‡ Michael Casson (1925-2003) a stoneware vase, cylindrical form with applied and modelled geometric panels, glazed tenmoku with white translucent slip, another stoneware cylindrical vase by Michael Casson, glazed gun-metal blue to top, and another Michael Casson casserole and cover, with incised decoration, impressed seal mark, 22.5cm. high, (4) Provenance cylindrical vase purchased by the vendor at Christie's South Kensington, circa 1992. casserole and cover purchased by the vendor at Bonhams circa 1990.
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A Carter's Poole lustre vase designed by Owen Carter, tapering form with swollen neck and everted rim, covered with a ruby lustre glaze over streaked lavender and blue, incised Carter's Poole 2,1904, 20.8cm. high Provenance Cottee's Wareham, 3rd October 2000, lot 438 The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for comparable examples illustrated.
A Carter's Poole Pottery vase probably designed by Owen Carter, gadrooned, shouldered formed covered in a streaked green lustre glaze, incised Carter's Poole 1903, 27.5cm. high Provenance Cottee's auctioneer's, 3rd October 2000, lot 437. The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for comparable designs by Owen Carter.
A rare and early Carter's Poole Pottery vase probably painted by James Radley Young, flaring conical form, painted with a band of scrolling grape vine with portrait roundels of Adam and Eve flanked by grape and vine roundels, in blue and green on an off-white ground, the base rim with green band, the top rim with dash band in green, the interior well painted with a vine motif, impressed Carter's Poole, painted D and XV marks, hairline crack, 17.5cm. high Provenance The Poole Pottery Museum and Archive, Christie's South Kensington, 31st March 2004, lot 33. The Redstone Collection. Literature Poole Pottery Collector's Club, Winter 1995, page 13 this bowl listed as a recent acquisition, with an original photograph of a comparable example (possibly this bowl), illustrated in a catalogue issued in 1921.
Petite Etrangete Sous un Mur a Daum glass vase designed by Philippe Starck, designed 1988, clear rectangular glass with frosted blue cornucoppia, etched Daum Starck to side, 46cm. high Literature Clotilde Bacri Starck, Taschen, page 256 for a comparable form illustrated. Provenance Tom Watkins Collection
A fine Carter Stabler & Adams Poole Pottery twin-handled vase designed by Truda Carter and painted by Ann Hatchard, shape 437, pattern BD, shouldered cylindrical form with cylindrical neck and applied handles, painted with columns of geometric foliage in colours on a white ground, impressed factory mark, incised 437, painted artist cipher and pattern BD, 26.5cm. high Provenance The Albert Wade Collection, Sotheby's, 8th November 2002 lot 207. The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 61 this actual vase illustrated. Robert Prescott-Walker, Collecting Poole Pottery, Francis Joseph, page 63 this actual vase illustrated. Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 103 figure 99 for a comparable example illustrated. .
A Poole Pottery vase painted by Hilda Trim, pattern YE, flaring conical form, painted with geometric flowers and foliage in yellow, grey and black on a white ground, and a Poole Pottery vase pattern GPA designed by Truda Carter, impressed factory marks, painted artist ciphers, 16cm. high, (2) Provenance Doulton, Poole & Carlton Ware, Christie's South Kensington, 21st August 1998 lot 216 (GPA vase) The Redstone Collection.
A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern BR designed by Truda Carter, cylindrical shape, painted with stylised flowers and foliage in mint green, brown, grey and black on a white ground, impressed factory mark, painted artist H cipher and BR mark, 30.5cm. high Provenance Cottees Auctioneers, 12th October 2004, lot 284 The Redstone Collection.
A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern BX designed by Truda Carter, shape 970, shouldered cylindrical form, painted with stylised flowers and foliage in colours on a white ground, impressed mark, painted artists H cipher and marks, small nick to base rim, 24.5cm. high Provenance The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 this actual vase illustrated.
A Carter Stabler & Adams Poole Pottery vase painted by Ruth Pavely, pattern Y, shouldered form, painted with geometric flowers in colours on a white ground, a vase pattern ZX by Eileen Prangnell, two UE pattern vases and a small jug pattern NA by Winifred Collett, impressed factory mark, painted artist cipher, tall UE vase cracked, 12cm. high (main vase), (5) Provenance The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 for this actual tall UE vase illustrated.
A Poole Pottery vase painted by Ruth Pavely, pattern A shape 966, shouldered form painted with flowers and foliage in colours on a white ground, a Poole vase pattern VY and a pair of Poole Pottery candlesticks, pattern JY, impressed and painted marks, damage to vase and restoration to candlesticks, 25.5cm. high (4) Provenance 20th Century British Decorative Arts, Christie's South Kensington, 29th October 1998, lot 505. Phillips, sale 597 lot 504 (VY vase) The Redstone Collection.
A Carter Stabler & Adams Poole Pottery vase by Mary Brown, pattern EB designed by Truda Carter, shouldered form with twin stepped handles, painted in colours on a white ground, impressed factory mark, painted artist cipher and marks, 17.5cm. high Provenance Art Deco Ceramics, Vincent Lowe, October 1998 Battersea Antiques Fair. The Redstone Collection Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 63 for a comparable example illustrated. Poole Pottery catalogue no.6, (probably 1931, this vase design illustrated page 9.
A Poole Pottery vase by Ruth Pavely, pattern GEP designed by Truda Carter, shape no.337, swollen cylindrical form, painted in shades of green, grey and mushroom on a white ground, impressed factory marks, painted artist cipher and pattern details, stress hairlines to neck, 24.5cm. high Provenance Phillips sale 30776, lot 198 The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 for a comparable example illustrated.
A Poole Pottery vase painted by Ruth Pavely, pattern KN designed by Truda Carter, shouldered form, painted with geometric foliage panels in colours on an Alpine matt white ground, impressed factory mark, painted artist cipher and KN, 20cm. high Provenance The Martin Brothers, Charles Vyse and Ceramic Design 1860-1945, Bonham's Auctioneer's 1st March 2006, lot 51 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 60 for a comparable example illustrated.
A large Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern CR designed by Truda Carter, swollen, shouldered form with collar rim, painted with a band of stylised flowers and foliage in shades of black, grey, terracotta, mushroom and yellow, on a white ground, impressed factory mark, painted artist cipher and pattern mark, 39cm. high Provenance The Albert E Wade Collection, Sotheby's Olympia 8th November 2002, lot 237. The Redstone Collection. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 62 this pattern illustrated.
A fine Carter Stabler & Adams Poole Pottery vase designed by Truda Carter and painted by Mary Brown, shape no.916, pattern DK, shouldered, flaring form with collar rim, painted with Egyptianesque fan flowers on geometric foliage with black pillars, in colours impressed factory marks, incised 916 and painted marks, 36cm. high Provenance Christie's South Kensington, 25th August 2000 lot 268 The Redstone Collection. Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 102 figure 97 for a comparable example painted with purple flowerheads, and figure 98 for the original pattern design painted in this colourway.
A Poole Pottery charger designed by Truda Adams and painted by Ann Hatchard, pattern JC, painted to the well with a vase of stylised flowers and foliage, in colours on an off-white ground, the rim with thin bands and a broader zigzag band, impressed mark, painted JC and artist cipher, crazed, 44cm. diam. Provenance The Redstone Collection. Catalogue notes A comparable design, made as a mosaic floor, for the Carter & Company stand at the Building Trades Exhibition, 1928.
A Poole Pottery vase by Ruth Pavely, pattern LT designed by Truda Carter, tapering cylindrical form, painted with Art Deco flowers and foliage, in pink, green yellow and grey on a cream ground, impressed factory mark, painted artist swastika cipher and LT, 29cm. high Provenance John Clark, Battersea Art Deco Fair December 2001. The Redstone Collection. Exhibited Brighton Museum 1998.
A Carter Stabler & Adams Poole Pottery vase by Margaret Holder, designed by Truda Adams, shape 947, shouldered form, painted with panels of stylised flowers and foliage in shades of pink, green, mushroom and grey on a white ground, impressed mark, painted artist cipher, 31cm. high Provenance Christie's South Kensington, 20th June 2002 lot 108 The Redstone Collection.
A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, designed by Truda Adams, painted with stylised flowers and foliage in shades of mushroom, blue, grey, and black on a white ground, impressed mark, painted artists cipher, 28cm. high Provenance Christie's South Kensington, 20th June 2002 lot 102. The Redstone Collection. Literature Leslie Hayward & Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 64 this actual vase illustrated.
A Poole Pottery vase by Marian Heath, pattern NG probably designed by Truda Carter, shape 970, shouldered, flaring cylindrical form, painted with flowers and foliage in spearmint green, black and mushroom on a white ground, the shoulder with a band of geometric shapes, impressed marks, painted artist cipher and NG, professional restoration, 24cm. high Provenance James Miles, 2004. The Redstone Collection.
A Poole Pottery vase by Ruth Pavely, pattern E probably designed by Truda Carter, shape 966, painted with geometric flowers and foliage in black, grey, mushroom, blue and green on a white ground, impressed mark, painted artist cipher and E mark, 25cm. high Provenance Poole, Doulton & Carltonware, Christie's South Kensington, 20th September 2001, lot 80 The Redstone Collection.
A Poole Pottery vase designed by Truda Carter painted by Anne Hatchard, pattern BR, shape 429, shouldered form, painted with stylised flowers and foliage in shades of mint green, grey, rust and black on a white ground, impressed marks, painted pattern and artist cipher, 26cm. high Provenance The Redstone Collection. Exhibited Brighton Museum, 1998. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 69 this actual vase illustrated.
A Poole Pottery Contemporary vase designed by Alfred Read, painted by Betty Gooby, pattern FSU, waisted form with flaring top rim, painted with butterfly motif in purple and red on an Alpine matt white ground, printed factory mark, painted marks, 19cm. high Provenance The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 107 for a comparable vase.
A Poole Pottery Freeform vase designed by Alfred Read, pattern X/PW, painted with stripes in shades of purple, turquoise and yellow on an Alpine matt white ground, printed factory mark, painted pattern number, repaired top rim, 31cm. wide Provenance The Redstone Collection Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 107 for a comparable vase.
Peter Starkey (b.1945)studio pottery jar and cover, impressed marks to the foot rim, 18cm high and one other tall studio pottery salt glazed bottle vase with impressed potters mark and indistinct signature to the base, 28.5cm high (2)Condition report: Overall minimal wear, glaze and firing faults in places as expected. The lid of the pot has a chip to the underside. This is not noticeable when on display. Otherwise ok.
Collection of studio ceramics and pottery consisting of: a Mick Casson vase, 23cm high, teapot, unmarked, 12cm high, a John Pollex slipware teapot, 21cm high overall including the handles, a Sylvie Beaumont large lidded pot, 24cm high overall, an Ian Gregory bowl, unmarked, 23cm across, and one other large dish, 28cm across overall (6) Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Barbara Cass (1921-1992) studio pottery vase with iron glazed decoration on a cream ground, painted signature to the base, 22cm highCondition report: Some minor glaze/firing faults as expected. Small firing cracks, from when the piece was made. A small bruise to one side. Otherwise ok.
Joanna Howells (b.1960) collection of five pieces of glazed porcelain. 'Traces' range, large bowl, 12cm high x 20cm across, tall bowl, 13.5cm high x 15.5cm across, waisted vase, 13cm high, tea bowl, 6.5cm high x 9.5cm across, small jug, 10cm high, each with impressed potters mark or signature to the base (5)Condition report: Some crazing to the glaze. Minor glaze/firing flaws as expected. One piece has a initialled signature rather than an impressed seal mark.
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653685 item(s)/page