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Lot 509

‡ Michael Casson (1925-2003) a stoneware vase, cylindrical form with applied and modelled geometric panels, glazed tenmoku with white translucent slip, another stoneware cylindrical vase by Michael Casson, glazed gun-metal blue to top, and another Michael Casson casserole and cover, with incised decoration, impressed seal mark, 22.5cm. high, (4) Provenance cylindrical vase purchased by the vendor at Christie's South Kensington, circa 1992. casserole and cover purchased by the vendor at Bonhams circa 1990.

Lot 510

‡ Julian King-Salter (born 1954) a large amphora vase, smooth surface painted in shades of blue and green impressed seal mark, incised E24 41cm. high

Lot 512

‡ Jason Wason (born 1946) a shouldered raku vase with incised band covered in a black metallic glaze with purple lustre to neck, impressed seal mark, 33cm. high Provenance Bonhams Knightbridge, by repute Private collection.

Lot 513

‡ Robin Welch (1936-2019) a stoneware cylindrical vase, with modelled band and collar neck, painted with blue bands over ash, painted Robin Welch signature 16.5cm. high

Lot 52

A Carter's Poole lustre vase designed by Owen Carter, tapering form with swollen neck and everted rim, covered with a ruby lustre glaze over streaked lavender and blue, incised Carter's Poole 2,1904, 20.8cm. high Provenance Cottee's Wareham, 3rd October 2000, lot 438 The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for comparable examples illustrated.

Lot 526

‡ David Roberts (born 1947) a large raku vase, ovoid with flaring cylindrical neck with collar, covered to the foot with a white cracked glaze, impressed seal mark to base, stress hairlines 56cm. high Provenance Private collection.

Lot 53

A Carter's Poole Pottery vase probably designed by Owen Carter, gadrooned, shouldered formed covered in a streaked green lustre glaze, incised Carter's Poole 1903, 27.5cm. high Provenance Cottee's auctioneer's, 3rd October 2000, lot 437. The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for comparable designs by Owen Carter.

Lot 537

An Omega Workshops vase by Roger Fry, flaring low conical form, with collar rim, decorated with red lustre dashed bands on a tin-glaze, painted marks, 11.5cm. high Provenance Andrew Harriss

Lot 538

An Omega Pottery vase by Roger Fry, shouldered, cylindrical form, painted with bands of dash and cross-hatching, in red lustre on a tin-glaze unsigned, 8.5cm. high Provenance Andrew Harriss

Lot 539

An Omega Workshops vase by Roger Fry, shouldered, hexagonal section with circular aperture, on six feet, painted with geometric panels in blue and red on a tin-glaze, unsigned, 16.5cm. high Provenance Andrew Harriss

Lot 54

A rare and early Carter's Poole Pottery vase probably painted by James Radley Young, flaring conical form, painted with a band of scrolling grape vine with portrait roundels of Adam and Eve flanked by grape and vine roundels, in blue and green on an off-white ground, the base rim with green band, the top rim with dash band in green, the interior well painted with a vine motif, impressed Carter's Poole, painted D and XV marks, hairline crack, 17.5cm. high Provenance The Poole Pottery Museum and Archive, Christie's South Kensington, 31st March 2004, lot 33. The Redstone Collection. Literature Poole Pottery Collector's Club, Winter 1995, page 13 this bowl listed as a recent acquisition, with an original photograph of a comparable example (possibly this bowl), illustrated in a catalogue issued in 1921.

Lot 601

A Cenedese glass Penguin vase designed by Hans Hollerin, black glass body with applied red beak and yellow feet, etched Cenedese Hans Hollerin, 37.5cm. high Provenance Francesca, Alfies Market, London 2000. Tom Watkins Collection

Lot 602

Petite Etrangete Contre Un Mur a Daum vase designed by Philippe Starck, clear rectangular glass with frosted blue cornucoppia, unsigned, 50cm. high Provenance Tom Watkins Collection

Lot 603

Petite Etrangete Sous un Mur a Daum glass vase designed by Philippe Starck, designed 1988, clear rectangular glass with frosted blue cornucoppia, etched Daum Starck to side, 46cm. high Literature Clotilde Bacri Starck, Taschen, page 256 for a comparable form illustrated. Provenance Tom Watkins Collection

Lot 612

A Giotto ceramic three vase in a metal stand set designed by Johanna Grawunder, designed 1991, three tapering ceramic pots in white, turquoise and yellow on a wave polished and chrome stand, applied label, 40cm. wide (4) Provenance Tom Watkins Collection

Lot 65

A fine Carter Stabler & Adams Poole Pottery twin-handled vase designed by Truda Carter and painted by Ann Hatchard, shape 437, pattern BD, shouldered cylindrical form with cylindrical neck and applied handles, painted with columns of geometric foliage in colours on a white ground, impressed factory mark, incised 437, painted artist cipher and pattern BD, 26.5cm. high Provenance The Albert Wade Collection, Sotheby's, 8th November 2002 lot 207. The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 61 this actual vase illustrated. Robert Prescott-Walker, Collecting Poole Pottery, Francis Joseph, page 63 this actual vase illustrated. Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 103 figure 99 for a comparable example illustrated. .

Lot 67

A Poole Pottery vase painted by Hilda Trim, pattern YE, flaring conical form, painted with geometric flowers and foliage in yellow, grey and black on a white ground, and a Poole Pottery vase pattern GPA designed by Truda Carter, impressed factory marks, painted artist ciphers, 16cm. high, (2) Provenance Doulton, Poole & Carlton Ware, Christie's South Kensington, 21st August 1998 lot 216 (GPA vase) The Redstone Collection.

Lot 69

A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern BR designed by Truda Carter, cylindrical shape, painted with stylised flowers and foliage in mint green, brown, grey and black on a white ground, impressed factory mark, painted artist H cipher and BR mark, 30.5cm. high Provenance Cottees Auctioneers, 12th October 2004, lot 284 The Redstone Collection.

Lot 70

A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern BX designed by Truda Carter, shape 970, shouldered cylindrical form, painted with stylised flowers and foliage in colours on a white ground, impressed mark, painted artists H cipher and marks, small nick to base rim, 24.5cm. high Provenance The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 this actual vase illustrated.

Lot 71

A Carter Stabler & Adams Poole Pottery vase painted by Ruth Pavely, pattern Y, shouldered form, painted with geometric flowers in colours on a white ground, a vase pattern ZX by Eileen Prangnell, two UE pattern vases and a small jug pattern NA by Winifred Collett, impressed factory mark, painted artist cipher, tall UE vase cracked, 12cm. high (main vase), (5) Provenance The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 for this actual tall UE vase illustrated.

Lot 72

A Poole Pottery vase painted by Ruth Pavely, pattern A shape 966, shouldered form painted with flowers and foliage in colours on a white ground, a Poole vase pattern VY and a pair of Poole Pottery candlesticks, pattern JY, impressed and painted marks, damage to vase and restoration to candlesticks, 25.5cm. high (4) Provenance 20th Century British Decorative Arts, Christie's South Kensington, 29th October 1998, lot 505. Phillips, sale 597 lot 504 (VY vase) The Redstone Collection.

Lot 73

A Carter Stabler & Adams Poole Pottery vase by Mary Brown, pattern EB designed by Truda Carter, shouldered form with twin stepped handles, painted in colours on a white ground, impressed factory mark, painted artist cipher and marks, 17.5cm. high Provenance Art Deco Ceramics, Vincent Lowe, October 1998 Battersea Antiques Fair. The Redstone Collection Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 63 for a comparable example illustrated. Poole Pottery catalogue no.6, (probably 1931, this vase design illustrated page 9.

Lot 75

A Poole Pottery vase by Ruth Pavely, pattern GEP designed by Truda Carter, shape no.337, swollen cylindrical form, painted in shades of green, grey and mushroom on a white ground, impressed factory marks, painted artist cipher and pattern details, stress hairlines to neck, 24.5cm. high Provenance Phillips sale 30776, lot 198 The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 62 for a comparable example illustrated.

Lot 76

A Poole Pottery vase painted by Ruth Pavely, pattern KN designed by Truda Carter, shouldered form, painted with geometric foliage panels in colours on an Alpine matt white ground, impressed factory mark, painted artist cipher and KN, 20cm. high Provenance The Martin Brothers, Charles Vyse and Ceramic Design 1860-1945, Bonham's Auctioneer's 1st March 2006, lot 51 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 60 for a comparable example illustrated.

Lot 77

A large Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern CR designed by Truda Carter, swollen, shouldered form with collar rim, painted with a band of stylised flowers and foliage in shades of black, grey, terracotta, mushroom and yellow, on a white ground, impressed factory mark, painted artist cipher and pattern mark, 39cm. high Provenance The Albert E Wade Collection, Sotheby's Olympia 8th November 2002, lot 237. The Redstone Collection. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 62 this pattern illustrated.

Lot 78

A fine Carter Stabler & Adams Poole Pottery vase designed by Truda Carter and painted by Mary Brown, shape no.916, pattern DK, shouldered, flaring form with collar rim, painted with Egyptianesque fan flowers on geometric foliage with black pillars, in colours impressed factory marks, incised 916 and painted marks, 36cm. high Provenance Christie's South Kensington, 25th August 2000 lot 268 The Redstone Collection. Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 102 figure 97 for a comparable example painted with purple flowerheads, and figure 98 for the original pattern design painted in this colourway.

Lot 80

A Poole Pottery charger designed by Truda Adams and painted by Ann Hatchard, pattern JC, painted to the well with a vase of stylised flowers and foliage, in colours on an off-white ground, the rim with thin bands and a broader zigzag band, impressed mark, painted JC and artist cipher, crazed, 44cm. diam. Provenance The Redstone Collection. Catalogue notes A comparable design, made as a mosaic floor, for the Carter & Company stand at the Building Trades Exhibition, 1928.

Lot 82

A Poole Pottery vase by Ruth Pavely, pattern LT designed by Truda Carter, tapering cylindrical form, painted with Art Deco flowers and foliage, in pink, green yellow and grey on a cream ground, impressed factory mark, painted artist swastika cipher and LT, 29cm. high Provenance John Clark, Battersea Art Deco Fair December 2001. The Redstone Collection. Exhibited Brighton Museum 1998.

Lot 83

A Carter Stabler & Adams Poole Pottery vase by Margaret Holder, designed by Truda Adams, shape 947, shouldered form, painted with panels of stylised flowers and foliage in shades of pink, green, mushroom and grey on a white ground, impressed mark, painted artist cipher, 31cm. high Provenance Christie's South Kensington, 20th June 2002 lot 108 The Redstone Collection.

Lot 84

A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, designed by Truda Adams, painted with stylised flowers and foliage in shades of mushroom, blue, grey, and black on a white ground, impressed mark, painted artists cipher, 28cm. high Provenance Christie's South Kensington, 20th June 2002 lot 102. The Redstone Collection. Literature Leslie Hayward & Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 64 this actual vase illustrated.

Lot 85

A Poole Pottery vase by Marian Heath, pattern NG probably designed by Truda Carter, shape 970, shouldered, flaring cylindrical form, painted with flowers and foliage in spearmint green, black and mushroom on a white ground, the shoulder with a band of geometric shapes, impressed marks, painted artist cipher and NG, professional restoration, 24cm. high Provenance James Miles, 2004. The Redstone Collection.

Lot 86

A Poole Pottery vase by Ruth Pavely, pattern E probably designed by Truda Carter, shape 966, painted with geometric flowers and foliage in black, grey, mushroom, blue and green on a white ground, impressed mark, painted artist cipher and E mark, 25cm. high Provenance Poole, Doulton & Carltonware, Christie's South Kensington, 20th September 2001, lot 80 The Redstone Collection.

Lot 87

A Poole Pottery vase by Ruth Pavely, pattern AX designed by Truda Carter, shape 966, painted with geometric flowers and foliage in blue, mushroom and grey on a white ground, impressed marks, painted swastika cipher and AX, 24.5cm. high Provenance The Redstone Collection.

Lot 88

A Poole Pottery vase designed by Truda Carter painted by Anne Hatchard, pattern BR, shape 429, shouldered form, painted with stylised flowers and foliage in shades of mint green, grey, rust and black on a white ground, impressed marks, painted pattern and artist cipher, 26cm. high Provenance The Redstone Collection. Exhibited Brighton Museum, 1998. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 69 this actual vase illustrated.

Lot 98

A Poole Pottery Contemporary vase designed by Alfred Read, painted by Betty Gooby, pattern FSU, waisted form with flaring top rim, painted with butterfly motif in purple and red on an Alpine matt white ground, printed factory mark, painted marks, 19cm. high Provenance The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 107 for a comparable vase.

Lot 99

A Poole Pottery Freeform vase designed by Alfred Read, pattern X/PW, painted with stripes in shades of purple, turquoise and yellow on an Alpine matt white ground, printed factory mark, painted pattern number, repaired top rim, 31cm. wide Provenance The Redstone Collection Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 107 for a comparable vase.

Lot 1061

A SHOE SHINING KIT, OVAL FRAMED PRINT, BOXED SLIDE RULE, BOOKS, SNOOPY MIRROR, WATERFORD CRYSTAL BOWL A/F, WEST GERMAN VASE, SILVER PLATE BOWL AND JUG, ETC

Lot 1314

A LARGE COPPER COAL BUCKET AND A LARGE METAL VASE

Lot 1348

AN ASSORTMENT OF ITEMS TO INCLUDE CANDLE STICKS, A VASE AND FURTHER CERAMICS ETC

Lot 14

A ROYAL WORCESTER LIDDED GINGER JAR JAPANESQUE VASE CIRCA 1875 LIMITED EDITION NUMBER 64 OF 250

Lot 741

A LORNA BAILEY HAND PAINTED AND SIGNED VASE FANTASIA COTTAGE

Lot 744

A LORNA BAILEY HAND PAINTED AND SIGNED VASE TROPICANA

Lot 748

A MOORCROFT TRIAL VASE 6/11/18 BLACKTHORN 5 INCHES TALL

Lot 767

AN ANITA HARRIS HAND PAINTED AND SIGNED IN GOLD BEACH HUTS VASE VASE

Lot 768

AN ANITA HARRIS HAND PAINTED AND SIGNED IN GOLD BRIMSTONE VASE

Lot 868

A NUMBER OF PICTURE FRAMED AND A CERAMIC VASE

Lot 9

THREE HALLMARKED BIRMINGHAM SILVER ITEMS TO INCLUDE TWO BON BON DISHES AND A BUD VASE GROSS WEIGHT 206 GRAMS

Lot 96

A MDINA GLASS VASE WITH BLUE DETAIL

Lot 150

A LARGE COLLECTION OF BRASS ITEMS TO INCLUDE A VASE, THREE TABLE LAMP BASES, A NUMBER OF HORSE BRASSES AND CANDLESTICKS

Lot 1568

AN ASSORTMENT OF GLASS WARE TO INCLUDE TWO TRIFLE BOWLS, A VASE AND DESSERT BOWLS ETC

Lot 1669

A LARGE CERAMIC VASE AND FOUR VARIOUS TABLE LAMPS

Lot 19

AN ORIENTAL VASE MARKED TO BASE

Lot 208

FIVE PIECES OF CERAMICS TO INCLUDE TWO LARGE WEDGWOOD MUGS, A THIMBLE AND A COALPORT BUD VASE

Lot 2320

AN EARLY 20TH CENTURY OAK GATELEG DINING TABLE ON VASE COLUMN LEGS

Lot 24

A LARGE FOSSIL CERAMIC VASE (HOLE TO BASE) 44CM HIGH

Lot 255

FIVE PIECES OF WEDGEWOOD JASPERWARE TO INLCUDE A PLAQUE, TRINKET DISHES AND A BUD VASE

Lot 283

Peter Starkey (b.1945)studio pottery jar and cover, impressed marks to the foot rim, 18cm high and one other tall studio pottery salt glazed bottle vase with impressed potters mark and indistinct signature to the base, 28.5cm high (2)Condition report: Overall minimal wear, glaze and firing faults in places as expected. The lid of the pot has a chip to the underside. This is not noticeable when on display. Otherwise ok.

Lot 287

Collection of studio ceramics and pottery consisting of: a Mick Casson vase, 23cm high, teapot, unmarked, 12cm high, a John Pollex slipware teapot, 21cm high overall including the handles, a Sylvie Beaumont large lidded pot, 24cm high overall, an Ian Gregory bowl, unmarked, 23cm across, and one other large dish, 28cm across overall (6) Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

Lot 292

Barbara Cass (1921-1992) studio pottery vase with iron glazed decoration on a cream ground, painted signature to the base, 22cm highCondition report: Some minor glaze/firing faults as expected. Small firing cracks, from when the piece was made. A small bruise to one side. Otherwise ok.

Lot 297

Joanna Howells (b.1960) collection of five pieces of glazed porcelain. 'Traces' range, large bowl, 12cm high x 20cm across, tall bowl, 13.5cm high x 15.5cm across, waisted vase, 13cm high, tea bowl, 6.5cm high x 9.5cm across, small jug, 10cm high, each with impressed potters mark or signature to the base (5)Condition report: Some crazing to the glaze. Minor glaze/firing flaws as expected. One piece has a initialled signature rather than an impressed seal mark.

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