceramic techniques in Japan, China and Korea and utilising them for his creations, Kusube is regarded as one of the most important ceramic artists of the 20th century.Please note this lot will be offered with no reserve. 本拍品不設底價
SILVER-INLAID BRONZE DOUBLE-GOURD VASE GORYEO DYNASTY 高麗王朝 銅嵌銀絲蓮紋葫蘆瓶 of elegant double gourd form with extended cylindrical mouth, the larger and smaller bulbs similarly inlaid with silver wire with lotus borne on scrolling foliage, separated by a ring band below swirling pattern on the lower shoulders Dimensions:23.6cm high; 608g Provenance:Provenance: Han Collection, 1 August 2019, with a printed receipt.Dr. Kenneth P. Lawley's inventory number: M.59. Note: Note: Bronze bottles with silver wire inlay are more commonly found in kundika form, compare to several in the National Museum of Korea, all dated to the Goryeo dynasty, to name a few, see accession nos. Bongwan 2426, Deoksu 3772, and Bongwan 12484; also one in the Victoria and Albert Museum, note the similar dark tone of the patina on the bronze body, accession no. M.1189-1926. A further comparable circular covered box, dated to the 12th century, with inlaid phoenix and lotus scroll design in silver, is in the Ho-Am Art Museum, national treasure no. 171, illustrated in Goryeo Dynasty: Korea's Age of Enlightenment 918-1392, no.70, p. 216-7. A gourd-shaped gilt silver bottle of closely comparable form, dated to 12th century, is in the collection of the National Museum of Korea, no. S15081.Please note this lot will be offered with no reserve. 本拍品不設底價
BRONZE BOTTLE VASE GORYEO DYNASTY 高麗王朝 銅弦紋玉壺春瓶 of pear form, with a gently lipped rim and raised string band to the waisted neck, the raised and incised string bands repeating down the sloping shoulders and globular body Dimensions:32cm high; 1462g Provenance:Provenance: Han Collection, 10 May 2018, with an original receipt.Dr. Kenneth P. Lawley's inventory number: M.56. Note: Note: Two comparable examples in similar form, size, raised ribs as decoration, heavy in malachite patination, dated to the Goryeo dynasty, can be found in the Brooklyn Museum, accession nos. 74.159.2 and 2004.28.134; Several are also seen in the open market, including one sold at Bonham's San Francisco, 11 December 2015, lot 2475; and one at Christie's London, 11 December 2015, lot 2100.Please note this lot will be offered with no reserve. 本拍品不設底價
POTTERY BOTTLE VASE SILLA DYNASTY 新羅 陶盤口瓶 rising from a flat base to an ovoid body, slender long neck and everted dish-shaped mouth Dimensions:26.8cm high Provenance:Provenance: Frank Caro Co., 4 September 1969, with an original receipt.Dr. Kenneth P. Lawley's inventory number: Cer.41. Note: Note: A comparable earthenware bottle with thin natural ash glaze, late Unified Silla period, is in the Brooklyn Museum, accession no. 2004.28.122; Also compare to a related long necked-jar densely decorated with stamped design, Unified Silla 7th-8th century, is in The Metropolitan Museum of Art, accession no. L.2016.43.6a, b.Please note this lot will be offered with no reserve. 本拍品不設底價
POTTERY PRUNUS VASE, MAEBYEONG GORYEO DYNASTY 高麗王朝 陶梅瓶 elegantly potted with a flaring foot on flat base, rising to high shoulders, waisted small neck and galleried mouth Dimensions:27cm high Provenance:Provenance: Douglas J K Wright Ltd., 25 June 1979, with an original receipt and an associated label on base.Dr. Kenneth P. Lawley's inventory number: Cer.79. Note: Note: A highly comparable dark unglazed stoneware maebyeong, note the similarity of shape, form and proportion, Koryeo Dynasty, 10th century, is illustrated in Margaret Medley eds., 1975, Korean and Chinese Ceramics, Fitzwilliam Museum, Cambridge, pl. 7, p. 9. Also compare to an unglazed prunus vase, Goryeo Dynasty, in the National Museum of Korea, accession no. Jeung 71. Several maebyeong featuring lobed body can be found in several collections, including one in the Minneapolis Institute of Art, accession no. 2015.79.488, and the other in Portland Art Museum, accession no. 2016.117.1, and one illustrated in ibid. pl.9, p.9.Please note this lot will be offered with no reserve. 本拍品不設底價
CELADON-GLAZED BOTTLE VASE GORYEO DYNASTY 高麗王朝 青磁蓮瓣紋盤口瓶 potted on a counter-sunk foot with faceted ovoid body rising to a long waisted neck surmounted by a galleried mouth, under the neck carved with a band of petals, covered overall with a greyish green glaze Dimensions:26cm high Provenance:Provenance: Bluett & Sons, 13 June 1983, with an original receipt. The base with a label 'MacRobert Centre 1973'.Dr. Kenneth P. Lawley's inventory number: Cer.63. Note: Note: A comparable celadon-glazed bottle, decorated differently with arabesques, Goryeo Dynasty, is in the British Museum, museum no. 1911,0607.6; Also compare to a celadon-glazed faceted bottle with larger petals, Goryeo Dynasty, Percival David Foundation U.C.63.25., illustrated in Margaret Medley eds., 1975, Korean and Chinese Ceramics, Fitzwilliam Museum, Cambridge, pl. 15, pg. 12; A larger glazed stoneware bottle with comparable shape, Goryeo Dynasty, is in the Museum of Fine Arts Boston, accession no. 50.1106.Please note this lot will be offered with no reserve. 本拍品不設底價
WHITE-GLAZED COPPER-RED-DECORATED BOTTLE VASE JOSEON DYNASTY, 19TH CENTURY 朝鮮王朝 白磁釉裏紅盤口瓶 of oval form rising to a galleried mouth, decorated with two abstract splashes on each side of the body Dimensions:25.1cm high Provenance:Provenance: Pischleur, 1988, de-accessioned from a South Korean museum (according to collector's inventory).Dr. Kenneth P. Lawley's inventory number: Cer.112. Note: Note: Compare to a jar with underglaze blue decoration on crackled brownish glaze, note the highly similar shape and size, late 19th-early 20th century, is in the British Museum, registration no. 1992,0615.38. Also compare to a white porcelain octagonal bottle in underglaze copper red, Joseon Dynasty, in the National Museum of Korea, accession no. Deoksu 4136; and a double-gourd bottle vase, in underglaze blue and copper red, with a galleried mouth, Joseon Dynasty, in the abovementioned collection, accession no. Sujeong 124. Please note this lot will be offered with no reserve. 本拍品不設底價
Frank Ermschel, Ohne Titel, MischtechnikFrank Ermschel, 1957 Bochum - 2017, deutscher Maler, von 1983 - 1989 Studium der Malerei an der FH Aachen bei Prof. Christiane Maether, hier: Abstrakte Komposition mit einer Vase, Mischtechnik/Lw., 100,5 x 60 cm, verso Stempelsignatur und Nachlassstempel, o. Rahmen
Theodor Sellner, zwei große Glasvasen von 1983Theodor G. Sellner, *1947 Zwiesel, gebauchte Vase und Zylindervase, farbloses Glas mit eingeschmolzenenen farbigen Schichten, einmal mit fischartigen bzw. geflügelten Wesen, H 19/ 25 cm, am Boden diamantgeritzte Signatur und DatumSellner ist einer der Mitbegründer der Studioglasbewegung. Im Jahr 1974 entstanden erste künstlerisch gestaltete Glasobjekte, die er „vor der Lampe“, also über der offenen Flamme, fertigte. In den 1980er Jahren begann er diese Technik mit der Arbeit am Hüttenofen zu kombinieren und erhielt dafür 1988 ein Patent. Ausbildung 1961-64 an der Fachschule für Glas in Zwiesel, Studienaufenthalte in Murano bei Aldo Nason, in Mount Vernon (Ohio) bei Robert Coleman, in Corning (New York) am dortigen Corning Glass Center und in Sandefjord bei Jan Erikson. Mehrere Lehraufträge.
Theodor Sellner, große Glasvase von 1982 (kein Kratzer, feiner Faden im Inneren)Theodor G. Sellner, *1947 Zwiesel, Vase mit birnförmigem Korpus und kleiner ausladender Mündung, grünes Glas, milchig weiße Zwischenschicht mit figürlicher Darstellung, H 30 cm, am Boden diamantgeritzte Signatur und Datum, auf Wandung Kratzer.Sellner ist einer der Mitbegründer der Studioglasbewegung. Im Jahr 1974 entstanden erste künstlerisch gestaltete Glasobjekte, die er „vor der Lampe“, also über der offenen Flamme, fertigte. In den 1980er Jahren begann er diese Technik mit der Arbeit am Hüttenofen zu kombinieren und erhielt dafür 1988 ein Patent. Ausbildung 1961-64 an der Fachschule für Glas in Zwiesel, Studienaufenthalte in Murano bei Aldo Nason, in Mount Vernon (Ohio) bei Robert Coleman, in Corning (New York) am dortigen Corning Glass Center und in Sandefjord bei Jan Erikson. Mehrere Lehraufträge.
Große Xiangtuiping-Vase mit Blühpflanzen an Felsen, späte Qing/Republik-Zeit, China um 1900Porzellanvase mit Päonien und blühenden Zweigen an einem Felsen, apokryphe Yongzheng-Marke auf Boden, zwei kurze Haarrisse an der Mündung, sekundäres Bodenloch und zugehöriger Holzsockel zur Verwendung als Lampenfuß, H mit Sockel 50 cm
Drei Blauweiß-Porzellane der Qing-Zeit, China 18./19. Jh.Gu-Vase mit Blütenstauden und Singvögeln, ein Mündungsschaden restauriert und Haarriss im Boden, H 19,3 cm, tiefer Teller mit einem Arrangement aus Bambus und Päonien an Felsen, ein Haarriss im Spiegel, Dm 30,5 cm sowie ein kleiner Teller mit floralem Dekor, ein Haarriss, Dm 16,5 cm
Porzellanteller und Vase mit den Acht daoistischen Unsterblichen, Qing-Zeit, China 19. Jh.Blauweiß-Teller der Daoguang-Zeit, bemalt mit den Acht Unsterblichen auf Wolken, rückseitig fliegende Kraniche in Wolken und apokryphe Xuande-Marke, intakt, Dm 23,5 cm sowie Vase mit gleichem Motiv, gemarkt "Jin Tang Fu Ji" (Jin Tong Fu Company), Brüche der Mündung alt durch Metallklammerung restauriert, H 26 cm
Sechs feine japanische Porzellane, 18. bis 20. Jh.Zwei Imari-Teller, einmal mit durchbrochenem Korbrand, 18. & 19. Jh., Dm 28 & 22,5 cm; zwei Blauweiß-Teller mit Koi-Karpfen bzw. mit Fasan auf blühendem Baum, Dm 37,2 & 29,7 cm; Vase mit wabenförmig durchbrochener Doppelwandung und Schwertliliendekor, H mit Holzsockel, H 31 cm sowie ein Satsuma-Teller mit Gelehrten-Szene und reichem Brokatdekor, Dm 31,3 cm
Schlangenhenkelvase, Drachenteller & Etagère, Kgl. Meissen um 1900Vase mit polychromer Blumenmalerei, Schwerter vierfach durchschliffen, H 28 cm, der Teller mit Wellenrand und braunem Drachen,1. Wahl, Dm 31 cm sowie eine zweistufige Etagere mit Spalierrand Streublumen, ein Bruch der oberen Tellerfahne geklebt, 1. Wahl, H 30,5 cm, alle Teile mit Knaufschwertern
Porzellanvase mit Ziegen, signiert Jacquet & Nedonchelle, Brüssel, Mitte 19. Jh. & Amphorenvase mit mythologischer Szene u. Bronzemontur, wohl Thüringen um 1880 Vase mit viereckigem Querschnitt, abgeschrägten Ecken, ausladender Wandung und geschweiftem Goldrand auf ansteigendem Fuß, auf Schauseite Bildfeld mit Landschaft und Ziegen in feiner polychromer Malerei, verso Blumenbouquet, Gold staffiert, Reliefzier, am Boden sign., H 19,5 cm, aus der Werkstatt von Maximilien- Joseph Jacquet und Louis Nédonchelle um 1835-39 in Brüssel, nicht durchgehender Haarriss; gefußte Vase mit ovoidem Korpus mit Bronze-Attaschen und -Montur, in Kartusche mythologische Szene in polychromer Malerei, verso Blumen, Gold staffiert, in Wiener Art, am Boden Bindenschildmarke, H 35 cm
Paar Porzellan-Jardinièren mit Putten & große Milchglasvase mit Emailmalerei um 1880/1900Gebauchte, ovale Gefäße auf Rocaillefüßen, auf dem mehrfach gekniffenen Rand große Blüten und jeweils ein plastischer Putto, L 20 cm, farbig gefasst, minimale Chips an Blüte u. Ast sowie Fingern der Puttos; gefußte Vase mit konischer Wandung, Gold staffiert, auf rosafarbenem Fond Blumen und Vogel in farbiger Emailmalerei, montierte vermessingte Handhaben, H 40 cm
Porzellan-Mokka-Service für 7 Personen & Vase, Meißen, 1. Wahl, ab 1900Mokkakanne, Zuckerdose und Milchkännchen Roter Drache, Tassen mit verschiedenen Dekoren: Blauer Drache, 2 x Schwarzer Drache, Grüner Drache, Blaue Blume, Indianische Blumen und Drei Freunde, alle polychrom bemalt u. mit Goldrand, Schwertermarke, dazu zylindrische Vase auf Löwenfüßen und rundem Sockel mit geschweiftem, leicht ausladendem Rand, polychrome Blumenmalerei, H 14 cm, Schwertermarke
Sammlung Markenporzellane: Cheverny Grün, Royal Limoges & Versace und Drexler für Rosenthal studio-linieSuppenterrine, Sauciere und runde Platte, Dm 32 cm, Cheverny Grün, Goldrand, grüner Girlandendekor, Stempelmarke; Vase "Le Roi Soleil", Versace für Rosenthal studio-linie, H 19 cm; Zuckerdose "Goldfeuer", Harald Drexler für Rosenthal studio-linie, H 16 cm, Schriftzugmarke, sign.
11 Teile Porzellan Apponyi Grün, HerendPaar Zierschalen mit durchbrochener, ausladender Fahne, Dm 18 cm; paar runde Korbschalen, Dm 15,5 cm; ovale Korbschale mit Handhaben, L 28 cm; ovale gefußte Vase auf Sockel, L 22,5 cm; zwei Gebäckteller mit Handhaben, Dm 30,5/ 31,5 cm; blattförmige Deckeldose, L 13,5 cm; Einzelleuchter, H 15,5 cm und Aschenbecher, Dm 15,3 cm, Bodenmarke
5 x KA-Majolika: Hummel-König, Pferd von 1935, Heinze, Affengruppe und Kinder singend von 1949-78/ 1939-63 und Glatzle, Vase von 1956-64, Friedrich-Gronau, Hängemadonna von 1960-64 sowie Aquarell mit Karlsruher Marktplatz mit Marke der KA-Majolika ManufakturTrabendes Pferd, Entw. Lilly Hummel König, auf ovalem Sockel, rotbrauner Scherben mit grauer krakelierter Glasur, H 28 cm, L 46 cm, am Boden gemarkt, Modellnummer 4348; "3 Affen", Entw. Max Heinze, rotbrauner Scherben, türkisblau glasiert, Modellnummer 5672, H 12 cm, am Boden gemarkt; "Kinder singend", Wandrelief, Entw. Max Heinze, rotbrauner Scherben, farbig glasiert, Modellnummer 5114, H 15 cm, gemarkt; Friedegart Glatzle, Vase, ovoide Form, rot glasiert mit Goldsprengseln, H 16 cm, Modellnummer 5999, am Boden gemarkt; Lore Friedrich-Gronau, Madonna, Wandrelief, dunkelbrauner Scherben, teilglasiert, H 37 cm, Modellnummer 6770, dazu Karlsruher Marktplatz, Aquarell, 14 x 21,5 cm, monogrammiert MO, mit Marke der KA-Majolika Manufaktur, o. Rahmen
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