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A PILKINGTONS POTTERY BOTTLE VASE, 20th century, of swept form, painted in silver lustre with three carp swimming amidst silver lustre and red seaweed on a green shading to yellow ground, possibly by Richard Joyce, impressed P, England 2364, 7" high (Est. plus 21% premium inc. VAT) (Illustrated)
A BERNARD MOORE POTTERY VASE, c.1900, of inverted baluster form painted in ochre and shaded dark green with the "Waterfall" pattern, with turquoise "jewels" highlighted in gilt, printed mark and indistinct incised numerals (1076?), 7" high, together with Aileen Dawson's book "Bernard Moore" showing a similar vase on the front cover, and an unmarked ochre glazed pottery two handled vase, 8" high (3) (Est. plus 21% premium inc. VAT) (Part Illustrated)
A MAHOGANY LONGCASE CLOCK signed J Weston, Macclesfield, the eight day movement with anchor escapement striking on a bell, 13 1/2" arched dial with Arabic numerals, seconds dial and calendar aperture, painted moonphase to arch, the spandrels depicting female figures allegorical of the Seasons, the case with scrolled pediment and turned vase finial on turned columns, arched door flanked by columns, cut corner bead panel to base, flanked by columns on ogee bracket feet, 93 1/4" high (Est. plus 21% premium inc. VAT)
A MAHOGANY STICK BAROMETER by J. Valanterio & Co., Richmond, with thermometer, the brass dial with signature, exposed mercury tube, the case with turned vase finial on broken pediment, the moulded shaft chevron veneered and with stringing, the base with cistern cover, 38 3/4" high (Est. plus 21% premium inc. VAT)
A PAIR OF FRENCH BRONZE AND MARBLE CANDELABRA, 19TH C of Putto naked save for a drapery and holding a torch with vase shaped sconce in each hand, nozzles, on turned, beaded statuary marble base, 43cm hProvenance: F J McCarthy, Newark, Nottinghamshire from whom acquired by the present vendor in 1970.Although obviously influenced by the putti statuettes of Claude Michel, called Clodion (1738-1814) these models, of which several versions exist, are attributable to the Paris bronzier Andre-Antoine Ravrio (1759-1814). A pair in which the figures are running, as opposed the two other versions in which the figures are to striding or standing still, in the Residenz, Munich, is illustrated Ottomeyer (H) and P Poschel, Vergoldete Bronzen, 1986, B1, Fig 5.1.5, p325, and a pair similar to the present examples in the Wallace Collection, London is illustrated in the Catalogue of Furniture, 1996, vol III, Nop 253, Figs 152-3 Complete and in good condition with some natural accretion of dust and polish. Patina slightly rubbed, torches complete and undamaged, one slightly bent/loose. Plinths original with much dirt
A collection of Finish art glass, designed by Pentti Sarpaneva for Oy Kumela and Turun Hopea, to include an amethyst tinted slab or square section vase, the gilt metal rim stamped Tunturi, and an amber tinted mug, the cast metal mount applied with integral handle containing holes for fingers, etc., and two similar glasses, bearing labels for NUUTAJARVE Finland. (4)
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653833 item(s)/page