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A famile verte hexagonal Vase,c.1900, with panels of dignitaries and attendants, flanked by panels of dragons against a yellow ground or prunus blossom against a blue ground, between ruyi head and key fret borders, the neck with panels of figures between brocaded borders,55cm清约1900年 五彩人物故事图六方瓶
An attractive Arrow Vase,20th century, the faceted pear body with a wide ribbon at the neck and two square section handles, all under a finely and well controlled crackled glaze, of dove-grey colour, 14.3cm, anda Cosmetic Box and Cover,20th century, of low bun form under a yellow-flecked amber glaze, later incised '266',10.2cm (3)二十世纪 仿哥釉开片投壶 及胭脂盒 一组两件
Various South-East Asian Ceramics,10th century and later, a jar with a band of florets below a lotus border,a box and cover, the latter lotus-moulded around a floret, the sides with lotus petals and waterwave diaper,a Hoi An hexagonal jarlet, with peach panels of diaper and leaves,a Swankelok small vase with a band of 'noughts and crosses' and stylised flowers, andtwo other small pots,5 to 6cm (7)Provenance: From the Helen Espir Collection, Nos. 83, 102, 103, 228, 231, and 478.
Five small Jarlets,15th-17th century, an attractive vase, painted in a misty underglaze blue on the greeny-blue glaze with scrolling stylised flowers, a shouldered jarlet, in Kraak style, probably Kirman, with deer, andthree pots painted with a carp, fish scales and flowers, or stylised bud, 4.5 to 8cm (5)Provenance: The vase from the Helen Espir Collection No. 16/78, also OCS 1994, No. 181, Study Exhibition;the jarlet Espir Collection No. 17/108, OCS 1994, No. 185, Study Exhibition;the three pots Espir Collection Nos. 77, 85 and 98.
A parcel-gilt bronze Vase,possibly 18th century, of cylindrical form on circular foot, cast in low relief with butterflies, prunus and other precious objects, the neck with scrolls, the rim and foot with key frets, incised four character mark Hu Wenming zhi,10.6cm清十八世纪(可能) 铜鎏金花卉纹箸瓶 《胡文明制》篆书刻款
Three famille rose Canton enamel Dishes,18th century, one of rectangular form with octagonal rim painted with a standing beaded man looking up at two cranes in the sky with three figures, one holding a birdcage, all beside a pine tree in a rocky landscape scene, the base with seal mark bao li (precious gift), 27.2cm long,a circular dish, with upright rim painted with a seated emperor wearing a yellow robe in a terrace scene, with nine standing figures in front of two kneeling boys. 25.3cm diameter, anda circular saucer dish, painted with a seated bearded man and lady, with two attendants looking at a lady playing with a boy in front of an altar table with books, incense burner and vase of flowers, all in a lotus petal shaped panel, the underside with three dragons on a yellow ground,23.4cm diameter (3)Provenance: Formerly in a private American collection c.1960. 清十八世纪 铜胎画珐琅人物故事图盘 一组三件
A blue and white Vase,Chongzhen (1628-1644), of hexagonal section and ovoid form, painted with a man bearing a vase of arrows to another being fanned by an attendant under a willow tree, attendants behind, the shoulders with lotus, the flared foot with banana leaves and the restored neck with cogwheel fret,31cm明崇祯 青花人物故事图八方瓶A number of these vases were found on Captain Hatcher's junk dating from 1623.
A cloisonné squat Pot and Cover, c.1900, with chrysanthemum knop and a tight ground of coloured chrysanthemum, the body with diaper panels, fans, Daikoku's mallet against an ammonite scroll ground, the underside a blanket of blossom, on three short feet, with olive green interior, 6.5cm, anda small Vase, c.1900, with diaper and floral panels, stamped mark to base,12.5cm (2)
A fine gold- and silver-wire cloisonné Vase,c.1900, by Namikawa Yasuyuki or Tamura, of tall hexagonal section, each facet with a panel of a peacock or small birds over-flying or perched in brightly-flowering trees, shrubs or bamboo against of soft pastel ground reserved on karakusa scrolls and paulownia against black, complex , minutely-detailed borders, deep mouth and gilt interior, foot-rim stamped jun gin,25cm highWhile at first sight this vase is typically Namikawa, there is the possibility that it is by Tamura about whom almost nothing is known.
A famille rose footed dish, mid-19th century, enamelled with immortals, another of similar form with ladies in a garden, a large dish with three ladies under a tree and inscription, a celadon dish with flowers and insects, a dish with fledglings in prunus in underglaze blue and red, and a trumpet vase with double xi on a feather ground, four character Chenghua mark, 17.8 to 40.8cm (7)
Monochromes, a bowl with a guan-grey glaze, a brush washer with a grey-green glaze, a jarlet, crackled grey, a vase with a finely crazed, dove-grey glaze, a vase with an emerald green glaze, a cylindrical vase with ge crackled yellow-brown glaze, a vase with an emerald green, crazed body over two mask handles, a liver-red bowl with a chilong, and a tea dispenser, the cylindrical body with filter and lid and bronze dragon spigot, 5.6 to 27.5cm (11)
A monochrome blue Vase,19th century, the globular body and cylindrical neck under a finely crazed, bright blue glaze and European-mounted with six chilong bronze handles, a ruyi fringe and key fret neck, all on stylised dragon feet and with loose ring handles, now converted to a table lamp,48cm清十九世纪 蓝釉胆瓶
Guangdong stoneware, mid to late 19th century, a naturalistically modelled hawk, perched on jun glaze rockwork, its body beige and touched in white, 28cm, a figure of a bearded immortal holding a shoe in a flocculated cream-streaked blue glaze, 21cm, a Japanese vase, the irregular body crackled beneath a runny treacle and cream glaze, running over the three loop handles, impressed mark, 14cm, and a Chinese vase in Tang style, the pear body with everted mouth and all under a purple-black glaze, 16.5cm (4)
An unusual ceramic cloisonné vase, c.1875, the two panels enamelled and gilt with a garden on a ground of flowers and butterflies below a flared diapered neck, signed Kinkozan zo in red, a Kyoto vase, c.1880, the ovoid body lobed and enamelled with flowers, waves and rice, blue Shimazu mon, gilt Satsuma yaki and Tomonobu, a vase with figures and another with a river, flowers and figures, signed Michiyama seizo, 14.4 to 22cm (4)
A pair of Kyoto earthenware vases, first half of the 19th century, moulded with clouds and a dragon picked out in strong red, blue and green, signed Shoho zo, a Kutani yellow-glazed koro and cover, a plate with a green dragon on a yellow ground, a Chinese famille rose peony vase, two small dishes and a Japanese baluster vase with iron-red ho-o, and a Chinese yellow-glazed biscuit brusher washer with a chilong, 5 to 14.5cm (10)
A pair of famille rose Vases, late 19th century, enamelled with vases issuing peony, chrysanthemum, prunus, pak choi and other flowers on lacquered or bamboo vase stands, the reverse with lotus, prunus, dragonflies and insects, all against a crackled celadon ground,39cm (2)清十九世纪末 青釉粉彩花卉纹瓶 一对
Japanese porcelain vase, hexagonal form, and decorated with a temple line amongst flowering bushes, underglazed blue lozenge mark, and multiple character iron red mark with domed cover, 29cm, cracked and old repairs; a pair of Japanese Satsuma ovoid vases, decorated with cranes and flowering plants; a bottle vase with applied lizards and butterflies and flowers in cold enamels; three graduating models of cockerels; a model of a duck; and a model of a horse, (9).
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653833 item(s)/page