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A Marianne de Tray porcelaneous stoneware vase of ovoid form with short neck and flared rim, with incised and hand painted decoration - triangular seal mark - sold with a small celadon glazed vase with cut decoration and a copy of the 1995 Dartington exhibition booklet
A collection of assorted 1930s vases, to include two Crown Devon cylinder vases with hand painted decoration, a Shelley Harmony ware vase of ovoid form, a Charlotte Rhead for Crown Ducal vase in the Stiches pattern, a Bursley Ware Amstel pattern Candlestick by Frederick Rhead and a Ravon lidded jar with hand painted geometric design, tallest height 18cm.
A Wedgwood green glazed vase designed by Keith Murray, of flared ribbed form, printed KM Wedgwood Etruria and Barlaston mark, height 23cm, together with a Wedgwood Matt Straw tankard with horizontal bands to the foot, printed signature marks, impressed mark, height 12cm, damage. (2)
A late 19th Century Stourbridge glass vase, the upper thistle form bowl with petal edge rim and frosted finish above a facet knopped stem and radial star cut foot, height 26.5cm, together with a pair of early Victorian Bludgeon shape decanters each with pillar cut body and slice cut shoulder below a two ring neck and spire form stopper, height 27cm. (3)
A 19th Century Bohemian glass vase of conical form, decorated with facet cut panels, cased in blue and cut with facet panels over a gilded vermicelli ground, before a bladed knop stem all raised to a circular spread foot, together with a Bohemian goblet, the bell bowl with relief enamel floral and gilt decoration over a blue ground, also a Bohemian vase with similar decoration over a green ground, tallest 18cm. (3)
A collection of Mdina glass to include two paperweights formed as seahorses, another of globe form, another domed with upper knop, a vase of squat ovoid form with everted rim, and a vase of cylinder form, all with ochre trails against the blue ground, height of tallest 17cm. (6)
An early 20th Century Burmantofts vase, of squat ovoid form with tall collar neck and everted rim, shape 1610, decorated with a deep green streak glaze over a pale green ground, impressed marks, damaged, together with an attributed to Burmantofts candlestick in graduated pale to deep blue glaze and a small unglazed Linthorpe jug in the manner of Christopher Dresser, shape 626, tallest 30cm. (3)
A collection of Mdina glass to include a free form knot, a vase of ovoid form with everted rim, a sculpture of love birds, a basket, a paperweight formed as a seahorse and another of domed form, all with ochre trails over the blue ground, some signed, height of tallest 16cm. (6)
A large 1960s Scheurich floor vase in the Koralle pattern, the cylindrical body decorated with wave lines and graduated spots below a three ring neck with brown glazed finish, pattern 288-40, height 40cm, together with a matched paler example and a smaller Scheurich vase in the Onion pattern, 285-30. (3)
A studio pottery stoneware vase by Rodney Lawrence, of tapering cylinder form with square top rim, sgraffito decorated with figures in an art studio, stamped initials and flower mark, together with similar Rodney Lawrence vase, sgraffito decorated with figured in windows, tallest height 24.5cm. (2)
A 20th Century Linthorpe Pottery vase designed by Christopher Dresser, of ovoid form with tall flared neck, shape 124, decorated with stylised white daisies over a graduated ochre to grey matte ground, stamped marks, together with a two further Linthorpe Pottery vases, the first of footed ovoid form with frilled rim and the second of shouldered ovoid form with tall collar neck, shape 1691, both with a mottled and streaky tonal brown glaze, marked to the bases, tallest height 30cm, damage. (3)
An early 20th Century Ault Pottery earthenware vase by Christopher Dresser, of squat double gourd form with tall collar neck and twin handles, decorated with a stylised polychrome foliate motif to either side over a graduated green ground, raised Ault vase mark and inscribed Dresser signature, height 17cm, together with a Burmantofts jug decorated in a blue ground with a central band of crackle effect pattern, impressed marks, height 17.5cm, damage. (2)
A collection of Mdina glass, comprising two paperweights formed as seahorses in blue, one raised to a blue base, the other blue with trailing, two other seahorses in clear, a paperweight formed as an apple and a vase of ovoid form with everted rim, height of tallest 16cm. (6)
A Gustavsberg Verkstad KAPA series vase designed by Wilhelm Kage of compressed ovoid form with incised spiral lines with a deep tonal blue glaze, impressed marks, height 9cm, together with a matched rounded square section shallow bowl and a small squat cylinder vase. (3)
A large Charlotte Rhead for Bursley Ware fruit bowl of high sided circular form, tube line decorated with stylised fruits and flowers all over a cream ground, printed mark, together with a Charlotte Rhead Jug decorated in the Tulip pattern, a 1930s Charlotte Rhead for Crown Ducal box commemorating the 1937 Coronation of Edward VIII, a Wadeheath Flaxman Ware ovoid vase with birds in flight over a floral landscape and an A. E. Grey and Co. lustre jug with a band of floral decoration in purple and red, all with printed marks, damage. (5)
A pair of 20th Century Dartington FT101 Bark vases, designed by Frank Thrower, of square section with flared neck, the body with textured relief moulded decoration, all in a clear ground, height 11cm, together with a clear crystal Sklo Union Candle wax vase, a Ravenhead Bark vase in clear crystal, a Wood Brothers Glass Cascade circular dish in blue and two other similar bark vases, tallest height 21cm. (7)
A Linthorpe Pottery vase designed by Dr Christopher Dresser, of ovoid form with flared neck and twin handles, shape 337, decorated with moulded fan motifs in a central circular panel to both sides, all in a streaky brown, green and blue glaze, inscribed Dresser signature, height 20cm.
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653685 item(s)/page