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Beazley(J.D) Attic Red-Figure Vase-Painters 1942; another copy 3 vol. including index second edition 1963; Attic Black-Figure Vase-Painters 1956; Paralipomena: additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters 1971 original cloth worn 1 spine detached some broken and loose Oxford; and c.20 others by or with contributions by Beazley including some issues of Bilder Griechischer Vasen some pamphlets v.s.(c.25)
Matheson.Polygnotos &Vase Painting in Classica Madison 1995 § Hoffmann (H.) Sotades: Symbols of Immortality on Greek Vases Oxford 1997 § Hedreen (Guy) Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art Ann Arbor 2001 § Johansen (K.Friis) The Iliad in Early Greek Art Copenhagen 1967 § Boardman (J.) Athenian Red Figure Vases: The Archaic Period 1975; Athenian Black Figure Vases 1974 § Trendall (A.D.) Paestan Pottery: A Study of the Red-figured Vases of Paestum original cloth-backed boards rubbed 1936 plates and illustrations all but the last original cloth or boards the first three with dust-jackets; and c.80 others and a quantity of pamphlets offprints etc. on Greek vases v.s. (4 boxes)
Rumpf (Andreas) Chalkidische Vasen 3 vol. including 2 plate vol. plates loose as issued in original cloth portfolios worn vol.1 lacking spine upper covers detached Berlin & Leipzig 1927 § Brown (W. Llewellyn) The Etruscan Lion Oxford 1960 § Del Chiaro (Mario A.) Etruscan Red-Figured Vase-Painting at Caere Berkeley etc. 1974 § Haynes (S.) Etruscan Civilisation Los Angeles 2000 plates and illustrations original cloth or boards the last with dust-jacket; and 13 others Etruscan art etc. some pamphlets 4to & 8vo(19)
AN 18TH CENTURY DUTCH WALNUT AND MARQUETRY BUREAU, the sloping fall all over inlaid with a vase of scrolling flowers and parrots, monkeys and other beasts, within a chequered border, the interior fitted with a central cupboard door above a well flanked by four short concave fronted drawers, all above two small, two short and two long graduated drawers, on bracket feet, with all over conforming scrolling foliate marquetry, 39½" wide. See illustration
JOSEF HOFFMANN FOR WIENER WERKSTATTE, FACETTED GLASS BOWL, CIRCA 1910, the circular blue glass body with facetted sides, etched mark, 17cm across; A FACETTED BLUE GLASS VASE, AFTER JOSEF HOFFMANN, 9.5cm high; and a FACETTED PALE AMETHYST GLASS VASE, AFTER JOSEF HOFFMANN, baluster form, 15cm high (3)
DAGOBERT PECHE FOR WIENER WERKSTATTE, FOOTED GLASS VASE, MADE BY OERTEL - HAIDA, 1919-20, amethyst glass overlaid with white glass and cut with star motifs (small chip to foot rim), 23cm high, Literature: Neuwirth, Walter `Wiener Werkstatte, Avantgarde, Art Deco, Industrial Design`,1984, p.169. Note: This is one of only 11 examples made
KEITH MURRAY FOR STEVENS & WILLIAMS, `ROYAL BRIERLEY` GLASS VASE, bottle green glass with slender body with flared rim and twin applied handles, etched mark, 25cm high; and another `ROYAL BRIERLEY` GLASS VASE BY KEITH MURRAY, the bottle green glass body of slender baluster form with applied foot, etched mark, 28cm high (2)
KEITH MURRAY FOR STEVENS & WILLIAMS, `ROYAL BRIERLEY` CUT GLASS VASE, clear glass with swollen cylindrical body and applied foot, cut to the rim with bands of stylised leaves and with loved facets to the base, etched mark, 20cm high; and another clear glass vase, possibly `ROYAL BRIERLEY` GLASS VASE BY KEITH MURRAY, the clear glass body of tapering form with applied foot, cut to the rim with stylised leaves and to the body with allover spheres, 30cm high; and a LARGE CUT GLASS BOWL, with stylised leaf banding to the rim, 24cm diameter (3)
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653833 item(s)/page