There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA LATE 19TH CENTURY BOHEMIAN CRANBERRY GLASS VASE of tapering cylindrical form, the central applied oval panel painted with a portrait of a young girl within profuse gilt foliate scrolls, raised on a short knopped stem and circular foot. 33cm(h) Some wear, minor bites to foot rim, appearance of pitting to foot, viewing advised.
A LATE 19TH CENTURY GREEN GLASS VASE having a flared rim and long cylindrical neck with applied oval panel painted with a portrait of a woman in opulent attire, over the bulbous basel section and short spreading stem and circular foot 29.5cm(h) Chip to underside of rim, the body once profusely decorated in gilt, remains can be seen in the right light.
A LARGE GILT METAL MOUNTED URN or vase, having a finial topped domed cover and ovoid body with applied caryatid handles, the tapering body decorated throughout with foliate scrolls finishing with a pierced collar and gilt metal knop, on a spreading circular base with foliate capped feet. 78cm(h) A reproduction, crackle glazed, viewing advised.
AN ARTS AND CRAFTS COPPER TWO-HANDLED VASE, late 19th century, in the manner of John Pearson, of cylindrical form with rolled rim, a central band of embossed foliate decoration and applied tapering loop handles, unmarked. 23cm(h) Some denting mainly to foot rim otherwise commensurate with age and use.
A 19TH CENTURY CHINESE FAMILLE ROSE VASE of baluster form decorated with panels of figures and blossoms, the neck and shoulder with applied gilt lizards and dogs of foe, unmarked. 45.5cm(h) Chip to lobed and everted rim, some wear to decoration and gilding, damage to one lizard and to tail of one dog, crack to base, some glaze imperfections.
A 20TH CENTURY JAPANESE PORCELAIN VASE of baluster form, decorated throughout in polychrome with panels, bands of foliage, stylised animals and designs, on a short flared circular foot, painted character marks to base. 30cm(h) x 20cm(d) Some wear but generally good, possibly missing cover.
A PAIR OF LARGE AND IMPRESSIVE JAPANESE ARITA IMARI FLOOR VASES Meiji period, of baluster form with flared and ruffled rim over a band of circular motifs, the neck and body decorated in polychrome enamels with panels of figures, members of the high samurai on horseback and chrysanthemum rich landscapes, all against the iron-red ground with gilt foliate embellishment, painted (Kanji) six character marks to base. 109cm(h) Each vase with stapled/riveted repairs to flared rims, enamel losses to decoration also, viewing advised.
A PAIR OF CHINESE BLUE AND WHITE VASES of shouldered cylindrical form with short neck and rim, the body decorated with shaped oval panels of flowers and furniture against a cracked ice and prunus ground, painted Qing Kangxi type six character marks to base. (Ta Ch~ing K~ang-Hsi nian chih). 31cm(h) Imperfections throughout including rim, one vase with chip to base rim.
A Japanese Satsuma earthenware diminutive vase with silver collar and domed cover, by Enami, Meiji period, the baluster body painted and gilt with variously shaped figural panels, reserved against a ground of simulated spiralling brocade, gilt and black signature to base, height approx 11.5cm.
A Japanese Kutani porcelain baluster vase and cover, early 20th Century, painted with chrysanthemum and bamboo, together with a Kutani basket, a Japanese porcelain tyg with enamelled decoration and a Chinese blue and white export porcelain tankard, Qianlong period, of barrel form (faults).
A Chinese famille noir porcelain rouleau vase, mark of Kangxi but late 19th Century, the body painted with blossoming prunus branches on a black ground beneath a green and black key fret rim, pseudo six character mark in underglaze blue to base, height approx 40cm (crack to body). Provenance: the Ronald A. Lee Collection, Sotheby`s, London, 28 November 2001, Lot 279.
A Chinese Kangxi style famille verte baluster vase, 20th Century, painted with figural panels against a powder blue ground, height approx 35cm, together with a blue and white porcelain bottle vase, modern, painted with lotus and scrolling tendrils and an iron red ground vase of square tapering section decorated with ornamental pheasant and flowers.
A Chinese cloisonné enamel moonflask vase, mark of Qianlong but 20th Century, each side inset with a celadon jade oval panel, probably 18th Century, each pierced and carved with a bird amongst lotus, the enamel body, flared neck and foot decorated with Buddhistic emblems on a turquoise ground, flanked by a pair of gilt metal elephant mask and loose jade ring handles, incised pseudo four character mark to base, height approx 31.5cm.
A Japanese mixed-metal inlaid bronze vase by Nogawa, Meiji period, the ovoid body finely worked with two cranes, incised signature of Hidekuni, Nogawa mark to base, height approx 8.5cm, together with a pair of Japanese bronze vases, Meiji period, each slender baluster body applied with a beetle, height approx 13.5cm (minor faults).
A Japanese cloisonné enamel jar and cover, Meiji period, possibly from the Namikawa Studio, the swollen octagonal body finely worked with eight blue ground panels filled with different birds amongst flowers and blossom, the pale brown borders filled with vari-coloured foliate mon and silver wire scrolling tendrils, on four short feet, unsigned, height approx 23cm (some faults and repairs). Note: this jar and cover is accompanied by a handwritten note inscribed `The cloisonné vase gained the national prize in 1890, it was fired 14 June and has no flaw, no crack in it`, dated 3/3/37.
A Chinese famille rose vase, 20th Century, the cylindrical body enamelled with battle scenes of warriors on horseback, height approx 29cm (chipped to base), together with a collection of other Oriental porcelain, including two Canton jars and covers, a famille rose oval dish, two Samson koros and a Yixing stoneware teapot (some faults).
A Japanese Satsuma earthenware vase by Kinkozan, Meiji period, the ovoid body painted with a panel of a cockerel and chicken amongst blossoming branches, opposing a panel of birds perched amongst wisteria branches, reserved against a blue ground with gilt overlaid decoration, iron red and gilt signature to base, height approx 20cm (some rubbing to gilt).
An impressive Japanese Satsuma silver overlaid earthenware vase by Kinkozan, Meiji period, the compressed globular body finely painted and gilt with a band of colourful butterflies in flight, within silver overlaid borders of swirling foliage, impressed signature to base, height approx 15cm (restored neck).
A Japanese Satsuma earthenware bottle vase by Kinkozan, Meiji period, the compressed globular body painted with a pheasant amongst blossoming branches, within blue borders with overlaid gilt decoration, impressed signature to base, height approx 15cm (minor rim restoration and gilt rubbing).
A Japanese Satsuma earthenware vase, Meiji period, of serpentine sided tapering form, painted with opposing figural scenes flanked by smaller bird panels, against a simulated brocade ground on ruyi head feet, iron red signature to base, height approx 15cm (restoration), together with two smaller Satsuma earthenware vases.
A Chinese blue and white porcelain cong vase, Kangxi period, each side painted with a rectangular panel depicting a coastal landscape with a moulded key fret border, underglaze blue artemisia leaf mark to base, height approx 13cm, bearing gilt BADA label to base (chips and fritting).
A Korean blue and white porcelain bowl of steep sided circular form painted with flowers and foliage, together with a Chinese sang-de-boeuf glazed circular censer, 20th Century, moulded with lion mask and ring handles and a blue and white baluster vase painted with cranes and foliage.
A Chinese celadon glazed brush pot, mark of Yongzheng but 20th Century, the cylindrical body moulded with scrolling lotus and tendrils, a similarly decorated celadon glazed octagonal double gourd vase, a crackle glazed censer, a sang-de-boeuf glazed vase and a blue glazed vase (some minor faults).
A Wedgwood pale blue jasperware cylindrical spill vase, 20th Century, typically sprigged in white with classical figures beneath a band of foliate scrollwork, impressed factory marks to base, together with a group of ceramics, including a Continental porcelain part tea service relief moulded with lily of the valley, a pair of bisque heart shaped wall plaques and a Royal Copenhagen rectangular dish decorated with Waterloo Bridge (faults and repairs).
A Royal Winton pale green glazed breakfast set, 1930s, with pink rosebud moulded finials and handles, comprising a tray fitted with a teapot and cover, cup, jug, sugar bowl and toast rack, together with a small Royal Worcester blush ivory flatback jug, a Kerr Worcester Parian jug, a small bisque doll and a Royal Crown Derby vase (faults).
A pearlware pottery plate, late 18th Century, printed in underglaze blue with a chinoiserie figure holding a parasol within a scroll and diaper band and a blue edged feathered rim, unmarked, diameter approx 25cm, together with a group of other mostly pearlware items, including a large circular Hornblower pattern bowl, attributed to Dudson, a Turner type vase, a Davenport basket stand with pierced rim and a saucer printed with the Boy on a Buffalo pattern (faults and restoration).
A yellow ground Staffordshire pottery jug with silver lustre detail, early 19th Century, printed to each side in black with a circular landscape view (cracked), an `Opaque China` vase with removable divided liner decorated in Imari colours with shaggy flowers, pattern No. `53`, possibly Minton (restored) and a group of other English pottery and porcelain including a Grainger, Lee & Co. Worcester spill vase (riveted) and a black basalt coffee pot and cover (faults and restoration throughout).
A graduated pair of Kosta clear glass bowls, each of gentle oval shape with cut cross design to the exterior, an hexagonal shaped Kosta glass vase, an ovoid shaped Kosta glass vase, two Orrefors clear glass vases and two Orrefors clear glass flowerhead shaped bowls, engraved factory marks to bases, some with original applied paper labels.
A Derek Davis ovoid shaped stoneware vase, covered in a Chinese style peachbloom glaze, painted mark to base, height approx 11cm, together with another Derek Davis stoneware vase covered in a pale green glaze, a Usch Spettigue studio pottery spherical vase covered in a matt blue glaze, and another studio pottery vase.
Loading...
