A Chinese famille rose porcelain vase, enamelled in colours, a scene depicting two Bijin in a garden, to the other side, character script, to the base a red printed seal mark, considered to be Empire period 1920-1930, 19.5cm high, together with one other Chinese porcelain vase with landscape decoration in the famille verte palette, 26.5cm high (2)Condition Report: The smaller one with Bijin figures – two cracks visible on the inside, restoration to the outside and difficult to see, the other vase – blemishes to the the body from manufacturing and wear / loss to gilding on the neck handles, minor paint loss to painted landscape.
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A Chinese Qing Dynasty sang-de-boeuf porcelain vase of bulbous form, shaped rim, considered to be 18th century, 22cm highCondition Report: There are manufacturing blemishes, particularly noticeable around the inner neck, there are ‘star cracks’ visible on the inside, there is also a glaze dribble inside, to the outside there are quite a few fine scratches to the glaze, deep enough to catch with your fingernail.Provenance – comes from a private vendor, they have quite a collection of Oriental ceramics, of which some have come in for auction, we hope for more items in the future. They have been collecting for decades.
Mills & Co. A late Victorian silver pair of boat form salts, Birmingham 1891, and pair of condiment spoons, cased, together with; a silver sugar sifting ladle, silver fiddle pattern spoon, silver bud vase, silver thimble, silver handled pie slice, an d three silver trophy cups, weighable silver: 215g
*MILDRED BENDALL (1891-1977) Still life study a black tea or coffee pot, a blue and white spotted vase, a pale blue vase, a train ticket and other items on a sideboard, with a mirror reflecting the items behind, Atelier stamp verso, oil on canvas, 52cm x 63cm Provenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
WILLIAM DE MORGAN (1839-1917): A LUSTRE GLAZED 'FISH' VASE of baluster form, the body all-over decorated with fish against a scrolling background, the interior rim with lustrous silver/blue glaze, inscriptions to base obscured by two applied circular paper labels, one reading "£4.4s" in pencil, the second "Sold D. Maude-Roxby" in the same hand, the price label with a later inscription in ballpoint pen "W. Morris, Chelsea 1932", 23.5cm high. Provenance: Given the information above, presumably purchased from Morris & Co., London, 1932, by D. Maude Roxby for £4-4/-
*JOHN PIPER (1903-1992) FOR FULHAM POTTERY: A large vase decorated with a stylised female figure in profile, arm outstretched to pluck a petal from a sunflower, on a multicolour ground with bold brushstrokes, the base signed "John Piper, VIII/82, Fulham Pottery", 30cm highProvenance: Dan Klein Decorative Arts, LondonPrivate family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
E. HOPE BEARDMORE FOR BERNARD MOORE: A FLAMBE BOWL the interior decorated with a central heraldic rooster standing on a branch before a rising sun, with bands of geometric and foliate decoration, the base with painted marks, 20.5cm diameter; together with a small Bernard Moore flambe vase of baluster form, with repeating foliate decoration, 14cm high (2) Provenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
A HOWSONS FLAMBE VASE of baluster form, the base with painted marks "Howsons 1912", 23.5cm high; together with two Royal Doulton flambe vases, one with a splashed glass, 14cm high, the other with a shipping scene, 10.5cm high (3)Provenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE POTTERY: A SMALL GLOBE AND SHAFT VASE signed "Dresser" to base, impressed number partly obscured by glaze, 11cm high; together with a Royal Doulton Art Union of London vase of baluster form with blue glaze, impressed marks to base and incised marks for Ethel Beard, 22.5cm high; and a Poole Pottery pin dish of circular form, 10cm diameter (3) Provenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
MOORCROFT: A LARGE BALUSTER VASE 'AFTER THE STORM' designed by Walter Moorcroft, limited edition number 98/200, tube-lined and painted with a landscape design with dark storm clouds in the background, signed and dated "16.VI.98" to the underside, impressed factory marks and other painted marks, 52cm high
ASSORTED PAINTINGS & PRINTS including PAUL PETER PIECH three linocut prints - pair of Welsh dragon presentations prints on pink card, inscribed 'Pen-y-Bont, Ars Gratis Ars in Wales, Presented to...' (one of the pair then inscribed Harri Webb '93), 42 x 29cms, together with a two colour linocut on white card 'Sony Pen-y-Bont' signed and dated 1995, 35 x 25cms, LAURIE WILLIAMS mixed media - titled verso 'Greek Odyssey with Vase', signed, 20 x 19.5cms and LESLEY KERMAN oil on wood - entitled verso 'The Owl, The Clock or The Lighthouse', 16 x 15cms (5 total)Provenance: estate of Carys and William (McClure) Brown, William Brown being Scottish-Canadian (1953-2008). William Brown lived in Wales from 1990 to his death and was part of the Welsh arts community.Comments: Piech prints: slight marks to white card example, Laurie Williams: framed and glazed, Lesley Kerman: unframed
6 x oriental items inc Republic period Buddha figure with hand painted decoration (11cm), antique blanc de chine dog of foo / fu figure (13cm), teapot with 6 firing marks & red seal character to base, dragon decorated baluster vase etc Condition reportvase & figure & teapot lid and spout a/f
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